Also hat Gott die Welt geliebt, BWV 68
Also hat Gott die Welt geliebt | |
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Salomo Liscow | |
Performed | 21 May 1725 Leipzig : |
Movements | 5 |
Vocal |
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Instrumental |
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Also hat Gott die Welt geliebt (God so loved the world),[1] BWV 68, is a cantata by Johann Sebastian Bach, a church cantata for the second day of Pentecost. Bach composed the cantata in Leipzig and first performed it on 21 May 1725. It is one of nine cantatas on texts by Christiana Mariana von Ziegler, which Bach composed at the end of his second annual cycle of cantatas in Leipzig. In a unique structure among Bach's church cantatas, it begins with a chorale and ends with a complex choral movement on a quotation from the Gospel of John. Bach derived the two arias from his Hunting Cantata.
History and words
Bach composed the cantata during his second year in Leipzig for Pentecost Monday.[2][3] The prescribed readings for the feast day were taken from the Acts of the Apostles, the sermon of Saint Peter for Cornelius (Acts 10:42–48), and the Gospel of John, "God so loved the world" from the meeting of Jesus and Nicodemus (John 3:16–21).[2]
In his second year in Leipzig, Bach composed
Bach first performed the cantata on 21 May 1725.[6]
Structure and instrumentation
The cantata in five movements is scored for two soloists,
- Chorus: Also hat Gott die Welt geliebt
- Aria (soprano): Mein gläubiges Herze
- Recitative (bass): Ich bin mit Petro nicht vermessen
- Aria (bass): Du bist geboren mir zugute
- Chorus: Wer an ihn gläubet, der wird nicht gerichtet
Music
The opening chorus is a chorale fantasia, as in Bach's chorale cantatas. The hymn melody by Gottfried Vopelius (1682) is sung by the soprano, doubled by a horn.[7] Bach changed the rhythm of the tune from the original common time to 12/8.[6] The musicologist Julian Mincham notes that he "embellishes it to a degree whereby 'it hardly seems like a chorale any more'".[7]
The two arias are based on arias from Bach's 1713 Hunting Cantata (
The final movement is not, as in many church cantatas, a simple four-part chorale, but a motet-like structure which conveys a verse from the Gospel of John. The juxtaposition of "wer an ihn gläubet" (Whoever believes in Him)[1] and "wer aber nicht gläubet" (but whoever does not believe)[1] is expressed by a double fugue with two contrasting themes. The voices are doubled by a choir of trombones.[6] Gardiner comments:
Invariably his settings of John's words are full of purpose, never more so than in the final chorus of BWV 68 Also hat Gott die Welt geliebt when, in place of a chorale, John postulates the chilling choice between salvation or judgement in the present life.[5]
Recordings
- Bach Made in Germany Vol. 2 – Cantatas IV, Gewandhausorchester, Elisabeth Grümmer, Theo Adam, Eterna 1960
- J. S. Bach: Cantatas BWV 68 & BWV 70, Kurt Thomas, Kantorei der Dreikönigskirche Frankfurt, Collegium Musicum, Ingeborg Reichelt, Erich Wenk, L’Oiseau-Lyre 1962?
- Les Grandes Cantates de J.S. Bach Vol. 14, 1963
- J. S. Bach: Erschallet, ihr Lieder, Kantate BWV 172; Also hat Gott die Welt geliebt, Kantate BWV 68, Klaus Martin Ziegler, Vocalensemble Kassel, Deutsche Bachsolisten, Ursula Buckel, Jakob Stämpfli, Cantate 1966
- Bach Cantatas Vol. 3 – Ascension Day, Whitsun, Trinity’, Karl Richter, Münchener Bach-Chor, Münchener Bach-Orchester, Edith Mathis, Dietrich Fischer-Dieskau, Archiv Produktion 1975
- J. S. Bach: Das Kantatenwerk · Complete Cantatas · Les Cantates, Folge / Vol. 17 – BWV 65–68, Nikolaus Harnoncourt, Tölzer Knabenchor, Concentus Musicus Wien, soloist of the Tölzer Knabenchor, Ruud van der Meer, Teldec 1975
- Die Bach Kantate Vol. 37, Hänssler1981
- Bach Made in Germany Vol. 4 – Cantatas II, Arleen Augér, Theo Adam, Leipzig Classics 1981
- J. S. Bach: Cantatas with Violoncelle Piccolo, Ensemble Baroque de Limoges, Barbara Schlick, Gotthold Schwarz, Auvidis Astrée 1995
- Bach Cantatas Vol. 26: Long Melford / For Whit Sunday / For Whit Monday, John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists, Lisa Larsson, Panajotis Iconomou, Soli Deo Gloria 2000
- Bach Edition Vol. 21 – Cantatas Vol. 12, 2000
- J. S. Bach: Complete Cantatas Vol. 14, Ton Koopman, Amsterdam Baroque Orchestra & Choir, Deborah York, Klaus Mertens, Antoine Marchand 2001
- J. S. Bach: Cantatas Vol. 39 – BWV 28, 68, 85, 175, 183, Masaaki Suzuki, Bach Collegium Japan, Carolyn Sampson, Peter Kooy, BIS 2007
- J. S. Bach: Himmelfahrts-Oratorium, Philippe Herreweghe, Collegium Vocale Gent, Dorothee Mields, Stephan MacLeod, Rapidshare 2008
References
- ^ a b c d Dellal, Pamela. "BWV 68 – "Also hat Gott die Welt geliebt"". Emmanuel Music. Retrieved 22 August 2022.
- ^ ISBN 3-423-04080-7.
- Allmusic. Retrieved 23 October 2012.
- ^ Wolff, Christoph. "Conclusion of the second yearly cycle (1724–25) of the Leipzig church cantatas" (PDF). Bach Cantatas Website. p. 2. Retrieved 1 June 2011.
- ^ a b c Gardiner, John Eliot (2006). Johann Sebastian Bach (1685-1750) / Cantatas Nos 34, 59, 68, 74, 172, 173 & 174 (Media notes). Soli Deo Gloria (at Hyperion Records website). Retrieved 8 June 2019.
- ^ a b c d e Hofmann, Klaus (2007). "Also hat Gott die Welt geliebt / For God so Loved the World, BWV 68" (PDF). Bach Cantatas Website. pp. 5–6. Retrieved 16 May 2013.
- ^ a b Mincham, Julian (2010). "Chapter 49 Bwv 68 – The Cantatas of Johann Sebastian Bach". jsbachcantatas.com. Retrieved 22 August 2022.
Sources
- Also hat Gott die Welt geliebt, BWV 68: Scores at the International Music Score Library Project
- Also hat Gott die Welt geliebt BWV 68; BC A 86 / Sacred cantata (2nd Day of Pentecost) Bach Digital
- Cantata BWV 68 Also hat Gott die Welt geliebt history, scoring, sources for text and music, translations to various languages, discography, discussion, Bach Cantatas Website
- BWV 68 Also hat Gott die Welt geliebt English translation, University of Vermont
- BWV 68 Also hat Gott die Welt geliebt text, scoring, University of Alberta