Shock rock
Shock rock | |
---|---|
Stylistic origins | |
Cultural origins | 1950s–1970s, United Kingdom and United States |
Derivative forms | Horror punk |
Local scenes | |
United Kingdom, United States | |
Other topics | |
Shock rock is the combination of
History
The 1960s brought several proto-shock rock artists. In the UK,
On seeing Arthur Brown, Alice Cooper stated, "Can you imagine the young Alice Cooper watching that with all his make-up and hellish performance? It was like all my Halloweens came at once!"[5]
From the late 1970s to his death in 1993, GG Allin was known less for his music than for his wildly transgressive antics, which included indecent exposure (stripping and performing naked was one of Allin's most common rituals), on-stage defecation, coprophagia, self-mutilation, and attacking audience members.[8]
In the 1980s in Richmond, Virginia,
The Mentors cultivated a shock-rock image by wearing executioners' hoods in concert and making deliberately outlandish statements to the press. In the 1990s, vocalist Eldon Hoke also began incorporating onstage sex acts into the band's repertoire.[9]
In the 1990s and 2000s,
See also
References
- ISBN 978-0-415-92700-0.
- ISBN 9781402769764.
- ^ a b "Arthur Brown on Shock Rock, Hendrix, Close Calls With Fire". Rolling Stone. Retrieved 29 December 2017
- ^ a b Petrusich, Amanda (August 26, 2019). "The Survival of Iggy Pop". The New Yorker. Retrieved April 10, 2020.
- ^ "Alice Cooper recruits Arthur Brown for fire-themed Halloween show". Ultimate Classic Rock. December 29, 2017.
- ^ Skanse
- ^ Gimarc, p.235
- ^ Huey, Steve. GG Allin bio. AllMusic. Retrieved March 11, 2012.
- ^ Torreano, Bradley. The Mentors bio. AllMusic. Retrieved March 11, 2012.
- ^ "The mystery of Marilyn Manson". BBC News. April 22, 1999.
- ^ "Fox News Marilyn Manson Interview". YouTube. Retrieved January 12, 2008.
Further reading
- Haenfler, Ross (2006). Straight Edge: Hardcore Punk, Clean-Living Youth, and Social Change (New Brunswick, N.J.: Rutgers University Press). ISBN 0-8135-3852-1
- Leblanc, Lauraine (1999). Pretty in Punk: Girls' Gender Resistance in a Boys' Subculture (New Brunswick, N.J.: Rutgers University Press). ISBN 0-8135-2651-5
- ISBN 0-312-11883-X
- ISBN 0-14-026690-9
- Raha, Maria (2005). Cinderella's Big Score: Women of the Punk and Indie Underground (Emeryville, Calif.: Seal). ISBN 1-58005-116-2
- Reynolds, Simon (2005). Rip It Up and Start Again: Post Punk 1978–1984 (London and New York: Faber and Faber). ISBN 0-571-21569-6
- ISBN 0-09-190511-7
- Sabin, Roger (1999). Punk Rock, So What? The Cultural Legacy of Punk (London: Routledge). ISBN 0-415-17030-3
- ISBN 0-312-28822-0
- Simpson, Paul (2003). The Rough Guide to Cult Pop: The Songs, the Artists, the Genres, the Dubious Fashions (London: Rough Guides). ISBN 1-84353-229-8
- Taylor, Steven (2003). False Prophet: Field Notes from the Punk Underground (Middletown, Conn.: Wesleyan University Press). ISBN 0-8195-6668-3