Diane Burko

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Diane Burko
Burko in her studio, 2016. Paintings "Arctic Melting, July 2016 (After NOAA)" and "Arctic Melting, July 2016 (After NASA)" are hung on the studio wall in the background.
Born1945 (1945)
NationalityAmerican
EducationSkidmore College; Graduate School of Fine Arts at the University of Pennsylvania
Known forPainting, Photography
Diane Burko adds finishing touches to her 2021 painting "Unprecedented."

Diane Burko (born 1945

Bucks County, Pennsylvania.[1] Her work addresses landscape, climate change and environmental activism.[2]

Biography

External videos
video icon "Serendipity plays a big role in my life. Things just get connected, and I'm always standing back and saying, 'Wow. How did that happen?'", Science History Institute, 2013
video icon "Diane Burko, Painter" by John Thornton

Diane Burko was born in Brooklyn, New York in 1945. Burko received a B.S. in art history and painting from Skidmore College in 1966, and an M.F.A. from the University of Pennsylvania in 1969. She is professor emeritus at the Community College of Philadelphia,[3] and has taught at various schools across the country such as Princeton University, Arizona State University and the Pennsylvania Academy of the Fine Arts.[4] She has served on the College Art Association board of directors.[5]

Burko was the founder of FOCUS, Philadelphia Focuses on Women in the Visual Arts, a two-month-long all city festival in 1974.[6]

Work

Burko's work has been shown at Locks Gallery, Cindy Lisica Gallery, LewAllen Gallery, Tufts University, the Michener Museum, the Bernstein Gallery at Princeton University,[7] Rowan University Art Gallery,[8] Walton Arts Center,[9] Zimmerli Art Museum, the Tang Museum,[10] the National Academy of Sciences,[11] the American University Museum[12] in Washington, D.C., and the Royal Academy of Arts in London, UK.[13]

Burko's early work consisted of drawings and paintings of iconic American landscapes such as the

glacial geology, as well as climate change.[16]

Burko depicts scientific data through visual motifs, incorporating

Henry Brecher, Dan Fagre, Ulysses S. Grant IV, Karen Holzer, Carl Key, Bruce Molnia, Sidney Paige, Tad Pfeffer, Lonnie Thompson and Bradford Washburn.[18] Judith E. Stein observes, "To my horror, I found myself adding my own mental image to each sequence, extrapolating from what [Burko] shows, thereby envisioning the next, un-depicted step in the warming process—our dystopic future."[19]

Since 2013, Burko has embarked on research expeditions to various glaciers and reefs around the world. Through these locations, Burko explores the impacts of climate change, with particular emphasis on glacial melt and coral bleaching.[11][20] In 2013, Burko traveled to Antarctica in January and the high Arctic in October. The latter was sponsored by the nonprofit organization The Arctic Circle, and was supported by a Fellowship in the Arts, awarded by The Independence Foundation in Philadelphia.[21][22][23] These expeditions led to a body of work entitled "Polar Investigations." In 2015, Burko flew from Ushuaia to El Calafate to discover the Patagonian ice field of Argentina. In 2017, her exploration of landscapes affected by climate change continued with New Zealand's Fox and Franz Josef Glacier, along with The Great Barrier Reef. This experience marked a shift in her practice from glaciers to reefs.[16]

In January 2018, Diane Burko travelled to American Samoa, Oahu, and Honolulu with the non-profit project "Kai 'Apapa," a multimedia exploration of American coral reef systems, in collaboration with climatologist Samiah Moustafa, composer/video artist Christine Southworth, and composer/clarinetist Evan Ziporyn. The project aims to raise awareness of the rapid changes to coral reef systems, and present the scientific ramifications through art and performance. The project has received a nearly $31,450 grant from the MAP Fund.[24]

Independently, Burko's recent work includes video and lenticular pieces based on footage from this expedition, alongside paintings of reefs.[11] Following the record-breaking wildfires intensified by deforestation[25] of the Amazon Rainforest in 2019, Burko has pivoted the focus of her paintings towards the Amazon Basin and the relationship between extractive industry and ecological degradation.[26]

Activism

Burko has spoken about the role of art in climate discourse at universities and conferences including the American Geophysical Union, the Geological Society of America,[27] the Atlantic Council (Washington, D.C.),[28] the Michener Museum,[29] the Zimmerli Museum,[30] The Painting Center (New York City),[31] the University of Colorado, Boulder.[32] Burko's 2018 exhibition at Rowan University was accompanied by the panel "Art and Science Perspectives on Climate Change," hosted in partnership with the School of Earth and Environment and Rowan University Art Gallery.[33]

Collections

Burko's work is in the collections of the

Frederick R. Weisman Art Museum, the Zimmerli Art Museum at Rutgers University, the Hood Museum,[36] the Tucson Museum of Art,[37] the Phillips Collection, the National Academy of Sciences, Everson Museum of Art, Montclair Art Museum, the David Owsley Museum of Art, and the Minneapolis Institute of Art.[38]

Burko was represented by Locks Gallery from 1976 through 2012.[16] From 2012 to 2019 she was represented by Cindy Lisica Gallery, where she mounted her 2016 solo exhibition, "Traces of Change."[39][40] Burko is currently working independently.[41]

Awards

In 1976, Ivan Karp offered Burko a "Dealer's Showcase" at OK Harris Gallery in New York, NY, which attracted the attention of critic David Bourdon, who reviewed her solo exhibition in The Village Voice.[42] Critics and curators who have written about Burko's work include: Lawrence Alloway, Roberta Fallon, Pat Hogan,[43] Leslie Kaufman,[44] Cate McQuaid,[45] Preston McLane,[46] Edith Newhall,[47][48][49] John Perreault,[50] Carter Ratcliff,[18] Libby Rosof,[51] Julie Sasse,[52] Amy Schlegel,[53] Ed Sozanski,[54][55][56] and Michael Tomor.[57][58]

In 1989, the Lila Wallace Reader's Digest Fund awarded Burko a grant to fund a six-month residency in Giverny, France.[59] The paintings which resulted from this residency met with positive reviews in the United States. The Washington Postpraised Burko's "distinctive approach to composition."[60]

In 1993 Burko was awarded a residency at the Rockefeller Study and Conference Center in Bellagio[61] where she painted en plein air for five weeks. This culminated in her 1994 Locks Gallery exhibition, "Luci ed Ombra di Bellagio" – "The Light and Shadow of Bellagio." Robert Rosenblum, who first took an interest in Burko's work in 1976, wrote the accompanying catalog essay.[62]

Burko has received two NEA Visual Arts Fellowships (1985, 1991);[63] two Individual Artists Grants from the Pennsylvania Council on the Arts (1981, 1989); a Lila Acheson Wallace Foundation Residence Fellowship (1989);[64] a Rockefeller Foundation Residence Fellowship (1993);[62] and the Bessie Berman $50,000 Grant, awarded by the Leeway Foundation in Philadelphia (2000).[65]

In 1996, Burko won a $200,000 Public Art commission sponsored by the Redevelopment Authority of the City of Philadelphia[66] and the Marriott Hotel.[67] The result was a three-year project: Wissahickon Reflections, which comprises over 1,400 square feet (130 m2) of paintings, with one single panel measuring 11.5 feet (3.5 m) by 32 feet (9.8 m).[68]

Burko has been an active member in the Feminist art movement. In 1974 she founded the all city festival "Focus: Philadelphia Focus on Women in the Visual Arts – Past and Present." She was awarded the WCA/CAA Lifetime Achievement Award in February 2011.[69][70] In 2019, Burko was awarded the Fleisher Founder's Award, honoring her "contributions as an artist, educator, and environmentalist" and her "commitment to providing access to the arts."[71]

References

  1. ^ "Artist Diane Burko Documents Beauty – and Depletion – of Polar Landscapes". Zimmerli Art Museum. Rutgers University. Retrieved August 12, 2013.
  2. ^ "Disappearing Glaciers, an Artist-Activist's Muse – GlacierHub". GlacierHub. December 2, 2014. Retrieved January 16, 2018.
  3. ^ "History In The Making: Celebrated Artists Come Together For The College's 50th Anniversary Art & Soul Gala To Help Fund Free Tuition Program | Community College of Philadelphia". www.ccp.edu. December 21, 2015. Retrieved September 5, 2018.
  4. OCLC 31865530.{{cite book}}: CS1 maint: others (link
    )
  5. ^ http://www.collegeart.org/pdf/caa-news-print-archive/caa-news-09-95.pdf CAA News, September/October 1995.
  6. ^ "FOCUS. Philadelphia Focuses on Women in the Visual Arts. - Social Networks and Archival Context". snaccooperative.org. Retrieved June 24, 2022.
  7. ^ "Politics of Snow II". Woodrow Wilson School of Public and International Affairs. September 1, 2013. Retrieved September 4, 2018.
  8. ^ Morales, Maria (March 2, 2018). "Environmental artist Diane Burko explores climate change in 'Vast and Vanishing'". The Whit Online. Retrieved September 4, 2018.
  9. ^ Orlove, Ben (June 7, 2017). "Walton Art Center Archives – GlacierHub". GlacierHub. Retrieved September 4, 2018.
  10. ^ "Artist Diane Burko Raises Awareness About Climate Destruction". www.healing-power-of-art.org. Retrieved September 4, 2018.
  11. ^ a b c "Endangered: From Glaciers to Reefs". www.cpnas.org. Retrieved September 4, 2018.
  12. ^ "Seeing Climate Change: Diane Burko, 2002-2021". American University. Retrieved June 24, 2022.
  13. ^ "Royal Academy Production Asset" (PDF). June 16, 2022.
  14. ^ "Diane Burko, The Per Contra Interview with Miriam N. Kotzin". www.percontra.net. Retrieved September 4, 2018.
  15. ^ "Disappearing Glaciers, an Artist-Activist's Muse – GlacierHub". GlacierHub. December 2, 2014. Retrieved September 4, 2018.
  16. ^ a b c d "Oral history interview with Diane Burko, 2016 November 4–14". www.aaa.si.edu. Retrieved September 4, 2018.
  17. OCLC 1004957218
    .
  18. ^
    ISBN 9780998456409
    .
  19. ^ "Diane Burko, The Politics of Snow". Judith E. Stein. February 1, 2010. Retrieved September 5, 2018.
  20. ^ "After years of documenting disappearing glaciers, Diane Burko shifts to barrier reefs". Philly.com. Retrieved September 5, 2018.
  21. ^ Miguel Tavares,. "View Past Recipients – Independence Foundation". Independence Foundation. Retrieved January 16, 2018.
  22. ^ Cheney, Laura Petrovich- (November 1, 2013). "Philadelphia-WCA: The Arctic Circle Residency". Philadelphia-WCA. Retrieved September 5, 2018.
  23. ^ "Diane Burko | People | INSTAAR | CU-Boulder". instaar.colorado.edu. Retrieved September 5, 2018.
  24. ^ "Kai 'Apapa: Of the Reefs (MAP 2017)". MAP Fund. May 2, 2017. Retrieved September 4, 2018.
  25. ^ Service, Purdue News. "Deforestation drove massive Amazon rainforest fires of 2019". www.purdue.edu. Retrieved June 24, 2022.
  26. ^ "'Seeing Climate Change' with artist-activist Diane Burko at American University Museum". Artblog. November 23, 2021. Retrieved June 24, 2022.
  27. ^ "Gallery reception for Diane Burko: Vast and Vanishing | Rowan Today". today.rowan.edu. Retrieved September 5, 2018.
  28. ^ Council, The Atlantic. "Art & Science: An Exhibition of Arctic Climate Change". Atlantic Council. Retrieved September 5, 2018.
  29. ^ "Diane Burko: Flow | James A. Michener Art Museum". www.michenerartmuseum.org. Retrieved September 5, 2018.
  30. ^ "Documenting climate change through art : The Pulse : WHYY". WHYY. Retrieved September 5, 2018.
  31. ^ "Shifting Ecologies". The Painting Center. Retrieved September 5, 2018.
  32. ^ "Painter and photographer Diane Burko uses art to discuss geological events". CU Independent. October 3, 2014. Retrieved September 5, 2018.
  33. ^ Lonsdorf, Tara (April 1, 2018). "Artists and scientists converge to tackle climate change in campus talk". The Whit Online. Retrieved September 5, 2018.
  34. ^ "Diane Burko – Exhibitions – Locks Gallery". www.locksgallery.com. Retrieved September 5, 2018.
  35. ^ "Bucks County Artists | James A. Michener Art Museum | Bucks County Artists". | James A. Michener Art Museum | Bucks County Artists. Retrieved September 5, 2018.
  36. ^ "Environmental Art | Hood Museum". hoodmuseum.dartmouth.edu. Retrieved September 5, 2018.
  37. ^ Salvante, Mary. "Diane Burko: Vast and Vanishing Catalog" (PDF). Rowan University Art Gallery.
  38. ^ "Encaustic Art Institute - Diane Burko Resume" (PDF). 2021.
  39. ^ "Diane Burko: Traces of Change". Houston Press. Retrieved September 5, 2018.
  40. ^ "EXHIBITIONS". Cindy Lisica Gallery. Retrieved September 5, 2018.
  41. ^ Ratcliff, Carter (November 11, 2021). "Visualizing Climate Change Through Abstract Painting". Hyperallergic. Retrieved June 24, 2022.
  42. ^ Bourdon, David, "There's a New Kid or Two in Town," Village Voice, June 1977.
  43. ^ Hogan, Pat (March 5, 2006). "Climate Control". The Philadelphia Inquirer.
  44. ^ Kaufman, Leslie (Fall 2006). "Women's Art Is Never Done". Inside.
  45. ^ McQuaid, Cate (March 19, 2006). "Touching the Void". The Boston Globe.
  46. OCLC 60379280.{{cite book}}: CS1 maint: others (link
    )
  47. ^ Newhall, Edith (February 28, 2010). "Galleries: Paintings depicting the effects of global warming". Philadelphia Inquirer.
  48. ^ "Galleries: Painter shows work in a new medium: Photography". Philly.com. Retrieved September 5, 2018.
  49. ^ Newhall, Edith. "Galleries: Visions of Iceland, the moon, and playtime". Philly.com. Retrieved September 5, 2018.
  50. OCLC 23813496
    .
  51. ^ Rosof, Libby (February 18, 2010). "Burko and Apfelbaum, Power Women at Locks".
  52. ^ Regan, Margaret. "The Boss Ditch". Tucson Weekly. Retrieved September 5, 2018.
  53. ^ "Press Release: Seeing Glacial Time" (PDF). January 30, 2014.
  54. ^ Sozanski, Edward J. (April 7, 1988). "Diane Burko at Marian Locks". The Philadelphia Inquirer.
  55. ^ Sozanski, Edward J. (October 20, 2000). "New Directions and Some New Artists". The Philadelphia Inquirer.
  56. ^ Sozanski, Ed (July 6, 2008). "Painters and watery inspiration". The Philadelphia Inquirer: Arts and Entertainment.
  57. ^ "Artists of the Commonwealth: Realism in Pennsylvania Painting | James A. Michener Art Museum". www.michenerartmuseum.org. Retrieved September 5, 2018.
  58. ^ "Art Review: Artists from state provide exciting show". old.post-gazette.com. Retrieved September 5, 2018.
  59. ^ Residence Fellowship at Giverny, Reader's Digest Foundation, April – September 1989.
  60. ^ Wilson, Janet, "Diane Burko's Lasting Impressions," The Washington Post, July 6, 1991, Illust.
  61. ^ "The Mix" (PDF). Rockefeller Study and Conference Center in Bellagio. 1993. Archived from the original (PDF) on July 1, 2010. Retrieved February 4, 2014. [verification needed]
  62. ^ a b "Diane Burko: Luci ed ombra di Bellagio – Exhibitions – Locks Gallery". www.locksgallery.com. Retrieved September 5, 2018.
  63. ^ National Endowment for the Arts Visual Arts Fellowship, 1991–92, 1985–86
  64. ^ Miguel Tavares, "View Past Recipients – Independence Foundation". Independence Foundation. Retrieved January 16, 2018.
  65. ^ Bessie Berman Grant in Painting, The Leeway Foundation, 2000.
  66. ^ Villarreal, Ignacio. "Dennis Oppenheim Public Art Project To Be Dedicated". artdaily.com. Retrieved September 5, 2018.
  67. ^ ""One Percent" Public Art Commission Awarded by the Redevelopment Authority of Philadelphia". Marriott Hotel. 1996.
  68. ^ Kasrel, Deni (May 18, 1998). "Integrating public art with city's sightseers". www.bizjournals.com. Retrieved September 5, 2018.
  69. ^ "PHILLY ARTISTS: Diane Burko's Lifetime Achievement :: Blogs :: Critical Mass :: Philadelphia City Paper". February 2, 2014. Archived from the original on February 22, 2014. Retrieved September 5, 2018.
  70. ^ "WCA Lifetime Achievement Award". www.nationalwca.org. Retrieved September 5, 2018.
  71. ^ "Celebrate Fleisher! 30th Founder's Award Honoring Diane Burko". Fleisher Art Memorial. May 2019. Retrieved July 12, 2022.

External links

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