Feminism in culture

Source: Wikipedia, the free encyclopedia.

Feminism has affected culture in many ways, and has famously been theorized in relation to culture by Angela McRobbie, Laura Mulvey and others. Timothy Laurie and Jessica Kean have argued that "one of [feminism's] most important innovations has been to seriously examine the ways women receive popular culture, given that so much pop culture is made by and for men."[1] This is reflected in a variety of forms, including literature, music, film and other screen cultures.

Women's writing

Virginia Woolf

Women's writing came to exist as a separate category of scholarly interest relatively recently. In the West, second-wave feminism prompted a general reevaluation of women's historical contributions, and various academic sub-disciplines, such as

biographical dictionaries of women writers due to a perception, according to one editor, that "most of our women are not represented in the 'standard' reference books in the field".[2]

Science fiction

In the 1960s, the genre of science fiction combined its sensationalism with political and technological critiques of society to produce

Octavia Butler
.

Women's films

The term "women's cinema" usually refers to the work of women

is usually not considered to be decisive enough to justify the term "women's cinema", it does have a large influence on the visual impression of any movie.

In a film from popular culture although not in women's film, an early reference to the "feminist movement" is heard from Katharine Hepburn in the 1942 movie Woman of the Year.

Another film, She Is Beautiful When She's Angry, released in 2014, details the women's liberation movement in the United States with real accounts from women involved.

Women's music

Lady Gaga is an example of recent female feminist musicians.

distributors, promoters, and festival organizers who are also women.[7]

Riot grrrl movement

Kathleen Hanna was the lead singer of Bikini Kill, a riot grrrl music band formed in 1990.

DIY ethic, art, political action, and activism are part of the movement. Riot grrrls hold meetings, start chapters, and support and organize women in music.[13]

The riot grrrl movement sprang out of Olympia, Washington, and Washington, D.C., in the early 1990s. It sought to give women the power to control their voices and artistic expressions.[11] Riot grrrls took a growling double or triple r, placing it in the word girl as a way to take back the derogatory use of the term.[11]

The riot grrrls' links to social and political issues are where the beginnings of third-wave feminism can be seen. The music and zine writings are strong examples of "cultural politics in action, with strong women giving voice to important social issues though an empowered, a female oriented community, many people link the emergence of the third-wave feminism to this time".[11] The movement encouraged and made "adolescent girls' standpoints central", allowing them to express themselves fully.[14]

Pornography

The

anti-pornography feminism against sex-positive feminism, and parts of the feminist movement were deeply divided by these debates.[15][16][17][18][19]

Anti-pornography movement

Catharine MacKinnon, Andrea Dworkin, Robin Morgan, and Dorchen Leidholdt, put pornography at the center of a feminist explanation of women's oppression.[20]

Some feminists, such as

Catharine MacKinnon, Susan Brownmiller, Dorchen Leidholdt, Ariel Levy, Robin Morgan, and Page Mellish, argue that pornography is degrading of women and complicit in violence against women both in its production (whereby, they charge, abuse and exploitation of women performing in pornography is rampant) and in its consumption (whereby, they charge, pornography eroticizes the domination, humiliation, and coercion of women and reinforces sexual and cultural attitudes that are complicit in rape and sexual harassment).[21]

Beginning in the late 1970s, anti-pornography radical feminists formed organizations such as Women Against Pornography and Feminists Fighting Pornography that provided educational events, including slide-shows, speeches, and guided tours of the sex industry in Times Square, New York City, in order to raise awareness of the content of pornography and the sexual subculture in pornography shops and live sex shows.[22] Andrea Dworkin and Robin Morgan began articulating a vehemently anti-porn stance based in radical feminism beginning in 1974 and anti-porn feminist groups, such as Women Against Violence in Pornography and Media in San Francisco, became highly active in various U.S. cities during the late 1970s.[21]

Sex-positive movement

Sex-positive feminism is a movement that was formed in order to address issues of women's sexual pleasure, freedom of expression, sex work, and inclusive gender identities. Ellen Willis' 1981 essay, "Lust Horizons: Is the Women's Movement Pro-Sex?" is the origin of the term, "pro-sex feminism"; the more commonly used variant, "sex positive feminism" arose soon after.[23]

Although some sex-positive feminists, such as Betty Dodson, were active in the early 1970s, much of sex-positive feminism largely began in the late 1970s and 1980s as a response to the increasing emphasis in radical feminism on anti-pornography activism.

Sex-positive feminists are also strongly opposed to radical feminist calls for legislation against pornography, a strategy they decried as censorship, and something that could, they argued, be used by social conservatives to censor the sexual expression of women, gay people, and other sexual minorities. The initial period of intense debate and acrimony between sex-positive and anti-pornography feminists during the early 1980s is often referred to as the feminist sex wars. Other sex-positive feminists became involved not in opposition to other feminists but in direct response to what they saw as patriarchal control of sexuality.[citation needed]

Sex work and sex industry

Feminist views on sex work and prostitution vary. Feminist supporters of

sex worker rights and decriminalization argue that women's right to control their own bodies and sexuality includes the right to engage in consensual sexual commerce. They also argue that criminalization and social stigmatization of sex work and sex workers only worsens the existing marginalization and victimization that sex workers are often subjected to. On the other hand, feminist opponents of prostitution argue that prostitution is so tangled with forced prostitution, human trafficking, exploitation, and violence as to be inseparable from these ills in practice. They also argue that prostitution and other forms of sex work are inherently a product of patriarchy and sexism
, and that the presence even of consensual sex work is harmful to society and women in particular. While feminists across all positions generally agree that direct criminalization of women in prostitution should be ended, there is little or no consensus on much else on the topics of legal approaches to the sex trade, the status of sex workers, or the nature of sex work itself.

See also

References

  1. ^ Laurie, Timothy; Kean, Jessica (2015). "Why consenting adults should see 50 Shades of Grey - and take their teens". The Sydney Morning Herald. February 19
  2. ^ .
  3. ^ Gilbert, Sandra M., Paperbacks: From Our Mothers' Libraries: Women Who Created the Novel, in New York Times, May 4, 1986.
  4. .
  5. ^ Helford, Elyce Rae, in Westfahl, Gary, The Greenwood Encyclopedia of Science Fiction and Fantasy (Greenwood Press, 2005), 290.
  6. ^ Sturgis, Susanna, Octavia E. Butler: June 22, 1947 — February 24, 2006, in The Women's Review of Books, 23(3): 19 May 2006.
  7. ^ ), p. 242).
  8. ^ Peraino, Judith, Girls with Guitars and Other Strange Stories, in Journal of the American Musicological Society, vol. 54, no. 3 (2001), p. 693.
  9. ^ a b Mosbacher, Dee, Radical Harmonies, Woman Vision (2002 (OCLC 53071762)). See also [1] Archived 2008-05-13 at the Wayback Machine.
  10. ^ Reddington, Helen. The Lost Women of Rock Music: Female Musicians of the Punk Era. Vol. 2nd ed, Equinox Publishing Ltd, 2012.
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  23. Village Voice
    . No. 17 June 1981.