Graham Greene

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For other people named Graham Greene, see Graham Greene (disambiguation).

Graham Greene

CH
Greene in 1975
Greene in 1975
BornHenry Graham Greene
(1904-10-02)2 October 1904
Berkhamsted, Hertfordshire, England
Died3 April 1991(1991-04-03) (aged 86)
Corseaux, Switzerland
Occupation
  • Writer
  • journalist
Alma materBalliol College, Oxford
Period1925–1991
Genre
Notable works
(1958)
Spouse
Vivien Dayrell-Browning
​
​
(m. 1927; sep. 1947)​
Partner
Catherine Walston, Lady Walston (1946–1966)
Yvonne Cloetta (1966–1991)
Children2
RelativesRaymond Greene (brother); Graham C. Greene (nephew)

Henry Graham Greene

CH (2 October 1904 – 3 April 1991) was an English writer and journalist regarded by many as one of the leading novelists of the 20th century.[1][2]

Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious

Best of the James Tait Black. Greene was awarded the 1968 Shakespeare Prize and the 1981 Jerusalem Prize. Several of his stories have been filmed, some more than once, and he collaborated with filmmaker Carol Reed on The Fallen Idol (1948) and The Third Man
(1949).

He converted to

Catholicism in 1926 after meeting his future wife, Vivien Dayrell-Browning.[6] Later in life he took to calling himself a "Catholic agnostic".[7]
He died in 1991, aged 86, of leukemia,[8] and was buried in Corseaux cemetery in Switzerland.[9] William Golding called Greene "the ultimate chronicler of twentieth-century man's consciousness and anxiety".[10] V. S. Pritchett called him "The most ingenious, inventive and exciting of our novelists, rich in exactly etched and moving portraits of real human beings and who understands the tragic and comic ironies of love, loyalty and belief."[11]

Early years (1904–1922)

Greene was born in Berkhamsted School where his father taught.
Graham Greene's birthplace blue plaque

Henry Graham Greene was born in 1904 in St John's House, a boarding house of Berkhamsted School, Hertfordshire, where his father was house master.[12] He was the fourth of six children; his younger brother, Hugh, became Director-General of the BBC,[13] and his elder brother, Raymond, an eminent physician and mountaineer.[14]

His parents, Charles Henry Greene and Marion Raymond Greene, were

Greene King Brewery, bankers, and statesmen;[15] his grandmother Jane Wilson was first cousin to Robert Louis Stevenson.[13]

Charles Greene was second master at Berkhamsted School, where the headmaster was

pacifist Ben Greene, whose politics led to his internment during World War II.[17]

In his childhood, Greene spent his summers at Harston House, the Cambridgeshire home of his uncle, Sir Graham Greene.[18][19] In Greene's description of his childhood, he describes his learning to read there: "It was at Harston I quite suddenly found that I could read—the book was Dixon Brett, Detective. I didn't want anyone to know of my discovery, so I read only in secret, in a remote attic, but my mother must have spotted what I was at all the same, for she gave me Ballantyne's Coral Island for the train journey home—always an interminable journey with the long wait between trains at Bletchley..."[20]

In 1910, Charles Greene succeeded Dr Fry as headmaster of Berkhamsted. Graham also attended the school as a boarder. Bullied and profoundly depressed, he made several suicide attempts, including, as he wrote in his autobiography, by Russian roulette and by taking aspirin before going swimming in the school pool. In 1920, aged 16, in what was a radical step for the time, he was sent for psychoanalysis for six months in London, afterwards returning to school as a day student.[21] School friends included the journalist Claud Cockburn and the historian Peter Quennell.[22]

Greene contributed several stories to the school magazine,[23] one of which was published by a London evening newspaper[24] in January 1921.

Oxford University

He attended Balliol College, Oxford, to study history. During 1922 Greene was for a short time a member of the Communist Party of Great Britain, and sought an invitation to the new Soviet Union, of which nothing came.[25] In 1925, while he was an undergraduate at Balliol, his first work, a poorly received volume of poetry titled Babbling April, was published.[25]

Greene had periodic bouts of depression while at Oxford, and largely kept to himself.[13] Of Greene's time at Oxford, his contemporary Evelyn Waugh noted that: "Graham Greene looked down on us (and perhaps all undergraduates) as childish and ostentatious. He certainly shared in none of our revelry."[13] He graduated in 1925 with a second-class degree in history.[25]

Writing career

After leaving Oxford, Greene worked as a private tutor and then turned to journalism; first on the Nottingham Journal,[26] and then as a sub-editor on The Times.[13] While he was still at Oxford, he had started corresponding with Vivien Dayrell-Browning, who had written to him to correct him on a point of Catholic doctrine.[27][28][13] Greene was an agnostic, but when he later began to think about marrying Vivien, it occurred to him that, as he puts it in his autobiography A Sort of Life, he "ought at least to learn the nature and limits of the beliefs she held".[29] Greene was baptised on 28 February 1926[30] and they married on 15 October 1927 at St Mary's Church, Hampstead, London.[31]

He published his first novel, The Man Within, in 1929; its favourable reception enabled him to work full-time as a novelist.[13] Greene originally divided his fiction into two genres (which he described as "entertainments" and "novels"): thrillers—often with notable philosophic edges—such as The Ministry of Fear; and literary works—on which he thought his literary reputation would rest—such as The Power and the Glory.

The next two books, The Name of Action (1930) and Rumour at Nightfall (1932), were unsuccessful,[13] and he later disowned them.[14] His first true success was Stamboul Train (1932) which was taken on by the Book Society[32] and adapted as the film Orient Express, in 1934.[33]

Although Greene objected to being described as a

themes are at the root of much of his writing, especially Brighton Rock, The Power and the Glory, The Heart of the Matter, and The End of the Affair,[8] which have been named "the gold standard" of the Catholic novel.[35] Several works, such as The Confidential Agent, The Quiet American, Our Man in Havana, The Human Factor, and his screenplay for The Third Man, also show Greene's avid interest in the workings and intrigues of international politics and espionage. In the early 1930s Greene moved to the left politically. He read left-wing writers like G.D.H. Cole and John Strachey; in 1933 he joined the Independent Labour Party. This move to the left is reflected in the characters and plot of his fifth novel It's A Battlefield.[36] His later political affiliations and convictions were more ambiguous.[37]

He supplemented his novelist's income with freelance journalism, book and film reviews for The Spectator, and co-editing the magazine Night and Day. Greene's 1937 film review[38] of Wee Willie Winkie, for Night and Day—which said that the nine-year-old star, Shirley Temple, displayed "a dubious coquetry" which appealed to "middle-aged men and clergymen"[39]—provoked Twentieth Century Fox successfully to sue for £3,500 plus costs,[40][41] and Greene left the UK to live in Mexico until after the trial was over.[42][43] While in Mexico, Greene developed the ideas for the novel often considered his masterpiece, The Power and the Glory.[42]

By the 1950s, Greene had become known as one of the finest writers of his generation.[44][45]

As his career lengthened, both Greene and his readers found the distinction between his 'entertainments' and novels increasingly problematic. The last book Greene termed an entertainment was Our Man in Havana in 1958.

Greene also wrote short stories and plays, which were well received, although he was always first and foremost a novelist. His first play, The Living Room, debuted in 1953.[46]

Michael Korda, a lifelong friend and later his editor at Simon & Schuster, observed Greene at work: Greene wrote in a small black leather notebook with a black fountain pen and would write approximately 500 words. Korda described this as Graham's daily penance—once he finished he put the notebook away for the rest of the day.[47][48]

His writing influences included Henry James, Robert Louis Stevenson, H. Rider Haggard, Joseph Conrad, Ford Madox Ford, Marcel Proust, Charles Péguy and John Buchan.[49][50][51]

Travel and espionage

Throughout his life, Greene travelled to what he called the world's wild and remote places. In 1941, the travels led to his being recruited into

MI6 by his sister, Elisabeth, who worked for the agency. Accordingly, he was posted to Sierra Leone during the Second World War.[52] Kim Philby, who would later be revealed as a Soviet agent, was Greene's supervisor and friend at MI6.[53][54] Greene resigned from MI6 in 1944.[55] He later wrote an introduction to Philby's 1968 memoir, My Silent War.[56]
Greene also corresponded with intelligence officer and spy, John Cairncross, for forty years and that correspondence is held by the John J. Burns Library, at Boston College.[57]

Part of Greene's reputation as a novelist is for weaving the characters he met and the places where he lived into the fabric of his novels.[58][59]

Greene first left Europe at 30 years of age in 1935 on a trip to

Holy Office informed Greene that The Power and the Glory was damaging to the reputation of the priesthood; but later, in a private audience with Greene, Pope Paul VI told him that, although parts of his novels would offend some Catholics, he should ignore the criticism.[62]

In 1954, Greene travelled to Haiti,[63] where The Comedians (1966) is set,[64] and which was then under the rule of dictator François Duvalier, known as "Papa Doc", frequently staying at the Hotel Oloffson in Port-au-Prince.[65] He visited Haiti again in the late 1950s. As inspiration for his novel A Burnt-Out Case (1960), Greene spent time travelling around Africa visiting a number of leper colonies in the Congo Basin and in what were then the British Cameroons.[66] During this trip in late February and early March 1959, Greene met several times with Andrée de Jongh, a leader in the Belgian resistance during WWII, who famously established an escape route to Gibraltar through the Pyrenees for downed allied airmen.[67]

In 1957, just months after Fidel Castro began his final revolutionary assault on the Batista regime in Cuba, Greene played a small role in helping the revolutionaries, as a secret courier transporting warm clothing for Castro's rebels hiding in the hills during the Cuban winter.[68] Castro, like Daniel Ortega and Omar Torrijos, was one of several Latin American leaders Greene's friendship with whom has led some commentators to question his commitment to democracy.[69][13] After one visit Castro gave Greene a painting he had done, which hung in the living room of the French house where the author spent the last years of his life.[68] Greene did later voice doubts about Castro, telling a French interviewer in 1983, "I admire him for his courage and his efficiency, but I question his authoritarianism," adding: "All successful revolutions, however idealistic, probably betray themselves in time."[68]

Publishing career

Between 1944 and 1948, Greene was director at Eyre & Spottiswoode under chairman Douglas Jerrold, in charge of developing its fiction list.[70] Greene created The Century Library series, which was discontinued after he left following a conflict with Jerrold regarding Anthony Powell's contract. In 1958, Greene was offered the position of chairman by Oliver Crosthwaite-Eyre, but declined.[71]

He was a director at The Bodley Head from 1957 to 1968 under Max Reinhardt.[72]

Personal life

Greene was an

agnostic, but was baptised into the Catholic faith in 1926 after meeting his future wife Vivien Dayrell-Browning.[6] They were married on 15 October 1927 at St Mary's Church, Hampstead, north London.[13] The Greenes had two children, Lucy Caroline (born 1933) and Francis (born 1936).[13]

In his discussions with Father Trollope, the priest to whom he went for instruction in Catholicism, Greene argued with the cleric "on the ground of dogmatic atheism", as Greene's primary difficulty with religion was what he termed the "if" surrounding God's existence. He found, however, that "after a few weeks of serious argument the 'if' was becoming less and less improbable",[73] and Greene converted and was baptised after vigorous arguments initially with the priest in which he defended atheism, or at least the "if" of agnosticism.[74] Late in life, Greene called himself a "Catholic agnostic".[7]

Beginning in 1946, Greene had an affair with

Catherine Walston, the wife of Henry Walston, a wealthy farmer and future life peer.[75] That relationship is generally thought to have informed the writing of The End of the Affair, published in 1951, when the relationship came to an end.[76][77] Greene left his family in 1947,[78] but Vivien refused to grant him a divorce, in accordance with Catholic teaching,[79]
and they remained married until Greene's death in 1991.

Greene lived with manic depression (bipolar disorder).[80][81] He had a history of depression, which had a profound effect on his writing and personal life.[82] In a letter to his wife, he told her that he had "a character profoundly antagonistic to ordinary domestic life", and that "unfortunately, the disease is also one's material".[83]

Final years

Gravestone at Corseaux, Switzerland

Greene left Britain in 1966, moving to Antibes,[84] to be close to Yvonne Cloetta, whom he had known since 1959, a relationship that endured until his death.[27][13] In 1973, he had an uncredited cameo appearance as an insurance company representative in François Truffaut's film Day for Night.[85] In 1981, Greene was awarded the Jerusalem Prize, awarded to writers concerned with the freedom of the individual in society.[86][87]

He lived the last years of his life in Corseaux, on Lake Geneva in Switzerland, near Vevey where Charlie Chaplin was living in at this time. He visited Chaplin often, and the two were good friends.[9][88] His book Doctor Fischer of Geneva or the Bomb Party (1980) is based on themes of combined philosophical and geographical influences. He ceased going to mass and confession in the 1950s, but in his final years began to receive the sacraments again from Father Leopoldo Durán, a Spanish priest, who became a friend.[89]

In one of his final works, a pamphlet titled J'Accuse: The Dark Side of Nice (1982), Greene wrote of a legal matter that embroiled him and his extended family in

libel lawsuit that Greene lost,[90] but he was ultimately vindicated in the 1990s when the former mayor of Nice, Jacques Médecin, was imprisoned for corruption and associated crimes.[91][92][93]

In 1984, in celebration of his 80th birthday, the

brewery which Greene's great-grandfather founded in 1799 made a special edition of its St. Edmund's Ale for him, with a special label in his honour.[94] Commenting on turning 80, Greene said, "The big advantage ... is that at 80 you are more likely these days to beat out encountering your end in a nuclear war," adding, "the other side of the problem is that I really don't want to survive myself [which] has nothing to do with nukes, but with the body hanging around while the mind departs."[94]

In 1986, Greene was awarded Britain's

leukaemia in 1991 at the age of 86,[8] and was buried in Corseaux cemetery.[9]

Writing style and themes

Cover of the second German edition of The Quiet American (1956), claiming to be on sale only 8 weeks after the first edition, with the implication that the first is already sold out

Greene originally divided his fiction into two genres:

mystery and suspense books), such as The Ministry of Fear, which he described as entertainments, often with notable philosophic edges; and literary works, such as The Power and the Glory, which he described as novels, on which he thought his literary reputation was to be based.[95]

As his career lengthened, both Greene and his readers found the distinction between "entertainments" and "novels" to be less evident. The last book Greene termed an entertainment was Our Man in Havana in 1958. When Travels with My Aunt was published eleven years later, many reviewers noted that Greene had designated it a novel, even though, as a work decidedly comic in tone, it appeared closer to his last two entertainments, Loser Takes All and Our Man in Havana, than to any of the novels. Greene, they speculated, seemed to have dropped the category of entertainment. This was soon confirmed. In the Collected Edition of Greene's works published in 22 volumes between 1970 and 1982, the distinction between novels and entertainments is no longer maintained. All are novels.

Greene was one of the more "cinematic" of twentieth-century writers; most of his novels and many of his plays and short stories have been

Academy Award nomination for the screenplay for Carol Reed's The Fallen Idol (1948),[96] adapted from his own short story The Basement Room.[97] He also wrote several original screenplays.[14] In 1949, after writing the novella as "raw material", he wrote the screenplay for a classic film noir, The Third Man, also directed by Reed and featuring Orson Welles.[13][27] In 1983, The Honorary Consul, published ten years earlier, was released as a film (under the title Beyond the Limit in some territories), starring Michael Caine and Richard Gere.[98] Author and screenwriter Michael Korda
contributed a foreword and introduction to this novel in a commemorative edition.

In 2009, The Strand Magazine began to publish in serial form a newly discovered Greene novel titled The Empty Chair.[99] The manuscript was written in longhand when Greene was 22 and newly converted to Catholicism.[100]

Greene's literary style was described by

modernist writers Virginia Woolf and E. M. Forster for having lost the religious sense which, he argued, resulted in dull, superficial characters, who "wandered about like cardboard symbols through a world that is paper-thin".[102] Only in recovering the religious element, the awareness of the drama of the struggle in the soul that carries the permanent consequence of salvation or damnation, and of the ultimate metaphysical realities of good and evil, sin and divine grace, could the novel recover its dramatic power. Suffering and unhappiness are omnipresent in the world Greene depicts; and Catholicism is presented against a background of unvarying human evil, sin, and doubt. V. S. Pritchett praised Greene as the first English novelist since Henry James to present, and grapple with, the reality of evil.[103] Greene concentrated on portraying the characters' internal lives—their mental, emotional, and spiritual depths. His stories are often set in poor, hot and dusty tropical places such as Mexico, West Africa, Vietnam, Cuba, Haiti, and Argentina, which led to the coining of the expression "Greeneland" to describe such settings.[104]

A stranger with no shortage of calling cards: devout Catholic, lifelong adulterer, pulpy hack, canonical novelist; self-destructive, meticulously disciplined, deliriously romantic, bitterly cynical; moral relativist, strict theologian, salon communist, closet monarchist; civilized to a stuffy fault and louche to drugged-out distraction, anti-imperialist crusader and postcolonial parasite, self-excoriating and self-aggrandizing, to name just a few.

The Nation, describing the many facets of Graham Greene[105]

The novels often portray the dramatic struggles of the individual soul from a Catholic perspective. Greene was criticised for certain tendencies in an unorthodox direction—in the world, sin is omnipresent to the degree that the vigilant struggle to avoid sinful conduct is doomed to failure, hence not central to holiness. His friend and fellow Catholic Evelyn Waugh attacked that as a revival of the

Quietist heresy. This aspect of his work also was criticised by the theologian Hans Urs von Balthasar, as giving sin a mystique. Greene responded that constructing a vision of pure faith and goodness in the novel was beyond his talents. Praise of Greene from an orthodox Catholic point of view by Edward Short is in Crisis Magazine,[103] and a mainstream Catholic critique is presented by Joseph Pearce.[73]

Catholicism's prominence decreased in his later writings.[106][b] The supernatural realities that haunted the earlier work declined and were replaced by a humanistic perspective, a change reflected in his public criticism of orthodox Catholic teaching.

In his later years, Greene was a strong critic of

American imperialism and sympathised with the Cuban leader Fidel Castro, whom he had met.[107][108] Years before the Vietnam War, he prophetically attacked the idealistic but arrogant beliefs of The Quiet American, whose certainty in his own virtue kept him from seeing the disaster he inflicted on the Vietnamese.[109] In Ways of Escape, reflecting on his Mexican trip, he complained that Mexico's government was insufficiently left-wing compared with Cuba's.[110] In Greene's opinion, "Conservatism and Catholicism should be ... impossible bedfellows".[110]

In human relationships, kindness and lies are worth a thousand truths.

— Graham Greene

In May 1949, the New Statesman held a contest for parodies of Greene's writing style: he himself submitted an entry under the name "N. Wilkinson", and took second place. Greene's entry comprised the first two paragraphs of a novel, apparently set in Italy, The Stranger's Hand: An Entertainment. Greene's friend, the film director Mario Soldati, believed it had the makings of a suspense film about Yugoslav spies in postwar Venice. Upon Soldati's prompting, Greene continued writing the story as the basis for a film script.[111][112] Apparently he lost interest in the project, leaving it as a substantial fragment that was published posthumously in The Graham Greene Film Reader (1993)[113] and No Man's Land (2005).[114] A script for The Stranger's Hand was written by Guy Elmes on the basis of Greene's unfinished story, and filmed by Soldati.[115][85][116] In 1965, Greene again entered a similar New Statesman competition pseudonymously, and won an honourable mention.

Nobel Prize in Literature candidate

Acclaimed during his lifetime, Greene was for many years a perennial contender for the

Ivo Andric.[117][3]

In 1966[4] and 1967, Greene was again among the final three choices, according to Nobel records unsealed on the 50th anniversary. For the 1967 prize the committee also considered Jorge Luis Borges and Miguel Ángel Asturias. Committee chairman Anders Österling again pushed for a prize to Greene describing him as "an accomplished observer whose experience encompasses a global diversity of external environments, and above all the mysterious aspects of the inner world, human conscience, anxiety and nightmares", but ultimately Asturias was the chosen winner.[118][119][120]

In 1969, when

Travels With My Aunt was not of Nobel prize class.[122]

Following the publication of his novel The Honorary Consul, Greene was shortlisted again in 1974, but this time the Nobel committee was hesitant to award an English language novelist for a second year in succession following the prize awarded to Patrick White the previous year, and Greene was passed over.[123]

Greene remained a favourite to win the Nobel prize in the 1980s, but it was known that two influential members of the Swedish Academy, Artur Lundkvist and Lars Gyllensten, opposed the prize for Greene and he was never awarded.[124][c]

Legacy

Blue plaque erected in 2011 by English Heritage at 14 Clapham Common North Side, Clapham, London.

Greene is regarded as a major 20th-century novelist,[1][2] and was praised by John Irving, prior to Greene's death, as "the most accomplished living novelist in the English language".[125] Novelist Frederick Buechner called Greene's novel The Power and the Glory a "tremendous influence".[126] By 1943, Greene had acquired the reputation of being the "leading English male novelist of his generation",[127] and at the time of his death in 1991 had a reputation as a writer of both deeply serious novels on the theme of Catholicism,[128] and of "suspense-filled stories of detection".[129]

Greene collected several literary awards for his novels, including the 1941 Hawthornden Prize for The Power and the Glory[130][14] and the 1948 James Tait Black Memorial Prize for The Heart of the Matter.[131][132] As an author, he received the 1968 Shakespeare Prize[133] and the 1981 Jerusalem Prize, a biennial literary award given to writers whose works have dealt with themes of human freedom in society.[86][87] In 1986, he was awarded Britain's Order of Merit.[14]

The Graham Greene International Festival is an annual four-day event of conference papers, informal talks, question and answer sessions, films, dramatised readings, music, creative writing workshops and social events. It is organised by the Graham Greene Birthplace Trust, and takes place in the writer's home town of Berkhamsted (about 35 miles northwest of London), on dates as close as possible to the anniversary of his birth (2 October). Its purpose is to promote interest in and study of the works of Graham Greene.[134]

He is the subject of the 2013 documentary film, Dangerous Edge: A Life of Graham Greene.[135]

His short story "The Destructors" was featured in the 2001 film Donnie Darko.[136]

Selected works

Main article: Graham Greene bibliography

Notes

  1. ^ For example, when Anthony Burgess asked Greene in an interview whether his novels were the first "in English to present evil as something palpable – not a theological abstraction but an entity", Greene replied, "I see we're getting on to myself as a Catholic novelist. I'm not that: I'm a novelist who happens to be a Catholic. The theme of human beings lonely without God is a legitimate fictional subject. To want to deal with the theme doesn't make me a theologian."[34] Greene rejected the label on other occasions.[30]
  2. ^ Asked in 1980 whether Fischer in Doctor Fischer of Geneva was evil, he replied, "The big Catholic verities like good and evil – you won't find these in my later work".[34]
  3. ^ When an interviewer asked Greene in 1984 about his persistent failure to win the prize, he replied, "Don't let's talk about it... It's always the same story of poor Mr Arthur Lundqvist saying 'over my dead body'."[108]

References

Citations

  1. ^
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  2. ^
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  3. ^ a b Neuman, Ricki (3 January 2012). "Graham Greene var nära Nobelpris 1961". Svenska Dagbladet (in Swedish).
  4. ^ a b "Nomination archive: Graham Greene". 21 May 2024.
  5. ^
    ISBN 9781884964305
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  6. ^
    ISBN 9062035353
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  7. ^
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  8. ^ a b c Graham Greene, The Major Novels: A Centenary Archived 27 January 2014 at the Wayback Machine by Kevin McGowin, Eclectica Magazine
  9. ^ a b c "Graham Greene finds no Swiss cuckoo clocks". Swissinfo.ch. 19 May 2006. Archived from the original on 22 February 2014. Retrieved 2 June 2010.
  10. ISBN 9781438116891
    . Retrieved 28 January 2021.
  11. ^ Pritchett, V. S. (26 February 1978). "The Human Factor in Graham Greene". The New York Times.
  12. ^ Cook, John (2009). A Glimpse of our History: a short guided tour of Berkhamsted (PDF). Berkhamsted Town Council. Archived from the original (PDF) on 27 September 2011.
  13. ^ a b c d e f g h i j k l m n Michael Shelden, 'Greene, (Henry) Graham (1904–1991)', Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Oct 2008 accessed 15 May 2011
  14. ^ a b c d e "Obituaries: Graham Greene". The Times. No. 63983. 4 April 1991. p. 16.
  15. ^ Iyer 2012, p. 8.
  16. ^ Sherry 1990, pp. 3–4.
  17. ISBN 978-0224079211
    .
  18. ^ Greene 1971, pp. 23–24.
  19. ^ Sherry 1990, p. 52.
  20. ^ Greene 1971, pp. 24–25.
  21. ^ Iyer 2012, p. 9.
  22. ^ Sherry 1990, p. 110.
  23. ^ Sherry 1990, pp. 113–114.
  24. ^ Greene 1971, p. 110.
  25. ^ a b c "Graham Greene Biography". notablebiographies.com. Retrieved 11 March 2016.
  26. ^ "Graham Greene". Biogs.com. Retrieved 2 June 2010.
  27. ^ a b c "Obituary: Graham Greene". The Daily Telegraph. No. 42231. 4 April 1991. p. 21.
  28. ^ Sherry 1990, p. 179.
  29. ^ Greene 1971, pp. 164–165.
  30. ^ a b Sinyard 2003, p. 3.
  31. ^ Sherry 1990, pp. 352–354.
  32. ^ Sherry 1990, p. 442.
  33. ^ ""Orient Express." AFI Catalog". Retrieved 20 August 2024.
  34. ^ a b Burgess, Anthony (16 March 1980). "'God and literature and so forth...'". The Observer. pp. 33+35.
  35. ISBN 9780198039358
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  36. ^ Sherry 1990, pp. 410, 456–461.
  37. ^ Sherry 1994, pp. 479, 494–496.
  38. ^ "Graham Greene's infamous review of Wee Willie Winkie (1937), starring Shirley Temple". The Charnel-House. 26 February 2014. Retrieved 4 December 2014.
  39. ^ Parkinson 1995, pp. 233–234.
  40. ^ Atkinson, Michael (21 August 2009). "Our Man in London". movingimagesource.us.
  41. ^ Chancellor, Alexander (22 February 2014). "Was Graham Greene right about Shirley Temple?". The Spectator.
  42. ^ a b Johnson, Andrew (18 November 2007). "Shirley Temple scandal was real reason Graham Greene fled to Mexico". The Independent.
  43. ISBN 9781556526824
    .
  44. ISBN 9780521871198
    .
  45. ^ 13 Must-Read Graham Greene Books earlybirdbooks.com, accessed 31 October 2020
  46. ^ Billington, Michael (13 March 2013). "The Living Room—review". The Guardian. London.
  47. ISBN 0-679-45659-7
    .
  48. ^ Korda, Michael (11 July 1999). "Another Life: A Memoir of Other People Interview". www.booknotes.org. C-Span. Retrieved 30 December 2016.
  49. ISBN 0-87249-704-6
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  50. ISBN 0-333-62888-8
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  51. ISBN 0-7735-1432-5
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  52. ^ Christopher Hawtree. "A Muse on the tides of history: Elisabeth Dennys". The Guardian, 10 February 1999. Retrieved 16 April 2011.
  53. ^ Robert Royal (November 1999). "The (Mis)Guided Dream of Graham Greene". First Things. Retrieved 2 June 2010.
  54. ^ "BBC—BBC Four Documentaries—Arena: Graham Greene". BBC News. 3 October 2004. Retrieved 2 June 2010.
  55. ISBN 978-1-4411-3742-5
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  56. ^ Greene's introduction to the Philby book is mentioned in Christopher Hitchens' introduction to Our Man in Havana (pg xx of the Penguin Classics edition)
  57. ^ "The Spy Who Wrote Me Burns Lands Graham Greene Correspondence With Soviet Agent." Boston College Chronicle, Volume 8, Number 4, 14 October 1999.
  58. ^ "Graham Greene, 86, Dies; Novelist of the Soul". The New York Times. 4 April 1991. Retrieved 16 May 2024.
  59. ^ Sunil Iyengar (13 January 2021). "Our Man in the Stacks". Los Angeles Review of Books. Retrieved 15 May 2024.
  60. ^ Butcher, Tim (2010). "Graham Greene: Our Man in Liberia". History Today Volume: 60 Issue: 10. Retrieved 20 March 2012. insisted this trip, his first to Africa and his first outside Europe
  61. Times Literary Supplement
    , 22 August 2006.
  62. ^ "EUROPE | Vatican's bid to censure Graham Greene". BBC News. 3 November 2000. Retrieved 2 June 2010.
  63. ISBN 9780099478379
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  64. ^ Diederich, Bernard (2012). Seeds of Fiction: Graham Greene's Adventures in Haiti and Central America 1954–1983. Peter Owen.
  65. ^ Duncan Campbell (17 December 2005). "Drinking, dancing and death". The Guardian.
  66. ^ Greene, Graham (1961). A Burnt-Out Case. New York (Amer. ed.): The Viking Press. p. vii–viii.
  67. ^ Neave, Airey (1970). The Escape Room. Garden City, New York: Doubleday. pp. 126–127.
  68. ^ a b c Miller, Tom (14 April 1991). "Sex, Spies and Literature; Graham Greene's Cuba: Helping Fidel Was the Heart of the Matter". Washington Post.
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Works cited

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