Hennin
The hennin (
With many characters or stories in pop culture, the Hennin is the element used to identify princesses of any kind, as well as that of courtesans or any important woman of royalty.
Conical hennins
These appear from about 1430 onwards,[6] especially after the mid-century, initially only among aristocratic women, though later spreading more widely, especially in the truncated form. Typically, the hennin was approximately between 11" and 18" (30 to 45 cm.) high, but might be considerably higher, as much as over 2'5" (80 cm.). The tops of some of these conical hats were pointed while others were truncated, ending in a flat top. It was generally accompanied by a veil (cointoise) that usually emerged from the top of the cone and was allowed to fall onto the woman's shoulders or even to the ground, or was pulled forward over the hennin, often reaching over the woman's face. The cointoise is the model for the scroll work around a coat of arms in heraldry.
The hennin was worn tilted backward at an angle. It was made of light material, often card or a wire mesh over which a light fabric was fixed, although little is known of the details of their construction. There was often a cloth lappet (cornet)[N 2] in front of the hennin, covering part of the brow, and sometimes falling onto the shoulders to either side. There is very often a "frontlet" or short loop seen on the forehead (example) to adjust the hennin forward, and perhaps even to hold it on in wind.[7]
It was fashionable to pluck or shave the forehead to raise the hairlines.[8] The hair was tied tightly on the scalp and usually hidden inside the cone (possibly one end of the veil was tied to the hair and wrapped round, with the free end being pulled through the hole at the tip of the cone). However, some images show long hair worn loose behind the hennin.
Nowadays, the hennin forms part of the depiction of the stereotypical fairy-tale princess. There are some manuscript illuminations that show princesses or queens wearing small crowns either round the brim or at the top of the hennin; it is likely that the very small crown of Margaret of York, Duchess of Burgundy (now in the treasury of Aachen Cathedral) was worn like this for her famously lavish wedding celebrations in 1468.
Definition
Various writers on costume history use hennin to cover a variety of different styles. Almost all agree that the steeple-cone style was a hennin, and the truncated ("flowerpot") versions. Many also include the heart-shaped open-centred
The Chronique of Enguerrand de Monstrelet records that in 1428, in what seems to be the first record of the term "hennin", the radical Carmelite friar Thomas Conecte railed against extravagant headdresses of...
...the noble ladies, and all others, who dressed their heads in so ridiculous a manner, and who spent such large sums on such luxuries of fashion.[9]
Thomas urged street boys to chase after such ladies and pluck off their headdresses, crying "Au hennin!", even granting
Gallery
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Mourner from the mid 15th-century Tomb of Isabella of Bourbon wearing a truncated linen hennin.[12]
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Maria Portinari of Bruges wearing a high but still truncated hennin, with a veil hanging from the top and black lappets or underhood, 1476–78.
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Barbara van Vlaendenbergh wearing a truncated hennin, Burgundy, ca. 1480
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Hennin worn with braids, 1500–01. By then, hennins had reached Basel in Switzerland, but were rather out of date in Paris or Burgundy.
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Isabella of Portugal, Duchess of Burgundy in a divided hennin. Copy of original of 1445–50.
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France c.1455–60. The ladies-in-waiting wear very high divided hennins.
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Hair is pulled back in an embroidered "beehive" hennin and covered by a short veil. The veil reaches the eyebrows. Burgundy, ca. 1455.
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Portrait of a Young Girl, Petrus Christus. A truncated hennin, fashionable in the Low Countriesthe 1460s.
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A woman of the Burgundian gentry in a "beehive" or perhaps truncated cone hennin, 1460s. Part of the veil comes forward to cover the eyebrows.
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Mary of Burgundy at prayer wearing a tall hennin, 1470s.
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A hennin-likeChouf, Lebanon, 1870s
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A recreated 19th-century hennin-like Lebanese tantour
See also
Notes
- ISBN 2-85036-506-8.
- ^ "Cornet" from Herbert Norris, Medieval costume and fashion 1999 (orig 1927 :445–48.
- Edward IV
- ^ OED, "Hennin"
- ^ Piponnier and Mane are among the writers who use it, just for conical head-dresses, p. 80
- ^ Piponnier & Mane, 80
- ^ M. Vibbert, "Headdresses of the 14th and 15th Centuries," The Compleat Anachronist, No. 133, SCA monograph series (August 2006)
- ^ "A New Look for Women." Arts and Humanities Through the Eras. Gale. 2005. Archived 2018-10-20 at the Wayback Machine
- ^ Online text of the Chronique in English - 19th century translation. Quoted in Norris 1999:445. French text here
- ^ A Cyclopedia Of Costume Vol. II A General History Of Costume In Europe of 1819 By James Robinson Planche
- ^ Martí de Riquer i Morera (1964), Història de la Literatura Catalana, vol. 1 (Barcelona: Edicions Ariel), 632.
- ^ "Catalogue nr. BK-AM-33-G". Rijksmuseum. Retrieved 11 February 2023
References
- Boucher, François: 20,000 Years of Fashion, Harry Abrams, 1966.
- Kohler, Carl: A History of Costume, Dover Publications reprint, 1963, ISBN 0-486-21030-8
- Laver, James: The Concise History of Costume and Fashion, Abrams, 1979
- Payne, Blanche: History of Costume from the Ancient Egyptians to the Twentieth Century, Harper & Row, 1965. No ISBN for this edition; ASIN B0006BMNFS
- Françoise Piponnier and Perrine Mane; Dress in the Middle Ages; Yale UP, 1997; ISBN 0-300-06906-5
- Vibbert, Marie, Headdresses of the 14th and 15th Centuries, The Compleat Anachronist, No. 133, SCA monograph series (August 2006)
External links
- Images of Burgundian conical hennins
- Constructing the Headdresses of the Fourteenth and Fifteenth Centuries, paper by Marie Vibbert (Lyonnete Vibert), Known World Costume Symposium Proceedings (2005).
- (in French) Coiffures féminines — Le Hennin
- Burgundian wedding c.1470, from the Getty, with a great variety of head-dresses.