Renaissance architecture in Portugal

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The architecture of the

Mannerist (late Renaissance) forms. Portuguese Mannerism, specially in secular architecture, is characterised by simplicity in the organisation of façades and relative lack of decoration, being often referred to as Estilo Chão (plain style). Even with the arrival of Baroque architecture
in the late 17th century, Portuguese architecture continued to use Mannerist forms well into the 18th century.

Historiography

Two important works on Portuguese post-medieval architecture included Albrecht Haupt's Die Baukunst der Renaissance in Portugal, which was published in two volumes in 1890 and 1895, and Francisco de Sousa Viterbo's study of Portuguese builders and designers, dated 1899 to 1922.[1]

Religious architecture

Manueline nave of the Jerónimos Monastery in Lisbon

One of the most important examples of Manueline style is the

Convent of Christ
in Tomar (John III Cloisters, 1557–1591).

Manueline churches like that of Jerónimos Monastery anticipated the unification of inner space (see

Hall Church) that would characterise Renaissance churches like the Mercy Church of Santarém (after 1559), the Santo Antão Church of Évora (1557–63) and the cathedrals of Leiria (after 1550) and Portalegre
(after 1556).

Cathedral of Salvador
, second half of the 17th century).

Secular architecture

Casa dos Bicos, Lisbon

An important and rare example of urban palace of the Renaissance is the Casa dos Bicos (c. 1525) in Lisbon, with a façade covered with diamond reliefs in Italian fashion. During the first half of the 16th century, the Portuguese nobility built various quintas (manor houses) in the area surrounding Lisbon. Among these, the Quinta da Bacalhoa (1528–1554), near Setúbal, is the most important, although recently ruined and degraded after its sale to a winery. In contrast to Portuguese mediaeval palaces like the Royal Palace at Sintra, the façades of Bacalhoa have a symmetrical arrangement of windows, loggias and towers and the building is surrounded by an artificial lake and geometrical gardens, an ensemble that reveals Italian inspiration. Also near Setúbal is located the Quinta das Torres (c. 1560), also characterised by its symmetrical façades and a pavilion in the middle of its artificial lake.

The

Dukes of Braganza
.

Notable examples

  • Façade of Graça Church in Évora (1530–40)
    Façade of Graça Church in Évora (1530–40)
  • Chapel of Nossa Senhora da Conceição in Tomar (1532–40)
    Chapel of Nossa Senhora da Conceição in Tomar (1532–40)
  • Cloisters of the Convent of Christ in Tomar (1557–1591)
    Cloisters of the
    Convent of Christ
    in Tomar (1557–1591)
  • Main chapel of Jerónimos Monastery church (after 1563)
    Main chapel of Jerónimos Monastery church (after 1563)
  • Interior of São Roque Church (1565–87) in Lisbon
    Interior of
    São Roque Church
    (1565–87) in Lisbon
  • Ribeira Palace (16th century) of Lisbon on an 18th-century engraving
    Ribeira Palace (16th century) of Lisbon on an 18th-century engraving
  • Mannerist façade of São Vicente de Fora in Lisbon (1582–1629)
    Mannerist façade of São Vicente de Fora in Lisbon (1582–1629)
  • Ducal Palace of Vila Viçosa (late 16th-17th centuries)
    Ducal Palace of Vila Viçosa (late 16th-17th centuries)
  • Saint Paul Church in Braga (after 1566)
    Saint Paul Church in Braga
    (after 1566)
  • Porta Especiosa of Coimbra Cathedral (1530s)
    Porta Especiosa of Coimbra Cathedral (1530s)

See also

References

  1. JSTOR 988958
    .