The Sopranos
The Sopranos | |
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Genre |
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Created by | David Chase |
Starring | |
Opening theme | "Woke Up This Morning (Chosen One Mix)" by Alabama 3 |
Ending theme | Various |
Country of origin | United States |
Original language | English |
No. of seasons | 6 |
No. of episodes | 86 (list of episodes) |
Production | |
Executive producers | |
Production locations | |
Cinematography | |
Editors |
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Camera setup | Single camera[1] |
Running time | 43–75 minutes |
Production companies | |
Release | |
Original network | HBO |
Original release | January 10, 1999 June 10, 2007 | –
The Sopranos is an American crime drama television series created by David Chase. The story revolves around Tony Soprano (James Gandolfini), a New Jersey–based Italian-American mobster, portraying his difficulties as he tries to balance family life with his role as the leader of a criminal organization. This is explored during his therapy sessions with psychiatrist Jennifer Melfi (Lorraine Bracco). The series features Tony's family members, mafia colleagues, and rivals in prominent roles—most notably his wife Carmela (Edie Falco) and his protégé/distant cousin Christopher Moltisanti (Michael Imperioli).
The pilot was ordered in 1997, and the show premiered on
The Sopranos is widely regarded as one of the greatest and most influential television series of all time,
In March 2018,
Premise
Primarily set in New Jersey and New York City, the series follows
Production
Conception

I want to tell a story about this particular man. I want to tell the story about the reality of being a mobster—or what I perceive to be the reality of life in organized crime. They aren't shooting each other every day. They sit around eating baked ziti and betting and figuring out who owes who money. Occasionally, violence breaks out—more often than it does in the banking world, perhaps.
—David Chase, creator and showrunner of The Sopranos[31]
The story of The Sopranos was initially conceived as a feature film about "a mobster in therapy having problems with his mother".
Chase had been fascinated by organized crime and the
I said to myself, this show is about a guy who's turning 40. He's inherited a business from his dad. He's trying to bring it into the modern age. He's got all the responsibilities that go along with that. He's got an overbearing mom that he's still trying to get out from under. Although he loves his wife, he's had an affair. He's got two teenage kids, and he's dealing with the realities of what that is. He's anxious; he's depressed; he starts to see a therapist because he's searching for the meaning of his own life. I thought: the only difference between him and everybody I know is he's the Don of New Jersey.
—Chris Albrecht, president of HBO Original Programming, 1995–2002.[24][37]
Chase and producer Brad Grey pitched The Sopranos to several networks; Fox showed interest but passed on it after Chase presented them the pilot script.[32] They eventually pitched the show to Chris Albrecht, president of HBO Original Programming, who decided to finance a pilot episode[24][28] which was shot in 1997.[38][39] Chase directed it himself. They finished the pilot and showed it to HBO executives, but the show was put on hold for several months.[24]
During this time, Chase, who had experienced frustration for a long period with being unable to break out of the TV genre and into film,[24] considered asking HBO for additional funding to shoot 45 more minutes of footage and release The Sopranos as a feature film. In December 1997, HBO decided to produce the series and ordered 12 more episodes for a 13-episode season.[24][28][40] The show premiered on HBO on January 10, 1999, with the pilot, The Sopranos.
Baer v. Chase
North Jersey prosecutor and municipal judge Robert Baer filed a breach of contract lawsuit against Chase in Trenton, New Jersey federal court, alleging that he helped to create the show. Baer lost the suit, but he won a ruling that a jury should decide how much he should be paid for services as a location scout, researcher, and story consultant. Baer argued that he had introduced Chase to Tony Spirito, a restaurateur and gambler with alleged mob ties, and Thomas Koczur, a homicide detective for the Elizabeth, New Jersey Police Department. Chase had conducted interviews and tours with both, which strongly inspired some characters, settings, and storylines portrayed in The Sopranos.[41][42][43] On December 19, 2007, a federal jury found against Baer, dismissing all of his claims.[44]
Casting
Many of the actors on The Sopranos are Italian American, like the characters they portray, and many appeared together in films and television series before joining the cast of The Sopranos. The series has 27 actors in common with the 1990 Martin Scorsese gangster film Goodfellas, including main cast members Lorraine Bracco, Michael Imperioli, and Tony Sirico.[45]
The casting directors were Georgianne Walken and Sheila Jaffe.[46][47] The main cast was put together through a process of auditions and readings. Actors often did not know whether Chase liked their performances or not.[24] Michael Imperioli beat out several actors for the part of Christopher Moltisanti; he said that Chase had "a poker face, so I thought he wasn't into me, and he kept giving me notes and having me try it again, which often is a sign that you're not doing it right." Chase said that he wanted Imperioli because of his performance in Goodfellas.[24]
James Gandolfini was invited to audition for the part of Tony Soprano after casting director Susan Fitzgerald saw a short clip of his performance in the 1993 film True Romance.[24] Lorraine Bracco played the role of mob wife Karen Hill in Goodfellas, and she was originally asked to play the role of Carmela Soprano. She took the role of Dr. Jennifer Melfi instead because she wanted to try something different and felt that the part of the highly educated Dr. Melfi would be more of a challenge for her.[48] Tony Sirico had a criminal history,[49] and he signed on to play Paulie Walnuts so long as his character was not to be a "rat".[50] Sirico had originally auditioned for the role of Uncle Junior with Frank Vincent, but Dominic Chianese landed the role.[51]
Chase was impressed with
The cast of the debut season of the series consisted of largely unknown actors, with the exception of Bracco, Chianese, and Nancy Marchand, but many cast members were noted for their acting ability and received mainstream attention for their performances.[24][56] Subsequent seasons saw established actors Joe Pantoliano, Robert Loggia, Steve Buscemi, and Frank Vincent[57] join the starring cast, along with well-known actors in recurring roles such as Peter Bogdanovich, John Heard,[58] Robert Patrick,[59] Peter Riegert,[60] Annabella Sciorra,[57] and David Strathairn.[61]
Several well-known actors appeared in one or two episodes, such as Lauren Bacall, Daniel Baldwin, Annette Bening, Polly Bergen, Sandra Bernhard, Paul Dano, Charles S. Dutton,[62] Jon Favreau, Janeane Garofalo, Hal Holbrook, Tim Kang, Elias Koteas, Ben Kingsley, Linda Lavin, Ken Leung,[63] Julianna Margulies, Sydney Pollack, Wilmer Valderrama, Alicia Witt, and Burt Young.[64] Ray Liotta, who was eventually cast as two of the Moltisanti brothers in The Many Saints of Newark film prequel, was approached by Chase at one point to appear in the third or fourth seasons of the show, but the plan didn't work out.[65]
Crew
Series creator and executive producer David Chase served as showrunner and head writer for the production of all six seasons of the show. He was deeply involved with the general production of every episode and is noted for being a very controlling, demanding, and specific producer.[23][29] He wrote or co-wrote between two and seven episodes per season and would oversee all the editing, consult with episode directors, give actors character motivation, approve casting choices and set designs, and do extensive but uncredited rewrites of episodes written by others.[56][66][67] Brad Grey served as executive producer alongside Chase but had no creative input on the show.[68] Many members of the creative team behind The Sopranos were handpicked by Chase, some being old friends and colleagues of his; others were selected after interviews conducted by producers of the show.[24][57]
Many of the show's writers had worked in television before joining the writing staff of The Sopranos. The writing team and married couple Robin Green and Mitchell Burgess worked on the series as writers and producers from the first to the fifth season; they had previously worked with Chase on Northern Exposure.[69] Terence Winter joined the writing staff during the production of the second season and served as executive producer from season five onwards. He practiced law for two years before deciding to pursue a career as a screenwriter, and he caught the attention of Chase through writer Frank Renzulli.[30][70]
Matthew Weiner served as staff writer and producer for the show's fifth and sixth seasons. He wrote a script for the series Mad Men in 2000 which was passed on to Chase, who was so impressed that he immediately offered Weiner a job as a writer for The Sopranos.[71] Cast members Michael Imperioli and Toni Kalem portray Christopher Moltisanti and Angie Bonpensiero respectively, and they also wrote episodes for the show. Imperioli wrote five episodes of seasons two through five, and Kalem wrote one episode of season five.[72][73]
Other writers included Frank Renzulli, Todd A. Kessler (co-creator of Damages), writing team Diane Frolov and Andrew Schneider who worked with Chase on Northern Exposure, and Lawrence Konner, who co-created Almost Grown with Chase in 1988. In total, 20 writers or writing teams are credited with writing episodes of The Sopranos. Of these, Tim Van Patten and Maria Laurino receive a single story credit, and eight others are credited with writing a sole episode. The most prolific writers of the series were Chase (30 credited episodes, including story credits), Winter (25 episodes), Green and Burgess (22 episodes), Weiner (12 episodes), and Renzulli (9 episodes).
Many of the directors had previously worked on television series and independent films.[57] The most frequent directors of the series were Tim Van Patten (20 episodes), John Patterson (13 episodes), Allen Coulter (12 episodes), and Alan Taylor (9 episodes), all of whom have a background in television.[57] Recurring cast members Steve Buscemi and Peter Bogdanovich also directed episodes of the series intermittently.[74][75] Chase directed
Music
The Sopranos is noted for its eclectic music selections and has received considerable critical attention for its effective use of previously recorded songs.[80][81][82][83] Chase personally selected all of the show's music with producer Martin Bruestle and music editor Kathryn Dayak, sometimes also consulting Steven Van Zandt.[80] The music was usually selected once the production and editing of an episode was completed, but on occasion sequences were filmed to match preselected pieces of music.[66]
The show's opening theme is "Woke Up This Morning" (Chosen One Mix), written by, remixed and performed by British band Alabama 3.[84] With few exceptions, a different song plays over the closing credits of each episode.[82] Many songs are repeated multiple times through an episode, such as "Living on a Thin Line" by The Kinks in the season three episode "University" and "Glad Tidings" by Van Morrison in the season five finale "All Due Respect".[82] Other songs are heard several times throughout the series. A notable example is "Con te partirò", performed by Italian singer Andrea Bocelli,[85] which plays several times in relation to the character of Carmela Soprano. While the show utilizes a wealth of previously recorded music, it is also notable for its lack of originally composed incidental music, compared with other television programs.[86]
Two soundtrack albums containing music from the series have been released. The first, titled The Sopranos: Music from the HBO Original Series, was released in 1999. It contains selections from the show's first two seasons and reached No. 54 on the U.S. Billboard 200.[87][88]
A second soundtrack compilation titled
Sets and locations
The majority of the exterior scenes taking place in New Jersey were filmed on location, with the majority of the interior shots filmed at
The strip club Bada Bing! was owned and operated by Silvio Dante on the show, and is an actual strip club on Route 17 in Lodi, New Jersey.[91] Exteriors and interiors were shot on location except for the back room.[91] The club is called Satin Dolls and was an existing business before the show started.[93] The club continued to operate during the eight years that the show was filmed there, and a business arrangement was worked out with the owner.[93] Locations manager Mark Kamine recalls that the owner was "very gracious" as long as the shooting did not "conflict with his business time".[93]
Scenes set at the restaurant Vesuvio, owned and operated in the series by character
Title sequence
Tony Soprano is seen emerging from the Lincoln Tunnel and passing through the tollbooth for the New Jersey Turnpike. Numerous landmarks in and around Newark and Jersey City, New Jersey, are then shown passing by the camera as Tony drives down the highway.[94] The sequence ends with Tony pulling into the driveway of his suburban home. Chase has said that the goal of the title sequence was to show that this particular mafia show was about New Jersey, as opposed to New York, where most similar dramas have been set.[95]
In the first three seasons, between Tony leaving the tunnel and passing through the toll plaza, the show had a shot of the World Trade Center towers in Tony's right side-view mirror. After the September 11 attacks, this shot was removed and replaced with a more generic shot, beginning with the show's fourth season.
In a 2010 issue of TV Guide, the show's opening title sequence ranked No. 10 on a list of TV's top 10 credits sequences, as selected by readers.[96]
A parody of the opening sequence was used in an episode of The Simpsons. In "Poppa's Got a Brand New Badge", a variation on the sequence is used, with Fat Tony leaving a Springfield tunnel instead of Tony. Fat Tony then continues to drive through Springfield to the same soundtrack as the original.
Cast and characters
The Sopranos features a large cast of characters, many of whom get significant amounts of character development. Some only appear in certain seasons, while others appear (sporadically or constantly) throughout the entire series. All characters were created by David Chase unless otherwise noted.
She treats Tony to the best of her ability even though they routinely clash over various issues. Melfi is usually thoughtful, rational, and humane—a stark contrast to Tony's personality. Tony, a serial womanizer, occasionally divulges his sexual attraction to Dr. Melfi; Melfi harbors some degree of attraction to Tony, too, but never admits or acts on it. Melfi is drawn to the challenge of helping such an unusual client and naively assumes that their doctor–patient relationship will not affect her personal life in any way.[98]
Adding to Tony's complicated life is his relationship with his wife Carmela (Edie Falco),[99] which is strained by his constant infidelity and her struggle to reconcile the reality of Tony's business, of which she is often in denial, with the affluent lifestyle and higher social status it brings her. Both have up-and-down relationships with their two children: the intelligent-but-rebellious Meadow (Jamie-Lynn Sigler),[100] and underachiever Anthony Jr. ("A.J.") (Robert Iler),[101] whose everyday teenage issues are further complicated by their eventual knowledge of their father's criminal activities and reputation.
The starring cast includes members of Tony's extended family, including: his disapproving, manipulative mother,
Both Livia and Janice are scheming, treacherous, shrewd manipulators with major-yet-unaddressed psychological issues of their own. The single-mindedly ambitious Uncle Junior is chronically frustrated by having not been made boss of the DiMeo family, despite old-school mob traditions entitling him to the position by seniority. He feels his authority is perpetually undermined by Tony's greater influence in the organization, and barely contains his seething jealousy at having to watch both his younger brother (Tony's father) and now Tony leapfrog him in the organization. As their professional tensions escalate, Uncle Junior employs increasingly desperate, behind-the-scenes measures to solve his problems with Tony, who still idolizes his uncle, and wants to retain Junior's affection and approval.
Uncle Junior and Christopher are fixtures in Tony's real family, as well as his crime family, so their actions in one realm often create further conflicts in the other. Christopher, an entitled, insecure DiMeo associate who is as ambitious as he is insubordinate and incompetent, is also a chronic substance abuser. Tony Blundetto is a well-respected DiMeo family soldier who returns after completing a lengthy prison sentence; he leaves prison committed to "going straight" (to Tony's dismay), but also has an intense violent streak.
Those in Tony's closest circle within the DiMeo crime family include
Other significant characters in the DiMeo family include
Friends of the Soprano family include
Artie and Charmaine are childhood friends of the Sopranos, and owners of the popular restaurant Vesuvio. Charmaine wishes to have no association with Tony and his crew due to fears that Tony's criminal ways will ultimately ruin everything she and Artie have achieved. Artie, however—a law-abiding, hard-working man—is drawn to his childhood friend Tony's glamorous, seemingly carefree lifestyle. Charmaine bitterly resents Artie's chronic tendency to disregard her wishes while catering to Tony's; their marriage suffers greatly as a result. Charmaine also had a brief sexual encounter with Tony (when he and Carmela had temporarily broken-up) when all four were teenagers.
Episodes
Season | Episodes | Originally aired | ||
---|---|---|---|---|
First aired | Last aired | |||
1 | 13 | January 10, 1999 | April 4, 1999 | |
2 | 13 | January 16, 2000 | April 9, 2000 | |
3 | 13 | March 4, 2001 | May 20, 2001 | |
4 | 13 | September 15, 2002 | December 8, 2002 | |
5 | 13 | March 7, 2004 | June 6, 2004 | |
6 | 21 | 12 | March 12, 2006 | June 4, 2006 |
9 | April 8, 2007 | June 10, 2007 |
Season 1 (1999)
When
Tony's uncle
Season 2 (2000)
Jackie's brother
Junior is placed under house arrest as he awaits trial. Richie, frustrated with Tony's authority over him, entreats Junior to have Tony killed. Junior feigns interest, then informs Tony of Richie's intentions, leaving Tony with another problem to address. However, the situation is defused unexpectedly when Janice kills Richie in a violent argument; Tony and his men conceal all evidence of the murder, and Janice returns to Seattle.
After a food poisoning incident that causes vivid dreams, Tony finally comes to terms with his suspicion that Big Pussy might be an FBI informant. He manages to search Pussy's bedroom under false pretenses and discovers damning evidence. Tony kills Pussy on board a boat (with assistance from Silvio Dante and Paulie Gualtieri), disposing of his body at sea.
Season 3 (2001)
Following the "disappearance" of
Ralph ultimately crosses the line when, in a cocaine-induced rage, he gets into a confrontation with his pregnant girlfriend Tracee and beats her to death. This infuriates Tony, who had come to care for the girl, to the point where he violates the traditional mafia code by beating Ralph in front of the entire family. Bad blood temporarily surfaces between the two but is shortly resolved after Ralph apologizes. Cestone suffers a fatal
After getting arrested at the airport for stolen airplane tickets that Tony gave her, Livia is set to testify against him in court. Before that can happen, Livia dies of a stroke and Tony has to deal with his complicated feelings surrounding their relationship. Junior is diagnosed with stomach cancer; following surgery and chemotherapy, it goes into remission.
One night after work, Dr. Melfi is raped by a stranger in a parking complex. After police mishandle evidence, the suspect is released from custody without facing charges. Dr. Melfi struggles with the fallout of the assault and the notion that she could ask Tony to deal out his brand of justice, which she ultimately decides against. Meanwhile, Tony begins an affair with
Rosalie's son
The plan takes a turn for the worse when Jackie panics and kills the card dealer, provoking a shoot-out. Dino and Carlo are killed, but Jackie manages to escape. Tony decides to let Ralph handle the decision regarding Jackie Jr.'s punishment, but he strongly implies that he thinks Ralph should kill Jackie. Despite his role as a surrogate father, Ralph decides to have Jackie Jr. killed when other members of the crew play up how badly Jackie had disrespected him.
A.J. continues to get in trouble at school—despite success on the football team—which culminates in his expulsion and his parents considering sending him to military school. When he suffers a panic attack, his second after the one his old school failed to report, Tony realizes A.J. can't attend military school and he blames himself. Meadow is hit hard by Jackie Jr.'s death, resorting to drinking and then storming out of his funeral reception.
Season 4 (2002)
New York underboss
Tony and Ralph invest in a racehorse named Pie-O-My, who wins several races and makes them both a great deal of money. When Ralph's 12-year-old son Justin is severely injured in an archery accident, Tony comes to believe Ralph burned Pie-O-My in a stable fire to collect $200,000 in insurance money. Tony confronts Ralph and Ralph denies setting the fire. The two engage in a violent brawl, culminating in Tony strangling Ralph to death. Tony and Christopher dispose of the body and tell the rest of the crew that the likely culprit for Ralph's disappearance is Johnny Sack.
While he is leaving court, Junior is hit in the head with a
Following the death of Bobby Baccalieri's wife, Janice pursues a romantic relationship with him. Bobby is initially reluctant to move on, but after an incident with his kids and Anthony Jr. trying to summon his deceased wife's ghost, he becomes more receptive to Janice's advances.
Christopher's addiction to heroin deepens, prompting his associates and family to organize an intervention, after which he enters a drug rehabilitation center. Adriana's friend Danielle Ciccolella is revealed to be an undercover FBI agent named Deborah Ciccerone-Waldrup, who tells Adriana the only way for her to stay out of prison for cocaine distribution at her bar is to become an informant. Adriana reluctantly agrees and starts sharing information with the FBI.
Carmela, whose relationship with Tony is tense due to financial worries and Tony's infidelities, develops a mutual infatuation with
Anthony Jr. starts attending a new high school, with Tony suggesting he needed to pull some strings to get him in. A.J. gets a girlfriend but is intimidated by her family's wealth. Meadow initially struggles with her ex-boyfriend's death. As she considers taking a gap year or switching schools, she sees a therapist that Dr. Melfi recommended. Eventually, Meadow finds a worthwhile cause by volunteering at a law center. She gets an apartment with some roommates and starts dating again. Her relationship with Carmela becomes strained after several arguments. Both the kids take their parents' separation hard, with A.J. asking to live with his dad instead of his mom.
Tony decides to quit therapy, thinking he isn't making any progress. He thanks Dr. Melfi for all her help and they part amicably. Stuck in a deadlock over a deal with the Lupertazzi family, Tony is approached by Johnny Sack with a proposal to murder Carmine. He considers it, even after managing to reach an agreement with Carmine, but he later becomes suspicious of Johnny's intentions and turns him down.
Season 5 (2004)
A string of new characters is introduced, including Tony's cousin
The war between Johnny Sack and Carmine Jr. begins when Johnny has Phil kill "Lady Shylock"
Separated from Carmela, Tony is living at his parents' house. Carmela, the sole authority figure in the home, becomes frustrated as her rules lead A.J. to resent her so she allows him to live with his father. She has a brief relationship with Robert Wegler, A.J.'s guidance counselor; he breaks it off abruptly when he suspects that she is manipulating him to improve A.J.'s grades. Tony and Carmela reconcile; Tony promises to be more loyal and agrees to pay for a piece of real estate Carmela wishes to develop.
Tony gets Meadow's boyfriend
After covering up a murder that occurred at The Crazy Horse, Adriana is arrested and pressured by the FBI to start sharing more relevant information about the family to avoid being charged as an accomplice. Rather than taking the risk of wearing a wire, Adriana confesses to Christopher and tries to persuade him to co-operate and become an informant against Tony. A grief-stricken Christopher instead informs Tony, who has Silvio pick up Adriana under the pretense of taking her to the hospital to see Christopher after he supposedly tried committing suicide, but Silvio instead drives her out to the woods and executes her. Adriana's betrayal and subsequent execution are too much for Christopher to handle and he briefly relapses into drug use to deal with the pain.
Phil Leotardo and his henchmen beat
Season 6 (2006–07)
A senile and confused
Once Tony is out of the hospital,
Once Vito is confronted by other members of the crew, he flees to a New Hampshire town, where he poses as an author and starts a romantic relationship with a male cook at a local diner. Despite finally living an authentic life, Vito misses the benefits his old job afforded him, so he eventually returns to New Jersey. He asks Tony to allow him to return to work, making a case that he could bring in a lot of money in Atlantic City. Vito visits his wife and children and continues to maintain that he is not a homosexual.
Tony mulls over the decision to let him back into the crew, as well as whether to let him live. When Tony fails to act, Phil intervenes and brutally executes Vito. When one of the members of the New York family,
During the first half of the season,
Tony considers killing several of his associates for relatively minor infractions, including Paulie Gualtieri. Christopher is unable to thrive in the business because of his addiction, deflecting his problems by relapsing and killing his friend from Narcotics Anonymous and co-writer of Cleaver, J. T. Dolan. He is then seriously injured in a car accident while driving under the influence of narcotics. Tony, the sole passenger, finally loses patience with Christopher's failings and suffocates him. He later tries to justify his actions by bringing up the infant car seat that was impaled by a branch in the accident, implying that Christopher was a danger to his daughter.
A.J. is dumped by his fiancée and he slips into depression, culminating in a suicide attempt in the backyard pool. After spending some time in a mental institution, he returns home but is still haunted by existential questions and he ultimately decides to join the army. Tony and Carmela come up with a movie set job to keep him from enlisting, with Tony promising he'll one day finance A.J.'s nightclub. Dr. Melfi is convinced by colleagues that Tony is making no progress and may even be using talk therapy to excuse his own actions and as practice for manipulative behavior. She drops him as a patient and he fully quits therapy.
Johnny dies from lung cancer while imprisoned, and Phil officially takes over the Lupertazzi family after having his rivals killed. Phil renews his past feud with Tony and refuses to compromise with New Jersey on a garbage deal. When Tony assaults a Lupertazzi soldier for harassing Meadow while she was on a date, Phil initiates open war on the Soprano crew. He orders the executions of Bobby Baccalieri, who is shot to death; Silvio Dante, who ends up comatose; and Tony, who goes into hiding. Since Phil won't back down until Tony is executed, a deal is eventually brokered whereby the rest of the Lupertazzi family agrees to ignore the hit on Tony, allowing him to go after Phil without fear of repercussions. FBI agent
Tony starts suspecting that
Tony plans to have a quiet dinner at a diner with his family. As Meadow arrives at the door, the camera cuts to Tony. A bell signals the door opening, Tony looks up and the show smash cuts to black; after a few seconds, the credits roll in silence.
Influence and legacy
Ratings
The Sopranos was a major ratings success throughout its run, despite being aired on
Season | Originally aired | Nielsen ratings (in millions)
|
Time slot | ||
---|---|---|---|---|---|
Season premiere | Season finale | Season average | |||
1 | January 10 – April 4, 1999 | 3.45[128] | 5.22[128] | 3.46[129] | Sunday 9:00 pm |
2 | January 16 – April 9, 2000 | 7.64[128] | 8.97[128] | 6.62[129] | |
3 | March 4 – May 20, 2001 | 11.26[130] | 9.46[128] | 8.87[129] | |
4 | September 15 – December 8, 2002 | 13.43[128] | 12.48[128] | 10.99[129] | |
5 | March 7 – June 6, 2004 | 12.14[128] | 10.98[128] | 9.80[129] | |
6A | March 12 – June 4, 2006 | 9.47[128] | 8.90[131] | 8.60[131] | |
6B | April 8 – June 10, 2007 | 7.66[132] | 11.90[133] | 8.23[129] |
Critical response
Season | Rotten Tomatoes | Metacritic |
---|---|---|
1 | 98% (9.3/10 average rating) (50 reviews)[134] | 88 (20 reviews)[135] |
2 | 94% (9.5/10 average rating) (18 reviews)[136] | 97 (24 reviews)[137] |
3 | 100% (9.5/10 average rating) (13 reviews)[138] | 97 (25 reviews)[139] |
4 | 92% (9.0/10 average rating) (12 reviews)[140] | N/A (3 reviews)[141] |
5 | 93% (9.3/10 average rating) (14 reviews)[142] | N/A (3 reviews)[143] |
6 | 89% (9.8/10 average rating) (37 reviews; Part I)[144]
84% (8.5/10 average rating) (31 reviews; Part II)[145] | 96 (18 reviews)[146] |
The Sopranos has been hailed by many critics as the greatest and most groundbreaking television series of all time.[a] The writing, acting, and directing have often been singled out for praise. The show has also received considerable attention from critics and journalists for its technical merit, music selections, cinematography, and willingness to deal with difficult and controversial subjects including crime, family, gender roles, mental illness, and American and Italian-American culture.[79][149][150]
The Sopranos is credited for creating a new era in the mafia genre deviating from the traditional dramatized image of the gangster in favor of a simpler, more accurate reflection of ordinary day-to-day mob life in a suburb.[152] The series sheds light on Italian family dynamics through the depiction of Tony's tumultuous relationship with his mother.[153] Edie Falco's character Carmela Soprano is praised in Kristyn Gorton's essay "Why I Love Carmela Soprano" for challenging Italian-American gender roles.[154] New Yorker editor David Remnick described The Sopranos as mirroring the "mindless commerce and consumption" of modern America.[155] The series has an overall rating of 92 percent on Rotten Tomatoes,[156] and 94 out of 100 on Metacritic.[157]
The Sopranos has been called "perhaps the greatest
The first season of the series received overwhelmingly positive reviews.
In November and December 2009, many television critics named The Sopranos the best series of the decade and all time in articles summarizing the decade in television. In numbered lists over the best television programs, The Sopranos frequently ranked first or second, almost always competing with The Wire.
A 2015
Certain episodes have frequently been singled out by critics as the show's best. These include the pilot, titled "
Chase's decision to end the last episode abruptly with just a black screen was controversial. While Chase has insisted that it was not his intention to stir controversy, the ambiguity over the ending and question of whether Tony was murdered has continued for years after the finale's original broadcast and has spawned numerous websites devoted to finding out his true intention.[176][177][178]
Awards and nominations
The Sopranos won and was nominated for many awards throughout its original broadcast. It was nominated for the
The Sopranos won at least one Emmy Award for acting in every eligible year except 2006 and 2007. James Gandolfini and
In 1999 and 2000, The Sopranos earned two consecutive
In 2001, the American Psychoanalytic Association presented the producers and writers with an award for "the artistic depiction of psychoanalysis and psychoanalytic psychotherapy" and also presented Lorraine Bracco with an award for creating "the most credible psychoanalyst ever to appear in the cinema or on television."[191]
Influence on television industry
The Sopranos has been characterized by critics as one of the most influential artistic works of the 2000s and has been cited as helping to turn serial television into a legitimate art form on the same level as feature films, literature, and theater.
Maureen Ryan of PopMatters described The Sopranos as the most influential television drama ever. "No one-hour drama series has had a bigger impact on how stories are told on the small screen, or more influence on what kind of fare we've been offered by an ever-growing array of television networks."[78]
Hal Boedeker stated in PopMatters in 2007 that the series was "widely influential for revealing that cable would accommodate complex series about dark characters. The Sopranos ushered in
Weiner said that when he became a writer for The Sopranos after having written the Mad Men pilot, "Whatever I had intended [Mad Men] to be ... was very different after seeing how seriously David Chase took human behavior. Real human behavior", giving "Maidenform" and how Peggy Olson's baby affects her as examples.[194]
The series helped establish HBO as producers of critically acclaimed and commercially successful original television series. Michael Flaherty of The Hollywood Reporter has stated that The Sopranos "helped launch [HBO's] reputation as a destination for talent looking for cutting-edge original series work."[39]
Depiction of stereotypes
The show has frequently been accused of perpetuating negative stereotypes about
In 2000, officials in
Fairleigh Dickinson University's PublicMind conducted a national survey in August 2001 that polled 800 people, out of which 37% said that they watched the show regularly, and 65% of this group (192 people, or 24% of the total) disagreed that the show negatively portrayed Italian Americans. Professor William Roberts, who was associated with the poll, said that "The show's inflated image of organized crime casts a shadow over both the state [of New Jersey] and its Italian American community."[200]
He further stated "The show helped to perpetuate one of the more problematic and stereotypical images of Italian Americans. Both Italian and Italian American cultures have much more diverse and interesting heritages than the American public generally realizes."[201] Humanities professor Camille Paglia, herself an Italian American, has spoken negatively about The Sopranos, arguing that its depiction of Italian Americans was inaccurate, inauthentic, and dated.[202]
Chase has defended his show, saying that "It is not meant to stereotype all Italian Americans, only to depict a small criminal subculture".[203]
Parodies and commercials
Actors from The Sopranos have reprised their roles, or at the very least parodied their roles, in various other media. Tony Sirico and Steve Schirripa appear in two separate Muppet-related Christmas specials, A Muppets Christmas: Letters to Santa and Elmo's Christmas Countdown, parodying their roles on The Sopranos. Sirico also appeared in a series of commercials for Denny's in-character as Paulie Gualtieri, a nod to the restaurant chain's mention in "Pine Barrens".[204] James Gandolfini appeared on Weekend Update as a "New Jersey Resident" on the October 2, 2004, episode of Saturday Night Live to comment on the recent resignation of New Jersey governor Jim McGreevey. Gandolfini's character went unnamed, and hosts Tina Fey and Amy Poehler insisted at the segment's conclusion that he was "unidentified", but the character was clearly meant to be Tony Soprano.[205]
2022 Chevrolet commercial
Jamie-Lynn Sigler and Robert Iler reprised their roles as Meadow and A.J. Soprano in a Chevrolet television commercial initially broadcast in 2022 during Super Bowl LVI. David Chase directed the commercial and treated it as a continuation of The Sopranos story. At Chase's insistence, former Sopranos director of photography Phil Abraham performed the filming.[206] The ad recreates the opening-title sequence of The Sopranos, with Meadow driving a Silverado EV (as opposed to Tony's Chevrolet Suburban) and meeting A.J. at Bahrs Landing, featured in The Many Saints of Newark. Along the way, she passes some Sopranos landmarks including Satriale's. Chase wanted the commercial to continue the intrigue surrounding The Sopranos finale: besides the visual allusion to the episode with Meadow's parking, Chase intentionally left open why Meadow and A.J. were at the restaurant and who they could be meeting there.[206]
Merchandise
Home media
The first four seasons of The Sopranos were released on VHS in five-volume box sets which lack bonus material.[207][208][209]
All six Sopranos seasons were released as DVD box sets, with the sixth season released in two parts. A complete series box set was released in 2008.
The sixth season was released on
Box set | Release dates | Episodes | Special features | ||
---|---|---|---|---|---|
Region 1 | Region 2 | Region 4 | |||
The Complete First Season | December 12, 2000
|
November 24, 2003 | April 19, 2001
|
1 – 13 |
List
|
The Complete Second Season | November 6, 2001
|
November 24, 2003 | September 3, 2001 (Digipak) | 14 – 26 |
List
|
The Complete Third Season | August 27, 2002
|
November 24, 2003 | October 4, 2002 (Digipak) | 27 – 39 |
List
|
The Complete Fourth Season | October 28, 2003
|
November 3, 2003 | December 3, 2003 (Digipak) | 40 – 52 |
List
|
The Complete Fifth Season | June 7, 2005
|
June 20, 2005 | August 16, 2005 (Digipak) | 53 – 65 |
List
|
Season Six, Part I | November 7, 2006
|
November 27, 2006 | March 7, 2007 | 66 – 77 |
List
|
Season Six, Part II | October 23, 2007
|
November 19, 2007 | January 31, 2008 | 78 – 86 |
List
|
The Complete Series | November 11, 2008
|
November 24, 2008 | December 12, 2008
|
1 – 86 |
List
|
Companion books
Three companion books, written by Allen Rucker, were published during The Sopranos' run:
- The Sopranos: A Family History (2000) discusses the history of the fictional crime family and Tony Soprano's childhood, while providing photos, information about the Sopranos cast, and a synopsis of the show's first two seasons.[219] Second and third editions of the book were later released, which provide updates through the show's third and fourth seasons, respectively.[220][221]
- The Sopranos Family Cookbook (As Compiled by Artie Bucco) (2002) features Southern Italian recipes (from cookbook author Michele Scicolone), photos, and additional lore from the series.[222]
- Entertaining with the Sopranos (As Compiled by Carmela Soprano) (2006) features Neapolitan-based recipes (from Michele Scicolone) and "Soprano-approved tips" on "picking the ideal location, choosing tasteful decorations, whipping up the best drinks, and selecting the right music."[223]
On September 17, 2020, Michael Imperioli and Steve Schirripa signed a deal with HarperCollins book imprint William Morrow and Company to write an oral history of the show;[224] the book, titled Woke Up This Morning: The Definitive Oral History of The Sopranos, was released on November 2, 2021.[225]
Soundtracks
Two official
- The Sopranos: Music from the HBO Original Series (1999) contains music selections from the show's first two seasons.[226]
- The Sopranos: Peppers & Eggs – Music from the HBO Original Series (2001) contains music selections and character dialogue from the show's first three seasons.[227]
Video game and pinball
A video game based on the series, titled The Sopranos: Road to Respect, was developed by 7 Studios and released by THQ for the PlayStation 2 in November 2006. The game features the voices and likenesses of key Sopranos cast members.[228]
In 2005,
Podcasts
Several cast members of The Sopranos have started
Drea de Matteo and Chris Kushner began hosting a re-watch podcast on March 13, 2020, called Made Women;[234] in July, the podcast was retooled and renamed Gangster Goddess Broad-Cast.[235]
Film
In March 2018,
The film was initially scheduled to be released on September 25, 2020,
Chase has expressed interest in producing a sequel to The Many Saints of Newark that follows Tony Soprano in his 20s, provided he could collaborate with former Sopranos writer Terence Winter.[242] Upon hearing this, Winter replied he would do it "in a heartbeat. Absolutely."[243]
Notes
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- ISBN 0425185516.
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Further reading
- Martin, Brett (October 30, 2007). The Sopranos: The Complete Book. New York. ISBN 978-1-933821-18-4.)
{{cite book}}
: CS1 maint: location missing publisher (link - Martin, Brett (July 9, 2013). Difficult Men: Behind the Scenes of a Creative Revolution: From The Sopranos and The Wire to Mad Men and Breaking Bad. ISBN 978-1594204197.
- Suskind, Alex (May 1, 2014). "David Chase Can't Escape 'The Sopranos' Finale". The Daily Beast.
External links
- Official website
- The Sopranos at Curlie
- The Sopranos at epguides.com
- The Sopranos at IMDb
- The Sopranos at Rotten Tomatoes