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{{Short description|American photographer (1883-1964)}}
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* {{Comment}} '''Reply''' - All items above have been addressed. Please review the latest draft. [[User:Greghenderson2006|Greg Henderson]] ([[User talk:Greghenderson2006|talk]]) 08:28, 16 April 2024 (UTC)
* {{Comment}} '''Reply''' - All items above have been addressed. Please review the latest draft. [[User:Greghenderson2006|Greg Henderson]] ([[User talk:Greghenderson2006|talk]]) 08:28, 16 April 2024 (UTC)


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{{short description|American photographer (1883-1964)}}
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Revision as of 15:40, 16 April 2024

  • Comment: Since I was asked to comment, I think the puffy, promotional tone needs cleanup before we even start to think about anything else. Just reading through the lead, I see "well-known", "prominent", a fluffy pull quote, "significant"; later on "These images are important..." (let the reader decide what's important; don't editorialize about it), and on like that. I also, in a spot check of sources, see some questionable ones, and also what looks like misrepresentation of them (for example, this source ([1]) is used for support of the assertion "Josselyn developed a new theory about stage lighting, which was "to paint with light...," yet the source states that a "Mr. Kuster" had already been talking about the "to paint with light" concept for some time, so it does not support (and in fact contradicts) the claim that Josselyn "developed" the idea or that it was "new".
    All told, I would oppose this going to mainspace in anything like this form. It would need to be carefully checked for other misrepresentations, and despite the
    reference bombing, I'm not sure notability is even reached here. Seraphimblade Talk to me
    19:41, 4 April 2024 (UTC)
  • Comment: @Seraphimblade:, could you review, or temporarily make the deleted version visible again for the purpose of comparing to see if there's so others can see if notability has somehow changed since deletion? Graywalls (talk) 17:17, 4 April 2024 (UTC)
  •  Comment: Reply - All items above have been addressed. Please review the latest draft. Greg Henderson (talk) 08:28, 16 April 2024 (UTC)

Lewis Josselyn
Lewis Josselyn's 1923 passport photo[1]
Born(1883-09-13)September 13, 1883
National City, California, US
DiedMarch 14, 1964(1964-03-14) (aged 80)
Carmel-by-the-Sea, California, US
Resting placeGolden Gate National Cemetery in San Bruno, California
EducationBoston Art School
Notable workForest Theater photographs
StyleMonochrome photography
Spouse
Augustine Eugenie Richard
​
​
(m. 1920; died 1988)​
Military career
Allegiance United States of America
Service/branch United States Army
Years of service1917-1919
RankPrivate first class
UnitBase Hospital No. 34, Nante
Signature

Lewis Josselyn, (September 13, 1883 – March 14, 1964) was an American photographer specializing in portraits and landscapes. Josselyn photographed subjects from portraits, California landscapes, World War I scenes, and the restoration of the California Missions. His portfolio includes historic landmarks such as Yosemite, the Redwoods, as well as scenes depicting daily life in Carmel-by-the-Sea and the development along the Big Sur coastline.[2][3] His work is included in the Monterey Museum of Art,[4] and in digital archives of the California State Library.[5] Additionally, Josselyn's photographs have been featured in The Saturday Evening Post.[6]

Early life and education

Boston Museum of Fine Arts on Copley Square
(1900) by Josselyn

Josselyn's parents were Charles Lewis Josselyn (1850-1917)[7] and Alice R. Lamb, from Massachusetts.[8] In 1883, the Josselyn family moved from Massachusetts to National City, in southwestern San Diego County, California. His father, Charles, worked in real estate, railroads, and mining. On February 24, 1883, his parents had purchased 2.5 acres (1.0 ha) in Rancho de la Nación from J.L. Pearson for $1,000 (equivalent to $32,700 in 2023).[9]

Josselyn was born on September 13, 1883,[10][1] in National City. His two younger brothers were Talbert (1886-1961), and Winsor (1895-1973). The family resided at 425 Shell Avenue in the George and Alice Copeland House, a Second Empire-style residence.[11] In San Diego, Josselyn received his early education while living with his parents and two brothers. After graduating from high school in San Diego, Josselyn studied art and photography at the Boston School of Fine Arts, located at Copley Square. During this time, he developed connections with painters Maynard Dixon and Howard Pyle.[12][13]

Photographic career

Early years 1901-1919

Trains at Black Butte Summit (1901) by Josselyn

While residing in San Diego, Josselyn began taking pictures in California. His earliest images were taken on July 7, 1901, depicting a head-on collision between two passenger trains at Black Butte Summit in Siskiyou County, California. His pictures of the train crash appeared in publications like the Pacific Slope Railroads.[14][15] In 1905, his photograph of The Poet's Walk of Chapultepec Park in Mexico City appeared in the The Burr McIntosh Monthly.[16]

In 1914, Josselyn and his family moved to the art colony of Carmel-by-the-Sea, California.[12] He earned a living by being one of the first commercial photographers in Carmel,[17] selling art calendars and framed images of local landscapes during the Christmas season. These items were available for purchase at the Carmel Pine Cone office and at the Blue Bird Tea Room.[18][19] He also published early photo postcards and calendars advertising the Monterey Bay.[20][21]

After the death of his father on January 12, 1917, Josselyn and his two brothers, Talbert and Winsor, inherited $120,000 (equivalent to $2,853,818 in 2023). The estate consisted of United States 3% saving bonds.[7] In December 1919, Josselyn's mother purchased blocks 81 and 82, near the Forest Theater from the Carmel Development Company.[22] She was actively engaged in community affairs, later contributing to the Forest Theater.[23]: p9 [24]

World War I: 1917-1919

Josselyn (far right) with staff at the X-Ray Department ca. 1917

In May 1917, Josselyn and his brother, Winsor, left Carmel for Pasadena to enlist in the United States Army Medical Corps during World War I.[25] From 1917 to 1919 Josselyn served overseas as Private first class.[12] He and his brother were on duty with the Base Hospital No. 34, in Nante, France. Lewis worked in the X-Ray department, where he both worked and captured images.[26] During his time in the army, Josselyn photographed the American Expeditionary Forces during World War I.[23]: p8 

Josselyn married Augustine Jeanne Richard (1896-1988), of Nantes, France.[27] On February 24, 1920, a ceremony and reception took place at Calvin H. Luther's residence in Stamford, Connecticut. Subsequently, they departed for Carmel-by-the-Sea, traveling via the Grand Canyon and Pasadena.[28][29]

In 1919, Josselyn became honorary life member of the American Legion Post #41 of Monterey.[13] In September 1923, Josselyn got his United States passport to travel, with his wife, back to Europe to photograph the process of the World War I reconstruction.[1][2]

Post-War Era: 1920-1929

In this 1919 photo, Josselyn documents the ongoing restoration of the Carmel Mission and a Pierce-Arrow motor car

Josselyn documented

Junipero Serra is buried.[32] Additionally, he captured the Carmel Mission Fiesta (1920s)[33] and Carmel Mission looking south toward Point Lobos (1925).[34]

Between August 9 and September 4, 1920, Josselyn and fellow photographer Louis Slevin exhibited their photographs at the Fourteenth Annual Exhibition hosted by the Arts and Crafts Club in Carmel-by-the-Sea.[35][36] Josselyn submitted a collection of historical war photos and images depicting Carmel scenes to the exhibition.[37]

Josselyn participated in the Photographers' International Convention of Pacific Coast Association in San Francisco in 1925.[38]

In 1926, Josselyn purchased 4 acres (1.6 ha) (lots 17-25, block 81) from his mother, Alice, at the intersection of Santa Rita Street and 7th Avenue in Carmel, near the Forest Theater. Josselyn built a home for himself and his wife, that also housed his photographic studio where he conducted his work.[2][23]

Before the Great Depression, Josselyn photographed portraits of early Carmel residents, like the wife of Charles Chapel Judson,[17] artist William Frederic Ritschel at his studio at Carmel Highlands,[39] artist Ferdinand Burgdorff,[40] developer Frank Devendorf,[41] actor Thomas Bickle,[42] and artist Theodore Criley.[43]

Forest Theater 1915-1954

Set designers for the play Mr. Bunt at the Forest Theater, left-to-right Talbert Josselyn, Winsor Josselyn, Brice Monahan, Philip Wilson, Rem Remsen. (1924 photo by Josselyn)

Josselyn joined the

amphitheater in Carmel, assuming the role of its official photographer.[3] He took on responsibilities as a stage manager and handled stage lighting for the theater's productions.[44] His first theater photographs were taken in 1915 for William Shakespeares’ play A Midsummer Night's Dream.[45]

During 1915, Josselyn served as assistant stage manager for the Helen Parkes' play The Columbine.[46] The subsequent year he took on the role of stage manager for the production of Robert Louis Stevensons’ Weir of Hermiston.[47] Also in 1916, alongside Herbert Heron and John Northern Hilliard, Josselyn took on the role of director of the Western Drama Society.[48]

Josselyn photographed various live theatrical productions, including Treasure Island (1916), Inchling (1922), Caesar and Cleopatra (1922) and Hamlet (1926). A collective body of his theater images can be found at the California State Library,[5] Calisphere,[49] and the Harrison Memorial Library.[50] Josselyn used his own wood blocks to create posters for productions at the Forest Theatre.[2]

As a light technician, Josselyn discussed the challenges inherent in staging outdoor productions at the Forest Theater and emphasized the importance of seamlessly integrating lighting into the overall production to prevent it from detracting the actors' performances.[51] In 1922, Josselyn, alongside Jack Williamson, took on the role of electric light artists for Ira Mallory Remsens’ play Inchling, which involved the participation of his brothers, Talbert and Winsor, in the production.[52] In 1924, he handled the stage lighting for the Remsens’ play Mr. Bunt.[44]

In 1922, Josselyn exhibited his landscape and flower photographs at Heron's Seven Arts in the Eighty Acres.[53]

Theatre of the Golden Bough

Theatre of the Golden Bough auditorium (1924 photo by Josselyn)

During the 1920s, Josselyn documented the activities of theatrical producer Edward G. Kuster's Theatre of the Golden Bough. Josselyn's photographs depicted the auditorium with a stage spanning 38 ft (12 m), the Court of the Golden Bough, and portraits of the summer school's teaching staff (1924). In addition, he photographed the Theatre of the Golden Bough's production of Browne's play, Mother of Gregory (1924) and the The Princess Who Wouldn't Say Die (1924).[54]

Josselyn photographed storefronts lining Kuster’s Court of the Golden Bough. Among these were the Carmel Weavers Studio (1922), Sade's (1924), and the Seven Arts Shop (1937).[55][56] He documented the Theatre of the Golden Bough's destruction by fire on May 19, 1935.[57] In 1934, he photographed the Carmel Fire Station, fire engines, and the police motorcycle.[57]: p75-76, 80 

Jo Mora collection 1921-1943

Jo Mora working on California Carte, (1927) by Josselyn

The Jo Mora collection features photographs taken by Josselyn, documenting the artistic achievements of Jo Mora (1876-1947), a sculptor, artist, and writer, during his time in the Monterey Peninsula. The collection captures Mora's works from individual pieces in development to fully realized projects, like the Carmel Dairy murals. Josselyn began working with Mora in 1921, who was a family friend of his.[58]

The Jo Mora collection comprises wide-angle photographs and negatives, taken by Josselyn, capturing Mora within his studio in Pebble Beach, spanning from the mid-1920s to the mid-1940s. The artworks created by Mora in his Pebble Beach studio, featured in Josselyn's photographs, were showcased in the Monterey History and Art Association exhibit from November 15, 2003 to February 29, 2004.[59] A photograph taken by Josselyn of the sculpture titled Twister, which depicts a horse and rider (1926), was included in an article discussing Jo Mora and the National Steinbeck Center.[60]

The book The Life and Times of Jo Mora: Iconic Artist of the American West includes descriptions and photographs by Josselyn, including Mora's 24-inch model of the California Diamond Jubilee half dollar (1925) commemorating the 75th anniversary of California statehood, the 100 ft (30 m) long Portolá expedition diorama (1939), a clay statue of the Spanish dancer La Gitanita, (The Little Gypsy) (1926), an initial plaster rendition of The Cowboy (1927), Jo Mora portrait (1945), among other photographs. Many of these photographs are in the Barbara Josselyn Asa Collection.[58][59]

Jo Mora with Father Raymond Mestres and the cenotaph of Junípero Serra (1921) by Josselyn

On July 22, 1922, Josselyn was in charge of photographing the dedication of Mora's Statue of Junípero Serra, which was the opening day of the Carmel Woods subdivision, as well as Serra Day.[57]: p4 [61] In 1927, Josselyn photographed Jo Mora at work on the California Carte map in the front room of his Pebble beach workshop.[62][59] He took pictuers of Mora's 1928 portrayal in the theatrical production of The Bad Man at the Carmel Playhouse.[59]

In 1938, Josselyn assisted Mora in making and photographing his large diorama depicting the discovery of San Francisco Bay by Gaspar de Portolá, which was held at the 1939-40 Golden Gate International Exposition on Treasure Island. The diorama was 100 ft (30 m), with 64 sculptures of Spaniards and Indians, and over 200 animals.[59][63]

In 1943, Josselyn photographed Jo Mora in his studio creating three large murals for Earl F. Graff's Carmel Dairy. The photographs showed animal figures dressed as humans, many recognizable as local Carmel residents.[58][59]

In the book Jo Mora Artist And Writer, by Mary Murray, there are several photographs by Josselyn, including Mora with his sculptor The Poppy Nymph (1916), Mora with The Doughboy in his studio (1920), Mora inspecting the installation of the El Paseo statue in the courtyard of the

El Paseo Building in Carmel (1928), Jo Mora in his studio (1929), and Jo Mora at Carmel Mission (1924).[64]

Monterey Peninsula (1916-1929)

Theodore Criley working at his easel looking toward Bird Island, Point Lobos, Carmel Highlands, California, (early 1920s photo by Josselyn)

In 2009, Michael Kenneth Hemp, wrote the book Cannery Row, chronicling the history of Cannery Row, with photographs taken by Josselyn. These images feature scenes from the Point Lobos Canning Company (1916), abalone divers and shells (1916), a storm in Monterey Bay (1919), the Hotel Del Monte fire (1924), and a street scene along Lighthouse Avenue in Pacific Grove (1932).[65]

Josselyn documented the grounding of the oil tanker Frank H. Buck from the Associated Oil Company, which occurred on May 3, 1924, at Point Pinos in Pacific Grove.[66][67] He also captured the fire that destroyed the Associated Oil Company tanks after an oil tank was struck by lightning on September 14, 1924.[68] Additionally, he photographed the fire that consumed the Hotel Del Monte in Monterey, California on September 28, 1924.[69] The hotel was later rebuilt, and Josselyn documented the reopening ceremony of the Hotel Del Monte on May 8, 1926, later known as the Naval Postgraduate School.[70]

Lone Cypress Midway Point, Pebble Beach (1916) by Josselyn

As early as 1916, Josselyn took pictures of the Lone Cypress at Midway Point along the 17-Mile Drive in Pebble Beach,[71] along with the Monterey Cypress[72] and the trees of Carmel Valley.[73] He also captured images of Point Lobos, a state park in Monterey County, with his picture titled The View of Point Lobos, later featured in the Carmel Pine Cone on November 28, 1973.[74]

In 1920, Josselyn documented the

U.S. Men's Amateur Championship, among large galleries at Pebble Beach.[77]

Robinson Jeffers Collection (1925-1929)

Poet Robinson Jeffers stands in the doorway of Hawk Tower (1925) by Josselyn

In 1981, Tom Leyde, editor of the The Californian, wrote an article discussing Josselyn's collection of photographs and negatives. Among these are images of Carmel poet Robinson Jeffers in front of his Hawk Tower (1925), the restoration of the Carmel Mission (1919), and the Mission's wooden ceiling arches after restoration (1936).[78] Josselyn’s photographs of Jeffers at Tor House are included in the Robinson Jeffers Collection at the Occidental College library.[79]

Josselyn a 1925 cover photo of Jeffers in the doorway, dressed in black with his left hand resting on a stone. This portrait from 1925 has been featured in various publications and is held in the archives of the Tor House Foundation.[80][81]

In 1929, Josselyn took a passport photo of the Jeffers family, now part of the collection at the Monterey County Historical Society and reproduced in the booklet Robinson Jeffers, Poet, 1887-1987 A Centennial Exhibition.[82] Another photograph depicts Jeffers standing on the grass in front of Hawk Tower.[83]

Big Sur Pictorial Collection (1920s-1938)

The Post Ranch House, (1920s) by Josselyn

From 1920s to 1938, Josselyn photographed the coastal town of

Bixby Creek Bridge (1932).[57]: p147  Before the Bixby Bridge was erected and the highway completed, Josselyn captured scenes of travelers traversing the Old Coast Road to and from Big Sur in 1927. He also photographed the Steel Bridge over Garrapata Creek, north of Big Sur,[85] as well as William Brainard Post's homestead (1920) near the area.[85]

Among Josselyn's snapshots of the Big Sur region are Palo Colorado Canyon, California, Torres Canyon, the United States Forest Service ranger headquarters at Big Sur, Pico Blanco from the coastline, the Little Sur River, and Slates Hot Springs.[86] Around 1925, Josselyn documented of a redwood cabin constructed by local carpenter Sam Trotter on a cliff's edge in Big Sur for the Coastland Trails Club. later, in 1947, the cabin was purchased by Bill and Lolly Fassett and transformed it into the Nepenthe restaurant.[85]

Josselyn photographed the Bixby Creek Bridge on November 23, 1932, during its dedication and opening to the public.[85] He produced early photo postcards promoting the Monterey Bay Area, including views of the Bixby Creek Bridge on the Big Sur coast and construction of California Highway 1.[20][21] Additionally, he recorded a 200 ft (61 m) tunnel leading to Partington Cove and the aerial tramway used for hauling limestone above Bixby Canyon.[87]

Paul Flanders Mansion

Paul Flanders Outlands, Carmel-by-the-Sea, California (1925) by Josselyn

In 1926, Josselyn undertook the task of photographing the architecture of the

Historic American Buildings Survey (HABS).[88] These photographs were later included in the Monterey County's National Register of Historic Places listings and are featured in the National Park Service's digital assets gallery.[89]

The city of Carmel commissioned historian Kent Seavey to conduct the HABS survey, aiming to document the Flanders Mansion located at 25800 Hatton Road. Josselyn's architectural photographs, taken shortly after the mansion's completion in 1926, were integrated into the survey. These images offer the first views of the mansion, predating any subsequent alterations to the site. Josselyn's photographic records of the Flanders mansion are held in the estate of Frederick Ruhl.[88]

Abalone League (1921-1926)

Abalone League with aviator Virginia Stanton and Wilna Hervey (1923) by Josselyn

The Abalone League had its beginning on Carmel Point, near Carmel-by-the-Sea, in the aftermath of World War I. Josselyn documented the events through photography and also participated in the games. The gatherings took place on a rough playing field, situated atop a bluff, adjacent to the residence of writer Charles King Van Riper.[90][91][92]

Later years 1926-1955

In April 1926, Josselyn embarked a two-week photographic expedition across the Mojave Desert and Death Valley in the Southwestern United States,[93] returning in May, accompanied by playwright John Northern Hilliard and others, to live among the Hopi and the Navajo peoples.[94] In July 1927, he contributed his photographs to a fundraising sale aimed at supporting the Carmel Arts and Crafts Club.[2]

The Carmel Art Association’s gallery in the upper floor of the Seven Arts Building (1927) by Josselyn

In 1927, Josselyn photographed the Carmel Art Association’s first gallery, located on the second floor of the Seven Arts Building on Ocean Avenue.[57]: p47  That same year, his camera captured George Joseph Seidenbeck's painting Italian Hillside, exhibited at the formal opening of the Carmel Art Association.[43] In 1933-34, Josselyn photographed paintings by John O'Shea exhibited at the California Palace of the Legion of Honor in San Francisco.[2]

At the October 1931 Monterey County Fair, Josselyn exhibited two paintings—one in oil and another in watercolor, praised by Eleanor Minturn James as "both pleasing."[95]

Josselyn collaborated with western writer Frederick R. Bechdolt, serving as a photojournalist for stories published in The Saturday Evening Post. In November 1936, Josselyn illustrated Bechdolt's article Stampede, 1936 Model, about the modern gold rush to the hills northwest of Winnemucca, Nevada.[96] Similarly, in November 1941, Josselyn's photographs were featured in Bechdolt's article Uncle Sam Goes Prospecting, documenting their journey through a mining county.[6]

From 1935 to 1955, Josselyn worked with

horticulturalist Lester Rowntree to capture images of California native plants, including the Chrysolepis chrysophylla
, for The National Horticultural Magazine,
botanist Gilbert Morgan Smith's A textbook of general botany.[100]

Equipment and techniques

Josselyn employed 5 inches (130 mm) x 7 inches (180 mm) large-format glass plate negatives for photographing his images. Printing these negatives required a large-format enlarger.[30] As a copyright notice, he often utilized a hand-operated embossing technique at the bottom edge, creating a raised relief on the printed photographs. He included an ink stamp on the back of each photograph. The locations of the photographs were recorded on the back, either in pencil or ink.[3][101]

Death and legacy

His camera has caught Carmel's beauty spots. His brush has painted them. Forest Theater's official photographer.

— Carmel Pine Cone[102]

Josselyn died, from a stroke, on March 14, 1964, in his home. The American Legion Post #41 officiated.[12][13]

Following Josselyn's death, his sister-in-law Florence Josselyn exhibited his photographs from the 1920 and 1930s at Casa Serrano in Monterey in 1965,[103] and later at the Marjorie Evans Gallery at the Sunset Center in 1973, under the exhibition titled "The Carmel of Lewis Josselyn." These images included the dedication of the Carmel-by-the-Sea World War I Memorial Arch (1921), and images related to the Abalone League.[104][2]

On November 29, 1970,[30] Josselyn's widow donated about 3,000 original glass plates and film negatives, sized at 5 inches (130 mm) x 7 inches (180 mm), as well as original prints, to Pat Hathaway, a photo archivist. The negatives cover the period from 1914 to 1940.[105][106] Following Hathaway's death in 2021, Josselyn's collection of glass plates and film negatives is archived at the Monterey County Historical Society in Salinas, California.[107]

In 1973, Hathaway held an exhibition of historical photographs at the Pacific Grove Art Center, including prints by Josselyn and other photographers.[108]

List of photographs

This is a partial list of Josselyn's photographs.

Title Year Image Dimensions Collections
A Midsummer Night's Dream 1915 5 inches (130 mm) x 7 inches (180 mm) California Digital Library[49]
Treasure Island: Tusitala 1916 5 inches (130 mm) x 7 inches (180 mm) California State Library[5]
Flavel steam schooner 1923 5 inches (130 mm) x 7 inches (180 mm) The
San Francisco Maritime Museum's Research Center has a collection of Josselyn's photographs.[109]
Caesar and Cleopatra 1922 5 inches (130 mm) x 7 inches (180 mm) Harrison Memorial Library[50]
Hotel Del Monte 1924 5 inches (130 mm) x 7 inches (180 mm) Pat Hathaway Photo Collection[70]
Carmel Summer School 1924 5 inches (130 mm) x 7 inches (180 mm) University of Michigan Library Special Collections Research Center has a collection of Josselyn's photographs of the Golden Bough Theatre productions.[54]
Jeffers at Tor House 1925 5 inches (130 mm) x 7 inches (180 mm) Robinson Jeffers Collection at the Occidental College Library in Los Angeles, California.[79]
Mora Designing A Coin In Clay 1925 5 inches (130 mm) x 7 inches (180 mm) Barbara Josselyn Asa Collection[58]
Mortimer Fleishhacker House Game room side chair 1925 5 inches (130 mm) x 7 inches (180 mm) Columbia University's Avery Architectural and Fine Arts Library has two photographs by Josselyn.[110]
Prison camp during construction of Coast Highway 1928 Landscape 5 inches (130 mm) x 7 inches (180 mm) Monterey County Free Libraries[111]
Jarvis House 1920s 5 inches (130 mm) x 7 inches (180 mm)
Art, Design & Architecture Museum[112]
Home of old lady Allen 1920s 5 inches (130 mm) x 7 inches (180 mm) MayoHayes O'Donnell Library[113]
Cotton Hall in Monterey 1920s Landscape 5 inches (130 mm) x 7 inches (180 mm) The Bancroft Library has three collections with photographs by Josselyn.[101][114][115]
Palo Colorado Canyon 1920s-1930s Landscape 5 inches (130 mm) x 7 inches (180 mm) Save the Redwoods League Photograph Collection at the The Bancroft Library.[86]
View from rocks on coast of Pacific Grove 1930 Landscape 5 inches (130 mm) x 7 inches (180 mm) Pacific Grove Museum of Natural History[116]
Carmel Mission, Viewed Through Tranquera 1931 10 inches (250 mm) x 13 inches (330 mm) Center for Creative Photography, located on the University of Arizona, has two prints by Josselyn in there fine print collection. Both were posthumously printed by Hathaway and were gifted to CCP by Ansel and Virginia Adams.[117]
Sur Lighthouse undated Objects 9.25 inches (235 mm) x 7.88 inches (200 mm) Monterey Museum of Art, Gelatin silver print on paper on masonite, gift of Jehanne B. Williamson.[4]
Carmel, California, shoreline and town undated Landscape 6.88 inches (175 mm) x 4.88 inches (124 mm) University of Nevada, Reno, Libraries Archival Guides - Sparks Family Papers.[118]

See also

References

  1. ^ a b c "United States Of America". Department of State Passport. July 23, 1923. Retrieved November 25, 2023.
  2. ^ a b c d e f g "Lewis Josselyn (1883-1964)" (PDF). Traditional Fine Arts Organization: Biographies of Carmel and Berkeley Artists. p. 460. Retrieved November 14, 2023.
  3. ^ a b c ""California Views"-The Pat Hathaway Collection of Historical Photographs". Monterey County Historical Society. Salinas, California. Retrieved April 7, 2024.
  4. ^ a b "Sur Lighthouse". Monterey Museum of Art. Monterey, California. 1935. Retrieved November 14, 2023.
  5. ^ a b c "Discover items". California Revealed. 1922–1926. Retrieved July 9, 2022. Search by photograph name, e.g. "Treasure Island: Tusitala"
  6. ^ a b "Bechdolt Has Article in 'Post': By Lewis Josselyn". Carmel Pine Cone. November 13, 1941. p. 1. Retrieved November 15, 2023. Josselyn's photographs were featured in an article titled Uncle Sam Goes Prospecting.
  7. ^ a b "$120,000 Josselyn Estate to Three Sons". Los Angeles Evening Express. Los Angeles, California. January 22, 1917. p. 1. Retrieved November 12, 2023.
  8. ^ Perkins, Thomas Allen (1917). Addresses Delivered Before the California Society of the Sons of the American Revolution. San Francisco, California: The Society. p. 55. Retrieved November 25, 2023.
  9. ^ "Real Estate Transactions". The Sun. San Diego, California. February 28, 1883. Retrieved April 14, 2024.
  10. ^ "Born". The Record. National City, California. September 27, 1883. Retrieved November 25, 2023. Newspaper said he was born on Sept. 13, but his passport says Sept. 15.
  11. ^ "Historic House Research" (PDF). Legacy 106. San Diego, California. p. 22. Retrieved November 26, 2023.
  12. ^ a b c d "Lewis Josselyn". Carmel Pine Cone. Carmel-by-the-Sea, California. March 19, 1964. p. 16. Retrieved July 14, 2022.
  13. ^ a b c Josselyn, Lewis (March 16, 1964). "Lewis Josselyn, Ear Day Carmel Photographer, Dies" (Document). The Monterey County Herald. p. 2.
  14. ^ Abdill, George B. (1959). Pacific Slope Railroads, from 1854 to 1900. Superior Publishing. p. 152.
  15. ^ "Troop Train Crashes Into Two Engines". The San Francisco Call and Post. San Francisco, California. July 8, 1901. Retrieved April 14, 2024.
  16. ^ "The Burr McIntosh monthly". Burr McIntosh Publishing Co. 6 (22–24). New York, N.Y.: 77 1905. Retrieved November 29, 2023.
  17. ^ a b "Faces of a bygone era Lewis Josselyn's pre Depression portraits". Carmel-by-the-Sea, California: Carmel Pine Cone. March 22, 1979. p. 11. Retrieved November 15, 2023.
  18. ^ "1916 Calendars". Carmel Pine Cone. Carmel-by-the-Sea, California. December 12, 1915. Retrieved November 25, 2023.
  19. ^ "Carmel is Coming Craft Center". Carmel Pine Cone. Carmel-by-the-Sea, California. December 16, 1922. p. 9. Retrieved March 6, 2024.
  20. ^ a b "Monterey Bay area photographers that made real photo postcard". California Views: The Pat Hathaway Photo Collection. Retrieved November 15, 2023.
  21. ^ a b "Post Cards and Calendar Pages". Mayo Hayes O'Donnell Library. Retrieved November 22, 2023.
  22. ^ "Real Estate Transactions". The Californian. Salinas, California. December 26, 1919. p. 6. Retrieved March 26, 2024.
  23. ^ a b c "Coastal Development Permit Application" (PDF). California Coastal Commission. Santa Cruz, California. May 25, 2001. pp. 3, 9, 11. Retrieved July 14, 2022.
  24. ^ "Alice Josselyn". Carmel Pine Cone. Carmel-by-the-Sea, California. February 4, 1944. p. 3. Retrieved November 15, 2023.
  25. ^ "Pine Needles" (PDF). Carmel Pine Cone. Carmel-by-the-Sea, California. May 10, 1917. p. 3. Retrieved April 7, 2024.
  26. ^ Pitts, Edmund M. (1922). Base Hospital 34 in the World War. Philadelphia: Lyon & Armor. Retrieved November 25, 2023.
  27. ^ "Augustine Josselyn". Carmel Pine Cone. Carmel-by-the-Sea, California. January 21, 1988. p. 19. Retrieved March 1, 2024.
  28. ^ "It Happened in the Nutmeg State". Carmel Pine Cone. Carmel-by-the-Sea, California. February 2, 1920. p. 1. Retrieved November 16, 2023.
  29. ^ "United States Of America". Department of State Passport. March 7, 1923. Retrieved November 27, 2023.
  30. ^ a b c Rubén G. Mendoza. "Missions, Persidios, and Pueblos, The Hathaway Collection of Early California Photography - 1850-1990" (PDF). Boletin California Missions Foundation. Retrieved April 15, 2024.
  31. ^ Omer, Engelbert. The last of the conquistadors, Junípero Serra, 1713-1784. New York, Harcourt, Brace. p. 211. Retrieved November 29, 2023.
  32. ^ "California Missions and Churches". Mayo Hayes O'Donnell Library. Retrieved December 1, 2023.
  33. ^ "Mission fiesta honors Fray Junipero Serra". Carmel-by-the-Sea, California: Carmel Pine Cone. September 27, 1984. p. 20. Retrieved November 15, 2023.
  34. ^ Julianne Burton-Carvajal. "The Carmel Mission in Art" (PDF). carmelmission.org. Carmel, California. Retrieved November 14, 2023.
  35. ^ "Carmel Art Exhibition". Carmel Pine Cone. September 9, 1920. p. 3. Retrieved July 26, 2022.
  36. ^ "Exhibitors of the Carmel Arts and Crafts Club (1906-1924)" (PDF). www.tfaoi.org. Retrieved March 28, 2024.
  37. ^ "Annual Art Exhibition". Carmel Pine Cone. August 8, 1920. p. 2. Retrieved March 28, 2024.
  38. ^ "Notes". Carmel Pine Cone. Carmel-by-the-Sea, California. September 12, 1925. p. 5. Retrieved November 22, 2023.
  39. ^ Bostick, Daisy F. (1925). Carmel--At Work and Play. Seven arts. pp. 1, 24, 27, 31, 39, 47, 55, 63, 71, 77, 79–80, 87–88, 91, 95. Retrieved November 22, 2023.
  40. ^ "Early California Artist at California Views Archives". Pat Hathaway Photo Collection. Monterey, California. Retrieved November 30, 2023.
  41. ^ "A pictorial look back at Carmel-by-the-Sea's past". Carmel-by-the-Sea, California: Carmel Pine Cone. October 30, 1986. p. 17. Retrieved November 15, 2023.
  42. ^ "The Town Is Here Reviewed". Carmel-by-the-Sea, California: Carmelite. March 7, 1928. p. 1. Retrieved March 19, 2024.
  43. ^ a b "The New Art Gallery at Carmel". The Argus. 1–5: 69. 1927. Retrieved March 25, 2024.
  44. ^ a b Rem Remsen (July 4, 1924). "Mr. Bunt. By Rem". The Forest Theater. Carmel-by-the-Sea, California. pp. 1–3. Retrieved November 10, 2022.
  45. ^ "A Midsummer Night's Dream (a37)". Harrison Memorial Library. Carmel-by-the-Sea, California. 1915. Retrieved March 7, 2024.
  46. ^ "'First Poet' is very Forceful Production". Monterey Daily Cypress and Monterey American. Monterey, California. July 21, 1915. p. 4. Retrieved November 12, 2023.
  47. ^ Redfern Mason (July 16, 1916). "Mr. Bunt. By Rem". The San Francisco Examiner. San Francisco, California. p. 71. Retrieved November 12, 2023.
  48. ^ "Moving Picture Program for August". Carmel Pine Cone. Carmel-by-the-Sea, California. August 2, 1916. p. 3. Retrieved November 25, 2023.
  49. ^ a b "Lewis Josselyn". Clisphere-Univeristy of California. 1915. Retrieved March 7, 2024. Calisphere has 278 online photographs by Josselyn.
  50. ^ a b "Lewis Josselyn". Harrison Memorial Library. 1922–1927. Retrieved December 7, 2023. The Harrison Memorial Library has 273 online photographs by Josselyn.
  51. ^ Susan Porter (April 14, 1023). "Costumes, Mechanical Detail and Makeup for Forest Theater Plays". Carmel Pine Cone. Carmel-by-the-Sea, California. pp. 1–2. Retrieved November 22, 2023.
  52. ^ "Inchling, Forest Theater Children's Phantasie, Unique". Carmel Pine Cone. Carmel-by-the-Sea, California. August 17, 1922. Retrieved August 20, 2022.
  53. ^ "Carmel News Notes". Monterey Daily Cypress and Monterey American. Monterey, California. June 9, 1922. Retrieved April 6, 2024.
  54. ^ a b Browne, Ellen Van Volkenburg. "Ellen Van Volkenburg and Maurice Browne papers, 1772-1983". University of Michigan Library. Retrieved March 21, 2024. Photographs are available by request from the University of Michigan Library Special Collections Research Center.
  55. ^ "A Salute to Carmel On Its Golden Year". Carmel Valley Outlook. Carmel-by-the-Sea, California. October 26, 1966. pp. 9, 11, 16. Retrieved November 22, 2023.
  56. ^ "Remember When?". Carmel Pine Cone. January 22, 1981. p. 17. Retrieved November 15, 2023.
  57. ^
    ISBN 9780913548738
    . Retrieved July 14, 2022.
  58. ^
    ISBN 978-0-692-05342-3
    . Retrieved November 13, 2023.
  59. ^ a b c d e f "Back to the Drawing Board with Artist Jo Mora" (PDF). Monterey History and Art Association. LII (3). Monterey, California. 2003. Retrieved November 13, 2023.
  60. ^ "A renaissance man". The Californian. Salinas, California. November 22, 2003. Retrieved November 25, 2023.
  61. ^ "Opening Dale Day Carmel Woods Lots". Carmel Pine Cone. Carmel by the sea, California. July 20, 1922. p. 5. Retrieved January 4, 2021.
  62. ^ "Jo Mora Artist, sculptor and writer". California Views: The Pat Hathaway Photo Collection. Retrieved November 13, 2023.
  63. ^ "Treasure Island Art in Preview". Oakland Tribune. October 13, 1938. p. 4. Retrieved November 26, 2023.
  64. ISBN 978-1-891586-01-9
    . Retrieved November 25, 2023.
  65. ISBN 978-0-941425-01-8
    . Retrieved August 17, 2022.
  66. ^ "Shipwrecks of the California Central Coast". California Views: The Pat Hathaway Photo Collection. 1928. Retrieved November 12, 2023.
  67. ^ "Frank H. Buck (built 1914; tanker) wrecked at Pt. Lobos". San Francisco Maritime National Historical Park. San Francisco, California. March 6, 1937. Retrieved November 15, 2023.
  68. ^ "Associated Oil Company Fire, Soon after start of fire". Monterey County Free Libraries. Salinas, California. September 14, 1924. Retrieved March 26, 2024.
  69. ^ "1920-1930: U.S. Keeps Cool With Coolidge; Green Gold Found". The Californian. Salinas, California. June 12, 1950. p. 42. Retrieved July 14, 2022.
  70. ^ a b "Hotel Del Monte, Monterey". California Views: The Pat Hathaway Photo Collection. 1924. Retrieved November 12, 2023. Other photographs by Josselyn are available by online.
  71. ^ "The Lone Cypress". California Views: The Pat Hathaway Photo Collection. 1916. Retrieved March 15, 2024.
  72. ^ "California Southland". Retrieved November 15, 2023.
  73. ^ "On the cover". Carmel Valley Outlook. Carmel Valley, California. May 29, 1975. Retrieved November 15, 2023.
  74. ^ "Remember When?". Carmel Pine Cone. Carmel-by-the-Sea, California. November 28, 1973. p. 4. Retrieved July 14, 2022.
  75. ^ a b "Fisherman's Wharf, Monterey, California". California Views: The Pat Hathaway Photo Collection. Retrieved July 14, 2022.
  76. ^ "Monterey Pioneer Bakery". California Views: The Pat Hathaway Photo Collection. 1928. Retrieved November 12, 2023.
  77. ^ "Early Golf at Pebble Beach, Monterey, California". California Views: The Pat Hathaway Photo Collection. 1929. Retrieved November 12, 2023.
  78. ^ Tom Leyde (February 28, 1981). "Pat Hathaway Collection Archivist collects photo treasures". The Californian. Salinas, California. p. 25. Retrieved August 17, 2022.
  79. ^ a b "Robinson Jeffers Collection COL-022". Online Archive of California. Los Angeles, California. 1925. Retrieved March 26, 2024. Photographs by Josselyn are available by request from the Occidental College Library.
  80. ^ "Jeffers Studies" (PDF). The Robinson Jeffers Association. 16 (1, 2): 1, 25. 2012. Retrieved November 22, 2023.
  81. ^ "Robinson Jeffers, Carmel poet". California Views: The Pat Hathaway Photo Collection. Retrieved November 12, 2023.
  82. ISBN 978-1-135-58522-8
    . Retrieved March 7, 2024.
  83. ^ "The Pat Hathaway Collection Archivist collects photo treasures". The Californian. Salinas, California. February 28, 1981. p. 25. Retrieved December 2, 2023.
  84. ^ "Big Sur Post Office and Pfeiffer's Resort". California Views: The Pat Hathaway Photo Collection. Monterey, California. May 7, 1935. Retrieved November 14, 2023.
  85. ^
    ISBN 978-0-935766-27-1
    . Retrieved November 22, 2023.
  86. ^ a b "Finding Aid to the Save the Redwoods League photograph collection. 1885-2014". Retrieved March 23, 2024.
  87. ^ John Walton. "Robinson Jeffers: Historical Perspectives" (PDF). www.johnwaltonphd.com. Retrieved November 22, 2023.
  88. ^ a b "The Flanders Mansion Historic American Buildings Survey" (PDF). City of Carmel. Carmel-by-the-Sea, California. March 2014. pp. 3–4, 9, 12–13. Retrieved December 2, 2023.
  89. ^ "National Register of Historic Places". National Park Service. Carmel-by-the-Sea, California. August 1988. Retrieved November 14, 2023.
  90. ^ Irene Gaasch (April 25, 1976). "Abalone League 'a glorious league in Carmel's golden age'". Carmel Valley Outlook. Carmel Valley, California. p. 15. Retrieved November 14, 2023.
  91. ^ Frances Montgomery (May 5, 1923). "Abalone League Plays Baseball For Art's Sake". Oakland Tribune. Oakland, California. p. 11. Retrieved March 8, 2024.
  92. ^ Katherine (May 8, 1922). "Katrinka Swings Wicked Bat at Carmel Tourney". Oakland Tribune. Oakland, California. p. 63. Retrieved March 24, 2024.
  93. ^ "Pine Needles". Carmel Pine Cone. Carmel-by-the-Sea, California. April 24, 1926. p. 14. Retrieved March 25, 2024.
  94. ^ "Carmel Hostess Entertains at Home With Tea". Oakland Tribune. Oakland, California. May 2, 1926. p. 98. Retrieved March 25, 2024.
  95. ^ Eleanor Minturn James (October 9, 1931). "North Lights". Carmel Pine Cone. p. 8. Retrieved November 15, 2023.
  96. ^ "Bechdolt Story In Current Post". Carmel Pine Cone. November 13, 1936. p. 7. Retrieved November 26, 2023.
  97. ^ "The National Horticultural Magazine" (PDF). The American horticultural Society, Inc. April 1935. p. 189. Retrieved March 6, 2024.
  98. ^ "The National Horticultural Magazine" (PDF). The American horticultural Society, Inc. October 1955. p. 207. Retrieved November 15, 2023.
  99. ^ "In The Magazines". Carmel Pine Cone. Carmel-by-the-Sea, California. May 22, 1930. p. 2. Retrieved November 26, 2023.
  100. ^ Smith M., Gilbert (1935). A Textbook Of General Botany. The The Macmillan Company. pp. 236–238. Retrieved April 6, 2024.
  101. ^ a b "A San Francisco Viewbook and Photographs of Historic Buildings of Monterey". Bancroft Library. Berkeley, California. Retrieved March 28, 2024. Photographs by Josselyn are available by request that include his blind embosser stamp at lower edge, and ink stamp on back of each photograph. Photograph locations noted on back in pencil.
  102. ^ "Who's Who-and Here". Carmel Pine Cone. Carmel-by-the-Sea, California. December 14, 1928. p. 11. Retrieved November 14, 2023.
  103. ^ "Noticias del Puerto de Monterey" (PDF). The Monterey History and Art Association. IX (1). Monterey, California: 7. March 1965. Retrieved March 24, 2024.
  104. ^ "Two Sunset exhibits are well worth viewing". Carmel Pine Cone. Carmel-by-the-Sea, California. March 15, 1973. p. 18. Retrieved August 17, 2022.
  105. ^ "Earliest recorded images of our area". Carmel Pine Cone. Carmel-by-the-Sea, California. August 27, 1981. p. 1. Retrieved March 26, 2024.
  106. ^ "Recovering part of past". The Californian. Salinas, California. November 25, 1995. pp. 29–30. Retrieved August 17, 2022.
  107. ^ "Pat Hathaway dies, leaves 80,000 historical photos" (PDF). Carmel Pine Cone. Carmel-by-the-Sea, California. January 8, 2021. p. 1. Retrieved August 17, 2022.
  108. ^ Susan Aulik (February 28, 1973). "Inside the Forest". The Pacific Grove Tribune and Pebble Beach Green Sheet. Pacific Grove, California. Retrieved April 6, 2024.
  109. ^ "Museum Collections". National Park Service. 1920. Retrieved March 27, 2023. Photographs by Josselyn are available by request, which include Montgomery Block (1920), Japanese diver at Point Lobos (1910), Fisherman's wharf, and Monterey Harbor.
  110. OCLC 81484069
    . Retrieved November 14, 2023. Photographs by Josselyn are available by request, which include the game room side chair and room card table.
  111. ^ "Prison camp during construction of Coast Highway". Monterey County Free Libraries. 1928. Retrieved March 26, 2024. Photographs by Josselyn are available by online, which include construction of Coast Highway, Hotel Del Monte, Stevenson House, amd more
  112. ^ "SBCAA: Jarvis House (Carmel, Calif.)". AD&A Museum UC Santa Barbara. Carmel, California. 1920s. Retrieved November 14, 2023.
  113. ^ "Home of old lady Allen". Mayo Hayes O'Donnell Library. Monterey, California. Retrieved March 3, 2024. Photographs by Josselyn are available by online, which include Colton Hall, Custom House, and Bixby Bridge.
  114. ^ "Leon Wilson papers, approximately 1871-1980". Bancroft Library. Berkeley, California. Retrieved March 28, 2024. Photographs by Josselyn are available by request that include four portrait photographs of children (one includes a woman).
  115. ^ "California Missions, Towns, and Buildings: Pictorial Material from the Aubrey Drury Papers". Bancroft Library. Berkeley, California. Retrieved March 28, 2024. Photographs by Josselyn are available by request that include photos of Carmel.
  116. ^ "Photo Record". Pacific Grove Museum of Natural History. Pacific Grove, California. August 13, 1930. Retrieved April 7, 2024.
  117. ^ "Lewis Josselyn". International Center of Photography. Manhattan, New York. December 11, 2019. Retrieved February 6, 2024. Photographs by Josselyn are available by request from CCP in there fine print collection.
  118. ^ "Carmel, California". University of Nevada, Reno. Reno, Nevada. Retrieved March 25, 2024.

External links

Wikimedia Commons has media related to Lewis Josselyn.



Category:1883 births Category:1964 deaths Category:Photographers from California Category:People from National City, California Category:People from Carmel-by-the-Sea, California Category:20th-century American photographers Category:20th-century American male artists Category:American military personnel of World War I Category:Burials at Golden Gate National Cemetery Category:Massachusetts College of Art and Design alumni Category:Landscape photographers Category:American fine art photographers Category:American portrait photographers

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