Shubert family
The Shubert family was responsible for the establishment of Broadway theaters in New York City's Theater District, as the hub of the theatre industry in the United States. They dominated the legitimate theatre and vaudeville in the first half of the 20th century.
History
The family's history in America began when Duvvid Schubart (
Due to their father's alcoholism, the three Shubert sons (Lee Shubert, Sam S. Shubert, and Jacob J. Shubert) had to give up much of their formal education and instead go to work when they were still children. Lee and Sam sold newspapers outside the Bastable Theater, and David Belasco took notice of Sam and cast him in a small role in a play. Sam became enamored with the theatrical arts and went on to be promoted through a series of managerial jobs in Syracuse theatres, including program boy at the Bastable, assistant treasurer at the Grand Opera House, and treasurer of the Weiting. Lee and Jacob also began working in management roles in local theatres, and by 1900, the trio had acquired ownership of the Grand Opera House in Syracuse and the Herald Square Theatre in Manhattan.[2][4]
The three brothers broke the monopoly on the theatre-management industry (represented by the
Jerry Stagg identifies Lee Shubert as the key partner in the business, telling of how he built the most successful theatrical empire in history. Stagg characterizes the trio as vulgar and uneducated but acknowledges that they made a personal monopoly amassing millions of profits in the process. Entertainment and popular taste were the goals, rather than the enhancement of the dramatic arts. The Shuberts opened new theatre districts in many major American cities, employing thousands of people over the years. By 1924, they controlled 75 percent of all American theatres, producing 25 percent of all plays. In response, their actors created
Notable productions
Musical comedies
- Chinese Honeymoon (1902)
- Winsome Winnie (1903)
- The Babes and the Baron (1905)
- The Dancing Duchess (1914)
Revues
- Pioneer Days (1906) featuring Indians, cavalry, baby elephants, and chorus girls, directed by Lee Shubert
- The Passing Show (1912–24), annual musical Florenz Ziegfeld's Follies.
Operettas
- The Blue Paradise (1915), and other Sigmund Romberg musicals
Family
The Shubert[1] children:
- Lee Shubert (1871–1953), theatre owner/operator, producer. Married to Marcella Swanson (1900–1973). No children.
- Fannie Shubert (1868–1928). From her first marriage to Isaac Isaacs, she had three sons: Jesse Isaacs (1893–1904), Larry Shubert (1894–1965), and Milton Isaacs Shubert (1901–1967). Her second husband was William Weissager.
- Sarah Shubert (1870–1934). Married to Edward Davidow. No children.
- Sam S. Shubert (1878–1905), producer, writer, director, and theatre owner/operator; died in a Pennsylvania train accident
- Jacob J. Shubert (1879–1963), producer, director, and theatre owner/operator. From his first marriage to Catherine Dealy, he had a son John Jason Shubert (1908–1962).
- Dora (Debora) Shubert (1880–1951). From her marriage to Milton Wolf (1881–1955), she had a daughter, Sylvia Wolf Golde (1910–1981)
See also
References
- ^ a b 1881 passenger list of the Schubert family. "Ancestry. com". Ancestry.com.
{{cite web}}
: CS1 maint: numeric names: authors list (link) - ^ a b c d e "Shubert Brothers" pbs.org, accessed August 29, 2009
- ^ Kenrick, John.Who's Who in Musicals: Sa-Sm" musicals101.com, accessed August 29, 2009
- ^ a b c Jerry Stagg, The Brothers Schubert (1968)
- ^ "The Shubert Organization" Archived 2013-02-01 at the Wayback Machine shubertorganization.com, accessed August 29, 2009
- ^ Times Wire Services. "The Curtain Falls for J. J. Shubert", St. Petersburg Times, December 27, 1963
- ^ "Theatres | Shubert Organization". shubert.nyc. Retrieved 2024-01-29.
- ^ Harris, Paul (2012-09-20). "New bookers for D.C. National". Variety. Retrieved 2024-01-30.
Further reading
- Chach, Maryann. Shuberts present, one hundred years of great American theatre (Harry N. Abrams, 2001).
- Hirsch, Foster. The Boys from Syracuse: The Shuberts' Theatrical Empire (Cooper Square Press, 2000).
- Liebling, A.J. Profile, 1939. The Boys from Syracuse. The New Yorker [1]
- McNamara, Brooks. The Shuberts of Broadway: a history drawn from the collections of the Shubert Archive (Oxford University Press, 1990).
- Poggi, Jack. Theatre in America--The Impact of Economic Forces, 1870-1967 (1968)
- Sanjek, Russell. American popular music and its business: From 1900 to 1984 (3 vol. Oxford UP, 1988).
- Stagg, Jerry. Brothers Shubert (Ballantine Books, 1968) ISBN 978-0-345-21789-9
- Westover, Jonas. The Shuberts and Their Passing Shows: The Untold Tale of Ziegfeld's Rivals (Oxford University Press, 2017)
- Vickery, Anthony. "Did the Shuberts Save Broadway? The Corporate Producers." in The Palgrave Handbook of Musical Theatre Producers ed. by Laura MacDonald and William Everett, (Palgrave Macmillan, 2017) pp. 69–82.
- "Shubert Brothers" in Encyclopedia of World Biography (Gale, 1998) online
External links
- Lee Shubert at the Internet Broadway Database
- Official website Shubert Foundation biography
- Official website Shubert Archive