Pancha Sabhai

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Meenakshi Amman Temple
in Madurai, Tamil Nadu, India

The Pancha Sabhai Sthalangal (

Meenakshi Amman Temple, Muni Tandava at the Tamra Sabha at Nellaiappar Temple, and Tripura Tandava at the Chitra Sabha in Kutralanathar Temple
.

The presiding deities are revered in the 7th century Tamil Saiva canonical work, the Tevaram, written by Tamil saint poets known as the nayanars and classified as Paadal Petra Sthalam. The four temples in Tamil Nadu are maintained and administered by the Hindu Religious and Charitable Endowments Department of the Government of Tamil Nadu.

Description

The five halls within the Chidambaram temple are called Chitra Sabhai (the sanctum), Por Sabhai (hall preceding the sanctum), Nirutha Sabhai (the chariot shaped hall), Deva Sabhai (the hall where all the festival deities are housed) and Raja Sabhai (the thousand pillared hall) in Tamil.[3]

As per the sage

Nandi to witness his performance. Tandava, the dance form, is derived from Tanda, the other name of Nandi. Shiva Tandava is classified into seven types, namely, Kali Tandava, Sandhya Tandava, Tripura Tandava, Ananda Tandava, Uma Tandava, Samhara Tandava, and Urdhva Tandava.[4]

A few temples in Tamil Nadu are closely associated with Nataraja and have their own myths of dance along with the halls specific to their version of dance.[5]

In the above classification of Shiva's dance, as mentioned in puranic literature the temples are found within the geographical and cultural limit of

Shaiva Siddhanta Philosophy. According to Anand and Parmeshwaranand, the dance itself is a source of supreme aesthetic enjoyment of the beauty and bliss of god.[6]

The five temples

Locations of the Pancha Sabha
Ratna Sabha
Ratna Sabha
Kanaka Sabha
Kanaka Sabha
Rajata Sabha
Rajata Sabha
Tamra Sabha
Tamra Sabha
Chitra Sabha
Chitra Sabha
Temple locations
Category Temple Location Element Tandava Image Details
Ratna Sabha (Rathinachabai) Vada Aaranyeswarar Temple Thiruvalangadu
13°07′48″N 79°46′30″E / 13.13000°N 79.77500°E / 13.13000; 79.77500
Emerald Kali Tandava
At Sage Munjikesa Karkodaka's request, Shiva reached this temple's site. Kali challenged Shiva to a dance and said that she would give her right in the place to the deity if he won. The dance began. Shiva dropped his earring on the ground, picked it by the toe of his left leg and fixed it back on his ear in the dance. Kali accepted her defeat and said she could not do such a marvellous dance. Shiva said that he alone was equal to her and said further that those coming to worship him here, should worship her first to reap the full benefit of the worship. Since then, Kali has her own temple to grace the devotees.
Kanaka Sabha (Porchabai)
Natarajar Temple
Chidambaram
11°23′58″N 79°41′36″E / 11.39944°N 79.69333°E / 11.39944; 79.69333
Gold Ananda Tandava
Chidambaram, the name of the city and the temple literally means "atmosphere of wisdom" or "clothed in thought", the temple architecture symbolizes the connection between the arts and spirituality, creative activity and the divine.
Ananda Tandava ("Dance of Delight") in the golden hall of the shrine Pon Ambalam.[13]
Rajata Sabha (Vellichabai)
Meenakshi Amman Temple
Madurai
9°55′22″N 78°7′12″E / 9.92278°N 78.12000°E / 9.92278; 78.12000
Silver Sandhya Tandava
The temple is a historic Hindu temple located on the southern bank of the Vaigai River[14] in the temple city of Madurai, Tamil Nadu, India. It is dedicated to the goddess Meenakshi, a form of Parvati, and her consort, Sundareshvarar, a form of Shiva.[15] The temple is at the center of the ancient temple city of Madurai mentioned in the Tamil Sangam literature, with the goddess temple mentioned in 6th-century-CE texts.[16]
Tamra Sabha (Thamirachabai) Nellaiappar Temple Tirunelveli
8°43′43″N 77°41′17″E / 8.72861°N 77.68806°E / 8.72861; 77.68806
Copper Muni Tandava
During Puranic times, the place was called Venuvana, a forest of bamboos. The deity in the current temple was believed have appeared inside the bamboo forest.
Parvati at this place. There is an image of Vishnu with a metallic gindi, a vessel with a spout, in the temple depicting the legend.[17] Shiva is worshipped as Nellaiappar (also called Venuvananathar) represented by the lingam and his consort Parvati is depicted as Kanthimathi Amman.[17]
Chitra Sabha (Chithirachabai) Kutralanathar Temple Courtallam
8°55′45″N 77°16′9″E / 8.92917°N 77.26917°E / 8.92917; 77.26917
Art Tripura Tandava
The sage
Himalayas, to wait for a glimpse of the divine couple. There he is said to have created the Shivalingam here by shrinking an image of Vishnu, hence the name Kutralam. Architecturally the Chitrasabha resembles that of the other Nataraja Sabhas elsewhere in Tamil Nadu, and its interior is decked with hundreds of murals, depicting images from the Indian epics. Nataraja is brought here during festivals from the Kurumpalaveesar temple. The temple tree is called the Kurum Pala and the temple tank is called Chitranadhi. Nataraja is depicted with the Nritya Tandava posture.[18]

Notes

  1. ^ Historical dictionary of the Tamils.Vijaya Ramaswamy
  2. ^ The Dance of Siva: Religion, Art and Poetry in South IndiaDavid Smith
  3. ^ Dr. R., Selvaganapathy, ed. (2013). Saiva Encyclopaedia volume 1 - Thirumurai Thalangal. Chennai, India: Saint Sekkizhaar Human Resource Development Charitable Trust. pp. 631–2.
  4. .
  5. ^ Rajarajan, R.K.K. (2014). "Pañcanṛtyasabhās: Dancing Halls Five". Religion of South Asia, Equinox Publishing, Sheffield. 8 (2): 197–216.
  6. ^ Encyclopaedia of the Śaivism . P 212 by Swami P. Anand, Swami Parmeshwaranand.
  7. ^ .
  8. .
  9. ^ Chidambaram, Encyclopædia Britannica
  10. .
  11. .
  12. ^ Pal 1988, p. 36
  13. ^ Ca Ve 1985
  14. .
  15. ^ Rajarajan, R.K.K. 2005. Minaksi or Sundaresvara: Who is the first principle? South Indian History Congress Annual Proceedings XXV, Madurai Kamaraj University, Madurai, pp. 551-553.
  16. ^ "This Temple Is Covered in Thousands of Colorful Statues". National Geographic. 2 August 2017. Archived from the original on August 4, 2017. Retrieved 26 February 2019.
  17. ^ .
  18. ^ V., Meena. Temples in South India. Kanniyakumari: Harikumar Arts. p. 9.

References

  • Ca Ve, Ppiramaṇiyan̲; G., Rajendran (1985). Heritage of the Tamils: temple arts. International Institute of Tamil Studies. the hymnists as Tillai came to be universally accepted as the place where the Lord dances in the Hall of Gold - Pon Ambalam
  • Pal, Pratapaditya (1988). Indian Sculpture: 700-1800 By Los Angeles County Museum of Art. University of California Press. .

External