Parsurameswara Temple

Coordinates: 20°14′35.27″N 85°50′20.57″E / 20.2431306°N 85.8390472°E / 20.2431306; 85.8390472
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Parsurameswara Temple
Kalinga Architecture
Completed7th century CE

Parsurameswara Temple (

Kalinga Architecture
style temples. The temple is one among the Parashurameshvara group of temples.

Decorations outside the temple consisting of engravings of divine geese (hamsa) as well as flowers, at the lower part it can be appreciated the symbol of the Purna-Kalasha and on the left the image of a Lingam that represents Shiva.

Parashurameshvara Temple has a

Kaumari, Shivani and Brahmi. The temple is maintained and administered by the Archaeological Survey of India (ASI) as a ticketed monument. Parashurashtami is the major festival celebrated in the temple during June–July every year. The temple is one of the most prominent tourist attractions in the state of Odisha.[1]

History

The lingam of the temple

Parashurameshvara Temple is one of the Parashurameshvara group of temples, considered to be the oldest temples in Bhubaneswar.[2][3][4] Some historians believe Parashurameshvara Temple to have been built in the early 8th century CE., subsequent to the construction of the Satruguneswar, Bharateswar and Lakshmaneswar temples in the late 7th century, although K.C.Panigrahi places the date as 650 CE.[2][5] Fergusson believed that the temple might have been initiated at around 500 CE.[6] A mid-7th century date is agreed by most scholars based on style and the presence of the eight planets which appear over the door to the inner sanctum as the later temples portray nine.[7]

Parashurameshvara Temple was built by the

Muslim invasions of the 12–13th centuries.[9] In modern times, the temple is maintained and administered by the Archaeological Survey of India (ASI) as a ticketed monument.[10]

Architecture

Floral design on one of the walls of the temple
Floral design on one of the walls of the temple

The Kalingan temples have two parts: the sanctum, called

vimana, and a place from where pilgrims view the sanctum, called the jagamohana (hall of worshippers). Parashurameshvara Temple is the first to have this additional structure. The initial deul temples were without the jagamohana as seen in some of the older temples in Bhubaneswar, while the later temples had two additional structures namely nata-mandapa (festival hall) and bhoga-mandapa (hall of offerings). The vimana is square in plan and the walls have sections called rathas or pagas. The vimana has a curvilinear tower (called bada) in the form of a pyramid composed of horizontal planes. The sanctum of the temple measures 9.88 × 9.75 ft (3.0 × 3.0 m) from the inside, 19.75 × 21 ft (6.0 × 6.4 m) from the outside and has a height of 40.25 ft (12.3 m).[11] Amalaka, a stone disk with ridges on the rim, is placed over the bada of the temple.[9][12]

Pediment outside of the temple, which depicts vampires and demons (vetala) as well as several animals.

The jagamohana is rectangular in shape and has a two-element sloping roof with clerestory windows between them.[13] The jagamohana measures 24.94 × 18.33 ft (7.6 × 5.6 m) from the inside and 29.33 × 28.58 ft (8.9 × 8.7 m) from the outside.[11] The latticed windows are classified as pata jali where perforations are square or rectangular in shape. In addition, there are trellised windows with slabs of stone sculptures depicting dancers and musicians.[14] Light enters the interior through doors and the latticed windows. The junction of the vimana and the jagmohana is not cleanly built, leading some scholars to postulate that the porch was added at a much later date; however, the primitive connection is attributed to the building technique. The temple was constructed by burying completed portions in inclined layers of earth up which heavy pieces of stone were dragged.[7]

Decorated window on the temple with sculptures of dancers (top) and musicians (below)

The temple is one of the earliest examples of the

Nagara style of Hindu temple architecture that emphasises vertical structure, as seen in subsequent temples like Mukteshvara, Lingaraj and Rajarani in Bhubaneswar and the Sun Temple at Konark.[15][16][17]

Six armed Nataraja image on the tower
Six armed Nataraja image in a gavaksha on the tower

The temple contains the earliest representation of a six-armed

Mahishamardini (Durga) image, shown inside a gavaksha frame from the chest upward with a headdress, karna kundala (ornament), mala (garland) and kankana (anklet). Durga is seen holding a sword in the upper left hand while in the upper right hand, she is seen pressing the face of the demon buffalo. In her left middle hand, she is seen piercing the neck of the demon with a trishula (trident), while in her lower left hand she holds a pointed weapon. In her right middle hand she holds Khetaka while in her lower right hand she holds a bow. A similar image of Durga is found in the Vaital temple, which is a famous Shakta center.[18][19]

Though the temple is a Shaiva shrine, it contains the images of numerous Shakta deities as Parsvadevatas sculpted on its walls. The temple is the first among Bhubaneswar temples to contain

Vaital Deula, while a motif of vase and flowers is common between it and the ones in Mukteshvara Temple.[5]

There are grotesque figures of

jaga mohan and on the faces of vimana of the temple. The figures of nagas (snake-man) and their female counterparts nagins and other females show many graceful but chaste poses. Pilgrimage is the theme of many of the scenes on the vimana. The other notable descriptive representation on the vimana is the hunting scene above the central niche on the south side, where stags are depicted running away from a hunter. On the outermost frame around the latticed window of the jaganamohana, delightful scenes of monkeys playing all manners of pranks are depicted.[24] The vimana of the temple is a triratha with a distant semblance of a Pancharatha as evident from the projecting niches flanking the central projection. The bada of the vimana abruptly starts from the talapatna or pavement which consists of three elements instead of the usual five and encloses a parallelepiped instead of the usual cubic sanctum.[21]

Religious significance

Parashurameshvara represents Shiva as the lord of Parashurama, one of the avatars of Vishnu. According to Hindu legend, the temple derives its name from the penance of Parashurama and the resultant grace of Shiva.[17] Parashuramashtami is the major festival celebrated in the temple on the 8th day of Ashadha (June–July) when the festival image of Lingaraja is taken to Parashurameshvara Temple and feasted.[25]

Parashurameshvara Temple, along with Rajarani Temple and Vaitala Deula, substantiates the existence of the Devadasi tradition during the 7th and 8th centuries CE. Devadasis were girls dedicated to worship and service of a deity or a temple for the rest of their lives and usually enjoyed a high societal status. They were usually transferred to the king's palace and subsequently performed for the general masses.[26][27] The temple is considered the best preserved specimen among the various oldest temples in the city.[28]

The marriage of Shiva and Parvati.

See also

  • List of temples in Bhubaneswar

Notes

  1. ^ Gopal, Madan (1990). K.S. Gautam (ed.). India through the ages. Publication Division, Ministry of Information and Broadcasting, Government of India. p. 175.
  2. ^ a b c d e f Pradhan, Dr. Baman Charan (September 2009). "Saktism at Bhubaneswar Through Ages" (PDF). Orissa Review. Government of Orissa e-Magazine: 10–102. Archived from the original (PDF) on 9 March 2014. Retrieved 23 March 2013.
  3. ^ O'Malley 1908, p. 57
  4. ^ Sturgis, Russell (1901). A dictionary of architecture and building: biographical, historical, and descriptive, Volume 2. The Macmillan Company. pp. 473–474.
  5. ^ a b Ghosh 1950, p. 23
  6. ^ Fergusson 1876, p. 435
  7. ^ a b c d e f "Parsurameswar temple". Department of Tourism, Government of Orissa. Archived from the original on 6 May 2012. Retrieved 23 March 2013.
  8. ^ O'Malley 1908, p. 187
  9. ^
    ISBN 0-87413-399-8
    .
  10. ^ "List of monuments in Orissa". Archaeological Survey of India. Retrieved 24 March 2013.
  11. ^ a b Ghosh 1950, p. 72
  12. ISBN 978-1-58394-207-9
    .
  13. ^ Ghosh 1950, pp. 21–22
  14. ^ Ghosh 1950, p. 32
  15. ISBN 978-81-207-2503-4
    .
  16. ISBN 978-81-224-1587-2
    .
  17. ^
    ISBN 978-0-8239-3180-4
    .
  18. ^ Patel, C.B. (September 2008). "Mahisamardini Durga-Antiquity and Iconography" (PDF). Orissa Review. Government of Orissa e-Magazine: 3. Archived from the original (PDF) on 9 March 2014. Retrieved 23 March 2013.
  19. ^ O'Malley 1908, p. 242
  20. ISBN 1-57607-004-2
    .
  21. ^ a b Eastwick, Edward Backhouse; Murray (Firm), John (1882). Murray's hand-book: Bengal, N.W. Provinces & Burmah. Murray. p. 126.
  22. ISBN 978-81-7650-097-5
    .
  23. ISBN 978-1-61530-203-1
    .
  24. ^ Ghosh 1950, p. 24
  25. ^ O'Malley 1908, p. 240
  26. ISBN 978-81-7648-130-4
    .
  27. ISBN 978-81-8424-584-4
    .
  28. ^ {{cite book title=The legendary cities of India|first=Urmila|last=Verma|publisher=Publication Division, Ministry of Information & Broadcasting, Government of India|isbn=978-93-5409-100-1|year=2020|pages=18-19}}

References

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