Pancha Sabhai
The Pancha Sabhai Sthalangal (
The presiding deities are revered in the 7th century Tamil Saiva canonical work, the Tevaram, written by Tamil saint poets known as the nayanars and classified as Paadal Petra Sthalam. The four temples in Tamil Nadu are maintained and administered by the Hindu Religious and Charitable Endowments Department of the Government of Tamil Nadu.
Description
The five halls within the Chidambaram temple are called Chitra Sabhai (the sanctum), Por Sabhai (hall preceding the sanctum), Nirutha Sabhai (the chariot shaped hall), Deva Sabhai (the hall where all the festival deities are housed) and Raja Sabhai (the thousand pillared hall) in Tamil.[3]
As per the sage
A few temples in Tamil Nadu are closely associated with Nataraja and have their own myths of dance along with the halls specific to their version of dance.[5]
In the above classification of Shiva's dance, as mentioned in puranic literature the temples are found within the geographical and cultural limit of
The five temples
Category | Temple | Location | Element | Tandava | Image | Details |
Ratna Sabha (Rathinachabai) | Vada Aaranyeswarar Temple | Thiruvalangadu 13°07′48″N 79°46′30″E / 13.13000°N 79.77500°E |
Emerald | Kali Tandava | At Sage Munjikesa Karkodaka's request, Shiva reached this temple's site. Kali challenged Shiva to a dance and said that she would give her right in the place to the deity if he won. The dance began. Shiva dropped his earring on the ground, picked it by the toe of his left leg and fixed it back on his ear in the dance. Kali accepted her defeat and said she could not do such a marvellous dance. Shiva said that he alone was equal to her and said further that those coming to worship him here, should worship her first to reap the full benefit of the worship. Since then, Kali has her own temple to grace the devotees. | |
Kanaka Sabha (Porchabai) | Natarajar Temple
|
Chidambaram 11°23′58″N 79°41′36″E / 11.39944°N 79.69333°E |
Gold | Ananda Tandava | Chidambaram, the name of the city and the temple literally means "atmosphere of wisdom" or "clothed in thought", the temple architecture symbolizes the connection between the arts and spirituality, creative activity and the divine. Ananda Tandava ("Dance of Delight") in the golden hall of the shrine Pon Ambalam.[13]
| |
Rajata Sabha (Vellichabai) | Meenakshi Amman Temple
|
Madurai 9°55′22″N 78°7′12″E / 9.92278°N 78.12000°E |
Silver | Sandhya Tandava | The temple is a historic Hindu temple located on the southern bank of the Vaigai River[14] in the temple city of Madurai, Tamil Nadu, India. It is dedicated to the goddess Meenakshi, a form of Parvati, and her consort, Sundareshvarar, a form of Shiva.[15] The temple is at the center of the ancient temple city of Madurai mentioned in the Tamil Sangam literature, with the goddess temple mentioned in 6th-century-CE texts.[16] | |
Tamra Sabha (Thamirachabai) | Nellaiappar Temple | Tirunelveli 8°43′43″N 77°41′17″E / 8.72861°N 77.68806°E |
Copper | Muni Tandava | During Puranic times, the place was called Venuvana, a forest of bamboos. The deity in the current temple was believed have appeared inside the bamboo forest. | |
Chitra Sabha (Chithirachabai) | Kutralanathar Temple | Courtallam 8°55′45″N 77°16′9″E / 8.92917°N 77.26917°E |
Art | Tripura Tandava | The sage Himalayas, to wait for a glimpse of the divine couple. There he is said to have created the Shivalingam here by shrinking an image of Vishnu, hence the name Kutralam. Architecturally the Chitrasabha resembles that of the other Nataraja Sabhas elsewhere in Tamil Nadu, and its interior is decked with hundreds of murals, depicting images from the Indian epics. Nataraja is brought here during festivals from the Kurumpalaveesar temple. The temple tree is called the Kurum Pala and the temple tank is called Chitranadhi. Nataraja is depicted with the Nritya Tandava posture.[18]
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Notes
- ^ Historical dictionary of the Tamils.Vijaya Ramaswamy
- ^ The Dance of Siva: Religion, Art and Poetry in South IndiaDavid Smith
- ^ Dr. R., Selvaganapathy, ed. (2013). Saiva Encyclopaedia volume 1 - Thirumurai Thalangal. Chennai, India: Saint Sekkizhaar Human Resource Development Charitable Trust. pp. 631–2.
- ISBN 9789352060962.
- ^ Rajarajan, R.K.K. (2014). "Pañcanṛtyasabhās: Dancing Halls Five". Religion of South Asia, Equinox Publishing, Sheffield. 8 (2): 197–216.
- ^ Encyclopaedia of the Śaivism . P 212 by Swami P. Anand, Swami Parmeshwaranand.
- ^ ISBN 978-0-8239-3179-8.
- ISBN 978-0-226-46754-2.
- ^ Chidambaram, Encyclopædia Britannica
- ISBN 978-0-8160-7564-5.
- S2CID 162883647.
- ^ Pal 1988, p. 36
- ^ Ca Ve 1985
- ISBN 978-1-5381-0686-0.
- ^ Rajarajan, R.K.K. 2005. Minaksi or Sundaresvara: Who is the first principle? South Indian History Congress Annual Proceedings XXV, Madurai Kamaraj University, Madurai, pp. 551-553.
- ^ "This Temple Is Covered in Thousands of Colorful Statues". National Geographic. 2 August 2017. Archived from the original on August 4, 2017. Retrieved 26 February 2019.
- ^ ISBN 81-206-0151-3.
- ^ V., Meena. Temples in South India. Kanniyakumari: Harikumar Arts. p. 9.
References
- Ca Ve, Ppiramaṇiyan̲; G., Rajendran (1985). Heritage of the Tamils: temple arts. International Institute of Tamil Studies.
the hymnists as Tillai came to be universally accepted as the place where the Lord dances in the Hall of Gold - Pon Ambalam
- Pal, Pratapaditya (1988). Indian Sculpture: 700-1800 By Los Angeles County Museum of Art. University of California Press. ISBN 9780520064775.