Center Theatre (New York City)

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Coordinates: 40°45′31″N 73°58′50″W / 40.7587°N 73.9806°W / 40.7587; -73.9806
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Center Theatre
Map
Former namesRKO Roxy Theatre
Address1230 Sixth Avenue
LocationNew York City
Edward Durrell Stone

The Center Theatre was a

theater located at 1230 Sixth Avenue, the southeast corner of West 49th Street in Rockefeller Center in New York City. Seating 3,500, it was originally designed as a movie palace in 1932 and later achieved fame as a showcase for live musical ice-skating spectacles. It was demolished in 1954, the only building in the original Rockefeller Center complex to have been torn down.[1]
: 326, 327 

History

Radio City - RKO Roxy Theatre ad from, The Film Daily, 1932

The Center Theatre was originally called the RKO Roxy Theatre and built as part of the

RKO film The Animal Kingdom and a live stage show. It was intended as a smaller sister to the 6,000 seat Radio City Music Hall one block away, which at first did not show films. The smaller theater was named after producer Samuel L. Rothafel, aka "Roxy", who was engaged by Rockefeller Center to supervise the design and operation of the two theaters.[3][2] After the initial failure of the Music Hall in its first weeks, Rothafel suffered a heart attack and never returned to his new theaters. A successful lawsuit in 1933 by the owners of the original Roxy Theatre
on Seventh Avenue, claiming ownership of the "Roxy" name, caused the new theater to be renamed the RKO Center.

The Center Theatre featured an elegant

Edward Durrell Stone and decor was by Eugene Schoen. The spare but striking design featured curved walls paneled in mahogany. It had a three-tiered metal chandelier weighing six tons, and a ceiling studded with circles decorated in half-relief with mythological figures. Three shallow mezzanines provided an unobstructed view of the stage. The large stage contained turn-screw lifts as did the orchestra pit. There was also a 34-rank Wurlitzer theatre organ with a single stained wood console at stage right similar to the Radio City Wurlitzer twin consoles which were finished in ebony. Betty Gould and Raymond Bohr were some of the organ's featured artists.[4]
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Originally operated by the RKO movie theater chain, the Center was soon overshadowed in the movie business by the hugely popular Music Hall. In 1934 it converted to presenting Broadway plays and musicals. Now called the Center Theatre, it offered The Great Waltz and a few other shows but the theater was too large to find lasting success in this venture either. In 1939 the theatre presented the world premiere of Eugene Zador's opera Christopher Columbus.[5]

The last feature film to play at the theatre was Walt Disney's Pinocchio in 1940.

Looking for a way to make the Center Theatre profitable, Rockefeller Center, inspired by the theatrical success of

Arthur M. Wirtz, of Chicago
.

RKO Roxy Theatre, 49th Street, New York, N.Y., 1932

An ice stage 100 feet (30 m) wide with a skating surface of 7,000 square feet (650 m2) was built in the theater. Beneath it 28,000 feet (8,500 m) of pipe were laid, capable of continuously circulating a freezing solution at the rate of 500 US gallons per minute (1,900 L/min). For the surface, specially designed ice-making machinery was installed. The result was a permanent frozen stage surface that was ideal for skating.

As an ice theater, the Center Theatre reopened on October 10, 1940 with the presentation of Sonja Henie's production, It Happens on Ice, first of the musical ice spectacles. This proved to be a popular new form of entertainment. The show was a huge success, attracting greater than 1.5 million people during its run. For the next several years the Center offered more ice spectacles produced by Henie and Wirtz, including: Stars on Ice, Hats Off to Ice, Icetime, and Howdy Mr. Ice. In addition, during this time the Center was the home for the spring season of the San Carlo Opera Company from 1944 to 1949.

The Center Theatre had never been able to become a consistently profitable venture for Rockefeller Center.

U.S. Rubber Company Building above the Center Theatre, meaning that the theater had to be closed and demolished to make way for the extra office space.[7]

After 21 years of operation, the Center Theatre was demolished in 1954 and replaced with a 19-story addition to the U.S. Rubber Company Building. The final production at the theatre was the New York-portion of the 1954 Academy Awards, when Audrey Hepburn won Best Actress for Roman Holiday.[6] During the demolition process, the U.S. Rubber Building above it was put on temporary stilts, with the offices above the former theater still being occupied during the demolition process.[8] Doors, lamps, and other furnishings were sold off to the Cherry Lane Theatre in the West Village.[9] Bob Jones University purchased the stage lifts and turntables from the Center Theatre and reassembled them in its Rodeheaver Auditorium, where the mechanisms are still in use today.[10]

References

  1. ISBN 978-0-19538-386-7
    .
  2. ^ a b Gilligan, Edmund (November 29, 1932). "Roxy Presents New Mood" (PDF). The New York Sun. p. 20. Retrieved November 11, 2017 – via Fultonhistory.com.
  3. ISBN 978-0070034808
    .
  4. ^ a b Adams, Janet (1985). "Rockefeller Center Designation Report" (PDF). City of New York; New York City Landmarks Preservation Commission. Archived from the original (PDF) on 2017-11-07. Retrieved 2017-11-16.
  5. ^ Noel Straus (October 9, 1939). "COLUMBUS VOYAGE DEPICTED IN OPERA; Eugene Zador's One-Act Work Has World Premiere Here at the Center Theatre". The New York Times. p. 14.
  6. ^ a b Cooper, Lee E. (1953-10-22). "Center Theatre to Be Torn Down; Office Building Set for Radio City; 19-Story Office Building to Replace Center Theatre RADIO CITY LOSING CENTER THEATRE" (PDF). The New York Times. Retrieved 2017-11-15.
  7. ISBN 978-0-19-502404-3
    .
  8. ^ "Skyscraper Stands on Stilts Over Wreckers" (PDF). The New York Times. 1954-10-09. Retrieved 2017-11-15.
  9. ^ Staff (May 11, 1954). "'Village' Theatre Gets Uptown Look; Cherry Lane Salvages Shiny Rockefeller Center Fittings in Path of Wreckers". The New York Times. p. 31. Retrieved February 28, 2017.
  10. ^ Melvin Stratton (1927-1994), the Rodeheaver Auditorium stage manager, "flew to New York, observed the crew dismantle the three lifts, three turntables, and machinery over one week's time, then returned to Greenville and reconstructed the entire assembly, fitting it to the Rodeheaver stage." Daniel L. Turner, Standing Without Apology: The History of Bob Jones University (Greenville, SC: Bob Jones University Press, 1997), 308.

Bibliography

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