Farnese Hercules

Coordinates: 40°51′12″N 14°15′02″E / 40.8534°N 14.2505°E / 40.8534; 14.2505
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Farnese Hercules
Museo Archeologico Nazionale, Naples

The Farnese Hercules (

Museo Archeologico Nazionale in Naples. The heroically-scaled Hercules is one of the most famous sculptures of antiquity,[5]
and has fixed the image of the mythic hero in the European imagination.

Right hand behind the back with the apples.

The Farnese Hercules is a massive marble statue, following a lost original that was

The Twelve Labours, which is suggested by the apples of the Hesperides
he holds behind his back.

The type was well known in antiquity, and among many other versions a Hellenistic or Roman bronze reduction, found at

Musée du Louvre
. A small Roman marble copy can be seen over the Museum of the Ancient Agora, Athens (see illustration).

Description

Hercules is depicted in a moment of rest, but full of strength. Leaning on his gnarled club, which is draped in the skin of the Nemean lion, he holds the golden apples stolen from the Hesperides, hiding them behind his back, in his right hand.[6]

  • Details
  • Face
    Face
  • Left arm leaning on the club
    Left arm leaning on the club
  • Right foot
    Right foot

History

The rediscovered statue quickly made its way into the collection of

Palazzo Farnese, Rome, where the statue was surrounded by frescoed depictions of the hero's mythical feats that were created by Annibale Carracci and his studio, executed in the 1590s. The Farnese statue was moved to Naples in 1787 with most of the Farnese Collection
and is now displayed in the Museo Archeologico Nazionale there.

The sculpture has been reassembled and restored by degrees. According to a letter of

Goethe
, in his Italian Journey, recounts his differing impressions upon seeing the Hercules with each set of legs, however, marvelling at the clear superiority of the original ones.

Hercules is caught in a rare moment of repose. Leaning on his knobby club which is draped with the pelt of the

Hendrik Goltzius sketched the statue in the palazzo courtyard. Later (in 1591) Goltzius recorded the less-common rear view, in a bravura engraving (illustration, right), which emphasizes the already exaggerated muscular form with swelling and tapering lines that flow over the contours. The young Rubens
made quick sketches of the planes and massing of the statue of Hercules. Before photography, prints were the only way to put the image into many hands.

The Farnese Hercules, engraved by Hendrick Goltzius, 1591, two onlookers give scale

The sculpture was admired from the start, reservations about its exaggerated musculature only surfacing in the later eighteenth century.[8] Napoleon remarked to Antonio Canova that its omission from the museum he accumulated in Paris was the most important gap in the collection. More than once, the sculpture was crated and made ready for shipment to Paris before the Napoleonic regime fled Naples.

List of other ancient copies

Musée du Louvre
)

The prominently sited statue was well liked by the Ancient Romans, and copies have been found in Roman palaces and gymnasiums: another, coarser copy stood in the courtyard of Palazzo Farnese; one with the feigned (but probably ancient) inscription "Lykippos" has stood in the court of Palazzo Pitti, Florence, since the sixteenth century. Ancient copies of the statue include:

Later copies

After rediscovery of the Farnese Hercules, copies appeared in sixteenth and eighteenth-century gardens throughout Europe. During construction of the

Wilhelmshöhe, near Kassel
, a colossal version 8.5 m high produced by Johann Jacob Anthoni, 1713–1717, has become a symbol for the city.

Versailles is a copy by Jean Cornu (1684–86). In Scotland a rare copy in lead, from the first half of the eighteenth century, is sited incongruously in the central Highlands, overlooking the recently restored Hercules Garden in the grounds of Blair Castle
. Wealthy collectors were able to afford any one of numerous bronze replicas, created in various sizes for table-top display.

The statue is shown in the 1954 film Journey to Italy along with the Farnese Bull.

A replica, titled Herakles in Ithaca, was erected in 1989 on the campus of

Ithaca, NY. The statue was a gift from its sculptor, Jason Seley, a professor of fine arts. Seley created the sculpture in 1981 out of chrome automobile bumpers.[11]

The statue has inspired artists such as Jeff Koons and Matthew Darbyshire to create their own versions in plaster and polystyrene, respectively.[12] Their use of white materials to re-create the sculpture has been interpreted by classicist Aimee Hinds as a perpetuation of colourism in classical art.[12]

A copy of the sculpture is among the ten statues adorning the front yard of the Schlossgarten in Karlsruhe, Germany.

References

Notes

External videos
video icon Lysippos, Farnese Hercules, Smarthistory[13]
  1. ^ Harry Thurston Peck, Harpers Dictionary of Classical Antiquities (1898), Glycon
  2. ^ Cast of the Farnese Hercules, c.1790 - Royal Academy of Arts
  3. ^ Bieber 1961; Robertson 1975. On the original and its copies, see Krull 1985.
  4. ^ The chronicler Ulisse Aldrovandi, 1556.
  5. ^ Haskell & Penny 1981, pp. 229–32
  6. ^ Schneider 2005, pp. 142–150
  7. ^ Haskell & Penny 1981, p. 229
  8. ^ Haskell & Penny 1981
  9. ^ Weary Herakles, Trafficking Culture, 31-Dec-2011.
  10. ^ Albardonedo Freire 1999a; Albardonedo Freire 1999b; Albardonedo Freire 2002
  11. ^ Klein, Kate (October 27, 2016). "Iconic sculpture Herakles returns to plinth, thanks to gift". Cornell Chronicle. Retrieved March 14, 2019.
  12. ^ a b Hinds, Aimee. "Hercules in White: Classical Reception, Art and Myth". The Jugaad Project. Retrieved 2020-10-22.
  13. ^ "Lysippos, Farnese Hercules". Smarthistory at Khan Academy. Archived from the original on October 16, 2014. Retrieved February 18, 2013.

Bibliography

External links

40°51′12″N 14°15′02″E / 40.8534°N 14.2505°E / 40.8534; 14.2505