Smak
Smak | |
---|---|
symphonic rock, psychedelic rock, hard rock | |
Years active |
|
Labels | PGP-RTB, Suzy, ZKP RTLJ, Bellaphon, Fantasy, RCA, Sorabia Disk, Vans, Komuna, A Records, Razglas, PGP-RTS, Active Time, One Records |
Members | see the members section |
Smak (
Formed in 1971 by the guitarist Radomir "Točak" Mihajlović and drummer Slobodan "Kepa" Stojanović, the band did not get a stable lineup until 1975 by which time bassist Zoran Milanović, vocalist Boris Aranđelović and keyboard player Laza Ristovski became the band's official members. However, after recording their eponymous debut album, Ristovski left and the remaining quartet recorded their subsequent albums with various keyboardists before disbanding in 1981.
After brief reunions between 1986 and 1992, the two founding members, Mihajlović and Stojanović, reestablished the band with younger musicians — vocalist Dejan "Najda" Najdanović, the second drummer Dejan "Kepa Jr." Stojanović, second guitarist Milan "Mikica" Milosavljević and bassist Vlada Samardžić. During the late 1990, the latter was replaced by the bassist Slobodan "Sale" Marković who performed with the band until 2002 when Smak disbanded once again. The remaining members from the last lineup, with the new bassist Miloš Petrović reunited in 2010, and in 2012 the default lineup of the band made a one-off reunion.
History
Formation and early career (1971–1975)
Two ambitious twenty-year-old budding musicians—guitarist Radomir "Točak" Mihailović and drummer Slobodan "Kepa" Stojanović —met up in Stojanović's hometown Kraljevo on 23 April 1971 with a view of starting a band together. They had earlier been put in touch with one another through Predrag "Biska" Albić, Mihailović's childhood friend who had served the mandatory Yugoslav People's Army (JNA) service with Stojanović.[1] Throughout their army stint together in Mostar, Albić kept telling Stojanović about Mihailović's exceptional guitar-playing skills and passion for rock'n'roll, eventually arranging for the two to meet. Following the introductory meeting in Kraljevo, the two musicians returned to their lives as Stojanović had already been set to go on a tour with his family orchestra—an engagement he envisioned as an opportunity to earn enough money for a new drum kit—while Mihailović went back to his hometown Čačak.[2]
Upon getting back home, Mihailović got introduced to Zoran Milanović (
In December 1971, the lineup was completed with the arrival of Miša Nikolić on organ. Still largely a cover band at this point, the group played youth dance halls with covers of Santana, Deep Purple, Led Zeppelin, The Rolling Stones, and Jimi Hendrix.[5] Soon after, the members decided to change the band's name. Influenced by Smak sveta (The End of the World), a Hair-inspired musical being prepared locally at the Kragujevac Theatre in dedication to the schoolchildren killed during the Kragujevac massacre, they agreed on Smak (Endtime) as their new name while the play eventually never got staged.[3] New name Smak occasionally got referred to in jest as S.M.A.K., a supposed acronym for Samostalni Muzički Ansambl Kragujevac (Independent Musical Ensemble Kragujevac).[5] During this period, the band members spent time writing their own material, including 22 instrumental songs — from "Biska 2" to "Biska 23", written by Mihailović as a dedication to his friend Predrag "Biska" Albić (who was 22 at the time), featuring the defined band's sound as a combination of progressive rock with jazz and blues influences.[3]
The fact that the band's improvisations turned dances into rock concerts was the reason why their performances were becoming less popular, which eventually led vocalist Kominac to leave the band, being replaced by Slobodan "Johan" Jovanović, Mihailović's friend from Čačak.
With yet another return of Kominac to the band, Smak continued performing in Kragujevac clubs,
Smak performed in
After the performance at the Od glave do pete (From Head to Heels) television show where the band performed the instrumental "Ulazak u harem", originally composed by Točak's teacher, Dragoljub "Jarak" Jaraković but rearranged by Točak,
Commercial success (1975–1978)
Smak's eponymous debut album,
In April 1976 the band released the double 7" EP
During the early 1977, the band, Ristovski's departure and Mihailović's illness started preparing material for the following album, with Petkovski also bringing his cello to the rehearsals, and the written material was recorded in
The album went gold and received mostly positive critics, although Glišić's lyrics received mostly negative reactions, being described as banal and ineffective.
In January 1978, during the Midem music industry trade fair in Cannes, the Black Lady rights were bought by the American Fantasy Records and the Spanish branch of RCA Records.[10] However, the atmosphere within the band had become tense, mostly owing to the fact that the successful Crna dama tour had eventually ended up in the band being twenty million dinars (approximately fifty thousand dollars) in debt after the tour.[18] In such atmosphere they had several unsuccessful live performances, including the half-empty Belgrade Pionir hall concert in the spring of 1978.[10] The band had also performed at a Polish international rock music festival in Poznań.[18] At the time, the PGP RTS label bought the MCI 24-channel studio equipment on which, with the help of the personnel from Morgan studio, the band recorded the maxi single Smak Super 45, featuring "Nevidljive terazije" (The Invisible Scales) and "Hitopadeza" (Hitopadesha), the latter featuring Stojanović simultaneously playing two rhythms.[19] During that period Petkovski recorded a solo album Ko zna (Who Knows), on which on one side of the LP performed Smak members and Leb i Sol members on the other.[19] Soon after Petkovski left due to his military service, being replaced by Tibor Levay, the member of the RTV Novi Sad Orchestra.[10]
Decline and crisis (1978–1981)
In a tense atmosphere, the band started writing new material, often clashing with Mihailović who did not react to the band's objections to his lyrical works. Nevertheless, the band traveled to
After the album release, Levay left the band, soon to be followed by Mihailović, dissatisfied with the band's objections to his lyrics writing as well as objections to the usage of Moss' lyrics on Dab in the Middle.
The band continued collaborating with Dado Topić who produced the album
At the beginning of 1981, Mihailović with Smak members decided to record a solo album, however, during the album recording process, they were uncertain whether it should be Točak's solo album or yet another Smak record.[25] Eventually, it was decided that the album should be Mihailović's solo work, mostly owing to the fact that during the writing process his brother had died which made an influence on the atmosphere of the album and a part of the material recorded as a dedication to his brother.[26] Another reason was the absence of Aranđelović whom did not participate the album recording due to his illness and thus the three non-instrumental tracks on the album featured the vocals of Dado Topić, in the song "Zašto ne volim sneg" ("Why I Dislike the Snow"), recorded in a single first take, and Zoran "Hoze" Živanović, in the songs "Južni voz" ("Southern Train") and "Nebeski splav" ("Sky Raft").[27] Beside the material written by Mihajlović, the album featured a cover version of the Macedonian folk song "Zajdi, zajdi" ("Set, Set (Oh, Sun)"), originally composed by Aleksandar Sarijveski.[28] Eventually, Zašto ne volim sneg (Why I Dislike the Snow) was released as a Smak album after the PGP RTB persuaded the band to abolish the idea of a solo record.[22] The album was released in five thousand copies only and quickly sold out in less than a month.[29]
Breakup and aftermath (1981–1986)
By the time Zašto ne volim sneg got released, the frequent arguments among the band members precipitated their decision to disband following one final show in Belgrade.
Soon after the breakup, Stojanović and Mihajlović, together with Dado Topić on bass and lead vocals, made an agreement to form a band called Tito, an idea the three had as far back as 1973, however, due to Mihajlović disliking the concept of not recording new material and relying on their old repertoire, the band never got off the ground.[33] In early 1982, Mihajlović and Stojanović, this time with bassist Lola Andrejić, decided to form an instrumental music trio, continuing with the style first explored on Zašto ne volim sneg, however, after a misunderstanding between Stojanović and Andrejić, the former left the band.[34]
During 1982, Mihajlović released a single "Mantilja" (Mantilla), with "Specijalka" (A Special) as the B-side, and with Andrejić and Moss who often performed live with him, he recorded maxi single "
Reunions and hiatuses (1986–1992)
In mid-October 1986, the mainstay Smak members reunited in the lineup Mihajlović, Stojanović, Aranđelović and Milanović,[22] but without Ristovski who refused to participate in the reunion.[36] The four started rehearsing at the University of Kragujevac campus, and during the rehearsals a young keyboard player Milan Đurđević often attended the rehearsals, however, due to being Mihajlović's reserved towards him, he invited Chris Nichols to record the keyboard parts.[37] The comeback album Smak 86., also featuring Miša Komnenić and Vlada Nikodijević on guest keyboards, but the album was not well received by the critics.[22] The album featured Mihajlović as the album producer, music and lyrics author, even lead vocalist in the song "Kornjačina koža" ("Turtle Skin").[22] The band members themselves, with the exception of Mihajlović were also dissatisfied with the record: Aranđelović was not satisfied with some of the lyrics and Stojanović was not content with the usage of rhythm machines on certain tracks.[37] After the album release, the band embarked on a tour with Milan Đurđević on keyboards, but without much promotion.[38] After a short tour, the band went on an indefinite hiatus.[22]
In 1987, Mihailović founded his R.M. Točak band, featuring Lola Andrejić and David Moss, with whom he appeared on the Legende YU Rocka (The Legends of YU Rock) concert, organized on May 22, 1987, by the Zagreb Radio 101 at the Dom Sportova,[39] and the recording of the instrumental "Because" appeared on the various artists double live album Legende YU Rocka, released by Jugoton during the same year.[22] Stojanović founded his school of drummers and started performing folk music in both Yugoslavia and abroad.[22] During the time of Smak's inactivity Mihailović, Stojanović and Milanović remained in contact, and in 1988, without much rehearsing, they decided to perform at the traditional Kragujevac Midnight concert, with Milan Đurđević on keyboards, who was at the time serving the army, and the vocalist Milan Šćepović "Šćepa".[40] After having a successful performance in Kragujevac, despite the rumors of reformation, the members devoted to their own careers once again.[40] However, the same lineup had reunited once again in 1990, once again performing at the Kragujevac Midnight concert.[40]
The following year, the band reunited, this time with Aranđelović on vocals, once again at the same concert, and featured a guest appearance by Pera "Džo" Miladinović on harmonica.[40] The same lineup with Ristovski on keyboards performed at the Kragujevac Midnight concert, after which, the band had their first live appearance after six years in Belgrade.[41] The band held two performances in Sava Centar, the first of which was recorded for the live album OdLIVEno (LIVEquefied), on compact cassette only.[41] Beside their own songs, the album featured cover version of blues songs "Cross Road Blues" and "Tobacco Road", and Serbian traditional song "Ukor" ("Blame").[22] The band had also released a compilation album Smak: Retrospektiva (Smak: A Retrospective) and re-released the album Dab in the Middle as The Pages of Our Time.[22] After the Belgrade performances, the band had a meeting in Kragujevac, where they decided to continue working and started planning a comeback album.[42] Nevertheless, Aranđelović went to Amsterdam where he stayed longer than the intended two months and Milanović and Ristovski did not appear at the band rehearsals, thus the lineup did not make a full-time comeback.[42]
TEK and reformation (1993–2002)
Having realized that there would not be a default lineup reformation, Mihailović and Stojanović nevertheless continued rehearsing together, playing instrumental music with Mihailović's student Milan "Mikica" Milosavljević, a former Alahambra member,[22] who, despite being a solo guitarist, took up playing bass out of the respect for the two musicians.[42] During one of the rehearsals, having heard Stojanović and his 19-year-old son playing drums simultaneously with his father, Mihajlović suggested that Dejan Stojanović "Kepa Jr." should join the three as the second drummer.[43] At the time, in 1993, Mihajlović got the offer to score the film Vizantijsko plavo (Byzantine Blue), directed by Dragan Marinković, which he recorded Stojanović senior and junior on drums and Milosavljević on bass, signed as the band TEK.[22] The soundtrack album, recorded at the Laza Ristovski's studio,[44] featured guest appearances by Ristovski (keyboards), Zoran Milanović (bass), Marija Mihajlović (vocals), Miroslav Savić (keyboards) and Nenad Petrović (saxophone).[22] Beside his own compositions, the album featured several cover versions of folk motifs, including the 1981 version of "Zajdi, zajdi" and the song "Ukor",[42] as well as the compositions by Miroslav Savić and Dragan Stefanović.[22] Mihajlović eventually got the Crystal Prism award for the album.[22]
After the album release, TEK started a promotional tour, performing instrumental music mainly in clubs, however, on the audience request, they included Smak material, but in instrumental versions with the audience filling the vacant vocalist spot.[45] This was the reason why Stojanović suggested Mihailović to return to a classic rock lineup with a vocalist, and in the meantime, Milosavljević switched to guitar, thus the band were to look for a new vocalist and bassist.[46] At first the band considered the Osvajači vocalist Zvonko Pantović "Čipi", due to a similar vocal style with Aranđelović's, but eventually the new vocalist became Dejan Najdanović "Najda", a former Kramer vocalist,[22] after a successful vocal interpretation of the Free song "All Right Now".[47] On the recommendation of a friend, the new bassist became Vlada Samardžić, a young jazz fusion musician from Novi Sad,[48] who performed with Vasil Hadžimanov.[22] The VANS production company, which released the Vizantijsko plavo soundtrack, wanted to start a collaboration with the band in releasing new material, suggesting them to continue using the name Smak.[49]
Having completed the lineup, and having an album's worth material, Radomir "Točak" Mihailović (guitar), Slobodan "Kepa" Stojanović (drums), Dejan "Kepa Jr." Stojanović (drums), Milan "Mikica" Milosavljević (guitar), Dejan "Najda" Najdanović (vocals) and Vlada Samardžić (bass guitar) entered the studio and recorded the Smak's seventh studio album
After the album release, the band started tour rehearsals in Kragujevac and had their first live appearance with the new lineup in Čačak on September 9, 1995, followed by performances in Kragujevac, however they were facing the problem of a small number of people attending their shows.[51] At the time, the band got an invitation to go on a tour of Canada but despite everything being set for their arrival, Mihajlović changed his mind and the tour was canceled.[52] After the tour cancellation, the bassist Vlada Samardžić, disappointed with the fact, decided to leave the band and dedicated himself to his studies at the Berklee College of Music.[52] Mihailović suggested Lola Anderjić as his replacement, but after Stojanović's refusal, the new bassist became Slobodan Marković "Sale" from Kragujevac.[52] The new lineup continued performing live, including the performance at the Belgrade Sava Centar, which was broadcast on national television, with the performances featuring drum solos on two drums consisting of three sections, the first being unison drum playing, the second with individual improvisations and the third with the Latin-American rhythms under the influence of Steve Gadd's playing style.[53]
During 1996, the RTV Slovenia released a compilation album The Best of Smak, and the following year, in the spring of 1997, the band had a tour of Slovenia.[54] The success of the tour resulted in the plans for another tour which was canceled due to the problems with the management in Slovenia.[52] After the tour, the band had reduced their live activities, performing mainly free concerts at town squares, including the concert in Kragujevac on which all the former members, with the exception of Miki Petkovski, appeared as guests.[55] In May of the same year, in the Kragujevac Šumadija cinema hall, the band made an experiment with performing an entire concert without audience and the recording of the concert was released on the double live album Live Without Audience, featuring live versions of twenty two tracks from the band's entire career.[56] A promotional video for the song was recorded for the song "Ljudi nije fer" which received an adequate media coverage.[55] The following year, in 1998, in a book edited by Duško Antonić and Danilo Štrbac YU 100: Najbolji albumi jugoslovenske rok i pop muzike (YU 100: The Best Albums of Yugoslav Rock and Pop Music), Crna dama appeared on the 40th and Smak on the 63rd place.[57]
In 1999, the band started working on a new studio album, for which Mihajlović and Stojanović decided that it should feature poly-rhythmic drums and scat singing.[58] Nevertheless, Stojanović suggested that beside scat singing, several tracks should feature lyrics, which Mihajlović refused, and thus Stojanović made a decision not to play on the album.[58] Mihajlović then hired Igor Malešević, at the time the member of Vasil Hadžimanov Band, but after not being satisfied with the rehearsals he was fired and Stojanović recorded the drums for all of the fourteen tracks on the album, which was entirely recorded in 72 hours.[59] Egregor, released by PGP RTS, produced by Mihajlović and Saša Habić, featured only one song with lyrics and on the rest Najdanović was featured on scat singing.[56] The song "5. maj" ("May 5") was dedicated to Led Zeppelin and the theme "SOS" featured a sample of Josip Broz Tito's speech from 1948, older generation folk singers Vuka Šeherović and Mijat Mijatović, and an anonymous Radio Belgrade speak at the time of the World War II occupation of Yugoslavia.[56] The album received mixed critics and did not receive an adequate promotion due to the NATO bombing of Yugoslavia during the same year.[60]
During 1999, Boris Aranđelović recorded a solo album Milion godina (A Million Years) as Boris i Dinosaurusi on which the music was written by former YU grupa guitarist Bata Kostić, Jimmy Barnes and R.M. Točak, the lyrics by Marina Tucaković and Ranko Slijepčević, and the recordings featured Kostić, Ristovski, Kepa Stojanović, Zoran Milanović, Pera Joe and Neverne Bebe guitarist Saša Ranđelović "Ranđa".[56] On March 3, 2000, the band performed at the Kragujevac Le Cinema hall and the recording of the concert was released in 2002 by Active Time as Live – klub Le Cinema (Live – Le Cinema Club) in 2002.[56] The same label released the recording of the TEK concert in Niš recorded in 1994, on the live album Niš 1994.[56] In 2001, the compilation album Istorija (History) was released by PGP RTS, featuring songs from all the periods of Smak's career and the previously unreleased song "Blues od vina", which was recorded on the 1974 Veče uz radio anniversary concert.[56] The following year, the band disbanded.[56] A compilation album featuring a part of the material from Live Without Audience was released as Antologija! (Anthology!) in 2005, and in autumn of the following year, the PGP RTS released a remastered edition of the album Crna dama.[56]
Reunion (2010–2015)
In 2010, the lineup of Radomir "Točak" Mihailović (guitar), Dejan "Najda" Najdanović (vocals), Slobodan "Kepa" Stojanović (drums), Milan "Mikica" Milosavljević (guitar), Dejan "Kepa Junior" Stojanović (drums) with the new band member Miloš "Šomi" Petrović (bass) reunited and started writing new material.
On December 29, 2012, Smak reunited in the default lineup – Radomir Mihajlović (guitar), Boris Aranđelović (vocals), Zoran Milanović (bass guitar) and Slobodan Stojanović (drums) – for a concert in
On June 20, 2015, the band, once again in both default and current lineup, held a concert in Belgrade Ušće park, in front of about 20,000 spectators.[73] The concert featured the bands Oktava, Rare and Epilog as the opening bands and Dado Topić as guest.[74]
The concert at Ušće park was Aranđelović's last performance with the band. He died on August 27 of the same year in Rotterdam, after long illness. He was 67.[75]
New reunion (2022–present)
On May 6, 2022, Smak reunited again with a new singer, Jovan Pantić Panta, whose voice tone is very similar to Aranđelović's. They held a concert in Kragujevac at the City Hall.
On September 9, 2022, Smak held a concert in Čačak.[76]
Legacy
In 2017, the band was awarded the silver medal for Merit by the President of Serbia Tomislav Nikolić for their contribution to Serbian culture.[77]
Smak songs have been covered by a plethora of acts and the notable cover versions include: The
The albums and songs by Smak were featured on several all-time greatest lists of former Yugoslav rock. The book YU 100: najbolji albumi jugoslovenske rok i pop muzike (YU 100: The Best albums of Yugoslav pop and rock music), published in 1998, features two Smak albums: Crna dama (ranked No. 40) and Smak (ranked No. 63).[57] On the list of 100 greatest Yugoslav album, published by Croatian edition of Rolling Stone in 2015, Crna dama was ranked No. 92.[86] The Rock Express Top 100 Yugoslav Rock Songs of All Times list, published in 2000, featured seven songs by Smak: "Crna dama" (polled No.5), "Ulazak u harem" (polled No.12), "Daire" (polled No.23), "Blues u parku" (polled No.47), "Šumadijski blues" (polled No.65), "Zajdi, zajdi" (polled No.82) and "Satelit" (polled No.94).[87] In 2006, "Plava pesma" was polled No.61 on the B92 Top 100 Domestic Songs list.[88] In 2011, "Daire" was polled, by the listeners of Radio 202, one of 60 greatest songs released by PGP-RTB/PGP-RTS.[89]
Members
Former members
- Radomir "Točak" Mihailović – guitar (1971–1981, 1986–1992, 1994–2002, 2010–2015)
- Slobodan "Kepa" Stojanović – drums, percussion (1971–1981, 1986–1992, 1994–2002, 2010–2015)
- Zoran Milanović – bass guitar (1971–1981, 1986–1992, 2012, 2013, 2015)
- Boris Aranđelović – vocals (1973–1981, 1986–1987, 1989–1992, 2012, 2013, 2015)
- Milan "Mikica" Milosavljević – guitar (1994–2002, 2010–2015)
- Dejan "Kepa Jr." Stojanović – drums, percussion (1994–2002, 2010–2015)
- Dejan "Najda" Najdanović – vocals (1994–2002, 2010–2015)
- Dejan Zdravevski – keyboards (2012–2015)
- Filip Milanović – bass guitar (2015)
- Miša Nikolić – keyboards (1971–1972)
- Lola Andrijić – bass guitar (1980–1990)
- Slobodan "Koma" Kominac – vocals (1971–1972, 1973)
- Slobodan "Johan" Jovanović – vocals (1972)
- Milorad "Kimi" Petrović – vocals (1973)
- Laza Ristovski – keyboards (1974–1976, 1979–1981, 1992)
- Miodrag "Miki" Petkovski – keyboards (1976–1978, 1979)
- Tibor Levay – keyboards (1978)
- David Moss – percussion (1978)
- Milan Đurđević – keyboards (1986–1990)
- Milan Šćepović – vocals (1988, 1990)
- Vlada Samardžić – bass guitar (1994–1997)
- Slobodan "Sale" Marković – bass guitar (1997–2002)
- Miloš "Šomi" Petrović – bass guitar (2010–2013)
Discography
Serbian language albums
|
English language albums
|
References
- Antonić, Duško; Štrbac, Danilo (1998). YU 100: najbolji albumi jugoslovenske rok i pop muzike. Belgrade: YU Rock Press.
- Jakovljević, Mirko (2003). Nevidljive terazije Slobodana Stojanovića Kepe. ISBN 86-83525-67-8.
- Janjatović, Petar (2007). EX YU ROCK enciklopedija 1960-2006. ISBN 978-86-905317-1-4.
Notes
- ^ Jakovljević 2003, p. 30
- ^ Jakovljević 2003, p. 31
- ^ a b c d e f Janjatović 2006, p. 209
- ^ Jakovljević 2003, p. 35
- ^ a b Jakovljević 2003, p. 36
- ^ Jakovljević 2003, p. 37
- ^ Jakovljević 2003, p. 38
- ^ Jakovljević 2003, p. 39
- ^ a b Jakovljević 2003, p. 42
- ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag Janjatović 2006, p. 210
- ^ Jakovljević 2003, p. 50
- ^ Jakovljević 2003, p. 57
- ^ a b c d Jakovljević 2003, p. 52
- ^ a b Jakovljević 2003, p. 53
- ^ Jakovljević 2003, p. 62
- ^ a b Jakovljević 2003, p. 64
- ^ a b Jakovljević 2003, p. 66
- ^ a b c d e Jakovljević 2003, p. 67
- ^ a b Jakovljević 2003, p. 71
- ^ Jakovljević 2003, p. 68
- ^ Janjatović, 2006, p. 210-211
- ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah Janjatović 2006, p. 211
- ^ Jakovljević, 2003, p. 72-73
- ^ a b c d Jakovljević 2003, p. 74
- ^ Jakovljević 2003, p. 75
- ^ Jakovljević, 2003, p. 75-76
- ^ Jakovljević 2003, p. 76
- ^ Janjatović, 2006, 211
- ^ Jakovljević 2003, p. 79
- ^ Jakovljević 2003, p. 78
- ^ a b Jakovljević 2003, p. 80
- ^ Jakovljević 2003, p. 81
- ^ Jakovljević 2003, p. 82
- ^ Jakovljević, 2003, p. 83-84
- ^ Janjatović 2006, p. 198
- ^ Jakovljević 2003, p. 95
- ^ a b Jakovljević 2003, p. 96
- ^ Jakovljević 2003, p. 97
- ^ Janjatović 2006, p. 227
- ^ a b c d Jakovljević 2003, p. 102
- ^ a b Jakovljević 2003, p. 104
- ^ a b c d Jakovljević 2003, p. 105
- ^ Jakovljević, 2003, p. 106-107
- ^ Jakovljević 2003, p. 107
- ^ Jakovljević 2003, p. 108
- ^ Jakovljević, 2003, p. 108-109
- ^ Jakovljević 2003, p. 110
- ^ a b Jakovljević 2003, p. 111
- ^ Jakovljević 2003, p. 109
- ^ Janjatović, 2006, p. 211-212
- ^ a b c Jakovljević 2003, p. 112
- ^ a b c d Jakovljević 2003, p. 113
- ^ Jakovljević, 2003, p. 114-115
- ^ Janjatović 2006, p. 212
- ^ a b Jakovljević 2003, p. 116
- ^ a b c d e f g h i Janjatović 2006, p. 112
- ^ a b Antonić and Štrbac, 1998
- ^ a b Jakovljević 2003, p. 117
- ^ Jakovljević, 2003, p. 117-118
- ^ Jakovljević 2003, p. 118
- ^ "Smak ponovo na okupu sa Točkom (VIDEO)", balkanrock.com Archived 2011-03-18 at the Wayback Machine
- ^ "Smak ponovo svira", blic.rs
- ^ Delfin at One Records official website
- ^ "Smak zasvirao ponovo", vesti-online.com
- ^ "Ponovo se okuplja čuveni Smak", svetgitara.com
- ^ Smak izdaje EP Delfin na dan koncerata nocturnemagazine.net Archived 2013-02-22 at archive.today
- ^ OdLIVEno at One Records official website
- ^ Tonsko ukrašavnaje at One Records official website
- ^ "Beograd dočekao "Smak""
- ^ "SMAK U KOMBANK ARENI: Ovo je pravi Smak, a ne ono...", popboks.com
- ^ "Grupa "Smak" otvorila "Arsenal fest" pred 5.000 ljudi (FOTO) (VIDEO)", telegraf.rs
- ^ "Nebo je samo drum bez dna", YouTube.com
- ^ "SPEKTAKL Smak održao koncert pred 20.000 ljudi na Ušću!", blic.rs
- ^ "Smak big bend zadao domaći zadatak na Ušću", balkanrock.com
- ^ "Preminuo Boris Aranđelović, pevač grupe Smak!", novosti.rs
- ^ "Group Smak on the town square in Čačak on September 9". B92.net (in Serbian). 2022-09-05. Retrieved 2022-09-07.
- ^ "Nikolić dao 84 ordena, dobio 'Danas nam je divan dan...'", b92.net
- ^ Disco Rock at Disocgs
- ^ Neverne Bebe I at Discogs
- ^ Neverne Bebe IV – Dvoje – The Best Of
- ^ "Osvajaci – 15 Ljudi nije fer (unplugged) (Smak cover)". YouTube. Archived from the original on 2021-12-19. Retrieved 2014-06-05.
- ^ Nostalgija at Discogs
- ^ "Čipi I Industrija – Na Balkanu (CD, Album) at Discogs". Discogs.com. Retrieved 2014-06-05.
- ^ "Edo Maajka – Štrajk Mozga (CD, Album) at Discogs". Discogs.com. 2012-04-21. Retrieved 2014-06-05.
- ^ "Milan Petrovic Quartet – Favorites (CDr, Album) at Discogs". Discogs.com. 2013-09-18. Retrieved 2014-06-05.
- ^ "Rolling Stone – Specijalno izdanje: 100 najboljih albuma 1955 – 2015". Rolling Stone (in Croatian). No. Special editidon. Zagreb: S3 Mediji. p. 86.
- ^ "100 najboljih pesama svih vremena YU rocka". Rock Express (in Serbian) (25). Belgrade.
- ^ The B92 Top 100 Domestic Songs list at B92 official site Archived 2007-03-28 at the Wayback Machine
- ^ 60 хитова емисије ПГП на 202!, facebook.com
External links
- Biska 2 - Smak (1975)
- Blues in the Park - Smak (1975)
- Black Lady – Smak (1977)
- Entrance to Harem – Smak (1978)
- Smak – Black Lady (1978) at Rock On Vinyl (2010)
- The end Time in the New World (1976)
- Smak (Al Jazeera Balkans Documentary – 2015)
- Smak at Myspace
- Smak at YouTube
- Smak at Discogs
- Smak at Rateyourmusic
- Smak at Last.fm
- Smak at B92.fm
- Smak at Progarchives