Shepard Fairey
It has been suggested that Obey (clothing) be merged into this article. (Discuss) Proposed since December 2023. |
Shepard Fairey | |
---|---|
OBEY Clothing Degenerate/Regenerate (NFT) | |
Spouse | Amanda Fairey |
Children | 2 |
Awards | Brit Insurance Design Awards Design of the Year[1] AS220 Free Culture Award[2] |
Frank Shepard Fairey (born February 15, 1970) is an American contemporary
Fairey designed the
His style has been described as a "bold iconic style that is based on styling and idealizing images."[8]
Early life
Shepard Fairey was born and raised in
Fairey became involved with art in 1984, when he started to place his drawings on skateboards and T-shirts.[14][15] He moved to Rhode Island in 1988 to attend the Rhode Island School of Design (RISD).[16] In 1992, he earned a Bachelor of Fine Arts degree in Illustration from RISD.[17]
Career
Obey Giant sticker
Fairey created the "Andre the Giant Has a Posse" sticker campaign in 1989, while attending the Rhode Island School of Design (RISD).[16][18] This later evolved into the "Obey Giant" campaign, which has grown via an international network of collaborators replicating Fairey's original designs.[19] Fairey intended the Obey Giant to inspire curiosity and cause people to question their relationship with their surroundings. According to the Obey Giant website, "The sticker has no meaning but exists only to cause people to react, to contemplate and search for meaning in the sticker". The website also says, by contrast, that those who are familiar with the sticker find humor and enjoyment from it and that those who try to analyze its meaning only burden themselves and may condemn the art as an act of vandalism from an evil, underground cult.
Originally intending the sticker campaign to gain fame among his classmates and college peers, Fairey says:
At first I was only thinking about the response from my clique of art school and skateboard friends. The fact that a larger segment of the public would not only notice, but investigate, the unexplained appearance of the stickers was something I had not contemplated. When I started to see reactions and consider the sociological forces at work surrounding the use of public space and the insertion of a very eye-catching but ambiguous image, I began to think there was the potential to create a phenomenon.[20]
In a
Post-graduation
After graduation, he founded a small printing business in Providence, Rhode Island, called Alternate Graphics, specializing in T-shirt and sticker silkscreens, which afforded Fairey the ability to continue pursuing his own artwork.[16][24][25] While residing in Providence in 1994, Fairey met American filmmaker Helen Stickler, who had also attended RISD and graduated with a film degree. The following spring, Stickler completed a short documentary film about Shepard and his work, titled "Andre the Giant Has a Posse". The film premiered in the 1995 New York Underground Film Festival and went on to play at the 1997 Sundance Film Festival. It has been seen in more than 70 festivals and museums internationally.
"From the late ’90s until about 2001," writes Ken Leighton in The San Diego Reader, Fairey lived in East Village, San Diego, where, according to a friend quoted in the article, he co-founded a "guerrilla marketing company called Black Market Design."[26] According to John Goff, a former member of the San Diego-based "tribal post-punk" industrial-noise performance art band Crash Worship, Fairey began appropriating the Russian Constructivist style utilized in Soviet-era propaganda during his time in San Diego. "'I think he became an art icon when he started focusing on Communist imagery,' Goff says. 'He was still in San Diego then. I first met him when he was working above Hooter’s in the Gaslamp.'"[27]
Fairey was a founding partner, along with Dave Kinsey and Phillip DeWolff, of the design studio BLK/MRKT Inc. from 1997 to 2003, which specialized in guerrilla marketing, and "the development of high-impact marketing campaigns".[28] Clients included Pepsi, Hasbro and Netscape[28] (for whom Fairey designed the red dinosaur version of mozilla.org's logo and mascot).
In 2003, he founded the Studio Number One design agency with his wife, Amanda Fairey. in 2003. Approximately 1,500 people attended.
In 2004, Fairey joined artists
In 2005, he collaborated for a second time with
In 2006, Fairey joined NYC based Ad agency Project 2050
In June 2007, Fairey opened his one-man show entitled "E Pluribus Venom", at the Jonathan LeVine Gallery. The show made the arts section front page in the New York Times.[36]
Fairey donated original cover art to the 2008 album
In 2008, Fairey teamed up again with Z-Trip to do a series of shows in support of then-presidential candidate Barack Obama entitled Party For Change. Fairey also designed posters for the British goth band Bauhaus.
In September 2008, Shepard opened his solo show titled "Duality of Humanity" at White Walls & Shooting Gallery[37][38][39][40][41] in San Francisco.[42] His third solo show with the gallery featured one hundred and fifty works, including the largest collection of canvases pieces in one show that he's done.
Fairey was arrested on February 7, 2009, on his way to the premiere of his show at the
On April 27, 2009, Fairey put three signed copies of his Obama inauguration posters up on eBay, with the proceeds of the auction going to the One Love For Chi foundation, founded by the family of Deftones bassist Chi Cheng following a car accident in November 2008 that nearly claimed Cheng's life.[45]
Fairey's first art museum exhibition, titled Supply & Demand (as was his earlier book), was held in Boston at the Institute of Contemporary Art during the summer of 2009. The exhibition featured more than 250 works in a wide variety of media: screen prints, stencils, stickers, rubylith illustrations, collages, and works on wood, metal and canvas. As a complement to the ICA exhibition, Fairey created public art works around Boston. The artist explains his driving motivation: "The real message behind most of my work is 'question everything'."[7]
In 2011,
In January 2015, Shepard Fairey made a cameo appearance on
On September 17, 2015, the Jacob Lewis Gallery presented Shepard Fairey's exhibition "On Our Hands", his first solo opening in New York City in five years. The paintings reflect on contemporary issues facing our global community: political corruption, environmental apathy and abuse of power. The exhibition coincides with Fairey's new monograph Covert to Overt, published by Rizzoli.[49]
Life Is Beautiful Fremont East District, Las Vegas Mural Project 2016.[50][51][52]
Barack Obama "Hope" poster
Fairey created a series of posters supporting
Fairey distributed 300,000 stickers and 500,000 posters during the campaign, funding his grassroots electioneering through poster and fine art sales.[58] "I just put all that money back into making more stuff, so I didn't keep any of the Obama money", explained Fairey in December 2009.[57][59][60]
In February 2008, Fairey received a letter of thanks from Obama for his contribution to the campaign.[61] The letter stated:
I would like to thank you for using your talent in support of my campaign. The political messages involved in your work have encouraged Americans to believe they can change the status quo. Your images have a profound effect on people, whether seen in a gallery or on a stop sign. I am privileged to be a part of your artwork and proud to have your support. I wish you continued success and creativity.– Barack Obama, February 22, 2008[62]
On November 5, 2008, Chicago posted banners throughout the downtown business district featuring Fairey's Obama "HOPE" portrait.[63]
Fairey created a similar but new image of Barack Obama for
In January 2009, the "HOPE" portrait was acquired by the U.S. National Portrait Gallery and made part of its permanent collection.[66] It was unveiled and put on display on January 17, 2009.[60][67][68][69]
Later that month, photographer and blogger
In 2009, Fairey's Obama portrait was featured in the book
In his December 8, 2010, appearance on
In an interview with Esquire in 2015, Fairey said that Obama had not lived up to his expectations, "not even close".[78] He continued, "Obama has had a really tough time, but there have been a lot of things that he's compromised on that I never would have expected. I mean, drones and domestic spying are the last things I would have thought [he'd support]."[79]
Fairey created a mutt version of the red, white, and blue poster, donating it to help support pet adoptions, from an image of a rescued shaggy dog taken by photographer Clay Myers. Four hundred limited edition prints were offered by Adopt-A-Pet.com, a nonprofit organization that helps shelters, humane societies and rescue groups advertise their homeless pets to potential adopters.[80] The poster, which was also offered as a free download, was featured on the cover of the spring 2009 edition of Dog’s Life magazine.[81]
The Mandela mural
In 2014, Fairey painted a towering mural, 9 stories high, paying tribute to
"It is a huge exclamation point downtown..." said Patrick Gaspard, American Ambassador to South Africa, which makes us remember the entire liberation struggle and the remarkably peaceful transition to freedom Nelson Mandela achieved.
Honest Gil Fulbright
Marianne
As a tribute to the victims of the November 2015 Paris attacks, Fairey created a poster[84] representing Marianne, the French national icon, surrounded by the national motto Liberté, égalité, fraternité. In June 2016, this design was painted as a mural on 186 rue Nationale, Paris.[85] Fairey made a gift of the poster to Emmanuel Macron, who hung it in his office upon assuming the presidency of France.[86]
In the night of the 13th December[a] 2020, an anonymous group tagged over the mural in an act of protest against the state. The motto was crossed out with white paint and replaced by the tag Marianne pleure (Marianne cries), and red tears were added to the face of Marianne.[87][88] Fairey reacted to the act by declaring his support for all who protest against injustice and that he understood the goals of the action.[89]
We the People series
This series was made during the 2016 presidential campaign as a protest on Donald Trump's declarations and policies. This work aims to promote gender equality and fights discrimination against minorities. This work stands out to many as it provokes people to respect their common humanity. The title of the work comes from a line in the Constitution and features portraits of Native Americans, African Americans, Muslims, and Latinas, aiming to defend their dignity.[90]
Make Art Not War
This work is a mural for Urban Nation in Berlin, Germany. The street art was created in 2014 by Fairey. The work became a motto for street artists and demonstrated Fairey's political support for anti-war movements and peace. The work was made like traditional street art with spray paint and features many of Fairey's motifs and symbols from other works. This repetition includes the black and red cartoon-like style with repetition of symbols such as roses.[91]
Major public murals, commissions
- Peace Elephant (2011), West Hollywood Library, Los Angeles, California[92]
- Purple Project (2014), Johannesburg, South Africa
- Liberté, Égalité, Fraternité (2016), Paris, France[93]
- Welcome Home (2017), Costa Mesa, California[94]
- Defend Dignity (2019), Los Angeles, California[95]
- We Shape The Future Rose Shackle (2019), London[96]
- Voting Rights Are Human Rights (2020), Milwaukee, WI[97]
- These Sunsets Are To Die For (2022), Munich, Germany [98]
- Peace Guard (2017/2023), Lisbon, Portugal[99]
- A Mosaic of Peace and Harmony (2023), Singapore[100]
Activism and humanitarianism
Shepard Fairey has always been open about social and political topics and often donates and creates artwork in order to promote awareness of these social issues and contributes directly to these causes!
In the early 2000s, Fairey began donating to organizations such as Chiapas Relief Fund, the
The Obey Awareness Program,
Fairey sits on the advisory board of Reaching to Embrace the Arts, a nonprofit organization that provides art supplies to disadvantaged schools and students.[105] In 2007, Fairey was commissioned to create a logo for "Music Is Revolution Foundation" and became a board member of the Music Is Revolution Foundation, a nonprofit organization that supports music education for students in public schools.[106]
As a
Every year since 2009, Fairey has contributed his art to raise funds for the RUSH Philanthropic Arts Foundation. In August 2011, Fairey donated the Buddhist inspired piece Mandala Ornament (valued at $12,000) to help raise funds for the Foundation through the ART FOR LIFE online auction, the primary annual fundraising effort that helps support thousands of underserved New York children. Proceeds from the annual gala and auction benefitted the Foundation's signature arts education and gallery programs, which directly serve 2,300 students each year.[110]
In June 2009, Fairey created a poster in support of the plight of
In 2009, Fairey teamed up with artist and activist Ernesto Yerena, activist Marco Amador and musician Zack de la Rocha of Rage Against the Machine, to create, distribute, and sell posters countering dehumanizing and anti-immigrant rhetoric for the We Are Human Campaign. A majority of the proceeds went to the National Day Labor Organizing Network (NDLON) and Puente, a grassroots community group that fights for human dignity.[112]
Fairey has also created artwork to benefit the David Lynch Foundation for Consciousness-Based Education and World Peace (DLF). In April 2009, Fairey created a poster for the David Lynch Foundation's "Change Begins Within" benefit concert.[113] In April 2011, Fairey donated unique collector's items to the foundation's "Download for Good" campaign.[114] In April 2015, Fairey created a commemorative poster for the 10-year anniversary of the music of David Lynch, with all proceeds from poster sales going to the foundation.[115]
In November 2009, Fairey partnered with
Fairey is a supporter of artist movements such as The Art of Elysium, an organization aiming to affect social change by making art available to striving artists and young people battling serious illnesses. In August 2010, Fairey donated one original Burmese Monk fine art piece as well as an opportunity for a live portrait sitting for Art of Elysium.[117] In September 2014, Fairey curated The Art of Elysium's GENESIS showcase of emerging L.A. artists, creatives, tastemakers, and social leaders.[118]
In May 2010, Fairey partnered with Feeding America and
In 2011, Fairey was named honorary chair of the Young Literati, a philanthropic group of the Library Foundation of Los Angeles.[120] Fairey has created artwork and curated several Young Literati Annual Toast events benefitting the Library Foundation. Fairey's wife Amanda has held the position of chair of the Library Foundation since 2013.[121]
In December 2011, Fairey contributed to the Robert Rauschenberg Foundation's inaugural "Artist as Activist" print project to benefit the Coalition for the Homeless. Fairey created an original print called "The Future is Unwritten" to commemorate Rauschenburg's dedication to important social issues and the mission of the Coalition for the Homeless. The print was sold on Artnet to raise over $150,000 to support the Coalition's life-saving programs.[122]
In July 2013, Fairey did a public arts project for the nonprofit L.A. Fund for Education.[123] Fairey's design titled "Create Your Future" was one of three installments in the #ArtsMatter campaign, which was a collaborative effort with P.S. ARTS[124] and featured the art displayed on billboards and buses across the city of Los Angeles to send the message that arts matter in schools.[125] Again in 2015, Fairey contributed to P.S. Arts, and collaborated with Marc Phillips Decorative Rugs to create a one-of-kind rug for a benefit auction for P.S. Arts.[126][127]
In March 2014, Fairey created a portrait of Ai Weiwei with "Friends of Ai Weiwei", a group of Ai supporters who were trying to promote awareness of the artists’ legal status in China where authorities had confiscated his passport. Proceeds from the posters went toward Friends of Ai Weiwei's efforts to help the artist and to promote free speech.[128] The following year Ai Weiwei was granted a visa, reversing a decision not to grant him the travel document.[129]
Shepard Fairey has also created works to support school safety, and posters with his art were seen at the March for Our Lives rally in Washington, D.C., on March 24, 2018.[130][131]
Street art is characterized by a nonpermissive art method of production, which reveals the rebellious nature and activism that challenges the viewer's perspective regarding the surrounding environment. Street art has features that distinguish it from other art forms such as graffiti and public art. The defiant nature of the art form itself reveals the defiant structure of Fairey's art and the political challenge it has on others.[132]
Legal issues with appropriation and fair use
Fairey has been criticized for failing to obtain permission and to provide attribution for works he used.
Originally, Fairey had claimed his HOPE poster was based on a 2006 copyrighted photo of then-Senator Barack Obama seated next to actor George Clooney, taken in April 2006 by Mannie Garcia on assignment for the Associated Press, which wanted credit and compensation for the work.[138] Garcia believes that he personally owns the copyright for the photo, and has said, "If you put all the legal stuff away, I’m so proud of the photograph and that Fairey did what he did artistically with it, and the effect it's had".[139] Fairey said his use of the photograph fell within the legal definition of fair use.[140] Fairey claims he used pieces of the photo as raw material to create a heroic and inspirational political portrait, the aesthetic of which was fundamentally different from the original photo.[141] Lawyers for both sides tried to reach an amicable agreement.[142]
In February 2009, Fairey filed a federal lawsuit against the Associated Press, seeking a declaratory judgment that his use of the AP photograph was protected by the fair use doctrine and so did not infringe their copyright.[143] At first, Fairey claimed that he used the photo of Clooney and Obama, cropped the actor out of the shot, and made other changes. In October 2009, Shepard Fairey admitted he had tried to deceive the Court by destroying evidence that he had instead used the photograph alleged by the AP. Fairey admitted he had used a close-up shot of Obama, also taken by Mannie Garcia, as the AP had long alleged. The solo photo appears much more similar to the final HOPE poster than the photo of Clooney and Obama. Fairey's lawyers announced they were no longer representing him, and Laurence Pulgram, an intellectual property lawyer, stated that the revelation definitely put Mr. Fairey's case "in trouble".[144][145]
In May 2010, a judge urged Fairey to settle.[146] The parties settled in January 2011.[147] On February 24, 2012, Fairey pleaded guilty to criminal contempt of court for "destroying documents and manufacturing evidence."[148][149] On September 7, 2012, Fairey was sentenced to 300 hours of community service, ordered to pay a $25,000 federal fine, and placed on probation for two years by U.S. Magistrate Judge Frank Maas.[150]
Shepard Fairey was also charged with destruction of property in 2015 for tagging 18 posters at unsanctioned sites. The case was later dismissed.[151]
Critical response
Liam O'Donoghue interviewed Fairey for
"I challenge anybody to fuck with that, know what I mean", Fairey stated. "It's not like I'm just jumping on some cool rebel cause for the sake of exploiting it for profit. People like to talk shit, but it's usually to justify their own apathy. I don't want to demean anyone's struggles through casual appropriation of something powerful; that's not my intention."[153]
Erick Lyle has accused Fairey of cynically turning graffiti culture into a self-promoting advertising campaign.
In a
Andrew Michael Ford, the director of Ad Hoc Art, said that Fairey's practice does not "match up" in the minds of people who view his work. Ford suggests that some people will view Fairey's work as "very commercial". In his comments, he suggested that Fairey is "ripe" for criticism because he profits from politically and socially charged works. Ford stated that, despite his criticism, he is a fan of Fairey work.[159]
Artists Mark Vallen, Lincoln Cushing, Josh MacPhee, and Favianna Rodriguez have documented that Fairey has appropriated work by Koloman Moser, Ralph Chaplin, Pirkle Jones, Rupert Garcia, Rene Mederos, Félix Beltrán, and Gary Grimshaw, among others.[160] In his critique, "Obey Plagiarist Shepard Fairey", Vallen dissects various works by Fairey, demonstrating them to be plagiarized from the work of other artists.[161] Jamie O'Shea criticizes Vallen's approach for a "nearly ubiquitous lack of understanding of the artist’s use of appropriated imagery in his work and the longstanding historical precedent for this mode of creative expression," in addition to being masked in a thin "veneer of obvious envy in most cases".[162]
Art critic Brian Sherwin lashed out at O’Shea's criticism of Mark Vallen by saying that O’Shea's SUPERTOUCH article was nothing more than "damage control". Sherwin questioned O’Shea's defense of Fairey, noting that Fairey is a SUPERTOUCH author and business associate of O’Shea. Sherwin suggests that O’Shea has a "vested" interest in making sure that Fairey is viewed positively by the public since he has curated art exhibits involving Fairey and has written extensively about the artist. Sherwin wrote that O’Shea once served as editor in chief for Juxtapoz and has worked as a creative director hired by corporate art collections as a corporate liaison for acquisitions. Sherwin concluded that the public will "question the artist who says to question everything," regardless of O’Shea's Mark Vallen "damage control" on SUPERTOUCH. Sherwin implied that O'Shea's critique of Vallen was selective because key negative facts about Fairey's history were left out in the article.[163] The dispute between Sherwin and O’Shea was cited by Dan Wasserman on The Boston Globe’s "Out of Line".[164]
"I consider myself a populist artist," Fairey says. "I want to reach people through as many different platforms as possible. Street art is a bureaucracy-free way of reaching people, but T-shirts, stickers, commercial jobs, the Internet – there are so many different ways that I use to put my work in front of people."[14]
In August 2011, Fairey received a black eye and a bruised rib after being attacked outside of the
The media reported that the artwork was commissioned by the Copenhagen Municipality, but the original mural was organized by Fairey's Copenhagen gallery, V1. It was not a government-sponsored work.[167]
Exhibitions
This section of a poorly sourced must be removed immediately from the article and its talk page, especially if potentially libelous. )Find sources: "Shepard Fairey" – news · newspapers · books · scholar · JSTOR (October 2019) |
Selected solo exhibitions
- 2000: Obey Giant, Anno Domini Gallery, San Jose, CA
- 2002: Overnight Delivery, BLK/MRKT Gallery, Culver City, CA
- 2002: Shepard Fairey, Kinsey/DesForges Gallery, Culver City, CA
- 2003: This is Your God, sixspace Gallery, Los Angeles, CA[169]
- 2004: Obey, V1 Gallery, Copenhagen
- 2004: Supply and Demand, Merry Karnowsky Gallery – LA, Los Angeles, CA
- 2005: Manufacturing Dissent, Merry Karnowsky Gallery – LA, Los Angeles, CA
- 2005: Shepard Fairey, Honolulu Museum of Art, Honolulu, HI
- 2006: Obey, Magda Danysz Gallery, Paris, France
- 2006: Rise Above, Merry Karnowsky Gallery - LA, Los Angeles, CA
- 2007: E Pluribus Venom, Jonathan LeVine Gallery, New York, NY
- 2007: Ninteeneightyfouria, Stolenspace Gallery, London
- 2007: Imperfect Union, Merry Karnowsky Gallery – LA, Los Angeles, CA
- 2009: Supply & Demand, ICA – Institute of Contemporary Art Boston, Boston, MA[170]
- 2009: Shepard Fairey, National Portrait Gallery, Canberra, ACT
- 2009: Supply & Demand, The Andy Warhol Museum, Pittsburgh, PA
- 2010: Supply and Demand, CAC – Cincinnati Contemporary Arts Center, Cincinnati, OH
- 2010: May Day, Deitch Projects – 76 Grand Street, New York, NY
- 2011: Revolutions – The Album Cover Art Of Shepard Fairey, Robert Berman Gallery, Santa Monica, CA
- 2012: Sound & Vision, Stolenspace Gallery, London
- 2015: On Our Hands, Jacob Lewis Gallery, New York, NY
- 2015: Sid Superman is Dead : Shepard Fairey et Denis Morris, Magda Danysz Gallery, Paris, France
- 2015: Your Eyes Here, CAC Centro de Arte Contemporáneo de Málaga, Málaga[171][172]
- 2016: Victory is Peace – Shepard Fairey x NoNÅME, Positive-Propaganda Artspace, Munich, Germany
- 2017: Shepard Fairey: Work Against The Clampdown, Art Museum of West Virginia University, Morgantown, WV
- 2018: Shepard Fairey: Salad Days, 1989–1999, Cranbrook Art Museum, Bloomfield, Hills, MI[173]
- 2019: Retrospective Shepard Fairey, (600 works for Grenoble Street Art Fest), Grenoble, France[174]
- 2021: Future Mosaic, Opera Gallery, Dubai
- 2022: New Clear Power, Amuseum of Contemporary Art, Munich
- 2023: Backward Forward , Dallas Contemporary, Texas
- 2023: Shepard Fairey: ICONS , Subliminal Projects, Los Angeles, CA[175]
Selected group exhibitions
- 1999: Sticker Shock: Artists, ICA – Institute of Contemporary Art – University of Pennsylvania, Philadelphia, PA
- 2003: Beautiful Losers, CAC – Cincinnati Contemporary Arts Center, Cincinnati, OH
- 2004: Backjumps – The Live Issue #1, Kunstraum Kreuzberg / Bethanien, Berlin
- 2008: Under a Red Sky, Stolenspace Gallery, London
- 2009: The Art of Rebellion, Robert Berman Gallery, Santa Monica, CA
- 2009: Urban Art – Werke aus der Sammlung Reinking, Weserburg | Museum für moderne Kunst, Bremen
- 2009: Viva la Revolucion: A Dialogue with the Urban Landscape, Museum of Contemporary Art San Diego – MCASD Downtown, San Diego, CA
- 2013: At home I'm a tourist’ Colección de Selim Varol, CAC Centro de Arte Contemporáneo de Málaga, Málaga
- 2014: The Insistent Image: Recurrent Motifs in the Art of Shepard Fairey and Jasper John, Halsey Institute of Contemporary Art, Charleston, SC
- 2014: Art Alliance: The Provocateurs, Block 37, Chicago, IL [176]
- 2015: Sleeping Beauty, Magda Danysz Gallery, Paris, France
- 2019: POW! WOW!, Honolulu, Hawaii[177]
Commercial artwork
- Fairey designed the album artwork for Flogging Molly's Whiskey on a Sunday.
- Appears in the 2006 videogame, Marc Ecko's Getting Up: Contents Under Pressure, as himself.
- Fairey provided the design for the Obey Giant room at The Creek South Beach.
- Fairey designed the cover for the books Tom Petty & The Heartbreakers' The Live Anthology and, in 2010, Stone Temple Pilots's eponymous album.
- He designed the album cover for will.i.am's second solo album Must B 21 (Soundtrack to Get Things Started).
- On January 19, 2009, Fairey created a Google Doodle for Martin Luther King Jr. Day.[178][179]
- Fairey's iconic Obey logo appears in several levels of the video game Tony Hawk's Underground 2. It also appears briefly in part two of the anime Afro Samurai.
- The "Andre the Giant Has a Posse" is also a stock spray image in the video game Counter-Strike.
- Fairey designed the cover for Russell Brand's second autobiography Booky Wook 2.
- Fairey contributed a drawing to the Police Brutality Coloring Book in 2011.[180]
- Fairey designed the album artwork for Stone Temple Pilots’ 2010 self-titled album.
- Fairey has released several watches with Swiss watchmaking company Hublot[181]
TV, radio and movies
- Rash, Video Documentary 2005. 17-minute interview conducted in April 2003 with Shepard Fairey in Sydney, Australia. Includes footage of Shepard and partner Barbara installing a paste-up wall in a gallery side event at Semi Permanent conference in Sydney.
- On January 20, 2009, Fairey made a radio appearance on the Fresh Air program from WHYY, an NPR affiliate, discussing his "Hope" poster, the official Obama inauguration poster and his many arrests (14 times) in connection with the installation of his "street" works.[182] On February 26, 2009, he was again a guest on Fresh Air discussing the Associated Press lawsuit over the Obama Hope poster.[183]
- On February 11, 2010,
- Along with artists Frank Stella and Andres Serrano, Fairey appeared on The Colbert Report on December 8, 2010. As part of a segment with comedian Steve Martin, Fairey sprayed his Obey logo on a portrait of Colbert.[186][187][188]
- Fairey features heavily in the Banksy movie Exit Through the Gift Shop, which documents the birth of Mr. Brainwash.
- On the September 13, 2011, episode of The Young and the Restless, an American television soap opera, character Devon Hamilton purchased a Shepard Fairey original, Commanda, as the first piece of art for his new office.
- On the March 4, 2012, episode of The Simpsons, Exit Through the Kwik-E-Mart, Fairey appeared as himself.
- Fairey appeared in the 2012 film Bones Brigade: An Autobiography as himself.
- In 2013, a short narrative film based on the story of Shepard Fairey was released called Obey the Giant.[189][190]
- In the 2013 comedy film This Is the End, actor James Franco is depicted as having an "Andre the Giant Has a Posse" in his home and claiming it to be his favorite painting.
- In 2017, Obey Giant, a documentary based on Shepard Fairey and distributed by Hulu, was released.[191][192]
- In 2018, he appeared in Bad Reputation a documentary about Joan Jett's career.
Personal life
Fairey now lives in the
See also
- Banksy (Bristol) – graffiti, stencil graffiti
- Tavar Zawacki a.k.a. ABOVE– American artist that addresses social and political issues in his street works.
- Invader – mosaic
- List of street artists
- King Robbo – graffiti, stencil graffiti
Notes
- A.C.A.B.
References
- ^ "Shepard Fairey wins Design of the Year". Dezeen Magazine. March 19, 2009. Retrieved November 15, 2013.
- ^ "AS220 Free Culture Award 2010".
- ISBN 1-59311-226-2
- ^ "Shepard Fairey's RISD Origin Myth Gets Retold in the New Drama "Obey the Giant" | BLOUIN ARTINFO". www.blouinartinfo.com.
- ^ Upcoming Exhibitions, SHEPARD FAIREY, The Institute of Contemporary Art, Boston Archived September 5, 2015, at the Wayback Machine
- ^ "Local woman’s grandson behind the Obama “Hope” poster " Archived October 29, 2013, at the Wayback Machine, Independent, South Carolina
- ^ a b "Icaboston.org". Archived from the original on July 26, 2011.
- ^ Scott, Mac (October 15, 2017). "Obama Hope Poster — Shepard Fairey (2008)". Medium.
- ^ Dottie Ashley, [Artist still challenges the status quo], The Post and Courier, August 22, 2010. Retrieved December 23, 2010.
- ^ "Charleston City Paper". Obey Giant. Retrieved June 3, 2015.
- ^ Wesson, Gail. "Idyllwild: Artist Shepard Fairey shares inspiration behind work". The Press Enterprise. Archived from the original on February 14, 2012. Retrieved February 11, 2012.
- ^ "Shepard Fairey - The Giant: The Definitive Obey Giant Site". The Giant. Retrieved September 2, 2013.
- ^ ""Obey Giant" Trailer - Idyllwild Arts Alum, Shepard Fairey - Idyllwild Arts". www.idyllwildarts.org. November 9, 2017.
- ^ a b c Rogers, John (January 15, 2009). "Hope: Street arftist Shepard Fairey's star rises". Boulder, CO: ColoradoDaily.com. Archived from the original on February 14, 2009. Retrieved January 21, 2009.
- ^ Booth, William (May 18, 2008). "Obama's On-the-Wall Endorsement". The Washington Post. Los Angeles. pp. M01. Retrieved January 21, 2009.
- ^ a b c d Esaak, Shelley. "Shepard Fairey, the Controversial Street Artist". ThoughtCo. Retrieved October 12, 2019.
- ^ "ICON MAKER SHEPARD FAIREY". Rhode Island School of Design. Archived from the original on December 27, 2008. Retrieved February 8, 2009.
- ISBN 1-58115-265-5
- ISBN 2-88046-754-3
- ^ Steven Heller. "Interview with Shepard Fairey: Still Obeying After all These Years". Archived from the original on November 19, 2010. Retrieved November 22, 2010.
- ISBN 1-58115-265-5
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{{cite web}}
: CS1 maint: bot: original URL status unknown (link) - ^ "Improving Children's Lives Through Arts Education - P.S. ARTS". P.S. ARTS.
- ^ "Shepard Fairey Wants the World to Know That #ArtsMatter in Our Schools". Take Part. Archived from the original on July 29, 2013. Retrieved July 23, 2013.
- ^ "Shepard Fairey Among Artists to Design Rugs for Charity Auction". Look to the Stars. May 14, 2015. Retrieved May 14, 2015.
- ^ SXSWECO (October 15, 2013). "SXSW Eco 2013 Keynote - Shepard Fairey" – via YouTube.
- ^ David Ng (March 19, 2014). "Shepard Fairey pays tribute to Ai Weiwei with new portrait". Los Angeles Times.
- ^ "Ai Weiwei granted six-month UK visa by home secretary". BBC News. July 31, 2015. Retrieved July 31, 2015.
- ^ Hayley Garrison Phillips. "The Artist Behind Obama's "Hope" Portrait Just Released A Series of Free Posters in Support of Gun Reform". The Washingtonian (March 15, 2018).
- ^ James Legge. "Barack Obama poster artist Shepard Fairey joins gun control march in Washington". The Independent (April 25, 2013).
- ^ Bacharach, Sondra (October 2015). "Street Art and Consent". British Journal of Aesthetics.
- ^ The artist Mark Vallen posted an essay criticizing this practice, along with multiple examples.
- ^ How phony is Shepard Fairey?, Dan Wasserman, The Boston Globe, February 2, 2009.
- ^ Vallen, Mark (December 2007). "Obey Plagiarist Shepard Fairey". Art For a Change. Retrieved February 26, 2015.
- ^ Obey My Lawyers, Dan Wasserman, The Boston Globe, February 2, 2009
- ^ Artist Cage Match: Fairey vs. Orr, Richard Whittaker, The Austin Chronicle, May 13, 2008.
- National Public Radio, February 5, 2009
- ^ Kennedy, Randy (February 10, 2009). "Artist Sues The A.P. Over Obama Image". The New York Times. Retrieved February 10, 2009.
- New York Times.
- ^ Fisher III, William W.; Frank Cost, Shepard Fairey, Meir Feder, Edwin Fountain, Geoffrey Stewart & Marita Sturken (Spring 2012). "Reflections on the Hope Poster Case" (PDF). Harvard Journal of Law and Technology. 25 (2). Retrieved January 21, 2013.
{{cite journal}}
: CS1 maint: multiple names: authors list (link) - ^ "AP alleges copyright infringement of Obama image".
- ^ Itzkoff, Dave (February 9, 2009). "Shepard Fairey Sues Associated Press Over Obama Poster". The New York Times. Retrieved February 9, 2009. The case is Shepard Fairey; Obey Giant Art Inc. v. The Associated Press, No. 09-CV-1123, S.D.N.Y.
- ^ "HuffPost - Breaking News, U.S. and World News | HuffPost". www.huffpost.com. Retrieved March 19, 2020.
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- ^ "NY Judge Urges Settlement In Obama Poster Dispute". May 28, 2010.
- ^ "AP And Shepard Fairey Settle Lawsuit Over Obama Image; Fairey Agrees To Give Up Fair Use Rights To AP Photos". January 12, 2011.
- ^ "Shepard Fairey, creator of Barack Obama 'Hope' poster, admits destroying evidence". The Telegraph. February 25, 2012. Retrieved February 25, 2012.
- ^ Weiser, Benjamin (February 24, 2012). "Shepard Fairey Pleads Guilty Over Obama 'Hope' Image". ArtsBeat. Retrieved February 25, 2012.
- ^ Neumeister, Larry (September 7, 2012). "Obama 'HOPE' poster artist gets probation". AP. AP. Archived from the original on July 26, 2013.
- ^ Mancoff, Debra (March 21, 2024). "Shepard Fairey". ENCYCLOPÆDIA BRITANNICA.
- ^ O'Donoghue, Liam (June 14, 2008). "Shepard Fairey's Image Problem". publish.nyc.indymedia.org. Retrieved January 21, 2009.
- ^ "Interview:Shepard Fairey". Mother Jones (Interview). No. March/April 2008. Interviewed by Liam O'Donoghue. Retrieved January 21, 2009.
- ISBN 1-904859-32-1.
- ^ Pincus, Robert L. (December 30, 2007). "Social ferment not always reflected in fermentation of artworks". SignOnSanDiego.com. Retrieved January 21, 2009.
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- ^ Heller, Steven (February 15, 2008). "Beyond Red, White and Blue". The New York Times / Campaign Stops. Retrieved January 21, 2009.
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- ^ Christopher Borrelli, "Lollapalooza gets a giant art show", Chicago Tribune, April 30, 2014
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- ^ "Dr. Martin Luther King Day 2009, by Shepard Fairey / Studio Number One". www.google.com. January 19, 2009. Retrieved February 18, 2016.
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- ^ Glass, Dan. "Police Brutality Coloring Book Begs Question, 'What Color Is Pepper Spray?'". Wired.
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Further reading
- #Obey Sherpard Fairey (2014) Drago Publishing.
- Shepard Fairey Inc. Artist/Professional/Vandal by James Daichendt, Cameron + Company;(December, 2013)
- Mayday: The Art of Shepard Fairey, Gingko Press; First edition (December 10, 2010)
- E Pluribus Venom by Shepard Fairey (2008) Gingko Press.
- Philosophy of Obey (Obey Giant): The Formative Years (1989–2008), edited by Sarah Jaye Williams (2008), Nerve Books UK.
- Obey: Supply & Demand, The Art of Shepard Fairey by Shepard Fairey (2006), Gingko Press.
- Beautiful Losers (film)
- "Shepard Fairey in arte Obey. La vita e le opere del re della poster art" di Sabina de Gregori, Castelvecchi editore, 2011