Erfreute Zeit im neuen Bunde, BWV 83

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Erfreute Zeit im neuen Bunde
Purification
Chorale"Mit Fried und Freud ich fahr dahin"
by Martin Luther
Performed2 February 1724 (1724-02-02): Leipzig
Movements5
Vocal
  • SATB choir
  • solo: alto, tenor and bass
Instrumental
  • 2 horns
  • 2 oboes
  • solo violin
  • 2 violins
  • viola
  • continuo

Erfreute Zeit im neuen Bunde (Joyful time in the new covenant), BWV 83,

Purification
) and first performed it on 2 February 1724.

History and words

Bach wrote the cantata in his first year in Leipzig for the feast

Evensong. The unknown poet also concentrates on this aspect of the gospel and connects it to the listener's attitude to his own death. In the second movement, he comments the words of the canticle "Herr, nun lässest du deinen Diener in Friede fahren" by recitative.[1] He shapes movement 3 as a close paraphrase of Hebrews 4:16. Movement 4 recalls the last verse of the gospel, the closing chorale expresses the same thought in Martin Luther's words, the fourth stanza of his hymn "Mit Fried und Freud ich fahr dahin".[2][3]

The cantata was possibly Bach's first cantata for the occasion.

Ich habe genung, BWV 82
.

Scoring and structure

The cantata in five movements is festively scored for alto, tenor and bass soloists, a four-part choir in the chorale, two horns, two oboes, solo violin, two violins, viola, and basso continuo.[2]

  1. Aria (alto): Erfreute Zeit im neuen Bunde
  2. Aria (Chorale and recitative, bass): Herr, nun lässest du deinen Diener in Friede fahren, wie du gesaget hast – Was uns als Menschen schrecklich scheint
  3. Aria (tenor): Eile, Herz, voll Freudigkeit
  4. Recitative (alto): Ja, merkt dein Glaube noch viel Finsternis
  5. Chorale: Es ist das Heil und selig Licht

Music

The first

ritornell presents a first motif in upward coloraturas, which is later picked up by the voice, then playful contrasting "choirs" of instruments, and virtuoso figuration of the solo violin. In great contrast the middle section concentrates on "our resting place, our grave", the violin imitating funeral bells by repetitions on open strings.[2]

Movement 2 is singular in Bach's cantatas. It contains the canticle of Simeon, sung by the bass on the eighth

psalm tone of Gregorian chant, while a canon is played by all strings in unison and the continuo. After the first verse of the canticle, three sections of secco recitative are interrupted by the canonic music, finally the other two verses of the canticle are treated as the first. The use of psalm tones was already considered an archaism in Bach's time.[1]

In Movement 3 the concertante violin plays endless runs in

Actus tragicus
(1707 or 1708).

Recordings

Notes

  1. ^ "BWV" is Bach-Werke-Verzeichnis, a thematic catalogue of Bach's works.

References

  1. ^ a b Mincham, Julian (2010). "Chapter 40 Bwv 83 – The Cantatas of Johann Sebastian Bach". jsbachcantatas.com. Retrieved 24 August 2022.
  2. ^
    ISBN 3-423-04080-7
    .
  3. ^ "Mit Fried und Freud ich fahr dahin / Text and Translation of Chorale". Bach Cantatas Website. 2008. Retrieved 28 January 2011.
  4. ^ Der Friede sei mit dir, BWV 158 may have had an earlier origin.

External links

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