Music of Colombia

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Colombian hip hop
)
Musical Regions of Colombia

The music of Colombia is an expression of

geographic region, although it is not uncommon to find different musical styles in the same region. The diversity in musical expressions found in Colombia can be seen as the result of a mixture of Amerindian, African, and European (especially Spanish) influences, as well as more modern American
.

Colombia has a vibrant collage of talent that touches a full spectrum of rhythms ranging from Pop music and Classical music to Salsa and Rock music. Colombian music is promoted mainly by the support of the largest record labels, independent companies and the Government of Colombia, through the Ministry of Culture.

Caribbean region

Colombia is known as "the land of a thousand rhythms" but actually holds over 1,025 folk rhythms. Some of the best known genres are cumbia and vallenato. The most recognized interpreters of traditional Caribbean and Afrocolombian music are Totó la Momposina and Francisco Zumaqué.

Western Caribbean Region

Cumbia

El Banco
.

Cumbia began as a courtship dance practiced among the African population on the Caribbean coasts of Colombia. It is a mixture of Spanish, Native Colombian and African music. The style of dance is designed to recall the shackles worn around the ankles of the slaves. In the 19th century, slavery was abolished and Africans, Indians and other ethnic groups got a more complete integration in the Colombian culture.

Cumbia is a complex, rhythmic music which arose on Colombia's Atlantic coast. In its original form, cumbia bands included only percussion and vocals; modern groups include saxophones, trumpets, keyboards and trombones as well. It evolved out of native influences, combining both traditions. Some observers have claimed that the dance originally associated with iron chains around the ankle. Others still believe that it is a direct import from Guinea, which has a popular dance form called cumbe.

The Afro-Colombian ensemble Monsieur Periné mixes cumbian sounds with a gypsy-swing style.[1]

Cumbia's form was solidified in the 1940s when it spread from the rural countryside to urban and middle-class audiences.

Fruko, known as the Godfather of Salsa, introduced Cuban salsa to Colombia and helped bring Discos Fuentes to national prominence by finding artists like La Sonora Dinamita
, who brought cumbia to Mexico, where it remains popular.

Western Caribbean

It is worth pointing out that the "classic" cumbia known throughout Colombia is the Cumbia Cienaguera. This song reflects a uniquely Colombian feel known as "sabor" (flavour) and "ambiente" (atmosphere). Arguably, this song has remained a Colombian staple through the years and is widely known as Colombia's unofficial national anthem. Some artists are Los Gaiteros de San Jacinto, Los Graduados, Los Black Stars, Los Golden Boys, Los Teen Agers, and Los Corraleros de Majagual. In the United States, an Afro- Colombian band based in New York called Grupo Rebolu, performs a variety of Afro-Colombian rhythms with authentic instruments such as Tambora and Tambor Alegre. Their repertoire includes Cumbia and many more genres from the Northern coast of Colombia as part of their original compositions.

External videos
video icon La vida vale la pena (Tambora - Eje musical Caribe Occidental), Interpretado por Petrona Martínez en YouTube
video icon Los sabores del porro (Porro - Eje musical Caribe Occidental), Interpretado por Totó la Momposina en YouTube
video icon Una canción en el Magdalena (Cumbia sentá - Eje musical Caribe Occidental), Interpretado por Martina Camargo en YouTube
video icon Danza negra (Cumbia de salón - Eje musical Caribe Occidental), Interpretado por Matilde Díaz, compuesta por Lucho Bermudez en YouTube
video icon Me duele el alma (Fandango - Eje musical Caribe Occidental), Interpretado por María Mulata en YouTube
video icon El botón del pantalón (Terapia - Eje musical Caribe Occidental), Interpretado por Sistema Solar en YouTube

Champeta and African-diasporic music

Some Colombian communities, such as

raggamuffin music
to champeta.

Porro

Pacho Galan
.

Eastern Caribbean musical region

Vallenato

Eastern Caribbean

Vallenato was first played by the pre-Columbian Indians using traditional instruments. The first vallenato singer was Guillermo Buitrago, born in the Magdalena department. Vallenato did not always use accordion as its main instrument. In fact, from 1920 to 1936 the main instrument was the guitar. Groups such as bovea and sus vallenatos also are among the first vallenato singers. They form the group in the city of Barranquilla Atlantico department. They also were the first to take the vallenato music to a different country like Argentina, specifically in northern Argentina. Contrary to popular belief, vallenato is not a rhythm. Rather, it is a genre. It is made up of four rhythms: Son, Puya, Merengue, and Paseo.

Alejo Duran and more recently,[when?] Alfredo Gutiérrez and Lisandro Meza. In addition to the accordion, the bass guitar has been a common part of vallenato ensembles since it was introduced by Caliya in the mid-1960s. The most recent modernization of vallenato occurred in 1993 when Carlos Vives released Clásicos de la Provincia
, which made him into a star and changed the face of vallenato.

An important phenomenon has occurred in Colombia with vallenato. At first it was an exclusive kind of music for Atlantic Coast people but because the proliferation of radio programs of this genre in other cities of the republic (such as Bogota), and the migration of people from the coast to the capital, vallenato spread to the rest of Colombia. Not only the music, but the musicians of the genre increased in the capital and other cities. In 2006 for the first time, a musician from Bogota, Alberto "Beto" Jamaica, was the king of vallenato in the traditional competition to play accordion, "El Festival Vallenato". Other important musicians from other cities have taken importance in the vallenato world.

Vallenato has spawned several subgenres, including

charanga vallenata, which was invented by Cubans in the United States like progenitor Roberto Torres
.

Other Caribbean genres

  • Chalupa
  • Champeta
  • Chande
  • Cumbión
  • Bullerengue
  • Décimas
  • Fandango
  • Gaita
  • Lumbalú
  • Mapalé
  • Maya
  • Merecumbé
  • Mode Up/Mud Up
  • Pajarito
  • Parrandí
  • Pilón
  • Pompo
  • Porro
  • Puya
  • Son Sabanero
  • Son Palenquero
  • Tambora
  • Tamborito

Pacific Region of Colombia

North Pacific
South Pacific

Currulao

This is one of the most African influenced-styles in all of Colombia, and has its roots among the

Pacific coast
.

In its most basic form, the currulao is played by a group of four musicians.

One musician plays a 6-8 rhythm on a drum known as a "cununo", which superficially resembles the "alegre" drum (used in Cumbia) to the untrained eye, but is narrower and taller. The Currulao rhythm is created by both striking the skin of the drum with the one's hand and tapping the side of the drum with a small stick.

The second musician keeps time on a shaker known in parts of Colombia as a "guasá"(goo-ah-SAH) or "guache"(goo-AH-cheh), which is typically a hollow cylinder made of metal, wooden, or guadua bamboo, filled with light seeds, rice is sometimes used in home-made guasás.

But the main instrument of the currulao style is perhaps the Colombian marimba, a wooden xylophone which resembles the African balafon also for the style of playing.

Many groups in Colombia perform this traditional style of music. Currently, the most renowned groups include Grupo Socavón, Grupo Gualajó, and Grups Bahia Trio. A well renowned figure among the old marimbero masters in Colombia is Baudilio Cuama Rentería from Buenaventura Colombia.

In the United States two Colombian Bands performing this genre with authentic traditional instruments are La Cumbiamba NY, on the east coast (New York), and Aluna Band in the west coast (San Francisco). In 2010, Currulao has been added to the UNESCO list of Masterpieces of the Oral and Intangible Heritage of Humanity.[2]

Other Pacific genres

  • Abozao
  • Aguabajo
  • Alabao
  • Andarele o Amanecer
  • Arrullo
  • Bambara Negra
  • Bambuco Viejo
  • Berejú
  • Boga
  • Bunde Chocoano
  • Caderona
  • Calipso Chocoano
  • Chigualo o Gualí
  • Contradanza Chocoana
  • Danza Chocoana
  • Jota Chocoana
  • Juga
  • La Caramba
  • La Madruga
  • Makerule
  • Mazurka chocoana
  • Pango o Pangora
  • Patacoré
  • Polka Chocoana
  • Porro Chocoano
  • Pregón
  • Romance
  • Salve
  • Saporrondón o Sapo-Rondó
  • Son Chocoano
  • Tamborito Chocoano
  • Tiguarandó
  • Villancico Chocoano

Andean Region of Colombia

Center-East Andean
North-Western Andean
South-Western Andean
Center-South Andean
Pacific inter-Andean valleys
Flor de Romero (Bambuco - example of a genre of folk music in the Center-East Andean) Ojito de Agua (Merengue Bambuquiao - example of a genre of folk music in the North-Western Andean) Ángela (Hayno - example of a genre of folk music in the South-Western Andean) Siquele (Rajaleña - example of a genre of folk music in the Center-South Andean)

Bambuco

Morales Pino Trío
.

Guabina