Literature of Birmingham
The 18th century saw the town's radicalism widen to encompass other literary areas, and while Birmingham's tradition of vigorous literary debate on
Writers with roots in Birmingham have had an international influence.
The city also has a tradition of distinctive literary subcultures, from the Puritan writers who established the
Medieval and early modern literature
Little evidence remains of the culture of medieval Birmingham, but with a
The first Birmingham literary figure of lasting significance was
This culture of radical writing grew with the influx of
Literature of the Midlands Enlightenment
Birmingham during the 18th century lay at the heart of the English experience of the Age of Enlightenment, as the free-thinking dissenting tradition developed in the town over the previous century blossomed into the cultural movement now known as the Midlands Enlightenment.[17] Birmingham's literary infrastructure grew dramatically over the period. At least seven booksellers are recorded as existing by 1733 with the largest in 1786 claiming a stock of 30,000 titles in several languages.[18] Books could be borrowed from the eight or nine commercial lending libraries established over the course of the 18th century, and from more specialist research-driven libraries such as the Birmingham Library and St. Philip's Parish Library.[19] Evidence of printers working in Birmingham can be found from 1713,[15] and the rise of John Baskerville in the 1750s saw the town's printing and publishing industry achieve international significance.[20] By the end of the century Birmingham had developed a highly literate society, and it was claimed that the town's population of around 50,000 read 100,000 books per month.[18]
Regency and Victorian literature
19th century fiction
The 19th century saw the short story and the novel emerge as major features of Birmingham's literary output. A transitional figure was Catherine Hutton, the daughter of Birmingham historian William Hutton, who was first notable as a correspondent of many of the leading literary figures of the late 18th century, but who published her first novel The Miser Married in 1813. This was itself written as a series of 63 letters discussing personal, social and literary issues among the fictional correspondents,[49] and was followed by two further epistolary novels – The Welsh Mountaineers in 1817 and Oakwood Hall in 1819.[50]
The Victorian era also saw Birmingham featuring as a setting for novelists from outside the town, placing it at the forefront of the fictional representation of industrial England's major urban centres.
Crime fiction, science fiction and other genre fiction
The Victorian period also saw authors with a Birmingham background produce fiction in a far broader range of genres. Arthur Conan Doyle, the creator of the fictional detective Sherlock Holmes, started his career as a writer in Birmingham.[74] His first story "The Mystery of Sasassa Valley" was written and published in 1879 while he was working as a medical assistant in Aston, as was his second "The American's Tale", whose success led his editor to advise him to give up medicine and pursue a full-time literary career.[75] Birmingham appears in Conan Doyle's early stories as Birchespool,[76] and several of Conan Doyle's later Sherlock Holmes stories, including "The Adventure of the Stockbroker's Clerk" and "The Adventure of the Three Garridebs", have explicit Birmingham settings.[77]
The imaginative adventure novels of Max Pemberton, the Edgbaston-born son of a Birmingham brass foundry owner, sold vastly well, from The Iron Pirate of 1893, a seafaring tale of ironclad buccaneers, to The Garden of Swords, an 1899 story of the Franco-Prussian War.[82] This swashbuckling genre was also represented by the highly successful 1884 novel The Adventures of Maurice Drummore (Royal Marines) by Land and Sea, which claimed to be written by Linden Meadows and illustrated by F. Abell, though both in fact were pseudonyms of the Birmingham-born Charles Butler Greatrex.[83]
The literary output of the Canadian-born author Grant Allen, who was brought up in Birmingham from the age of 13 and attended King Edward's School,[84] was prodigious and varied even by Victorian standards.[85] The Scottish critic Andrew Lang called him "the most versatile, beyond comparison, of any man in our age".[86] Allen is best known for his best-selling but controversial 1895 novel The Woman Who Did, whose tragic plot combined support for free love with opposition to the institution of marriage, and whose success scandalised Victorian society.[87] He is also noted for innovations in detective fiction, creating independent-minded female detectives modelled on the feminist ideal of the New Woman in Miss Cayley's Adventures; and for playing with the conventions of the crime genre in An African Millionaire, where the criminal is the hero, and the short story "The Great Ruby Robbery", where the culprit turns out to be the detective investigating the crime.[88] Allen's incorporation of his own scientific preoccupations into novels such as the time travel-based The British Barbarians also made him an important early pioneer of science fiction. H. G. Wells later wrote to him, acknowledging that "this field of scientific romance with a philosophical element that I am trying to cultivate, properly belongs to you."[89]
Oscott, Newman and the Catholic literary revival
19th century poetry and drama
Although writing and, particularly, playwrighting were still not considered respectable activities for women throughout much of the period, 19th century Birmingham featured a notable concentration women poets and dramatists. Constance Naden, who was born in Edgbaston and lived most of her life in Birmingham, published two well-received volumes of poetry in the 1880s while studying science at Mason Science College. She has been celebrated as the foremost female poet to hail from Birmingham.[111] Sarah Anne Curzon was born and educated in Birmingham, where she began writing and contributing essays and fiction to periodicals at an early age.[112]
"At any one time there must be five or six supremely intelligent people on the earth," The New Yorker poetry editor Howard Moss wrote shortly after Auden's death, "Auden was one of them".[113] Auden's family roots were strongly tied to the West Midlands[114] and he grew up from the age of six months in the Birmingham area, first in Solihull and then in Harborne, the son of George Augustus Auden, the Schools Medical Officer for Birmingham City Council. Auden's early poetry carried strong social, political and economic overtones, reflecting an interest in the thought of Marx and Freud inherited from his father, but his later work was characterised by a greater interest in religious and spiritual issues.[115] The huge range of form, style and subject exhibited by his work, the variety of its outlook and its accessibility and emotional directness initially provoked scepticism amongst modernist critics who placed greater value on consistency and objectivity, but his reputation grew as modernist orthodoxy waned, and he has since increasingly come to be viewed as the first writer of the postmodern era.[116] By 2011 the American critic Edward Mendelson could write: "at the start of the twenty-first century Auden's stature had reached the point where many readers thought it not implausible to judge his work the greatest body of poetry in English of the previous hundred years or more".[116]
Birmingham remained Auden's principal home for three decades, until he left for the United States in 1939[117] (he was noted for going shopping for cigarettes in Harborne in his dressing gown)[118] and he identified with the city throughout his lifetime.[119] Birmingham also featured widely in his work. "As I Walked Out One Evening", one of his best-known early poems, moves a ballad constructed from a series of allusions to folksong and popular culture into the decidedly 20th century context of Bristol Street in Birmingham City Centre.[120] In "Letter to Lord Byron" he rejects the Lake District idyll of William Wordsworth in favour of a decisive if irony-tinged commitment to the contemporary urban landscape of the Midlands, declaring "Clearer the Scafell Pike, my heart has stamped on / The view from Birmingham to Wolverhampton"; before continuing "Tramlines and slagheaps, pieces of machinery / That was, and still is, my ideal scenery".[121] The wider influence of the city on Auden's outlook and work was noted in 1945 by the American critic Edmund Wilson who observed that Auden "in fundamental ways ... doesn't belong in that London literary world – he's more vigorous and more advanced. With his Birmingham background ... he is in some ways more like an American. He is really extremely tough – cares nothing about property or money, popularity or social prestige-does everything on his own and alone."[122]
Auden lay at the forefront of the Auden Group that dominated English poetry of the 1930s and also included the Birmingham-born Rex Warner[123] and the Birmingham-based Louis MacNeice, who had moved to the city from Oxford in 1930 to teach classics at the University of Birmingham. MacNeice's experience of Birmingham's urbanity lay behind the major advances in his poetry in the early 1930s, as his work increasingly reflected the city with the sympathetic detachment that was to become his distinctive poetic voice.[124] His 1935 collection Poems established him as one of the leading new poets of the time, being described by Cecil Day-Lewis as "in some ways the most interesting of the poetical work produced in the last two years" – a particularly significant comparison for a period that included major publications by T. S. Eliot, Auden, Stephen Spender and Day-Lewis himself.[124] As well as marking a high point in his poetic practice, MacNeice's period in Birmingham was one of domestic happiness, abruptly shattered in 1934 when his wife left him and his son to move to the United States with an American football player.[125] In response MacNeice "began to go out a great deal and discovered Birmingham. Discovered that the students were human; discovered that Birmingham had its own writers and artists who were free of the London trade-mark."[126] With his mentor E. R. Dodds leaving the city, however, he came to feel increasingly isolated and in 1936 accepted a lectureship at Bedford College, London.[124]
Early 20th century Birmingham also featured several notable poets who were not associated with the Auden circle.
Highfield and the Birmingham Group
The philosopher Ludwig Wittgenstein was also closely associated with the Highfield group: although living in Cambridge he found Birmingham's intellectual culture more outward-looking and made the city the focus of his primary social circle, being particularly close to Thomson and Bachtin, whom he visited frequently.[139] He had had earlier links with Birmingham, visiting the city regularly in the years leading up to World War I to stay with his friend David Pinsent in Selly Park. It was in Paradise Street opposite Birmingham Town Hall in 1913 that Wittgenstein had dictated the typescript that would become Notes on Logic, his first philosophical work.[140]
Also connected with Highfield were Walter Allen and John Hampson, who formed a link to the separate group of novelists and short story writers known as the Birmingham Group, which formed in 1935 after the American critic Edward O'Brien announced of "a new group of writers emerging in the Midlands, chiefly in and near Birmingham".[141] Despite their reputation as working class novelists, the Birmingham Group had the varied social backgrounds characteristic of highly socially mobile Birmingham.[141] John Hampson was born into a prosperous middle-class family impoverished by the collapse of the family business, living a chequered existence including spending time imprisoned in Wormwood Scrubs for book theft.[142] His first published novel Saturday Night at the Greyhound was set in a pub in Derbyshire but featured flashbacks to the protagonists' Birmingham backgrounds,[143] proving an unexpected success for the Hogarth Press in 1931 and bringing Hampson fame and literary friendships with Leonard and Virginia Woolf, William Plomer, John Lehmann and E. M. Forster.[144] The Woolfs published Hampson's second novel O Providence – a bleaker semi-autobiographical story of the descent into poverty of a boy born into luxury in Five Ways, written in a sparse, angular style of short unconnected sentences[145] – but they baulked at the explicit homosexual content of Go Seek a Stranger, the stylistically sophisticated portrait of the dilemmas facing a Birmingham-born homosexual man in the 1930s that is considered Hampson's finest work.[146] Hampson published two further Birmingham-set works: 1936's Family Curse and the 1939 short story Good Luck.[143] Walter Allen was born the son of a silversmith in Lozells, but went on to study at the University of Birmingham, becoming a friend of Louis MacNeice and John Hampson while an undergraduate.[147] He established himself as a successful author in the late 1930s with a series of realist novels – including Innocence is Drowned of 1938, Blind Man's Ditch of 1939 and Living Space of 1940 – set in Birmingham and depicting the political and social tensions of working class life.[148] After the war he became well known as a journalist and critic and in 1959 wrote All in a Lifetime, also set in Birmingham and his most highly regarded novel.
The most authentically working class of the Birmingham Group authors was
Despite their variety of style, purpose and genre, the writers of 1930s Birmingham from Auden through Highfield to the Birmingham Group shared some distinctive characteristics – particularly their high level of political engagement and their use of cinematic narrative techniques such as montage in their writing.[154] These were to form their greatest collective influence as, passed on through Hampson, Auden and MacNeice, they were to be adopted by Virginia Woolf and through her much of 1930s literary London.[155]
Early 20th century novelists
The best-known early to mid 20th century novelist associated with Birmingham was J. R. R. Tolkien, whose books The Hobbit and The Lord of the Rings are two of the world's four best-selling books of all time, with over 100 million[156] and over 150 million[157] copies in print respectively. Although Tolkien was born in Bloemfontein in South Africa, he later called this a "fallacious fact"[158] claiming that he "happened to be born there by accident".[159] Both of his parents were from Birmingham[160] and he was brought up in the city from the age of three, living in Sarehole – an area of Hall Green then on the semi-rural southern edge of the city – and in Moseley, Kings Heath, Edgbaston and Rednal.[161] Tolkien later remembered his time in Hall Green in particular as "the longest-seeming and most formative part of my life"[162] and numerous connections have been made between his Birmingham upbringing and features of his work: Sarehole Mill has been seen as the inspiration for the "Great Mill" of The Hobbit; Moseley Bog as the basis of the "Old Forest" of Book One of The Lord of the Rings; and the gothic brick towers of Perrott's Folly and Edgbaston Waterworks – dominating the skyline from the bedroom window of Tolkien's home in Stirling Street, Edgbaston – as the inspiration for "The Two Towers" of Book Two of The Lord of the Rings.[163]
The relationship between Birmingham and Tolkien's universe is a broader one, however. Tolkien's cultural outlook was deeply influenced by the
Another novelist to take inspiration from the landscape of the early 20th century West Midlands was
Like Tolkien, Young saw Birmingham's man-made urbanity and its mechanically driven economy as despoiling influences on the natural beauty and simple lifestyle of the rural Midlands,[170] but other writers took a less nostalgia-driven approach. Hardware: a novel in four books was written in 1914 and is recognised as the major work of the Birmingham-educated author Kineton Parkes. It is set in the Midlands town of "Metlingham", which it depicts in prodigious detail and which is very obviously based on Birmingham.[171] Parkes, like Tolkien, was influenced by the Arts and Crafts Movement[172] but his writing also reflected the urbanist values of the Civic Gospel ideology with which the movement in Birmingham was closely associated, concluding "at heart Metlingham was sound: the City and its Council… the life of the City and of its suburbs…".[173] The structure of Hardware was also innovative and progressive, reflecting the fragmentation of urban life through its division into 4 books, 40 chapters and nearly 300 sections in a form that anticipated James Joyce's later work Ulysses.[172]
The most influential
Genre fiction
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- Charles Talbut Onions: Birmingham born and educated, he was a prominent etymologist who worked on the Oxford English Dictionary and was general editor of its shorter version.
- Sax Rohmer, author of the Fu Manchu thrillers,[181] was the pseudonym of Arthur Henry Ward, who was born in Birmingham but pursued his writing career in London and then New York.
Post-war and contemporary literature
Literary fiction
The University of Birmingham continued as one of the main points of focus for the city's literary culture in the post-war era. The novelist and critic Anthony Burgess worked in the university's extramural department between 1946 and 1950.[182] Of longer lasting influence on Birmingham literature were David Lodge and Malcolm Bradbury – the two leading late-20th century practitioners of the campus novel[183] – who both joined the staff of the English Department in the early 1960s, collaborating on the 1963 satirical revue Between these Four Walls for the Birmingham Repertory Theatre and becoming lifelong friends.[184] Bradbury wrote his second novel Stepping Westward in the city[185] but moved to the University of East Anglia in 1965,[186] while Lodge remained in Birmingham, retiring in 1987 to concentrate on writing.[187] Many of Lodge's novels are set in Rummidge, "an imaginary city ... which occupies, for the purposes of fiction, the space where Birmingham is to be found on maps of the so-called real world".[188] These include Nice Work, described by Arthur Marwick as "the novel of life in Thatcherite Britain",[189] and the Booker Prize shortlisted Small World: An Academic Romance. Lodge's novels use parody and pastiche, formal experiments such as chapters composed entirely of newspaper clippings, and ironic allusions to other literary genres, to examine moral dilemmas and document changes in British society.[187][190]
Jim Crace moved to Birmingham in 1965 to study at what is now Birmingham City University, where his contemporaries included the novelist and journalist Gordon Burn, whose later writing blurred the lines between fact and fiction to examine the trauma, spectacle and dysfunction of contemporary celebrity,[191] and new gothic psychological novelist Patrick McGrath.[192] Crace wrote short stories from the early 1970s and published his first novel Continent in 1986. Still living in Moseley in the south of the city, his reputation unusually combines both a broad popular readership and substantial acclaim among critics and academics.[193] His work sits outside the social realist mainstream of English novelists, having more in common with European and South American authors such as Italo Calvino, Vladimir Nabokov, Franz Kafka, W. G. Sebald, Jorge Luis Borges or Gabriel García Márquez.[193] Although his novels have settings as diverse as the Bronze Age, the Judaean Desert in the time of Christ, an 1830s Cornish fishing village and an invented eighth continent, Crace claims that the subject of all of his books is present-day Birmingham, seen through "some idea or inspiration that would allow me to take the subject and dislocate it to another place and time to see if it cracks, if it bends."[194]
Another focus of literary culture within Birmingham is the
Crime fiction, thrillers and science fiction
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- Maureen Carter's Bev Morriss crime novels are set in present-day Birmingham.
- Judith Cutler's crime novels are set in present-day Birmingham.
- W.V. Awdry wrote his first Thomas the Tank Engine in Kings Nortonand remained in the city until 1965.
Poetry
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- D. J. Enright (born in Leamington Spa) was an Extramural Tutor at Birmingham University between 1950 and 1953. There are references to the city and Black Country in his early poetry.
- Edward Lowbury came to work as a microbiologist at Birmingham Accident Hospital in 1949. Between then and his departure from the city in 2001 he wrote his most distinguished poetry, as well as the topographical collection Birmingham! Birmingham!
- Lenrie Peters, the Gambian surgeon and poet, worked at Birmingham Accident Hospital in the early 1960s, during which his early poetry and one novel were written.
- Enoch Powell was born and raised in Birmingham, and was a poet as well as a politician.
- Gavin Bantock,[224] grandson of the composer Granville Bantock, was born in Barnt Green in 1939 and educated at Kings Norton Grammar School and Birmingham Theatre School. He has lived in Japan since 1969 but his poetry continues to be published in England.[225]
- Andrew Bidmead's political polemic 'The Last of England' is set in Birmingham
- Roshan Doug became the fifth Birmingham Poet Laureate in October 2000. He is the first civic poet to be appointed in the UK from an Indian descent.
- Julie Boden became the seventh Birmingham Poet Laureate in October 2002.
- Roy Fisher was born, educated and taught in Birmingham, before moving to the Department of American Studies at Keele University in 1971. Also a poet, his first significant work was City, an evocation of Birmingham. Other local references occur in the "Handsworth Liberties" sequence.
- Roi Kwabena (1956–2008) lived continuously in the city from 1995 and was its sixth Birmingham Poet Laureate (2001–02). He was also a story-teller, drummer and cultural ambassador.
- Femi Oyebode, Professor of Psychiatry at the Queen Elizabeth Psychiatric Hospital, has published seven poetry volumes in Nigeria.
- performance poetand children's writer, studied industrial metallurgy at Birmingham University between 1969 and 1972 and lived in the city again between 1974 and 1979, when he began publishing innovatory poetry and prose.
- Benjamin Zephaniah is a black dub poet from Handsworth who tackles prejudice, poverty and injustice.
Non fiction
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- British Broadcasting Corporation. He also worked as a war correspondent for the Royal Air Force, and later wrote many work on ancient history became the editor of the Concise Encyclopaedia of Archaeology (1965).[233]
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