Kalki Purana

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The Kalki Purana (

Hindu text about the tenth avatar of Vishnu named Kalki.[1] The Sanskrit text was likely composed in Bengal during an era when the region was being ruled by the Bengal Sultanate or the Mughal Empire. Wendy Doniger dates it to sometime between 1500 AD and 1700 AD. It has a floruit of 1726 AD based on a manuscript discovered in Dhaka, Bangladesh.[1][2]

Structure

It is not one of the 18 Maha-Puranas (great Puranas), and is counted as an Upapurana or secondary Purana. The extant text exists in many versions, which vary in structure and details. Some do not divide the text into sections and have about 35 chapters. One manuscript comprises three aṃśas (sections) consisting 7 and 21 chapters respectively.[3]

Content

Family lineage of Kali

The beginning of the Kalki Purana describes

Maya (Illusion). He is the great-grandson of Adharma (Impropriety) and his wife, Mithya (Falsehood). Adharma was originally created from Brahma's back as a malinapataka (a very dark and deadly sinful object). Kali and his family were created by Brahma to hasten the dissolution of the cosmos after the pralaya period was over. When his family takes human form on earth, they further taint the hearts and minds of mankind to bring about the end of the Dvapara Yuga and the beginning of the Kali Yuga. During the first stage of the Kali Yuga, the varnashrama breaks down and deific worship is forsaken by man. All through the second, third, and fourth stages, man forgets the name of god and no longer offers yajna (offerings) to the devas.[4]

Manifestation of Kalki on Earth

Parashurama (the sixth incarnation of Vishnu).[6] Soon, Kalki worships Shiva, who gets pleased by the devotion and provides him in return a divine white horse named Devadatta (a manifestation of Garuda), a powerful sword, whereby its handle is bedecked with jewels, and a parrot named Shuka, who is an all-knower; the past, the present and the future.[7] Other accessories are also given by other devas, devis, saints, and righteous kings. Kalki then marries princess Padmavati (an incarnation of Lakshmi), the daughter of King Vrihadratha and Queen Kaumudi of Simhala (the island of the lion) and princess Ramā, the daughter of King Shashidhvaja and Queen Sushanta.[8] He fights in many wars, ends evil, including Kali and his entire family bloodline, which is wiped out by the avatar's generals; he perishes from wounds inflicted by Dharma and Satya Yuga personified. Kalki, meanwhile, battles and simultaneously kills the asura's most powerful generals, Koka and Vikoka, twin asuras adept in the dark arts. Kalki then returns to Shambala to rule, inaugurates a new yuga for the good and divides the earth among his generals. Sumati and Vishnuyasha, his parents, will then travel to the holy place of Badrikashrama, where they will live. Kalki then leaves the earth to go to Vaikuntha as his dharma (duty) is completed.[8]

Origin

The Kalki Purana is a relatively recent text, likely composed in

terminus ante quem is the 18th-century.[8] It is likely Bengal because its earliest manuscripts have been found in Bengal, and these are Sanskrit written in Bengali script, states the historian Sumit Sarkar. The colophons of these manuscripts places them in the 18th-century.[9] According to the Indologist Wendy Doniger, the Kalki Purana is broadly dated by scholars between 1500 and 1700 CE, though these earlier dates are "misguided conjectures". No manuscripts from or before the 17th-century are known.[10]

Significance

According to Edwin Bernbaum, the Kalki Purana is a Hindu version of Shambala and its mythology has many features found in the Buddhist counterpart.[11] Other scholars such as John Newman state that Buddhists borrowed the Hindu concept of Kalki and adapted the concept in the text Kalachakra Tantra. They combined their idea of Shambhala with Kalki to reflect the theo-political situation they faced after the arrival of Islam in Central Asia and western Tibet.[12][13] The Buddhist texts also mention a king named Kalki from Shambhala who leads an army to destroy the Muslim persecutors of dhamma; then after the victory of good over evil and attainment of religious freedoms, Kalki ushers in a new era. The Buddhist text is dated to about the 10th-century.[14][15][16] While the Kalachakra Tantra likely borrowed the Kalki concept, the Kalki Purana post dates the Kalachakra Tantra. The much later era Buddhist text Vimalaprabha, which comments on Kalachakra Tantra, also mentions Kalki and provides details not found in Kalki Purana such as the Shambala being north of River Shita. According to John Newman, this river is also called Tarim River in central Asia (east Turkistan).[17]

See also

References

  1. ^ .
  2. .
  3. .
  4. )
  5. .
  6. ^ The Kalki Purana— English. p. 28.
  7. ^ The Kalki Purana— English. pp. 33–34.
  8. ^ a b c Rocher 1986, p. 183 with footnotes.
  9. .
  10. .
  11. ^ Edwin Marshall Bernbaum (1980). The Myth of Śambhala in Buddhist and Hindu Mythology. University of California, Berkeley. pp. 18–27.
  12. ^ John Newman (2015). Donald S. Lopez Jr. (ed.). Buddhism in Practice (Abridged ed.). Princeton University Press. p. 203.
  13. ^ Sopa, Lhundub. The Wheel of Time: Kalachakra in Context. Sambhala. pp. 83–84 with note 4.
  14. .
  15. .
  16. ^ John Newman (2015). Donald S. Lopez Jr. (ed.). Buddhism in Practice (Abridged ed.). Princeton University Press. pp. 202–205.
  17. ^ John Newman (1985). Geshe Lhundub Sopa (ed.). The Wheel of Time: Kalachakra in Context. Sambhala. pp. 56–78, 83–86 with notes.

Bibliography

  • Himanshu Aneria, Kalki Purana, Fusion Books (1969)

External links

  • Media related to Kalki at Wikimedia Commons