Mutual Core
"Mutual Core" | |
---|---|
Song by Björk | |
from the album Biophilia | |
Released | 7 February 2012 |
Recorded | 2011 |
Genre |
|
Length | 4:57 |
One Little Indian | |
Songwriter(s) | Björk |
Producer(s) | Björk |
"Mutual Core" is a song recorded by
As with all the songs on Biophilia, an app was made for the song, which features a video game in which the player have to move geological layers as an accordion to play chords. Though the song wasn't released as a single, a music video was produced, directed by Andrew Thomas Huang. The video was critically applauded and received further attention when it got projected for one month in Times Square in 2013, and then across the 7 continents. Björk promoted the song by performing it throughout her Biophilia tour.
Three remixes by
Background
At the end of 2010, Björk confirmed she was working on a new album.[3] In an interview published on Fréttablaðið, the singer stated that the project was midway through the completion and that she hoped to go on tour before the end of 2011.[4] The project was officialised in March 2011, with the announcement of Björk performance at Manchester International Festival.[5] The project, called Biophilia, comprises a series of live performances, a new website, a documentary and a series of apps, besides the release as a music album[6] which is partly composed on an iPad.[7] The Biophilia tour was said to be touring eight cities for three years[8] and to be including a series of workshops for children in collaboration with local schools.[8] The first details about "Mutual Core" came regarding its app, which was described to allow users to "arrange geological layers to form chords".[6]
"Eruptions and earthquakes, the building of continents, the formation of mountain ranges and oceanic trenches, all are powerful geological signs of earth’s underlying structure and mechanics. In Mutual Core earth’s geology is transformed into a metaphor for human relationships. Opposing forces of compression and release, central to continent building and to human feelings, are expressed sonically, and in the app, by the contrast between the shifting of chords in the verse and uplifting chorus. The contrast can also be seen in the contrasting visual patterns of the animation, and is evoked by Björk’s working title for this track, ’organ plaid’, which describes an interwoven musical fabric. While the song’s themes are universal, the lyrics indicate a specific, autobiographically significant geographical region: the boundary of the north american and eurasian tectonic plates, on which sits Björk’s birthplace —Iceland."
—Presentation of the song on the official App.[9]
"Mutual Core" was written and produced by Björk, while the beat of the song was made in collaboration with Matthew Herbert and 16bit. The song was engineered by Damian Taylor and Sveinn Kjartansson, with mixing provided by Taylor and Björk.[1] "Mutual Core"'s lyrics were inspired by human relationships[10] and by Björk's family decisions, who had to decide where her daughter, Ísadóra, would go to school between New York City and Reykjavík.[11] Björk felt that the song is "the most personal [on the album] for me".[11] David Fricke of Rolling Stone noted that "Björk likens the human emotions – love, physical obsession, changing moods, violent hurt – in songs such as "Mutual Core", "Moon" and "Virus" to natural phenomena: earthquakes, volcanic eruptions, lunar phases and contagious disease".[12]
Three official remixes of the song have been released. The first one was released on Biophilia Remix Series VI on 25 June 2012,[13] and it is a remix by long time-collaborator Matthew Herbert.[2] Björk stated about Herbert's remixes: "He has taken it full on and made it into his version but still true to the heart of the song and, more than once, improved it".[2] RJ Cubarrubia of Rolling Stone commented that the remix "builds slowly with background bleeps and opaque textures before erupting into a cacophonous rumble".[2] The second one is a remix by 16bit, which was released as part of Biophilia Remix Series VII on July 9, 2012.[14] This version had already been released as part of a promo for Icelandair flights, playing the song in flights to Iceland during Björk's concert residency in Reykjavik in Summer 2011. Other two remixes of "Crystalline" and "Sacrifice" were played. The last remix by
Composition
"Mutual Core" is an
The instrumentation of the verses includes a pipe organ.[22][26] Sound designer David Paterson described the way Björk wanted the music on "Mutual Core": "Bjork described the sounds she wanted in a way that left it very open to interpretation. With the track "Mutual Core", for example, she described how it was about magnetic attraction – which doesn't really have a sound that springs to mind".[27] Luke Turner of NME noted that "[Björk's] voice cracks against the increasing, insistent power of the electronic rhythms, as if recognising our human insignificance in the face of geology", citing the verse "As fast as your fingernail grows / The Atlantic ridge drifts" as an example,[28] and, on a similar note, Odile De Plas of Télérama found the singer's voice "strong, acrobat, guttural and [...] crystalline".[29]
The musical shift occurs when the singer pronounces the words "Core", during which, as described by Nikki Debben in her essay included in the Manual Edition of Biophilia, the "modality switches from
Critical reception
The song was generally well received by
"Mutual Core" was described as "best" and "climactic" by Helen Brown of
Her unique utility of the English language gives her words a quirky, idiosyncratic edge, allowing lines like “if you forget my name, you’ll go astray/ like a killer whale” to ring somehow striking. Said masterstrokes and quirks are well intact here, as is evident in the asteroid-bass volley of "Mutual Core" and lead single "Crystalline"‘s apocalyptical breakbeat coda. Biophilia‘s finest moments are its most subtly captivating, many of which are (admittedly) almost forgettable on first listen. The aforementioned "Mutual Core" and "Crystalline" can be assured a spot on any and all future Best of Björk compilations, compelling in how they blend archaic instrumentation with blistering electronica.[33]
Despite this, some critics dubbed the song as "tedious"[34] and "interesting but not surprising".[35] Andy Gill of The Independent gave a negative review of the album, praising only the choral elements, stating that: "they’re a constant delight as she reflects upon her desire for the "dangerous gifts" of elemental nature, the lightning-flash of creative inspiration ("Thunderbolt"); muses about being a bead threaded upon a DNA chain ("Hollow"); explores the ethically neutral, natural attraction of parasite to host ("Virus"); admires the creative force of volcanic energy ("Mutual Core")".[36]
App
As with all the songs on
This app is called 'Mutual Core' and it's about taking the tectonic plates and pushing them together with effort until you create a mutual core beneath them. In musicology-wise this is to teach you about chords, and you can use [..] the tectonic plates, the strata inside them, and it sorta operates like accordion so you can change the chords and push them together and [...] create a mutual core.[37]
Credits
- Björk – creative director
- John Simon, Jr. – creative director, software engineer
Credits taken from "Mutual Core" app.[41]
Music video
Background and development
A music video for the song was commissioned by the director of Los Angeles'
"There's a lot of volcanic and earthy stuff in the video, we put Björk in quite a few uncomfortable set-ups when we were filming, but she was game for anything. She was a lot of fun and just very warm and trusting."[44]
The director also hinted at a parallelism between the video and its short film Solipsist, which was released weeks before the shooting of "Mutual Core" video: "[The song] is a metaphor between earth’s crust and two people converging, and the effort that it takes, that was also what Solipsist was about, so working together made sense".[44] The video was shot in Reykjavík in over two days.[45] The director wrote the initial treatment for the video after visiting museums in London.[46] The video features a mix of CG pictures and real natural elements, gathered by the team from different location in Iceland.[46] The floating rocks in the video are made from foam and covered in plaster, fossilised barnacles and various textiles,[46] the rock's tongues and the sand are computer-animated; for this reason, the post-production lasted two months.[46] Björk's face motion was tracked in CG for the video, in which it appears to be melt in the rocks. Her costumes were inspired by Thai and Indonesian costumes, while the substance which resembles magma that she appears to spit in the video was a computer-modified mixture of ketchup and cake batter.[46]
A teaser trailer has been released on 5 November 2012. The teaser shows Björk stuck in a bed of quicksand, wearing a blue wig.[42] The video was premiered at an exclusive screening at the MOCA Grand Avenue on November 12, 2012.[47] It was digitally released on November 13, 2012 on MOCA YouTube's channel, MOCAtv, as part of a series of music videos called ART+MUSIC which features collaborations between artists and musicians.[48] The channel also posted a behind-the-scenes video on the same day. The video features glimpses of filming and an interview with the director of the video, who explains the filming process.
Synopsis
In the beginning of the video, soil crumbles down, as Björk appears, buried to her waist in the sand, wearing a golden dress (by Michael van der Ham),[45] a brooch on her shoulder designed by the singer herself[46] and a blue wig, holding a rock. As she starts singing, she divides the rock into two pieces. As she waves the pieces, the sand around her stirs. She then lays the two pieces on the sand, and they become part of two rock sprites, that come out of the sand and start writhing around Björk, while strata emerges from them. In the end of the first verse, the strata of the two rocky sprites try to unite, as Björk grabs the sand and let it slips out from her fingers. During the second verse other rocks emerge from the sand and revolve around Björk, who dances in the sand. Other rocky sprites spring out of the new rocks and link to the main two, which are still spinning around the singer's head. The two parts are irresistibly attracted to each other and try to unite as they are stroked by Björk. The strata of the rocks morph to form a face, similar to that of the singer. As the chorus begins, Björk disappears in the darkness. The two rocky parts, now united, start to bestir themselves, whilst various rocks on the sand start to erupt. Lava, magma, smoke and fire storm while Björk's face appears in the lava. Every rock erupts noisily, causing a rain of volcanic ash.
The video shifts again to Björk buried in the sand under the rain of ashes. The two pieces of rock appear again, this time each one with a Björk-shaped strata. The strata also sing parts of the song, and two arms come out from the floating rocks and their hands barely brush against each other. The rocks unite once again as the chorus begins for the second time. During this part of the video, images of Björk singing in a smoky setting alternate with more rocks uniting to the main two, while their Björk-shaped strata secrete a substance similar to lava from their mouth. All the rocks are now united, forming a big volcano, whose crater is shaped like two opposite Björk-shaped rocks. The volcano finally erupts in an explosion of magma, while a thunderstorm occurs in the background. The video ends as the volcano fades out and all that remains visible is ash and smoke.
Reception and accolades
The video was heavily praised by critics. Bob Boilen of What Matters commented that the video is "a bit weird and smartly done".
Judy Berman from Flavorwire found the video "a precise yet still poetic evocation of the track",
Back when she first began experimenting with electronic producer
All is Full of Love" Now, a decade and a half later, her music explores biology, a discipline naturally interpreted by Huang’s visual sense. ["Mutual Core"] represents a new level of quality and ingenuity from Huang, who seems to be building on his now established visual style.[61]
On 24 December 2012, the video received two nominations at the 2012 Antville Music Video Awards in the categories of Best Art Direction and Best Visual Effects.[62] It went on to win the latter.[63] The video was nominated for the Music Video of the Year category at the 19th Icelandic Music Awards, but lost to "Glow" by Retro Stefson.[64] On 9 April 2013, the video was nominated at the 2013 Webby Awards in the Online Music & Video — Music category. The video won the People's Voice Webby in that category, as voted by the people on the internet, but lose the Webby bestowed by the International Academy of Digital Arts and Sciences to "Fjögur píanó" by Sigur Rós.[65] The video received two nominations at the 2013 UK Music Video Awards for Best Visual Effects in a Video and Best Art Direction in a Video, winning none.[66][67] However, Huang was nominated for his work in the video as Best New Director and went on to win the award.[67]
Global projections
In March 2013, an edited version of the video was shown every night as part of a synchronised program on over 15 of the largest digital signs in
In the music video Mutual Core directed by Andrew Thomas Huang, Björk is organically part of nature and universe. The human connection to nature is a theme that underpins most of her artistic output. It’s particularly meaningful to bring Björk’s vision to 7 continents because of its relevance to all cultures.[71]
Credits
- Björk – starring role
- Andrew Thomas Huang – director
- Árni Björn Helgason – producer (Reykjavík unit)
- August Jakobsson – director of photography (Reykjavík unit)
- Gus Olafsson – production designer (Reykjavík unit)
- Frida Maria Hardardottir – hair & makeup artist (Reykjavík unit)
- Laura Merians – director of photography (Los Angeles unit)
- Hugh Zeigler – production designer (Los Angeles unit)
- David Lyons – visual effects executive producer
- Michael Ranger – lead CG supervisor
- Lindsey Fry – lead compositor
- Nico Sugleris – FX technical director
- LARK Creative – director representative
Credits taken from the official music video on YouTube.
Live performances
Björk premiered Biophilia's songs during the
"Mutual Core" was added to the Vulnicura tour set lists beginning with Björk's headlining appearance at the Governors Ball Music Festival in New York on 6 June 2015, adding strings to the organ and choir parts of the original arrangement.[81] The song also found its way onto Vulnicura Live, a collection of Björk's favorite performances from her 2015 tour.[82]
Credits and personnel
- Björk – vocals, songwriter, organ arrangement, beat, programming, choir arrangement, mixing, producer
- 16bit– beat, programming
- Matthew Herbert – beat, programming
- Damian Taylor – engineer, mixing
- Sveinn Kjartansson – engineer
Credits adapted from Biophilia album liner notes.[1]
Official versions
- Digital download
- "Mutual Core" – 5:06[83]
- Biophilia Remix Series VI
- "Mutual Core" (Matthew Herbert's Teutonic Plates Mix) – 5:10[84]
- Biophilia Remix Series VII
- "Mutual Core" (16bit Remix) – 5:22[85]
- Biophilia Remix Series VIII
- "Mutual Core" (These New Puritans Remix featuring Solomon Islands Song) – 3:55[86]
- Beatport competition winner[18]
- "Mutual Core" (Waxx Crooks Remix) – 4:27
References
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External links
- Official Lyrics at bjork.com
- Official Music Video on YouTube
- Official Behind-the-scenes Video on YouTube