Creolization
Creolization is the process through which
Beginning
According to Charles Stewart,[5] the concept of creolization originates during the 16th century, although there is no date recording the beginning of the word creolization. The term creolization was understood to be a distinction between those individuals born in the "Old World" versus the New World.[5] As consequence to slavery and the different power relations between different races creolization became synonymous with Creole, often of which was used to distinguish the master and the slave. The word Creole was also used to distinguish those Afro-descendants who were born in the New World in comparison to African-born slaves.[5] The word creolization has evolved and changed to have different meaning at different times in history.
What has not changed through the course of time is the context in which Creole has been used. It has been associated with cultural mixtures of African, European, and indigenous (in addition to other lineages in different locations) ancestry (e.g. Caribbeans).[3] Creole has pertained to "African-diasporic geographical and historical specificity".[3] With globalization, creolization has undergone a "remapping of worlds regions",[3] or as Orlando Patterson would explain, "the creation of wholly new cultural forms in the transnational space, such as 'New Yorican' and Miami Spanish". Today, creolization refers to this mixture of different people and different cultures that merge to become one.
Diaspora
Creolization as a relational process can enable new forms of identity formation and processes of communal enrichment through pacific intermixtures and aggregations, but its uneven dynamics remain a factor to consider whether in the context of colonization or globalization.[6] The meeting points of multiple diasporas and the crossing and intersection of diasporas are sites of new creolizations.[3] New sites of creolizations continue the ongoing ethics of the sharing of the world that has now become a global discourse which is rooted in English and French Caribbean. The cultural fusion and hybridization of new diasporas surfaces and creates new forms of creolization.
Culture
There are different processes of creolization have shaped and reshaped the different forms of one culture. For example, food, music, and religion have been impacted by the creolization of today's world.
Food
Creolization has affected the elements and traditions of food. The blend of cooking that describes the mixture of African and French elements in the American South, particularly in Louisiana, and in the French Caribbean have been influenced by creolization. This mixture has led to the unique combination of cultures that led to cuisine of creolization, better known as creole cooking.[7] These very creations of different flavors particularly pertain to a specific territory which is influenced by different histories and experiences. The Caribbean has been colonized under a multitude of different countries which influenced the creation of new and different recipes as well as the implementation of new cooking methods. Creole cooking pulls heavily from French and Spanish influences due to their colonization in the 1600s through the mid to late 1900s. They also draw influence from their African roots and a different mixture of Native American tribe cooking methods.[8]
Music
To some degree, most forms of music considered "popular" came from the oppression of a people or slavery. This cross-fertilization triggers a cultural blending and creates a completely different form of its own through the turmoil and conflict of the dominating and dominated culture.[9] One such form of this is jazz music. The work of art music created by African diaspora composers frequently exhibits this as well.[10]
Jazz music took its roots from the dialogue between black folk music in the U.S., that is derived from plantations and rural areas and black music based in urban New Orleans. Jazz music developed from the creole music that takes its roots from the combination of blues, parlour music, opera, and spiritual music.[7]
Religion
The popular religions of Haiti, Cuba, Trinidad, and Brazil formed from the mixing of African and European elements.
See also
References
- ISBN 9781598742787.
- ISBN 9781617031069.)
{{cite book}}
: CS1 maint: multiple names: authors list (link - ^ ISBN 978-0-415-95261-3.
- S2CID 54814946.
- ^ ISBN 978-1-59874-279-4.
- S2CID 145617551.
- ^ S2CID 54814946. Archived from the original(PDF) on 2013-10-04.
- S2CID 151945946.
- ^ White, Bob (2011). The musical heritage of slavery: From creolization to "world music." In Music and Globalization: Critical Encounters. Indiana University Press. pp. 17–39.
- ISSN 0362-4331. Retrieved 2020-08-18.
- JSTOR 23046820.
- S2CID 54444540.