Monkey Business (Black Eyed Peas album)
Monkey Business | ||||
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Studio album by | ||||
Released | May 25, 2005 | |||
Recorded | June–December 2004 | |||
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Length | 66:03 | |||
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Producer | ||||
Black Eyed Peas chronology | ||||
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Singles from Monkey Business | ||||
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Monkey Business is the fourth studio album by American group the Black Eyed Peas. It was released on May 25, 2005, by A&M Records, Interscope Records and will.i.am Music Group.
Following the global success of their third studio album, Elephunk (2003), the group embarked on the Elephunk Tour. While touring, they began recording Monkey Business in June 2004, continuing for the following six months at various locations worldwide. Executive producers Ron Fair and will.i.am enlisted producers Printz Board, Noize Trip, Timbaland and Danja for the album. Their final product was a hip hop and pop record incorporating an array of genres, such as crunk, funk, reggae, Raï, calypso, soul, jazz and Latin rock. Similarly to Elephunk, it explores lyrical themes such as relationship complexities, sexual attraction, partying, fame and, to a lesser extent, social issues. Controversy arose over the lyrics of the track "My Humps", which center on a woman using her physical attributes to accomplish her goals.
Monkey Business received mixed reviews from music critics, who complimented its production but criticized its lyrical content and the Black Eyed Peas' inclining to commercialization with the album. It debuted at number two on the US Billboard 200 with first-week sales of 291,000 units, becoming the group's first top-ten album on the chart. The album was certified triple platinum by the Recording Industry Association of America (RIAA), selling over four million copies in the United States. Internationally, it reached number one in Australia, Canada, France, Germany, Mexico, New Zealand and Switzerland, and has sold over nine million copies worldwide. Despite its critical response, the album won two Grammy Awards for its singles "Don't Phunk with My Heart" and "My Humps", receiving three additional nominations.
Monkey Business produced four singles. "Don't Phunk with My Heart" became the group's highest-peaking single on the US Billboard Hot 100 at the time, peaking at number three, and reached number one in Australia, Canada, the Czech Republic, Finland and New Zealand. "Don't Lie" peaked at number 14 on the Billboard Hot 100, being overshadowed by its successor "My Humps", which began receiving heavy unsolicited airplay. After its official release as a single, "My Humps" peaked at number three on the Billboard Hot 100, reaching number one in Australia, Canada, Ireland and New Zealand. The final single "Pump It" became the album's lowest-peaking single on the Billboard Hot 100, reaching number 18. The album was further promoted with two global concert tours–The Monkey Business Tour (2005–2006) and the Black Blue & You Tour (2007).
Background and development
In June 2003, the Black Eyed Peas released their third studio album
Recording and production
Monkey Business was recorded in "two and three-month spurts" throughout 2004 while the Black Eyed Peas were on their Elephunk Tour, in support of their third studio album Elephunk (2003).[6] The executive producer will.i.am co-wrote all the tracks, and produced or co-produced all tracks except "My Style" and "Disco Club". Among other producers were apl.de.ap, Timbaland, Danja, Printz Board, Noize Trip, and the executive producer Ron Fair. apl.de.ap co-wrote nine tracks, Fergie co-wrote eight, and Taboo co-wrote two.[7] The production commenced in June, while the group was touring the United Kingdom.[8] They recorded six tracks at the Metropolis Studios in London.[7] The recording sessions continued in July during the tour's stop in Japan, where "Pump It" was partly recorded in a bullet train.[7] Upon the group's return to the United States, they recorded most of the tracks at the Stewchia in Los Feliz, Los Angeles.
On August 11, a fire caused by unattended candles broke out at the Glenwood Studios in
Music and lyrics
Monkey Business is a
"Underground hip hop" track "Like That", featuring Q-Tip, Talib Kweli, CeeLo Green and John Legend, begins with a sample from Astrud Gilberto's 1965 version of "Who Can I Turn To?".[21][7] The seventh track "Dum Diddly" was described by Neil Drumming from Entertainment Weekly as a "glossy, faux-reggae" track.[13] "Feel It" lyrically encourages its listeners to dance.[22] Country-influenced "Gone Going" addresses the emptiness of materialism.[23] It's built around a hip hop beat and a live string-horn arrangement.[24] "They Don't Want Music", featuring James Brown, is a horn-driven jazz, lounge and funk track.[16][17] "Disco Club" is about men "cruising clubs for casual hookups".[23] The "funky" dance track "Bebot", whose title means "hot chick", is rapped entirely in Tagalog, much like "The Apl Song" from Elephunk (2003).[25] "Ba Bump" features its male protagonist getting a woman drunk and having sex with her afterwards.[23] "Audio Delite at Low Fidelity" lyrically details the group's history up until the release of Monkey Business, referencing their rise to prominence; it ends with the hidden track "Change".[26] The album's closing track "Union" heavily samples "Englishman in New York" by Sting, who makes a guest appearance.[7] A jazz-influenced track,[27] it lyrically demands social equality.[13]
Title and artwork
The Black Eyed Peas gave numerous explanations to the title of Monkey Business. In the "BEP Q&A" portion of the album's booklet, two definitions of the title were written.[7]
"DEFINITION 1: With success, people treat you differently. They can go from viewing you like a person to viewing you like a product. And that's one definition of Monkey Business."
"DEFINITION 2: Elephants have nothing to do with PHUNK and Monkeys have nothing to do with BUSINESS ...or do they? Our business is PHUNKIN' MUSIC." [sic]
In an interview with The Record, the members described an experience in Paris during their Elephunk Tour (2004) which inspired the title. According to will.i.am, they were inside of a van when a large group of fans came and started banging on its windows and looking inside, to which Taboo said he felt as if they were caged monkeys in a zoo.[12]
The album cover for Monkey Business was photographed by Albert Watson. It depicts Fergie, Taboo and apl.de.ap surrounding will.i.am as he's shouting into a megaphone, against a red background. Shepard Fairey and Florencio Zavala designed the artwork and its logo, as directed by Mike Jurkovac.[7]
Release and promotion
In May 2004, the Black Eyed Peas announced Monkey Business would be released by November.
The Black Eyed Peas promoted "
Singles
In December 2004,
"Don't Lie" was released as the second single from Monkey Business on June 29, 2005.[56] It failed to duplicate the success of "Don't Phunk with My Heart", partly due to the rising success of "My Humps", which had not been released as a single yet. The song peaked at number 14 on the US Billboard Hot 100, reaching the top ten in Australia, Austria, Canada, CIS, Denmark, Hungary, Italy, the Netherlands, New Zealand, Norway and the United Kingdom, and on the European Hot 100 Singles.[51][57][58][59][60] Despite a mixed critical reception, the song was nominated for Best Pop Performance by a Duo or Group with Vocals at the 48th Annual Grammy Awards.[4] Its accompanying music video was directed by The Saline Project and shows the members in Rio de Janeiro.[1]
"My Humps" became an unsolicited hit on
"Pump It" was released as the fourth and final single from Monkey Business on January 16, 2006.[68] It became the lowest-peaking single from the album, peaking at number 18 on the US Billboard Hot 100.[51] Internationally, it reached the top ten in Australia, Belgium, Canada, Croatia, the Czech Republic, Greece, Hungary, Ireland, Italy, New Zealand, Switzerland and the United Kingdom, and on the European Hot 100 Singles.[69][70][71][72][73] Its accompanying music video was directed by Francis Lawrence and features the group competing and fighting with a gang inside a parking garage.[1]
In July 2005, it was announced that "Like That" would be released simultaneously with "Don't Lie" as the dual second single from Monkey Business; however, only "Don't Lie" was released.
Critical reception
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | (48/100)[80] |
Review scores | |
Source | Rating |
AllMusic | [81] |
The A.V. Club | (unfavorable)[27] |
Entertainment Weekly | C[13] |
The Guardian | [83] |
Paste | (7/10)[84] |
PopMatters | [15] |
Robert Christgau | [82] |
Rolling Stone | [18] |
Slant Magazine | [24] |
Yahoo! Music UK | [14] |
Monkey Business received mixed reviews from music critics upon its release. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has received an average score of 48, indicating "mixed or average reviews", based on 20 reviews.[80] Robert Christgau gave the album a three-star honorable mention, saying: "What all pop might be—so much brighter and kinder than it is".[82] John Bush from AllMusic labeled most of the tracks "the same type of party rap singalong that Black Eyed Peas made their name with on Elephunk", adding: "Monkey Business could easily sell just as well, or better, than Elephunk, but what the group made sound effortless in the past sounds strained and canned here."[81] He selected "Feel It" and "Disco Club" as the album's highlights.[81] Nathan Rabin from The A.V. Club gave the album an unfavorable review, criticizing the album's lyrical content for managing to "devolve even further" than that of Elephunk, as well as what he perceived as lack of originality due to excessive sampling.[27] Nicholas Taylor from PopMatters shared Rabin's sentiments but nevertheless praised the album for being a "great party record".[15] Neil Drumming from Entertainment Weekly declared it "such a bland meringue: a succession of cotton candy raps about chicks, partying, and partying with chicks, broken up by choruses destined to evaporate outside a shindig's perimeter".[13]
Betty Clarke from The Guardian commended the Black Eyed Peas' use of the "good-guy rap plus pop-profundity multiplied by numerous special guests" formula but dismissed the lyrical themes. She singled out James Brown's appearance on "They Don't Want Music" as the album's highlight.[83] Courtney Ryan Fitzgerald from Paste praised the album's production, calling its songs "danceable" and "catchy".[84] Rolling Stone editor Christian Hoard was positive towards Monkey Business, calling it "just as bright if not quite as fun as Elephunk".[18] Sal Cinquemani from Slant Magazine condemned the album for being "virtually unlistenable", but classified "Gone Going" as its highlight.[24] Azeem Ahmad from musicOMH felt similarly, saying the album was "impossible to listen to in one sitting because it's too much of a strain on the brain to absorb."[17] Talia Kraines from BBC wrote: "With its witty rhymes and clean lyrics, [Monkey Business] is hip hop for families", but noted the group's downgrade in lyrical themes since their debut studio album, Behind the Front (1998).[11] Jason King from The Village Voice described the album as "zany, antiseptic kitsch, like the soundtrack to the ultimate Old Navy commercial".[16]
Accolades
Year | Award | Category | Nominee(s) | Result | Ref. |
---|---|---|---|---|---|
2005 | Teen Choice Award
|
Choice Music – Summer Song | "Don't Phunk with My Heart" | Nominated | |
Choice Music – Party Starter | Won | ||||
2005 | MTV Video Music Award
|
Best Group Video
|
Nominated | ||
2005 | Mnet Asian Music Award | Best International Artist | "Don't Lie" | Won | |
2005 | IFPI Hong Kong Top Sales Music Award | Ten Best Sales Releases, Foreign | Monkey Business | Won | |
2006 | NRJ Music Award | International Album of the Year | Won | ||
2006 | Grammy Award
|
Best Rap Performance by a Duo or Group | "Don't Phunk with My Heart" | Won | |
Best Rap Song | Nominated | ||||
Best Pop Collaboration with Vocals | "Gone Going" | Nominated | |||
Best Pop Performance by a Duo or Group with Vocals | "Don't Lie" | Nominated | |||
2006 | Soul Train Music Award
|
Best R&B/Soul Album – Group, Band or Duo | Monkey Business | Won | |
Best R&B/Soul or Rap Dance Cut | "My Humps" | Nominated | |||
2006 | Juno Award
|
International Album of the Year | Monkey Business | Won | |
2006 | MTV Australia Video Music Award | Best Hip-Hop Video | "Don't Phunk with My Heart" | Nominated | |
2006
|
MTV Video Music Award Japan | Best Group Video | Nominated | ||
Best Pop Video | Nominated | ||||
Album of the Year | Monkey Business | Nominated | |||
2006 | Myx Music Award | Favorite International Video | "My Humps" | Nominated | |
2006 | MuchMusic Video Award | Best International Group Video | Nominated | ||
2006 | MTV Video Music Award | Best Hip Hop Video | Won | ||
Ringtone of the Year | Nominated | ||||
2007 | Grammy Award | Best Pop Performance by a Duo or Group with Vocals | Won |
Commercial performance
In the United States, Monkey Business debuted and peaked at number two on the
Monkey Business debuted at number two on the Canadian Albums Chart dated June 25, 2005.[120] It peaked atop the chart in its fourth week, spending seven weeks at the summit and a total of 34 weeks charting.[121] The album was certified sextuple platinum by the Canadian Recording Industry Association (CRIA) on March 24, 2006.[122] In Mexico, the album peaked atop the Top 100 Mexico chart,[123] being certified platinum+gold by the Asociación Mexicana de Productores de Fonogramas y Videogramas (AMPROFON).[124] It was a commercial success across Oceania as well, debuting at number one in both Australia and New Zealand.[125] The album has been certified sextuple platinum by the Australian Recording Industry Association (ARIA) and quadruple platinum by the Recorded Music NZ (RMNZ).[126][127] In Japan, it peaked at number three on the Oricon Albums Chart, where it has spent a total of 72 weeks, and has been certified platinum by the Recording Industry Association of Japan (RIAJ).[128][129]
Monkey Business fared similarly in Europe, where it debuted atop the
Controversy
Following the release of Elephunk (2003), the Black Eyed Peas had already been scrutinized by music critics and media outlets for selling out, accusations which originated from the fact the group criticized artists doing so years earlier, and continued throughout the promotional campaign for Monkey Business.[3][141] Some critics claimed their endorsements of various companies caused them to suffer from overexposure; Nathan Rabin from The A.V. Club stated: "With Elephunk, The Black Eyed Peas made the rare leap from underrated and overlooked to obnoxiously (and undeservedly) overexposed."[27] Sal Cinquemani from Slant Magazine was especially critical of the group's newfound popularity and commercial success, labeling them "disposable pop".[24] will.i.am responded to the backlash by stating:
"We don't do anything that doesn't fit with the music. We kinda lend ourselves to benefits so we did the Democratic National Convention to get people out there to vote. And then we'll do a Best Buy commercial 'cause they sell music. Then we did the first iTunes commercial. We did the NBA 'cause it's like, who's not gonna do the NBA? We did the Super Bowl, 'cause who ain't gonna do the Super Bowl? And if they asked you to do two years at the Grammys, you ain't gonna do it? And then we did the Emmys 'cause they said, 'Ain't nobody ever did the Emmys.'"[142]
Further controversy arose over the lyrical content of "My Humps", the third single from Monkey Business, which centers on a female protagonist using her
Track listing
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Pump It" |
| will.i.am | 3:33 |
2. | "Don't Phunk with My Heart" |
| will.i.am | 3:59 |
3. | "My Style" (featuring Justin Timberlake and Timbaland) |
|
| 4:28 |
4. | "Don't Lie" |
| 3:39 | |
5. | "My Humps" |
| will.i.am | 5:26 |
6. | "Like That" (featuring Q-Tip, Talib Kweli, CeeLo Green and John Legend) |
| will.i.am | 4:34 |
7. | "Dum Diddly" (featuring Dante Santiago) |
| will.i.am | 4:19 |
8. | "Feel It" |
| 4:19 | |
9. | "Gone Going" |
| will.i.am | 3:13 |
10. | "They Don't Want Music" (featuring James Brown) |
| will.i.am | 6:46 |
11. | "Disco Club" |
| Noize Trip | 3:48 |
12. | "Bebot" |
| will.i.am | 3:30 |
13. | "Ba Bump" |
|
| 3:56 |
14. | "Audio Delite at Low Fidelity" |
| will.i.am | 5:29 |
15. | "Union" (featuring Sting) |
| will.i.am | 5:04 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
16. | "Do What You Want" |
| will.i.am | 4:03 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
17. | "If You Want Love" |
| will.i.am | 4:56 |
No. | Title | Length |
---|---|---|
18. | "Make Them Hear You" | 3:18 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
17. | "Pump It" (Travis Barker Remix) |
|
| 3:36 |
18. | "Dum Diddly" (Noizetrip Remix) |
|
| 4:06 |
No. | Title | Director(s) | Length |
---|---|---|---|
1. | "Don't Phunk with My Heart"/"Interview" | The Malloys | |
2. | "Don't Lie" | The Saline Project |
No. | Title | Director(s) | Length |
---|---|---|---|
1. | "Pump It" | Francis Lawrence | 3:46 |
2. | "Don't Phunk with My Heart" | The Malloys | 4:25 |
3. | "Don't Lie" | The Saline Project | 3:46 |
4. | "My Humps" |
| 3:56 |
5. | "Like That" |
| 4:40 |
- Notes
- Sample credits
- "Pump It" contains samples from "Misirlou" by Dick Dale.
- "Don't Phunk with My Heart" contains an interpolation from "I Wonder If I Take You Home" by Lisa Lisa and Cult Jam with Full Force, a sample from "Ae Naujawan Hai Sab Kuchch Yahan" by Asha Bhosle, and a sample from "Yeh Mera Dil Yaar Ka Diwana" by Bhosle.
- "Don't Lie" contains a sample from "The Ruler's Back" by Slick Rick.
- "My Humps" contains an interpolation from "I Need a Freak" by Sexual Harassment.
- "Like That" contains a sample from "Who Can I Turn To?" by Astrud Gilberto.
- "Dum Diddly" contains an interpolation from "Pass the Dutchie" by Musical Youth.
- "Gone Going" contains an interpolation from "Gone" by Jack Johnson.
- "They Don't Want Music" contains an interpolation from "Let's Make It Funky" by Nice & Smooth.
- "Ba Bump" contains samples from "Candy" by Cameo.
- "Audio Delite at Low Fidelity" contains samples from "All Night Long" by Mary Jane Girls.
- "Union" contains an interpolation from "Englishman in New York" by Sting.
Personnel
Credits are adapted from the liner notes of Monkey Business.[7]
- apl.de.ap – vocals (tracks 1–4, 6–8, 10–12, 14–15), Clavinet (track 8), drum machine (track 8), strings (track 8), production (track 8)
- Marcella Araica – recording engineering assistance (track 3), Pro-Tools editing (track 3)
- Charlie Baccarat – electric violin (track 2)
- Printz Board – Mellotron strings (tracks 2, 7–8), Mellotron keyboards (track 13), Moog synthesizer (tracks 7 and 10), synthesizer (tracks 8 and 13), bass (tracks 8 and 10), drums (track 8), drum machine (track 13), trumpet (tracks 9-11 and 13), keyboards (track 10), Rhodes piano (track 10), production (tracks 8 and 13)
- Ray Brady – guitar (tracks 4 and 7)
- James Brown – vocals (track 10)
- Venus Brown – backing vocals (track 10), A&R management
- Demo Castelleon – recording engineering (track 3)
- Mino Cinelu– percussion (track 15)
- Fred Davis – legal representation
- Dylan "3-D" Dresdow – vocal recording engineering (track 8)
- Ron Fair – executive production, additional production (track 4), string arrangements (tracks 2 and 9), string conducting (track 9), harmonica (track 4)
- Shepard Fairey – album cover design, logo design
- Fergie – vocals (tracks 1–8, 10–11, 13, 15)
- Mike Fratantuno – bass (track 13)
- Seth Friedman – A&R management, cover art direction, management
- Brian Gardner – mastering
- Şerban Ghenea – mixing (tracks 5, 10–12 and 15)
- Dennis Gomez – booklet design
- Cee-Lo Green– vocals (track 6)
- Keith Harris – live drums (track 7), drums (tracks 2, 7, 13 and 14), keyboards (track 7), Mellotron strings (track 7), percussion (track 8)
- Tal Herzberg – recording engineering (tracks 1, 2, 4 and 9), Pro-Tools programming (tracks 2 and 4)
- Julie Hovsepian – product management
- Ted Howard – recording engineering (track 6)
- Tippa Irie – backing vocals (track 7)
- Jack Johnson – guitar (track 9), vocals (track 9)
- Mike Jurkovac – cover art direction
- Manu Katche– drums (track 15)
- Kenny Kirkland – keyboards (track 15)
- Talib Kweli – vocals (track 6)
- Sarah Larkin – business management
- John Legend – vocals (track 6)
- Melvin "Chaos" Lewis – recording engineering (track 11), bass (track 11), drum machine (track 11)
- Jimmy Limon – bass (track 12), Clavinet (track 12), organ (track 12), drum machine (track 12), percussion (track 12), guitar (track 12)
- Lor-e – styling
- Branford Marsalis – soprano saxophone (track 15)
- Edward Martinez – booklet art direction, photography
- Tony Maserati – mixing (tracks 3, 7, 8 and 13)
- Michael Matthews – guitar (track 11)
- Polo Molina – management
- Osinachi Nwaneri – recording engineering (track 6)
- Tim "Izo" Orindgreff – saxophone (tracks 9-11 and 13), flute (track 13)
- George Pajon Jr. - guitar (tracks 1–4, 8, 10 and 13)
- Jack Joseph Puig – mixing (track 9)
- Q-Tip – vocals (track 6)
- Kevin Rudolf – guitar (track 3)
- Dante Santiago – backing vocals (tracks 8, 10, 11, 13 and 16–18), vocals (track 7), A&R management coordination
- Justin Siegel – A&R management coordination
- Madeleine Smith – music clearance
- David Sonenberg – management
- Mike "Spike" Stent – mixing (tracks 1, 2 and 4)
- Sting – vocals (track 15), bass (track 15)
- Taboo – vocals (tracks 1–4, 6–8, 11, 13 and 15)
- Robert "Mousey" Thompson – bass (track 10), Clavinet (track 10), drums (track 10), drum machine (track 10), organ (track 10)
- Justin Timberlake – vocals (track 3)
- Timbaland – vocals (track 3), all other instruments (track 3)
- Neil Tucker – recording engineering (tracks 2, 8, 10, 11 and 13)
- Andrew Van Meter – production management
- Jason Villaroman – recording engineering (tracks 1, 3–5, 7, 12, 14 and 15)
- Jeff Watkins – saxophone (track 10)
- Albert Watson – photography
- will.i.am – executive production, conceptual design, production (tracks 1, 2, 4-10 and 12–15), mixing (track 14), vocals (all tracks), bass (tracks 1, 4, 5, 7, 9, 10, 12 and 14), drum machine (1, 4, 5, 7, 9, 12 and 15), drums (track 15), synthesizer (tracks 1, 7, 12 and 14), Clavinet (tracks 5 and 11), organ (tracks 5 and 9), Rhodes piano (tracks 8 and 11), additional instruments (track 6)
- Ethan Willoughby – recording engineering (track 6), mixing (track 6)
- Damon Woods – guitar (track 10)
- Florencio Zavala – album cover design, logo design
Charts
Weekly charts
|
Year-end charts
Decade-end charts
|
Certifications
‹See Tfd›‹See Tfd›Region | Certification | Certified units/sales |
---|---|---|
Argentina (CAPIF)[212] | Platinum | 40,000^ |
Australia (ARIA)[126] | 6× Platinum | 420,000^ |
Austria (IFPI Austria)[213] | Gold | 15,000* |
Belgium (BEA)[214] | 2× Platinum | 100,000* |
Brazil (Pro-Música Brasil)[215] | Gold | 50,000* |
Canada (Music Canada)[122] | 6× Platinum | 600,000^ |
France ( SNEP)[216]
|
2× Gold | 200,000* |
Germany (BVMI)[217] | Platinum | 200,000^ |
Greece (IFPI Greece)[131] | Gold | 10,000^ |
Hungary (MAHASZ)[218] | Gold | 5,000^ |
Ireland (IRMA)[219] | 2× Platinum | 30,000^ |
Italy (FIMI)[220] | Platinum | 120,000[221] |
Japan (RIAJ)[129] | Platinum | 250,000^ |
Mexico (AMPROFON)[124] | Platinum+Gold | 150,000^ |
New Zealand (RMNZ)[127] | 4× Platinum | 60,000^ |
Poland (ZPAV)[222] | Platinum | 40,000* |
Portugal (AFP)[223] | 2× Platinum | 40,000^ |
Russia ( NFPF)[224]
|
4× Platinum | 80,000* |
Singapore (RIAS)[225] | Gold | 5,000* |
South Korea | — | 11,813[226] |
Spain (PROMUSICAE)[227] | Platinum | 100,000^ |
Sweden (GLF)[228] | Gold | 30,000^ |
Switzerland (IFPI Switzerland)[229] | 2× Platinum | 80,000^ |
United Kingdom (BPI)[138] | 3× Platinum | 1,065,834[137] |
United States (RIAA)[118] | 3× Platinum | 4,272,000[119] |
Summaries | ||
Europe (IFPI)[133] | 2× Platinum | 2,000,000* |
* Sales figures based on certification alone. |
Release history
Region | Date | Edition(s) | Format(s) | Label(s) | Ref. |
---|---|---|---|---|---|
Italy | May 25, 2005 | Standard | CD | Universal Music | |
Denmark | May 26, 2005 | ||||
Germany | |||||
Japan | May 27, 2005 | ||||
Argentina | May 30, 2005 | ||||
Australia | |||||
France | Polydor | ||||
United Kingdom | |||||
Poland | May 31, 2005 | Universal Music | |||
Canada | June 7, 2005 | ||||
New Zealand | |||||
United States |
|
||||
Japan | August 31, 2005 | Tour | CD+DVD | Universal Music | |
South Korea | February 10, 2006 | Special | |||
Netherlands | September 30, 2016 | Standard | Vinyl | ||
United Kingdom |
See also
- Black Eyed Peas discography
- List of Billboard number-one R&B/hip-hop albums of 2005
- List of number-one albums of 2005 (Australia)
- List of number-one albums of 2005 (Canada)
- List of number-one albums of 2005 (France)
- List of number-one hits of 2005 (Germany)
- List of number-one albums of 2005 (Mexico)
- List of number-one albums from the 2000s (New Zealand)
- List of UK R&B Albums Chart number ones of 2005
Notes
- ^ Asian special edition cover is the same as the single cover for "Don't Phunk with My Heart".[1]
References
- ^ The Black Eyed Peas (2006). Monkey Business (Asian Special Edition) (CD+DVD). Hong Kong: Universal Music Group.
- ^ Finn, Natalie (December 7, 2017). "The Story of Fergie's Dramatic Comeback After Hitting Rock Bottom". E! News. Retrieved January 2, 2023.
- ^ a b Sharp, Katie (October 23, 2014). "The Black Eyed Peas Are One of Music's Greatest Tragedies". Mic. Retrieved January 2, 2023.
- ^ a b c d e f "Black Eyed Peas". The Recording Academy. November 23, 2020. Retrieved December 31, 2022.
- ^ a b Moss, Corey (June 4, 2004). "Peas Freeze Solo LPs To Keep Things Shakin' Off The Richter". MTV News. Retrieved January 2, 2023.
- ^ "Black Eyed Peas Back In 'Business'". Billboard. June 11, 2005. Retrieved July 7, 2016.
- ^ The Black Eyed Peas (2005). Monkey Business (CD). California, United States: Interscope Records. 6 02498 82228 9.
- ^ a b Patel, Joseph (May 14, 2004). "Black Eyed Peas To Make Their Own 'Walk This Way' – With The Darkness". MTV News. Retrieved January 2, 2023.
- ^ "Studio fire destroys Black Eyed Peas' gear". Associated Press. August 12, 2004. Retrieved January 6, 2023 – via Today.
- ^ Moss, Corey (December 13, 2004). "James Brown Eyed Peas? Group Records With Godfather Of Soul". MTV News. Retrieved January 2, 2023.
- ^ a b Kraines, Talia (2005). "BBC - Music - Review of Black Eyed Peas - Monkey Business". BBC. Retrieved July 6, 2016.
With its witty rhymes and clean lyrics, this is hip hop for families
- ^ The Record Music Magazine. Archived from the originalon March 6, 2016. Retrieved July 10, 2016.
- ^ a b c d e Drumming, Neil (May 30, 2005). "Monkey Business Review". Entertainment Weekly. Retrieved January 8, 2023.
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- ^ "Monkey Business". June 7, 2005. Retrieved January 4, 2023 – via Amazon.
- ^ "Black Eyed Peas Monkey Business". New Zealand: WOW HD. June 7, 2005. Retrieved January 4, 2023.
- ^ "Monkey Business". June 7, 2005. Retrieved January 4, 2023 – via Amazon.
- ^ "Monkey Business". June 7, 2005. Retrieved January 4, 2023 – via Amazon.
- ^ "Monkey Business - Tour Edition [CD+DVD] Black Eyed Peas CD Album". CDJapan. August 31, 2005. Retrieved January 4, 2023.
- ^ "Black Eyed Peas / Monkey Business (Asia Special Eition/CD+DVD/미개봉)" (in Korean). South Korea: Mused. Retrieved January 4, 2023.
- ^ "Monkey Business (Limited Edition) – The Black Eyed Peas". Netherlands: Vinyla. September 30, 2016. Retrieved January 4, 2023.
- ^ "BLACK EYED PEAS Monkey Business 2LP Vinyl NEW 2016". United Kingdom: Assai Records. September 30, 2016. Retrieved January 4, 2023.
Bibliography
- Sharp, Johnny (2009). Crap Lyrics: A Celebration of the Very Worst Pop Lyrics of All Time ... Ever!. London: OCLC 439916749.
External links
- Official website
- Monkey Business at Discogs (list of releases)