Gottlob! nun geht das Jahr zu Ende, BWV 28

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Gottlob! nun geht das Jahr zu Ende
Thomaskirche, Leipzig 1885
Occasion1st Sunday after Christmas
Performed30 December 1725 (1725-12-30): Leipzig

Gottlob! nun geht das Jahr zu Ende (Praise God! Now the year comes to an end),[1] BWV 28,[a] is a church cantata by Johann Sebastian Bach for the Sunday after Christmas. He first performed it on 30 December 1725.

History and text

Bach composed the cantata in his third year as

The cantata text is by Erdmann Neumeister:[3] he included in the second movement the first stanza of Johann Gramann's hymn "Nun lob, mein Seel, den Herren" (1530),[3] a Bible quotation (Jeremiah 32:41) in the third movement, and a hymn stanza by Paul Eber for the closing chorale.[3][4] The chorale theme "Helft mir Gotts Güte preisen" (Zahn 5267) is of unknown authorship. The poet did not refer to the Bible readings for the day but portrayed thanks for the past year and prayers for preservation in the new year.[5]

Bach first performed the cantata on 30 December 1725.[3]

Structure and scoring

Bach structured the cantata in six movements, scored for four vocal soloists (soprano, alto, tenor, bass) and four-part choir, and an Baroque instrumental ensemble of cornetto, three trombones, two oboes, taille, two violins, viola and continuo.[3][6]

Movements of Gottlob! nun geht das Jahr zu Ende
No. Title Type Vocal Winds Strings Others / Brass Key Time
1 Gottlob! nun geht das Jahr zu Ende Aria Soprano 2 oboes, taille 2 violins, 1 viola continuo A minor 3/4
2 Nun lob, mein Seel, den Herren Chorale SATB 1 oboe (col soprano),
1 oboe (coll'alto),
cornetto (col soprano),
taille (col tenore)
1 violin (col soprano),
1 violin (coll'alto),
viola (col tenore)
1 trombone (coll'alto),
1 trombone (col tenore),
1 trombone (col basso)
continuo
C major cut time
3 So spricht der Herr Recitative / arioso Bass continuo common time
4 Gott ist ein Quell Recitative Tenor 2 violins, viola continuo common time
5 Gott hat uns im heurigen Jahre gesegnet Duet Alto / Tenor continuo C major 6/8
6 All solch dein Güt wir preisen Chorale SATB 1 oboe (col soprano),
1 oboe (coll'alto),
cornetto (col soprano),
taille (col tenore)
1 violin (col soprano),
1 violin (coll'alto),
viola (col tenore)
1 trombone (coll'alto),
1 trombone (col tenore),
1 trombone (col basso)
continuo
A minor common time

Music

The cantata opens with an oboe trio playing an Italianate ritornello of four phrases, accompanied by the strings; the roles of the two choirs are later reversed. The soprano sings a virtuosic and melismatic aria commanding the listener to praise God.[7][8]

The following chorale expands the command from the individual to the collective, adopting an "archaic"

stile antico was performed at the end of John Eliot Gardiner's Bach Cantata Pilgrimage in 2000, who described its "sobriety and complexity, its buried treasures and subtleties, especially those that occur in its last fifty bars, in which you sense some immense cosmic struggle being played out".[10]

The third movement, a bass arioso, repeats the ascending scalar motif of the chorus. The tenor recitative is accompanied by sustained chordal strings and concludes on a major harmony. The continuo opens the duet aria with a two-part ritornello – dancing eighth notes followed by fast arpeggiated figures – that is repeated three more times during this movement. The vocal lines sing three blocks of imitative motivic entries.[7] In the style of Italian chamber duets, the voices first render a thought in imitation, "coming together each time for a concluding cadence".[5]

The cantata concludes with a four-part chorale in A minor.[7] Gardiner, who had conducted several versions during the Pilgrimage, notes the moving power of this harmonisation of the "prayer for protection and sustenance in the year to come".[10]

Recordings

Notes

  1. ^ "BWV" is Bach-Werke-Verzeichnis, a thematic catalogue of Bach's works.

References

Cited sources

External links