Volta (album)
Volta | ||||
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Studio album by | ||||
Released | 1 May 2007 | |||
Recorded | 2005–2007 | |||
Studio |
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Genre | ||||
Length | 51:03 | |||
One Little Indian | ||||
Producer | ||||
Björk chronology | ||||
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Alternative cover | ||||
Universal special editions and Universal Music Indonesia standard editions cover | ||||
Singles from Volta | ||||
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Volta is the sixth studio album by the Icelandic singer
The album received positive reviews and is Björk's first and only album to reach the top 10 on the US
The album was re-released in June 2009 in expanded versions, under the name Voltaïc. There were five separate versions of related material from Volta. The full version included a CD of 11 songs performed live at the Olympic Studios, a DVD of live performances in Paris and Reykjavík during the Volta tour, a second DVD of the Volta music videos, videos of the top ten runners-up from the "Innocence" video contest, and a second CD of remixes from Volta's singles.[3] The official worldwide release date of all editions was 23 June 2009.[4] The artwork was nominated for an award at the 2010 Brit Insurance Design Awards.[5] It was a collaboration between the German fashion designer Bernhard Willhelm and British fashion photographer Nick Knight.[6] Björk went on the 18-month Volta tour, her first tour in four years.
Background and development
In an interview with Pitchfork, Björk talked for the first time about the theme of the album.[7]
But with this one, it was different because I knew more emotionally what I wanted. And because I'd done two or three projects in a row that were quite serious, maybe I just needed to get that out of my system or something. So all I wanted to do for this album was just to have fun and do something that was full-bodied and really up.
In the run-up to the release of the album, many media outlets were lauding the album as a return to the supposed "pop" sound of Björk's earlier solo albums
It's crazy – I'm going tonight to go hear it. It's hip hop. I can't really describe it to you – if I had it right now I'd just play it to you. That's the best way for you to understand, and I'd let you tell me what it is.
Pitchfork, in their exclusive first interview with Björk for the promotion of Volta, quoted Björk as saying that the new album would be "full-bodied and really up".
The first mention of "Earth Intruders" as a song title was made on All Access on 10 March 2007,
Björk has since stated that the album was not "hip hop" and that she had not intended for it to be so. She said that she did not want to work with Timbaland as a "
Recording and production
A wide array of artists collaborated with Björk on material for the album. Björk first contacted Timbaland about a possible collaboration in December 2005.
Other collaborators include American drummers
Composition
Volta was labeled as an
She used brass instrumentation for almost every song on the album, and most of the instrumentation is courtesy of an all-female Icelandic brass ensemble. However, Björk also used samples from her previous project, The Music From Drawing Restraint 9, as in the case of "Vertebræ by Vertebræ" and "Declare Independence", because she was interested to find out how the sounds from that soundtrack album would sound in a less ambient or atmospheric soundscape. For the song "Pneumonia", also featuring an independent horn section, she drew inspiration from her own bout with the disease, and an emotionally moving viewing of the film Pan's Labyrinth.
"The song "Earth Intruders," was created soon after Björk awoke from a dream she had during a cross-Atlantic flight to New York. In the dream, the singer said a "tsunami of millions and millions of poverty-stricken people" swelled high above the airplane she was a passenger on. Eventually, the wave overtook the plane, hit land and razed the White House into oblivion. "It's a quite chaotic song," she said of Volta's first single. "Lyrically, it's a collection of all of these images" burned into her memory, from her trip to Indonesia as well as her vivid, in-flight reverie."
—In an interview on MTV Björk talked about the background of "Earth Intruders".[41]
"Earth Intruders" incorporates the efforts of multiple collaborators, including Timbaland and Danja's tribal production,
Björk has described "Wanderlust" as being the heart of Volta,[47] and has said that the song is about "the state of looking for something and almost knowing you're never going to find it" and that it makes fun of her hunger for "something new".[48] It was released in the UK on 30 June.[49] As Björk said in an interview for Harp, "Things go in circles. Wanderlust, for example, is a sort of continuity of 'Hyperballad'."[50]
Release and album title
Björk has since said that "Initially after its release, I felt Volta was just OK", and that she regards the tour versions of the songs as better than those found on the album – in this sense the live recordings released on Voltaïc are to be seen as the true version of the album.[51] The track titles were confirmed in a 14 March 2007 article on MTV, and confirmed in a post on sprk.nl on 20 March 2007.[32][52] The unreleased Volta track, "Trance",[53] appears in the short film dedicated to Alexander McQueen, "To Lee, With Love, Nick", directed by Nick Knight. The track entitled "Vertebræ by Vertebræ" was retitled from the previous, "Energy".
Björk said about the title of the album:
I am always looking for words that have some sort of energy. Usually the name just comes, from a magazine or somebody says something. I had waited for years while working on the album but it didn't come. In the lyrics there are words like "
Latinor something, which aren't english, which is a little funny because we europeans find latin to be sort of neutral language ... But I found Volta ... I don't recall how it came about, but I Googled it and found that it is both the name of a scientist in Italy who invented the battery, and also a river in Africa which had been built by men, and a lagoon built by men called Lake Volta. So several parts come into it. I'm not going to name anything specific, people can guess for themselves what it is. There is also a mediaeval dance with carries that name, a very funny dance which is very hard to learn. Thus, I got a lot of things in one word: a dance, a river in Africa which doesn't work anymore, and the battery. So okay – this fits.[54]
The full album was accidentally made available on the UK iTunes Store at midnight on 23 April 2007 for a total of six hours, two weeks before the album's official release date.[55] This led to the album being leaked online the following day.[56]
Release formats
Volta was released in three editions in the UK: a
Voltaïc edition
A special edition of the album was released on 23 June 2009 as Voltaïc, and includes two live concerts filmed in Paris and Reykjavík, remixes and videos from the Volta era and a live session at Olympic Studios in London. The release was originally announced as Volta Revisited and rumoured to be released in March 2008, and some online music shops made the album available for pre-order,[63] while the Olympic Studio session was originally announced on 4 September 2007 as the "Live Sessions Album".[64] The Voltaïc release is available in five different editions, each featuring varying versions of the 'full' 2 CD and 2 DVD edition.
The release was subject to numerous delays, mostly due to manufacturing problems. The first mention of the release of live material from the Volta tour was made through an announcement made on Björk's official website regarding a "Live Session Album" made at the now-closed Olympic Studios.
A Björk concert was filmed at
Singles
The lead single from Volta was "Earth Intruders", released digitally on 9 April 2007, though leaked on 6 April 2007.[71][72] Originally expected to be released as a physical single on 21 May 2007, the release was instead replaced by another digital release, "Earth Intruders – Club Mixes", via iTunes. Indeed, there were no chart eligible physical singles released at all during the Volta era, although box sets were eventually released of each single some months after the corresponding digital release.
The second single from Volta was originally meant to be "Declare Independence", but due to the worldwide success of Volta Björk had to perform more international promotion work than her label
"Declare Independence" was released as the third single from Volta on 1 January 2008.
On 7 April 2007, the "
A
Promotion
On 21 April 2007, Björk appeared as musical guest on an episode of the US TV show
Tour
Björk went on an 18-month tour in support of the album, which was her first tour in four years.[91] On the tour, which was conducted on a month-on/month-off basis, Björk performed with fourteen musicians on stage. Björk's touring band for this tour consisted of drummer Chris Corsano, musician Mark Bell (who also accompanied Björk on the Homogenic tour), pianist Jónas Sen (who played celeste on the tracks Gratitude and Cetacea on the Drawing Restraint 9 soundtrack), musician Damian Taylor and a 10-piece female Icelandic brass section.[1][92][93] Björk had described the tour as "kind of primitive, raw, almost butch", in marked contrast to her 2001 tour for Vespertine.[94] At several of the concerts Björk had been joined on stage by some of the musicians who collaborated on the album (but who are not part of the touring band), including ANOHNI, Min Xiao-Fen and Toumani Diabaté. Björk has voiced her dislike of fans recording video or taking pictures with flash at her concerts using their mobile phones, stating that it affects her ability to perform.[94][95] The tour took Björk to countries that she has not played in for over a decade, including Mexico, Brazil, Israel, Australia and New Zealand. Live footage of two concerts in Paris and Reykjavík, as well as a session with the tour band at Olympic Studios, were released as part of the Voltaïc box set on 23 June 2009.
Björk has used live performances of "Declare Independence" to declare political support for various causes, often to some controversy. At two concerts in Tokyo, Japan, she showed her support for Kosovo's declaration of independence. When her upcoming performance at the 2008 Serbian Exit Festival was cancelled,[96][97] Björk suggested that "Maybe a Serb attended my concert [in Tokyo] and called home, and therefore the concert in Novi Sad was cancelled."[98][99] The organiser behind the Exit Festival denied that Björk's cancellation from the festival was because of her song dedication to Kosovo; that it was actually their inability to guarantee the safety of her fans.[100] Björk's management maintained that the cancellation was because of the dedication,[101] claiming that they had received an email from Exit Festival saying that they would only allow the concert to go ahead if Björk's management "denied that Björk has ever [dedicated the song to Kosovo]".[102] On 7 March 2008, Exit Festival organiser Bojan Bošković changed his position and told NME that Björk has an "open invitation" to play at the festival.[103] Björk's dedicating of "Declare Independence" to the Faroe Islands caused some minor controversy in the country.[44][46]
At a concert in
Reception
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 77/100[112] |
Review scores | |
Source | Rating |
AllMusic | [113] |
The A.V. Club | B+[114] |
Entertainment Weekly | B−[115] |
Robert Christgau | [116] |
Los Angeles Times | [117] |
The Guardian | [39] |
NME | 8/10[118] |
Pitchfork | 5.8/10[119] |
Rolling Stone | [120] |
Slant Magazine | [121] |
Volta was well received by critics upon its release, though to a lesser extent than Björk's previous albums. According to Metacritic, the album holds a rating of 77/100, indicating favourable reviews.[112] Heather Phares of AllMusic stated that "Volta finds the perfect balance between [Björk's] poppier work in the '90s and her experiments in the 2000s." Arwa Haider also stated that "this [Volta] is arguably [Björk's] strongest album yet", while Priya Elan praised the album as 'another amazing statement of intent-full of hope, eccenticity and wonderfulness.' Michael Keefe, in a more balanced review, said that Volta is not 'a great album, but it is quite good.' The song "Earth Intruders" got favourable reception by music critics. Drowned in Sound reviewer Mike Diver gave the song 9/10, praising it as 'immediately catchy, compellingly left of centre, and undeniably unique'.[122] Digital Spy reviewer Miriam Zendle cited "Earth Intruders" as returning to Björk's earlier commercial sound, comparing it to her more recent albums that were "incredibly difficult to grasp hold of".[123] Music website Popjustice called it the 80th greatest single of 2007.[124] However, Volta also received some mixed reviews with Pitchfork stating that 'Volta is mostly proof that Björk is as fallible as the messy, unpredictable humanity she celebrates, and that even her definition of 'pop' is avant-garde.'[119]
Volta spent nine weeks at number one on Billboard's
Music videos
The music video for "Earth Intruders" was directed by Michel Ocelot. It features Björk's face floating in the background, first upside down, then upright, singing with her eyes closed. In the foreground, a large group of silhouetted tribal warriors dance in time to the music. The video features psychedelic colours and patterns imposed on an earthy backdrop. The video ends with Björk's face slowly fading into the middle of a glade, her eyes being opened just as she sings the last lyric. Ocelot stated that Björk had originally wanted Kirikou to be featured as a 20-year-old in the video.[129][130] It was accomplished within strict time constraints through a combination of live-action, silhouette animation, 3D computer graphics, traditional animation, cut-outs and other special effects.[131] "Kirikou" was danced by Legrand Bemba-Debert in a costume made, based on Ocelot's ideas, by paper sculptor Anne-Lise Kœhler.[132] The full video was made available in the iTunes Store on 24 April 2007.[133] It was nominated for the 2007 Q Award for Best Video.[134]
A fan contest to submit ideas for the music video for "Innocence" was announced, with the intention being that Björk would work with the chosen fan director to fully flesh out the video idea.[135] The original deadline for the competition was to be on July 10; however, a decision was subsequently made to move the deadline for the contest forward by a month to June 10 in order to release the track "Innocence" around the same period that "Declare Independence" would have been originally released. The decision was met with mixed reactions by fans as many were subsequently unable to submit their ideas due to the new deadline.[136][137] The shooting for the video of "Declare Independence", originally announced as the album's second single, was rescheduled to August.[138] On 27 July 2007 it was announced that the winner of the video contest was to be decided via an online poll from a shortlist of eleven videos. On 7 August 2007, the winners, a French duo known only as Fred & Annabelle, were chosen.[139]
The military-themed video for "Declare Independence" was directed by French director
Track listing
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | " Danja[a] | 6:13 | ||
2. | "Wanderlust" |
| Björk | 5:51 |
3. | "The Dull Flame of Desire" |
| Björk | 7:30 |
4. | "Innocence" |
|
| 4:27 |
5. | "I See Who You Are" |
| Björk | 4:22 |
6. | "Vertebræ by Vertebræ" | Björk |
| 5:08 |
7. | "Pneumonia" | Björk | Björk | 5:14 |
8. | "Hope" |
| Björk | 4:02 |
9. | "Declare Independence" |
|
| 4:13 |
10. | "My Juvenile" | Björk | Björk | 4:13 |
Total length: | 51:03 |
Notes
- ^[a] signifies a co-producer.
- "The Dull Flame of Desire" contains lyrics taken from a translation of a poem by Fyodor Tyutchev as it appears in the film Stalker by Andrei Tarkovsky
- Certain tracks are shortened on the US streaming version of the album:
- "Innocence" – 4:06
- "I See Who You Are" – 4:07
- "Vertebræ by Vertebræ" – 5:04
- "Hope" – 3:36
- "My Juvenile" – 4:03
Personnel
Credits adapted from Volta album liner notes.
- Björk – arrangement, bass (sine bass), brass arrangement, clavichord, editing, producer, programming, synthesizer (bass), vocals
- Timbaland – drum programming (beats) on tracks 1, 4, keyboards on tracks 1, 4, loops (triggering pre-recorded percussion loop) on track 8, producer on tracks 1, 4 and 8
- Danja – co-producer on tracks 1 and 4, drum programming (bass drums) on track 8, drum programming (beats) on tracks 1 and 4, keyboards on tracks 1 and 4
- Mark Bell – drum programming (beats, electronic beats) on tracks 1, 2, 6 and 9, keyboards on track 5, producer on track 9, programming on track 9, synthesizer on track 9
- Damian Taylor – drum programming (additional beats), drum programming (orchestral beats), editing, effects (clavichord treatments), effects (vocal processing), effects (vocal treatments), engineering, noises (morse code), producer on track 6, programming, tracking (drops)
- Michael Pärt – editing, engineering
- Chris Corsano – drums on track 1, percussion on track 5
- Brian Chippendale – drums on track 3
- Konono N°1– kalimba (electrified likembés) on track 1
- Pete Davis – programming on tracks 1 and 4
- Jimmy Douglas – engineer (Timbaland Sessions) on tracks 1 and 4, mixing on tracks 1 and 4
- Paul 'P-Dub' Walton – engineer (Chris Corsano Sessions) on track 1
- Christophe Tonglet – engineer (assistant Konono N°1Sessions) on track 1
- Vincent Kenis – engineer (Konono N°1Sessions)
- Aron Arnarsson – engineer (assistant) on tracks 2, 3, 5 and 10
- Anohni[nb 2] – vocals on track 3, vocals (starring as "the Conscience") on track 10
- Jónas Sen – clavichord on track 10
- Mark Robertson – transcription by (midi transcription and part preparation for brass) on tracks 2, 3, 5 and 7
- Hector Castillo – engineer on tracks 3 and 5
- Ishiho Nishiki – engineer (assistant) on tracks 3 and 5
- Min Xiao-Fen – pipa on track 5
- Nico Muhly – adaptation (brass arrangement) on track 7, conductor on track 7
- Christian Rutledge – contractor on track 7
- Jason Agel – engineer (assistant) on track 7
- Andy Manganello – engineer (staff engineer) on track 7
- Neil Dorfsman – engineering and mixing on track 7
- Toumani Diabaté – kora on track 8
- Yves Werner – engineer (Toumani Diabaté sessions) on track 8
- Mark "Spike" Stent– mixing on tracks 2, 3, 5 to 10
- Ted Jensen – mastering
- Dave Paterson – technician (sound Fx design)
- Alex Dromgoole – engineer (assistant)
- Daniel Morrison – engineer (assistant)
- David Emery – engineer (assistant)
- Jonathan Tams – engineer (assistant)
- Nellee Hooper – music consultant (paternal musical advice)
- M/M Paris – art direction, design
- Bernhard Willhelm – design (sculpture)
- The Icelandic Love Corporation – crochet costume
- Inez van Lamsweerde and Vinoodh Matadin– photography (inside images)
- Nick Knight – photography (sculpture)
Brass sections
- Bergrún Snæbjörnsdóttir
- Björk Níelsdóttir
- Brynja Guðmundsdóttir
- Dröfn Helgadóttir
- Erla Axelsdóttir
- Harpa Jóhannsdóttir
- Karen J. Sturlausson
- Lilja Valdimarsdóttir
- Sigrún Jónsdóttir
- Sylvia Hlynsdóttir
- Særún Pálmadóttir
- Valdis Þorkelsdóttir
- Vilborg Jónsdóttir
- Ása Berglind Hjálmarsdóttir
- Einar Jónsson
- Eiríkur Örn Pálsson
- Emil Friðfinnson
- Joseph Ognibene
- Oddur Björnsson
- Roine Hultgren
- Sigurður Þorbergsson
- Ásgeir H. Steingrímsson
Horns
- Amber Chisholm-Lane
- Chas Yarborough
- Christopher Costanzi
- Robert Jost
- Sharon Moe
- Susan Panny
- Theo Primis
Charts
Weekly charts
|
Year-end charts
|
Certifications and sales
Region | Certification | Certified units/sales |
---|---|---|
France | — | 20,000[181] |
Iceland | — | 3,500[182] |
Japan | — | 27,000[183] |
Russia ( NFPF)[184]
|
Gold | 10,000* |
United Kingdom (BPI)[186] | Silver | 60,606[185] |
United States | — | 132,000[187] |
* Sales figures based on certification alone. |
Release history
Release information are obtained as follows:[188]
Region | Date | Label |
---|---|---|
Mexico | 1 May 2007 | Universal |
Japan | 2 May 2007 |
|
United Kingdom | 7 May 2007 | One Little Indian
|
United States | 8 May 2007 | |
Canada | ||
Hong Kong | Universal | |
Israel | 10 May 2007 | |
Taiwan | 15 May 2007 |
|
South Korea | 16 May 2007 |
Notes
References
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...collaboration between the German fashion designer Bernhard Willhelm and British fashion photographer Nick Knight.
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