Wer da gläubet und getauft wird, BWV 37

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Wer da gläubet und getauft wird
BWV 37
Church cantata by J. S. Bach
Ascension of Christ, Rembrandt
OccasionFeast of the Ascension
Bible textMark 16:16
Chorale
Performed18 May 1724 (1724-05-18): Leipzig
Movements6
VocalSATB choir and solo
Instrumental
  • 2 oboes d'amore
  • 2 violins
  • viola
  • continuo

Wer da gläubet und getauft wird (He who believes and is baptised),[1] BWV 37,[a] is a cantata by Johann Sebastian Bach, a church cantata for the feast of the Ascension of Jesus. Bach composed it in Leipzig and first performed it on 18 May 1724.

The work is Bach's first cantata composition for the feast of the Ascension. Surprisingly for a high feast day, it is modestly scored; only two

by faith alone. The poet structured the six movements of the cantata in two parts, each concluded by a chorale
.

History and words

Bach composed the cantata in Leipzig for Ascension. The prescribed readings for the feast day were from the Acts of the Apostles, the prologue and Ascension (Acts 1:1–11), and from the Gospel of Mark, Jesus telling his disciples to preach and baptize, and his Ascension (Mark 16:14–20).[2]

An unknown poet began with the quotation of verse 16 from the Gospel.

Johannes Kolrose.[2] Part I (movements 1 through 3) reflects the love of Jesus, with the chorale expressing thanks for it. Part II (movements 4 through 6) argues like a sermon, reminiscent of Paul's teaching in Romans 3:28, that good works alone are not enough for a blessed life if they are not founded in faith. The closing chorale is another song of thanks.[2]

Bach first performed the cantata on 18 May 1724, and again on 3 May 1731. It was his first composition for the feast of the Ascension.[6]

Scoring and structure

The cantata in six movements is scored rather modestly: the four vocal soloists (

Ascension Oratorio use a more festive orchestra including horns or trumpets.[2]

Movements of Wer da gläubet und getauft wird, BWV 37
No. Title Type Vocal Winds Strings Key Time
1 Wer da gläubet und getauft wird Chorus SATB 2ObDa 2Vl Va Bc A major 3/2
2 Der Glaube ist das Pfand der Liebe Aria Tenor Bc A major common time
3 Herr Gott Vater, mein starker Held Choral Soprano, alto Bc D major 12/8
4 Ihr Sterblichen, verlanget ihr Recitative Bass 2Vl, Va, Bc common time
5 Der Glaube schafft der Seele Flügel Aria Bass 1ObDa 2Vl, Va, Bc B minor common time
6 Den Glauben mir verleihe Chorale SATB 1ObDa (col Soprano),
1ObDa (coll'Alto) 		1Vl (col Soprano),
1Vl (coll'Alto),
Va (col Tenore),
Bc 		A major common time

Music

Although the text for the first movement is a quotation of Jesus, it is not given to the bass as the vox Christi but to the choir. John Eliot Gardiner notes that Bach treats it as a "statement by the faithful, as though to demonstrate that they had already absorbed its message to 'go into all the world, and preach the gospel to every creature".[6] The movement begins with an extended instrumental Sinfonia which introduces three melodic lines that occur simultaneously. The first motif is played by the oboes and later taken by the choir,[2] According to Gardiner, it suggests "steadfastness of faith".[6] The second motif in the violins is reminiscent of Luther's hymn "Dies sind die heiligen zehn Gebot" (These are the holy Ten Commandments), which opened two other cantatas. Gardiner describes it as "emollient and graceful, a halfway house between a minuet and a waltz, affirming a more serene side to faith."[6] The third motif is part of the hymn "Wie schön leuchtet der Morgenstern" and appears in the continuo. In two vocal sections, the voices are embedded in a repetition of the Sinfonia.[2]

Movement 2 is an

Neue Bach-Ausgabe reported.[2] In movement 3, the chorale appears in the form of a chorale concerto, an Italianate form that Johann Hermann Schein had used a century earlier.[5] The chorale melody is changed according to the meaning of the words; only the continuo accompanies two voices. The following recitative is accompanied by the strings. They appear also in the last aria, in which an oboe comes and goes, with interesting effects. The closing chorale is a four-part setting.[2]

Recordings

Notes

  1. ^ "BWV" is Bach-Werke-Verzeichnis, a thematic catalogue of Bach's works.

References

  1. ^ Dellal, Pamela. "BWV 37 – "Wer da gläubet und getauft wird"". Emmanuel Music. Retrieved 20 August 2022.
  2. ^
    ISBN 3-423-04080-7
    .
  3. ISBN 3-476-02127-0
    .
  4. OCLC 557698982
    .
  5. ^ a b Hofmann, Klaus (2001). "Wer da gläubet und getauft wird / (He that believeth and is baptized), BWV 37" (PDF). Bach Cantatas Website. pp. 8–9. Retrieved 4 May 2013.
  6. ^ a b c d Gardiner, John Eliot (2013). "Johann Sebastian Bach 1685–1750 / Cantatas Vol 28: City of London" (PDF). Bach Cantatas Website. pp. 5–6. Retrieved 5 May 2013.
  7. ^ "BWV 37". University of Alberta. Retrieved 26 May 2014.

Sources

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