Catsuits and bodysuits in popular media

Source: Wikipedia, the free encyclopedia.

Juan-José Moréno (Fernand Herrmann) confronts Irma Vep (Musidora) in Les Vampires episode "Hypnotic Eyes".

Catsuits are a recurring costume for fictional characters in various media, as well as for entertainers, especially for use in musical performances. They are sometimes referred to as "bodysuits", especially in reference to a full-body suit worn by a man (although bodysuit usually refers to a legless garment); catsuit is typically used only in reference to women.[1][2]

The catsuit has been identified as a film-maker's costume of choice for stealth.

Heroic Trio, crime and catsuits are featured together, as well as its major original use in Alfred Hitchcock's To Catch a Thief.[3][4]

A trend of bodysuits was observed by film reviewer Alan Farrell in his book High Cheekbones, Pouty Lips, Tight Jeans, and a number of occurrences of the garb in films were mentioned –

Aeon Flux, Milla Jovovich in the fourth and fifth film of the Resident Evil franchise, Carrie-Anne Moss in The Matrix, Angelina Jolie in Lara Croft: Tomb Raider, Kate Beckinsale in Underworld, and Raquel Welch in Fantastic Voyage.[5] The trend of leather and vinyl catsuits were identified as an attempt to redefine the gender role of women through films.[6] Theresa L. Geller described the catsuit as a part of the Hollywood tough chic paradigm in an article published in the journal Frontiers.[7] That view was shared by Sherrie A. Inness in her book Action Chicks, which also included computer games and professional wrestling in that paradigm.[8] The Action Heroine's Handbook describes the catsuit as one of the three options of the first rule of thumb described in the book: "Dress to accentuate your best physical assets".[9] Action Chicks: New Images of Tough Women in Popular Culture by Sherrie A. Inness describes catsuits as an iconic garb of female TV and film characters.[10]

Movies and television series

Notable uses of catsuits or similar full-body garments include:

Music videos

Notable uses of catsuits or similar full-body garments include:

Video and computer games

Notable uses of catsuits or similar full-body garments include:

Post-modern thesis

In a

post-modern thesis on the superhero genre Michael Lecker wrote, "In the superhero genre, clothes do the talking through semiotics, which [Roland] Barthes discusses in depth in his work: The 'first, literal message serves as a support for a second meaning, of a generally affective or ideological order' (Roland Barthes[46]). The cat suits that adorn the feline hybrid characters in this genre are firstly illustrating their connection to felines. On the ideological level, the costumes signify the attributes that our society has projected onto cats and that the characters embody."[47] In another post-modern thesis on sadomasochism in cinema Andrea Beckmann wrote, "Cinematic SM is twisted into the non-consenting, violent realm of the unhinged that we know it is not. Fetishism is used as an excuse for a bit of titillatory semi-nudity, or to identify the villain – the man in black leather. Horror films, in particular, will happily throw in a leather catsuit or a gratuitous bondage scene to spice up a mediocre script (M Olley, Pam Hogg: Warrior Queen of the Catwalk[48])."[49]

References

  1. ^ Bodysuit, Dictionary.com
  2. ^ Catsuit, Dictionary.com
  3. ^ a b Paula Deitz, "Origins of Casual Style", The New York Times Magazine, 1989-08-20
  4. ^ "Danger clad in a catsuit", The Age
  5. .
  6. ^ Philip French (2006-02-19). "Other films: The Forest for the Trees | Casanova | The Piano Tuner of Earthquakes | Pavee Lackeen | Aeon Flux | Feed | McLibel | The River | From the Observer | The Observer". London: Guardian. Retrieved 2011-09-13.
  7. ^ a b c d e "28 sexy skintight outfits from 5 decades of sci-fi film and TV". blastr. May 11, 2010. Archived from the original on 2015-04-16. Retrieved 2015-04-08.
  8. ^ Carter, Kelly (2002-07-24). "For Knowles, Foxxy is her acting destiny". Usatoday.Com. Retrieved 2011-09-13.
  9. ^ Nick Morrison, "Catsuits? I'd rather wear nothing at all.", The Northern Echo, 2004-06-16
  10. ^ Dennis Fischer, "The Avengers", St. James Encyclopedia of Pop Culture
  11. ^
  12. , p.215
  13. ^ Dave Rogers, The Complete Avengers, page 89, Boxtree, 1989
  14. ^ Gillian Freeman, The Undergrowth of Literature, page 5, Nelson, 1967
  15. ^ "Every Woman Wants a Harley Quinn Costume For Halloween". Comicbookbin.com. Retrieved 2011-09-13.
  16. ^ "- YouTube". YouTube.
  17. ^ Travers, Peter (8 December 2000). "Batman Forever: Review". Rolling Stone. Archived from the original on 8 July 2008.
  18. ^ "Costume Designer Lindy Hemming THE DARK KNIGHT RISES Interview | Collider | Page 178361". Collider. Archived from the original on 2015-07-02. Retrieved 2012-10-23.
  19. ^ "- YouTube". YouTube.
  20. ^ "- YouTube". YouTube.
  21. , p.57
  22. ^ Paul Tatara, "'Irma Vep' puts stake in the heart of current cinema", CNN, 1997-06-12
  23. ^ Merle Ginsberg, "Sugar and Spice"[dead link], W (on High Beam), 200-12-01
  24. ^ Susan Carpenter, "'Matrix' magic maker", Los Angeles Times, 2003-05-15
  25. ^ Kym Barret biography, Future Design Days
  26. ^ Michele Orecklin, "In the Future, Black's Back". Time. 2003-05-12.
  27. ^ "The Rebel [Br 1961] Margit Saad and Tony Hancock Date: 1961". Archived from the original on 29 June 2013.
  28. ^ Liz Ohanesian, Rare Underworld Movie Props and Costumes Up for Auction, LA Weekly, 2009-02-04
  29. ^ Rogers, John (16 March 2002). "Liberty X Video Shoot 'Just A Little'". Getty Images. Retrieved 4 December 2022.
  30. ^ "Gloria Trevi con Celso Piña – "Sufran Con Lo Que Yo Gozo" (Official Video)". YouTube.
  31. ^ "Night Club - "Your Addiction" (Official Video)". YouTube.
  32. ^ Roland Barthes, The Fashion System (Trans. Matthew Ward and Richard Howard), page 28, Hill and Wang, 1983
  33. ^ Michael Lecker, Treacherous, deviant, and submissive: female sexuality represented in the character Catwoman,[permanent dead link] Bowling Green State University
  34. ^ T. Woodward (Ed.), The Best of Skin Two, page 19, Richard Kasak, 1993
  35. University of Lincolnshire and Humberside

Further reading

  • Meredith Levande, "Women, Pop Music, and Pornography", Meridians: Feminism, Race, Transnationalism, Fall 2008, Vol. 8, No. 1, Pages 293-321
  • Valerie Steele, Fetish: Fashion, Sex & Power, Oxford University Press, 1996,