King Hu

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King Hu
Born(1932-04-29)29 April 1932
Hanyu Pinyin
Hú Jīnquán
Yue: Cantonese
JyutpingWu4 Gam1-cyun4

Hu Jinquan (胡金銓, 29 April 1932 – 14 January 1997), better known as King Hu, was a Chinese film director and actor based in Hong Kong and Taiwan. He is best known for directing various wuxia films in the 1960s and 1970s, which brought Hong Kong and Taiwanese cinema to new technical and artistic heights. His films Come Drink with Me (1966), Dragon Inn (1967), and A Touch of Zen (1970–1971) inaugurated a new generation of wuxia films in the late 1960s. Apart from being a film director, Hu was also a screenwriter and set designer.[1]

Early life

Hu was born in Peiping to a well-established family originating from Handan, Hebei. His grandfather was the governor of Henan in the late Qing dynasty. His father had studied in Japan and was the owner of the local coal mine. His uncle was a high-ranking official in the Republican government. Several of his brothers held high positions in the Communist government. Hu grew up in Beijing as a child. He emigrated to Hong Kong in 1949, at first he wanted to study in the United States, but could not raise the money for tuition. He then worked for the local Voice of America in Hong Kong.[2]

Career

After moving to Hong Kong, Hu worked in a variety of occupations, such as advertising consultant, artistic designer and producer for a number of media companies, as well as a part-time English tutor. In 1958, he joined the

Chinese music and operatics
, Hu began the trend of a new school of wuxia films and his perpetual use of strong, valiant heroines.

Leaving the Shaw Brothers Studio in 1966, Hu travelled to Taiwan, where he made another wuxia movie,

cult classic, especially in Southeast Asia. This tense tale of highly skilled martial artists hidden in an inn was said to be the inspiration for Ang Lee's Crouching Tiger, Hidden Dragon (2000) and Zhang Yimou's House of Flying Daggers (2004). In 2003, the award-winning Malaysian-born Taiwanese auteur Tsai Ming-liang made Goodbye, Dragon Inn
, a tribute to Hu, in which all the action takes place during a closing cinema's last show of Dragon Inn.

Chief among the films which exemplify Hu's blend of

Strange Stories from a Chinese Studio
. The reason was that the government of South Korea would help sponsor the budgeting should he produce at least two films in the area. Both are now considered classics.

Though critically hailed, Hu's later films were less commercially successful than his first two films. After his late comedy masterpiece All the King's Men, he moved to California in the early 1980s. Late in his life, he made a brief return from semi-retirement in The Swordsman (1990) and Painted Skin (1992), but neither achieved the renown of his first two, financially successful wuxia films. Hu spent the last decade of his life in Los Angeles. He died in Taipei of complications from angioplasty.[4] At the time of his death, Hu was attached to direct The Battle of Ono, a project he had spent decades working on.[5][6] He is buried in Whittier, California.

Filmography

Personal life

Hu loved Peking Opera and was a trustee of a Peking Opera institution. He promoted many young Peking Opera pupils into the film industry, such as Jackie Chan and Sammo Hung.[7]

References

  1. ^ "King Hu, 65, Maker Of Kung Fu Films". The New York Times. January 17, 1997. Retrieved 2011-01-31.
  2. .
  3. ^ Wang, G. C. H. (2013). A Touch of Zen (Review). In Richard James Havis (Ed.) Far East Film Festival 15 Catalogo Generale (pp. 220-221). Udine: Centro Espressioni Cinematografiche.
  4. ^ Teo, Stephen (1998). "Only the Valiant: King Hu and his Cinema Opera". In Teo, Stephen (ed.). Transcending the Times: King Hu & Eileen Chan. Hong Kong International Film Festival. Hong Kong: Provisional Urban Council of Hong Kong. p. 24.
  5. ^ Weiner, Rex (1997-01-21). "King Hu". Variety. Retrieved 2024-04-12.
  6. ^ Dawtrey, Adam (1997-01-22). "Goldcrest OKs 'Ono'". Variety. Retrieved 2024-04-12.
  7. .

External links