Doubting Antiquity School

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New Culture Movement
Background
Aftermath of 1911 Revolution

Eastward spread of Western learning

Ideologies
Practice
Schools of thought
Major publications
Notable people

The Doubting Antiquity School or Yigupai (

academia, starting during the New Culture Movement
(mid-1910s to 1920s), who applied a critical historiographical approach to Chinese historical sources. They put forward theories doubting the authenticity of texts and narratives that, in traditional Chinese historiography, were often accepted as authentic.

Fu Sinian and especially Gu Jiegang, who further advanced "our traditional knowledge of Chinese antiquity was built up in successive strata, but in an order exactly the reverse of the actual occurrence."[3]

Most of their criticism concerns the authenticity of pre-Qin texts and deals with questions put forward by the past dynastic writers, as well as other subjects.

sinologists, including Bernhard Karlgren and Samuel Griffith
.

In a more specific way, the Doubting Antiquity School was represented by Gushibian 古史辨 (Debates on Ancient History), the scholarly movement led by Gu Jiegang, centered on the magazine of the same name. Seven issues of the magazine, 1926–1941, contain about 350 essays.

Major critics of the Doubting Antiquity School were historians associated with the

Chen Yinque, and Miao Fenglin [zh
].

Evaluation

In the atmosphere of critical re-evaluation of traditional culture and learnings of the early 20th century, the Doubting Antiquity School found great influence. Some of their conjectures cast doubt on the authenticity of historical narratives about Chinese antiquity as presented in traditional texts that have been accepted as authentic for millennia. It is these conjectures that gained the greatest popular interest in the non-academic media, such as:

  • Yu the Great was originally an animal or deity figure used as a motif on bronzeware, and the veneration of bronzeware led to Yu being recast as a historical but super-human figure from antiquity;
  • the peaceful transition of power from Yao to Shun was concocted by philosophers of the Zhou dynasty to support their political philosophy;
  • a series of early antiquity kings were concocted in the Han dynasty and Xin dynasty to justify the rule of those dynasties on geomancy grounds; and
  • a portion of the recorded history of the
    Eastern Han dynasty
    .

Nevertheless, the Doubting Antiquity School's more important legacy was the critical approach to sources they pioneered. The central tenet of their approach was that the history of Chinese antiquity was created iteratively. Ancient texts have been repeatedly edited, reorganised, tampered with or even completely fabricated, so the historical narrative of antiquity as presented in traditional texts was different at different points of time. As time went on, the history of antiquity became longer and more complicated, characters acquired more features, including more supernatural attributes. This means that it is not always possible to identify the "authentic" version of events from antiquity, only the narrative as stated in a text at a particular time.

Some of the conjectures put forward by the Doubting Antiquity School are now disproved or supported based on archaeological findings undermining or supporting the authenticity of the historical texts that the Doubting Antiquity School posited as inauthentic.

oracle bones at an excavation of the Shang capital at Anyang (Yinxu) matched 23 names of the 30 Shang kings listed by Sima. Needham writes that this remarkable archaeological find proves that Sima Qian "did have fairly reliable materials at his disposal—a fact which underlines once more the deep historical-mindedness of the Chinese."[5]

In 1993, scholar

historiographical approach of "Interpreting Antiquity"). Scholars of the "Believing Antiquity" viewpoint argue that archaeological discoveries of recent decades have generally substantiated Chinese traditional accounts rather than contradicted them, rendering the doubts of the Doubting Antiquity School largely obsolete. For instance, manuscripts discovered in tombs have proved the authenticity of several texts long thought to be later forgeries, including the Wenzi, the Kongzi Jiayu, the Heguanzi, parts of the Yi Zhou Shu, and many others.[6]

Criticism

The Doubting Antiquity School's opinion and claims were not universally accepted by other schools in 1920s. Major critics of the Doubting Antiquity School were historians from the Historiography and Geography School (史地學派) of the National Central University in Nanjing and the academics associated with the academic journal Critical Review, or termed the Xueheng School. The major opposition included Chu Coching, Liu Yizheng, Liang Qichao, Wang Guowei, Chen Yinque, and Miao Fenglin.

These historians claimed that the many hypotheses of Doubting Antiquity School were radical and nationalist revisionisms influenced by the May Fourth Movement and New Culture Movement, which aimed to abolish Chinese tradition. And some claims of the Doubting Antiquity School, such as Sino-Babylonianism, were based on assumption without any archaeological evidence. Chinese writer Lu Xun dismissed Doubting Antiquity School and their publication Gushibian (古史辨, Debates on Ancient History). He argued that the real intention behind Doubting Antiquity School was to aggressively demolish the Chinese imperial legacy, so much so that they would reject real historiography.[7] Much archaeological evidence discovered in 20th century, such as Yinxu and Taosi, proved some of the Doubting Antiquity School's claims to be incorrect.[8]

Zhang Guoan of Beijing Normal University believes the existence of Doubting Antiquity School was a reflection of the political climate of rising Chinese nationalism at the time.[9]

Relationship with Chinese archaeology

The influence of Doubting Antiquity School caused many people to lose confidence in many ancient books and traditional ancient histories. Driven by the special interest of Chinese people in history, they turned to Chinese archaeology, which was just born, in order to gain a better understanding of Chinese ancient history. The excavation of the ancient site of Yangshao Village in 1921 and the excavation of the ancient site of Xiyin Village in 1926 made people seek its relationship with the early history of China. Some also use fashionable sociological and historical theories to explain the origin of ancient Chinese history and ancient history and culture. Some Western and Japanese scholars also use archaeology in the service of their political intentions and racial prejudice.[10]

At this time, the culture of the West was very clamorous, and its influence was widespread. The excavation of Yin Ruins in Anyang in 1928 brought the understanding and discussion of ancient history into a new stage. The Yin Ruins have oracle bone inscriptions and their important content to confirm the lineage of the Shang Dynasty's ancestors and kings recorded in "Records of the Grand Historian Yin Benji", as well as exquisite bronze wares. stage. In 1929, the sixth excavation of Yin Ruins in Anyang discovered a piece of painted pottery, which further aroused the thinking and discussion of the relationship between Yangshao and Xiaotun.

It can be said that modern Chinese archaeology was developed in order to seek the roots of Chinese culture under the Doubting Antiquity School about the authenticity of historical documents and the stimulation of "Western Origin".

List of early modern scholars

Prominent figures

Others

See also

  • Old Texts

References

  1. ^
    ISBN 0-674-00249-0. Page 345, see: [1]
  2. ISBN 0-521-47030-7. Page 72, see: [2]
  3. S2CID 244133983
    .
  4. ISBN 0-231-11271-8. p. 364.[3]
  5. ISBN 0-521-05799-X. Page 88, see: here
    .
  6. ISBN 9780791482353
    .
  7. ^ "重提一段公案" (in Chinese).
  8. ISBN 9787100071772
    .
  9. ^ "顾颉刚和胡适：从论战完败到"史学革命"的大逆转". The Paper. 29 April 2019.
  10. ^ 梁涛 白立超 (2013). ""二重证据法"与古书的反思". Journal of Tsinghua University(Philosophy and Social Sciences).

Further reading

  • Liu, Jianguo (2004). Distinguishing and Correcting the pre-Qin Forged Classics. Xi'an: Shaanxi People's Press.
    ISBN 7-224-05725-8
    .
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