Vatër

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The vatër (or votër;

Albanian folklore. The fire of the domestic hearth, zjarri i vatrës, holds divine attributes in folk beliefs, being considered the sustainer of the continuity between the world of the living and that of the dead, and ensuring the continuity of the tribe (fis) from generation to generation.[1]

Etymology

The

Avestan: Atar). The Albanian term, in particular the Tosk form with va-, was loaned to Romanian and spread to other Balkan languages such as Slavic.[4][5][2][6]

Tradition

The function of the fire of the domestic hearth (zjarri i vatrës) is the sustenance of the continuity between the world of the living and that of the dead. After death, the souls of the ancestors (hije) assume a divine connotation and remain in contact with the family protecting the domestic hearth.[4][7]

Zjarri i vatrës is considered to ensure the continuity of the tribe (fis) from generation to generation.[4] In Albanian tradition, indeed, the lineage is identified with an original fire (zjarr); the members of a tribe are the ones who come "from the same fire" (pe një zjarri). The fire burns into the hearth (vatër), where it assumes another connotation besides the primordial concept: the fire of the domestic hearth is considered also as a place of common existence and commensality.[8]

In Albanian folk beliefs the fire hearth (vatra e zjarrit) is the symbol of fire as the offspring of the Sun.[9] The place of the ignition of fire is traditionally built in the center of the house and of circular shape representing the Sun. Traditionally the fire of the hearth is identified with the existence of the family and it is worshiped as a deity (hyjni/perëndi të zjarrit të vatrës). Its extinguishing is regarded as a bad omen for the family.[10]

Rose Wilder Lane (1923) provided the following description regarding the northern Albanian fire cult:[11]

The bride carries with her from her home one invariable gift—a pair of fire tongs. When she arrives at her husband's house she takes a humble place in the corner, standing, her hands folded on her breast, her eyes downcast, and for three days and nights she is required to remain in that position... this custom remains from the old days when the father of each house was also the priestly guardian of the fire, and anyone coming to ask for a light from it stood reverently in that position, silent, before the hearth, until the father priest gave it to him. The bride, newcomer in the family, is a suppliant for the gift of fire, of life, of the mystery that continues the race.

A figure which is widespread in Albanian beliefs is

serpent personifying the souls of the ancestors.[12] Another widespread figure is Nëna e Vatrës (the Mother of the Hearth), a beneficent deity who protects the fire of the domestic hearth. She is akin to Greek Hestia and Roman Vesta.[4][7][13][9] To the Greek and Roman goddesses well-defined public places of worship were dedicated, while in the Albanian tradition the place of worship of Nëna e Vatrës is the hearth of every house.[14] In this aspect the Albanian cult is more similar to the ancient cult of the natural eternal fire of Nymphaion.[14]

At feasts, people used to practice

sacrificial offerings to the hearth deities throwing some of the food they prepared into the fire of the domestic hearth and around the hearth.[15][4]

See also

Sources

Citations

  1. ^ Poghirc 1987, p. 179; Tirta 2004, pp. 176, 410; De Rapper 2012, pp. 14–15; Gjoni 2012, p. 90; Galaty et al. 2013, p. 161.
  2. ^ a b Curtis 2018, p. 1804.
  3. ^ Hyllested & Joseph 2022, p. 232.
  4. ^ a b c d e Poghirc 1987, p. 179.
  5. ^ Mallory & Adams 1997, p. 263.
  6. ^ Vermeer 2008, p. 606.
  7. ^ a b Tirta 2004, pp. 176, 410.
  8. ^ De Rapper 2012, pp. 14–15.
  9. ^ a b Gjoni 2012, p. 90.
  10. ^ Gjoni 2012, p. 91.
  11. ^ Galaty et al. 2013, p. 161.
  12. ^ Stipčević 2009, p. 507.
  13. ^ Monaghan 1997, p. 350.
  14. ^ a b Gjoni 2012, p. 96.
  15. ^ Tirta 2004, pp. 177, 179.

Bibliography

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