Nadezhda Udaltsova
Nadezhda Andreevna Udaltsova | |
---|---|
Born | |
Died | 25 January 1961 | (aged 75)
Nationality | Russian |
Education | Académie de La Palette |
Known for | Painting |
Nadezhda Andreevna Udaltsova (
Early life and education
Nadezhda Udaltsova was born in the city of
Cubism and Cubo-Futurism
Udaltsova's professional debut was as a participant in a
Suprematism
Under the influence of
Revolution
Like many of her avant-garde contemporaries, Udaltsova embraced the October Revolution. In 1917, she was elected to the Club of the Young Leftist Federation of the Professional Union of Artists and Painters and began work in various state cultural institutions, including the Moscow Proletkult. In 1918, she joined the Free State Studios, first working as Malevich's assistant, and then heading up her own studio. She also collaborated with Aleksei Gan, Aleksei Morgunov, Aleksandr Rodchenko and Malevich on a newspaper entitled Anarkhiia (Anarchy).[4] In 1919, Udaltsova contributed eleven works from the time she was working in Tatlin's studio to the "Fifth State Exhibition." She also married her second husband, the painter Alexander Drevin. When Vkhutemas, the Russian state art and technical school, was established in 1920, she was appointed professor and senior lecturer and would remain on staff until 1934.[8] In 1920 she also became a member of the Institute of Artistic Culture (InKhuK) and actively participated in discussions there on the fate of easel art. However, when the Institute endorsed Constructivism and declared the end of easel painting, she resigned her membership in protest in 1921.[10] In 1922 she participated in the First Russian Art Exhibition in Berlin.[11]
Fauvism and a return to the figurative
In the early 1920s, Udaltsova's work began to show a turn away from the radical avant-garde and a sensibility more aligned with artists associated with the
Under the influence of Drevin, Udaltsova returned to nature and began painting landscapes. Between 1926 and 1934 they traveled widely, painting the Ural and Altai Mountains, as well as landscapes in Armenia and Central Asia.[12] From 1927 to 1935, she contributed to national and international exhibitions and participated with Drevin in joint exhibitions at the Russian Museum (1928) and in Erevan, Armenia (1934).[13]
Repression and rehabilitation
In 1932–33, Udaltsova's contributions to the exhibition of "Artists of the RSFSR Over the Last Fifteen Years" were publicly criticized for so-called "formalist tendencies."[13] In 1938 Alexander Drevin was arrested and executed by the NKVD, and Udaltsova became a persona non grata in the world of Soviet art. She was allowed a solo exhibition at the Moscow Union of Soviet Artists in 1945, and after Stalin's death, she contributed to a group exhibition at Moscow's House of the Artist in October 1958.[13]
Udaltsova died in 1961 in Moscow.[14]
Influence
The Udaltsova
References
- ^ "Nadezhda Udaltsova". rusartnet.com. Archived from the original on 19 April 2019. Retrieved 3 August 2015.
- ISBN 0-8478-1090-9.)
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has generic name (help)CS1 maint: multiple names: authors list (link - ^ ISBN 0-8109-6924-6.
- ISBN 0-8109-6924-6.
- ISBN 0-8478-1090-9.)
{{cite book}}
:|first1=
has generic name (help)CS1 maint: multiple names: authors list (link - ISBN 0-8109-6924-6.
- ^ ISBN 0-8478-1090-9.)
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has generic name (help)CS1 maint: multiple names: authors list (link - ^ Malevich, by Gerry Souter, page 176
- ISBN 0-8478-1090-9.)
{{cite book}}
:|first1=
has generic name (help)CS1 maint: multiple names: authors list (link - ^ Sarabyanov, A. B. "УДАЛЬЦОВА Надежда Андреевна". rusavangard.ru (in Russian). Retrieved 1 December 2021.
- ^ ISBN 0-8478-1090-9.)
{{cite book}}
:|first1=
has generic name (help)CS1 maint: multiple names: authors list (link - ^ ISBN 0-8109-6924-6.
- ^ The Magical Chorus: A History of Russian Culture from Tolstoy to Solzhenitsyn, by Solomon Volkov, page 70