Australian Museum: Difference between revisions

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→‎Exhibitions: Expanded section and removed a paragraph which seemed fairly run-of-the-mill for a museum
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In 2017, the museum began a citizen science project called FrogID to help conserve and document the distribution of frog populations throughout Australia.<ref>{{Cite web |title=About FrogID |url=https://www.frogid.net.au/about-frogid |access-date=1 January 2024 |website=www.frogid.net.au |language=en}}</ref>{{better source needed|date=January 2024}}
In 2017, the museum began a citizen science project called FrogID to help conserve and document the distribution of frog populations throughout Australia.<ref>{{Cite web |title=About FrogID |url=https://www.frogid.net.au/about-frogid |access-date=1 January 2024 |website=www.frogid.net.au |language=en}}</ref>{{better source needed|date=January 2024}}


== Exhibitions ==
== Exhibitions and permanent galleries ==
{{update section|date=January 2024|reason=Sharks exhibition in 2022-2023, which was curated by the museum and also went on tour internationally afterwards + Tyrannosaurs: Meet the Family exhibition in 2020-2021}}
{{update section|date=January 2024|reason=Sharks exhibition in 2022-2023, which was curated by the museum and also went on tour internationally afterwards + Tyrannosaurs: Meet the Family exhibition in 2020-2021 + Unsettled exhibition in 2021; new permanent galleries since 2020 upgrade: Minerals, Wansolmoana}}
{{expand section|date=January 2024}}

The museum has hosted exhibitions since 1854 to the present day, including permanent, temporary and touring exhibitions, such as "Dinosaurs from China", "Festival of the Dreaming", "Beauty from Nature: Art of the Scott Sisters" and "Wildlife Photographer of the Year".<ref>{{cite web|title=Exhibitions Timeline|url=https://www.australian.museum/Exhibitions-Timeline|publisher=Australian Museum|access-date=22 August 2013}}</ref> In 2012–13, the museum hosted "Alexander the Great: 2000 years of treasures" which exhibited a collection of artefacts from the [[Hermitage Museum]] in [[Saint Petersburg]], Russia.<ref>{{cite web|url=http://australian.museum/about/organisation/media-centre/alexander-the-great-2000-years-of-treasures/|title=Alexander the Great: 2000 Years of Treasures|website=The Australian Museum|access-date=18 April 2019|archive-url=https://web.archive.org/web/20190329071833/https://australian.museum/about/organisation/media-centre/alexander-the-great-2000-years-of-treasures/|archive-date=29 March 2019|url-status=live}}{{cbignore}}</ref>
The museum has hosted exhibitions since 1854 to the present day, including permanent, temporary and touring exhibitions, such as "Dinosaurs from China", "Festival of the Dreaming", "Beauty from Nature: Art of the Scott Sisters" and "Wildlife Photographer of the Year".<ref>{{cite web|title=Exhibitions Timeline|url=https://www.australian.museum/Exhibitions-Timeline|publisher=Australian Museum|access-date=22 August 2013}}</ref> In 2012–13, the museum hosted "Alexander the Great: 2000 years of treasures" which exhibited a collection of artefacts from the [[Hermitage Museum]] in [[Saint Petersburg]], Russia.<ref>{{cite web|url=http://australian.museum/about/organisation/media-centre/alexander-the-great-2000-years-of-treasures/|title=Alexander the Great: 2000 Years of Treasures|website=The Australian Museum|access-date=18 April 2019|archive-url=https://web.archive.org/web/20190329071833/https://australian.museum/about/organisation/media-centre/alexander-the-great-2000-years-of-treasures/|archive-date=29 March 2019|url-status=live}}{{cbignore}}</ref>


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In 2012, an exhibition called ''Sydney Elders'' was opened. It comprised of photographs by renowned Aboriginal photographer [[Mervyn Bishop]] of a selection of local [[Aboriginal Australian elder|Elders]] who have "contributed to the important role of culture, education, health, community or social justice". The collection is accompanied by an essay written by [[Djon Mundine]], entitled "Growing Old on Eora Country". Elders whose portraits were included in the collection include [[Christine Donnelly]], founder of the [[Aboriginal Dance Theatre Redfern]]; [[Naomi Mayers]] {{post-nominals|country= AUS|OAM}}, founder of the Aboriginal Health Service; [[Sol Bellear]] {{post-nominals|country= AUS|AO}}, member and leader of many Aboriginal organisations; and singer-songwriter [[Vic Simms]]; and activists and leaders [[Dulcie Flower]] {{post-nominals|country= AUS|AM}}, [[Paul Coe]],<ref>{{cite web | title=Sydney Elders exhibition | website=The Australian Museum | date=2 June 2021 |first=Laura| last=McBride| url=https://australian.museum/learn/first-nations/sydney-elders/ | access-date=16 November 2022}}</ref> and [[Lyall Munro Jnr]].<ref>{{cite web | title=Lyall Munro | website=The Australian Museum | url=https://australian.museum/learn/first-nations/sydney-elders/lyall-munro/ | date=7 December 2021 |first=Laura| last=McBride| access-date=17 November 2022}}</ref>
In 2012, an exhibition called ''Sydney Elders'' was opened. It comprised of photographs by renowned Aboriginal photographer [[Mervyn Bishop]] of a selection of local [[Aboriginal Australian elder|Elders]] who have "contributed to the important role of culture, education, health, community or social justice". The collection is accompanied by an essay written by [[Djon Mundine]], entitled "Growing Old on Eora Country". Elders whose portraits were included in the collection include [[Christine Donnelly]], founder of the [[Aboriginal Dance Theatre Redfern]]; [[Naomi Mayers]] {{post-nominals|country= AUS|OAM}}, founder of the Aboriginal Health Service; [[Sol Bellear]] {{post-nominals|country= AUS|AO}}, member and leader of many Aboriginal organisations; and singer-songwriter [[Vic Simms]]; and activists and leaders [[Dulcie Flower]] {{post-nominals|country= AUS|AM}}, [[Paul Coe]],<ref>{{cite web | title=Sydney Elders exhibition | website=The Australian Museum | date=2 June 2021 |first=Laura| last=McBride| url=https://australian.museum/learn/first-nations/sydney-elders/ | access-date=16 November 2022}}</ref> and [[Lyall Munro Jnr]].<ref>{{cite web | title=Lyall Munro | website=The Australian Museum | url=https://australian.museum/learn/first-nations/sydney-elders/lyall-munro/ | date=7 December 2021 |first=Laura| last=McBride| access-date=17 November 2022}}</ref>


When the Crystal Hall was launched as the museum's new entrance in August 2015, the former foyer, the Barnet Wing, became the permanent gallery housing "Wild Planet" – a display of over 400 animals that explores and explains [[evolution]] and the [[Tree of life (biology)|tree of life]].<ref>{{Cite web|url=http://www.smh.com.au/environment/animals/australian-museums-wild-planet-exhibition-brings-dead-beasts-to-life-20150612-ghm7n6.html|title=Australian Museum's Wild Planet exhibition brings dead beasts to life|website=The Sydney Morning Herald|access-date=4 April 2016|archive-url=https://web.archive.org/web/20151215161907/http://www.smh.com.au/environment/animals/australian-museums-wild-planet-exhibition-brings-dead-beasts-to-life-20150612-ghm7n6.html|archive-date=15 December 2015|url-status=live}}</ref>
In 2014, the permanent exhibition "Garrigarrang: Sea Country" was opened, displaying objects relating to [[Aboriginal and Torres Strait Islander peoples]]'.<ref>{{Cite web |url=https://australian.museum/about/organisation/media-centre/garrigarrang-sea-country/ |access-date=2 January 2024 |date=21 November 2014 |website=The Australian Museum |language=en}}</ref>
When the Crystal Hall was opened as the museum's new entrance in August 2015, the former foyer, the Barnet Wing, became the permanent gallery housing "Wild Planet" – a display of over 400 animals that explores and explains [[evolution]] and the [[Tree of life (biology)|tree of life]].<ref>{{Cite web|url=http://www.smh.com.au/environment/animals/australian-museums-wild-planet-exhibition-brings-dead-beasts-to-life-20150612-ghm7n6.html|title=Australian Museum's Wild Planet exhibition brings dead beasts to life|website=The Sydney Morning Herald|access-date=4 April 2016|archive-url=https://web.archive.org/web/20151215161907/http://www.smh.com.au/environment/animals/australian-museums-wild-planet-exhibition-brings-dead-beasts-to-life-20150612-ghm7n6.html|archive-date=15 December 2015|url-status=live}}</ref>


In 2015, "Trailblazers: Australia's 50 greatest explorers" opened, honouring the work of [[Burke and Wills expedition|Bourke and Wills]], [[Nancy Bird Walton]], [[Dick Smith (entrepreneur)|Dick Smith]], [[Jessica Watson]] and [[Tim Jarvis]], among others.
In 2015, "Trailblazers: Australia's 50 greatest explorers" opened, honouring the work of [[Burke and Wills expedition|Bourke and Wills]], [[Nancy Bird Walton]], [[Dick Smith (entrepreneur)|Dick Smith]], [[Jessica Watson]] and [[Tim Jarvis]], among others.{{cn|date=January 2024}}


In 2017, the permanent exhibition "200 Treasures of the Australian Museum" was reopened, being Australia's first museum gallery, which was previously called the "Long Gallery".<ref>{{Cite web |title=The Australian Museum Reveals The Nation’s Greatest Treasures In Restored Westpac Long Gallery |url=https://australian.museum/about/organisation/media-centre/the-australian-museum-reveals-the-nations-greatest-treasures-in-restored-westpac-long-gallery/ |access-date=2 January 2024 |date=23 November 2017 |last=Love |first=Madelaine |website=The Australian Museum |language=en}}</ref>
Other audience engagement programs include live displays to help demonstrate the behaviours and adaptations of animals, video conferencing and "Museum in a Box" for schoolchildren, as well as cultural heritage initiatives for Pacific youth and [[Indigenous Australians]].<ref>{{cite web|title=Australian Museum Annual Report 2011-12|url=https://australian.museum/Uploads/Documents/26720/australian%20museum%20annual%20report%202011-12%20for%20web.pdf|publisher=Australian Museum|access-date=22 August 2013}}</ref>


The museum was due to hold "[[Tutankhamun]]: The Treasures of the Golden Pharaoh" in 2021, however this was cancelled due to the Covid-19 pandemic.<ref>{{Cite web |last=Morris |first=Linda |title=Sydney’s blockbuster King Tut show cancelled for good |url=https://www.smh.com.au/culture/art-and-design/sydney-s-blockbuster-king-tut-show-cancelled-for-good-20210317-p57bjb.html |access-date=29 November 2023 |date=18 March 2021 |website=The Sydney Morning Herald |language=en}}</ref><ref>{{Cite web |last=Smith |first=Alexandra |title=Sydney to host largest Tutankhamun exhibition to ever leave Egypt |url=https://www.smh.com.au/politics/nsw/sydney-to-host-largest-tutankhamun-exhibition-to-ever-leave-egypt-20180610-p4zkm7.html |date=10 June 2018 |access-date=29 November 2023 |website=The Sydney Morning Herald |language=en}}</ref> However in late 2023, the museum was the fourth in the world to open "[[Ramesses II|Ramses]] & the Gold of the Pharaohs".<ref>{{Cite web |last=Nowakowski |first=Teresa |title=Why Egyptomania Is Taking Over Australia |url=https://www.smithsonianmag.com/smart-news/blockbuster-ramses-exhibit-comes-to-sydney-as-egypt-shows-overtake-australia-180983306/ |access-date=29 November 2023 |date=21 November 2023 |website=Smithsonian Magazine |language=en}}</ref> It was announced that Ramses' coffin would also be loaned to the Australian Museum, with Sydney being the second city in the world outside of Egypt to display the artefact.<ref>{{Cite web |last=Cross |first=Alannah Le |date=25 October 2023 |title=Ramses the Great’s coffin confirmed to travel to Australia for exclusive Sydney exhibition |url=https://www.timeout.com/sydney/news/ramses-the-greats-coffin-confirmed-to-travel-to-australia-for-exclusive-sydney-exhibition-this-summer-102523 |access-date=29 November 2023 |website=Time Out Sydney |language=en-AU}}</ref>
The museum was due to hold "[[Tutankhamun]]: The Treasures of the Golden Pharaoh" in 2021, however this was cancelled due to the Covid-19 pandemic.<ref>{{Cite web |last=Morris |first=Linda |title=Sydney’s blockbuster King Tut show cancelled for good |url=https://www.smh.com.au/culture/art-and-design/sydney-s-blockbuster-king-tut-show-cancelled-for-good-20210317-p57bjb.html |access-date=29 November 2023 |date=18 March 2021 |website=The Sydney Morning Herald |language=en}}</ref><ref>{{Cite web |last=Smith |first=Alexandra |title=Sydney to host largest Tutankhamun exhibition to ever leave Egypt |url=https://www.smh.com.au/politics/nsw/sydney-to-host-largest-tutankhamun-exhibition-to-ever-leave-egypt-20180610-p4zkm7.html |date=10 June 2018 |access-date=29 November 2023 |website=The Sydney Morning Herald |language=en}}</ref> However in late 2023, the museum was the fourth in the world to open "[[Ramesses II|Ramses]] & the Gold of the Pharaohs".<ref>{{Cite web |last=Nowakowski |first=Teresa |title=Why Egyptomania Is Taking Over Australia |url=https://www.smithsonianmag.com/smart-news/blockbuster-ramses-exhibit-comes-to-sydney-as-egypt-shows-overtake-australia-180983306/ |access-date=29 November 2023 |date=21 November 2023 |website=Smithsonian Magazine |language=en}}</ref> It was announced that Ramses' coffin would also be loaned to the Australian Museum, with Sydney being the second city in the world outside of Egypt to display the artefact.<ref>{{Cite web |last=Cross |first=Alannah Le |date=25 October 2023 |title=Ramses the Great’s coffin confirmed to travel to Australia for exclusive Sydney exhibition |url=https://www.timeout.com/sydney/news/ramses-the-greats-coffin-confirmed-to-travel-to-australia-for-exclusive-sydney-exhibition-this-summer-102523 |access-date=29 November 2023 |website=Time Out Sydney |language=en-AU}}</ref>

Revision as of 07:41, 2 January 2024

Australian Museum
International Style
Construction started1846
Completed1857
Technical details
MaterialSydney sandstone
Design and construction
Architect(s)
Architecture firmNew South Wales Colonial Architect
Website
australian.museum
Official nameAustralian Museum
TypeState heritage (built)
Designated2 April 1999
Reference no.805
TypeOther – Education
CategoryEducation

The Australian Museum is a heritage-listed museum at 1

palaeontology and anthropology. Apart from exhibitions, the museum is also involved in Indigenous studies research and community programs. In the museum's early years, collecting was its main priority, and specimens were commonly traded with British and other European institutions. The scientific stature of the museum was established under the curatorship of Gerard Krefft
, himself a published scientist.

The museum is located at the corner of William Street and College Street in the Sydney central business district, in the City of Sydney local government area of New South Wales, and was originally known as the Colonial Museum or Sydney Museum. The museum was renamed in June 1836 by a sub-committee meeting, when it was resolved during an argument that it should be renamed the "Australian Museum".[4] The Australian Museum building and its collection was added to the New South Wales State Heritage Register on 2 April 1999.[5]

Its current CEO and Executive Director is

AO
.

Establishment

The establishment of a museum had first been planned in 1821

entomologist and fellow of the Linnean Society of London, Alexander Macleay, arrived in 1826. After being appointed New South Wales Colonial Secretary
, he began lobbying for a museum.

The museum was founded in 1827 by Earl Bathurst, then the Secretary of State for the Colonies, who wrote to the Governor of New South Wales of his intention to found a public museum and who provided £200 yearly towards its upkeep.[7][8] In 1832[clarification needed] George Bennett, curator of the Australian Museum, explained the role of the museum:

"Here, in a public museum, the remains of the arts, etc., as existing among them, may be preserved as lasting memorials of the former races inhabiting the lands, when they have ceased to exist."

— George Bennett, Curator, 1835 – 1841.

From a "beautiful Collection of Australian curiosities", the Museum has grown to an internationally recognised collection of over 21 million cultural and scientific objects. The Museum plays a leading role in taxonomic and systematic research, and at its research station at Lizard Island conducts significant research on coral reef ecology. Through exhibitions and other public programs the Australian Museum continues to inform and amaze generations of visitors about the unique flora, fauna and cultures of Australia and the Pacific.[9][5]

Building

The heritage-listed[5] building has evolved to encompass a range of different architectural styles[10][11] and when its building expanded, it was often in conjunction with an expansion of the collections.

The first location of the museum in 1827 was probably a room in the offices of the Colonial Secretary, although over the following thirty years it had several other locations in Sydney, until it moved into its current home in 1849. The Long Gallery is part of the wing designed by New South Wales Colonial Architect Mortimer Lewis, and the earliest building on the site, c. 1846.[5][2][9] This is a handsome building of Sydney sandstone in the Greek Revival style on the corner of College and William Streets, opposite Hyde Park, designed by the Colonial Architect James Barnet, and it was first opened to the public in May 1857.[8]

In order to accommodate the expanding collections of the museum, Barnet was responsible for the construction of the neoclassical west wing along William Street in 1868. A third storey was added to the north Lewis wing in 1890, bringing cohesion to the building design.[12]

In 1963, the floor space of the museum almost doubled when Joseph van der Steen under the Government Architect, Edward Farmer, designed a six-story extension linked to the Lewis building for the scientific and research collections, the reference library and a public restaurant. There were also two basement floors providing workspace for scientific staff. This

International Style extension became known as the Parkes/Farmer eastern wing. In 1977, to mark the Museum's 150th anniversary, bronze lower case letters were added to the façade
identifying the building as "The Australian Museum".

In 2008, a significant expansion took place on the College Street site with the addition of the new Collection and Research building which added 5000 square metres of office, laboratory and storage areas for scientists.

In 2015, the museum's carbon-neutral glass box entryway known as the "Crystal Hall" was opened. Designed by Neeson-Murcutt, it returned the entry to William Street and provided access via a suspended walkway.[13][14] In December 2016, the Museum made public a $285 million master plan proposing to greatly expand its available exhibition space, by adding a 13-storey building on the block's east, adding a large central glazed atrium space.[15][5]

2020 upgrade

At the end of 2020, after being closed for 15 months, the 200 year old museum reopened following a major $57.5 million upgrade.[16] Subsequent to its refurbishment, Museum entry will be free for the public and the building will provide a physical space that "equals the importance of the collection and the scientific research" done there.[3] This included the new Hintze Hall, and new shop, café, members lounge, and education rooms, along with a expanded exhibition area for temporary exhibitions.[17]

Administration

The museum was administered directly by the colonial government until June 1836, until the establishment of a Committee of Superintendence of the Australian Museum and Botanical Garden. Sub-committees were established for each institution. Members of these committees were generally the leading members of the political and scientific classes of Sydney; and scions of the Macleay served until 1853, at which point the committee was abolished. In that year, the government enacted the Australian Museum Act, thereby

board of trustees consisting of 24 members. William Sharp Macleay, the former committee chairman, continued to serve as the chairman of this committee.[18]

Curators and directors

The position of "curator" was renamed "director and curator" in 1918 and from, 1921 "director". In 1948, the "scientific assistants" (the scientific staff) were redesignated "curators" and "assistant curators". In 1983, during a period of reorganisation, the position of curator was renamed as "collection manager".

Order Officeholder Position title Start date End date Term in office Notes
1 William Holmes Custodian 16 June 1829 (1829-06-16) 1835 5–6 years Holmes accidentally shot himself while collecting specimens at Moreton Bay in August 1831.[19]
2 George Bennett Curator 1835 1841 5–6 years Bennett was the first to catalogue the museum's collections.
3 The Revd W. B. Clarke 1841 1843 1–2 years
4 William Sheridan Wall 1845 1858 12–13 years Long time collector to the Museum. Wrote and illustrated History and Description of a New Sperm Whale (Sydney 1851)[20]
6 Simon Rood Pittard 1861 1861 1–2 years
7 Gerard Krefft 1861 1874 12–13 years
8 Edward Pierson Ramsay 1874 1894 19–20 years Ramsay greatly increased the recruitment of scientific staff within the institution. The museum's catalogues, first documented by Bennett, were the first scientific publications by the museum, but with the addition of science staff and, thereby, research output, in 1890 Ramsay started the
Records of the Australian Museum, a publication which continues to the present.[21]
9 Robert Etheridge, Junior 1895 1918 23–24 years
Director and Curator 1918 1919
10 Charles Anderson Director 1921 1940 18–19 years
11 Arthur Bache Walkom 1941 1954 12–13 years
12 John William Evans 1954 1966 11–12 years
13 Frank Talbot 1966 1975 8–9 years
14 Desmond Griffin 1976 1998 21–22 years
15 Michael Archer 1999 2004 4–5 years
16 Frank Howarth 2004 2014 9–10 years
17
AO
2014 present 9–10 years McKay is the first woman to hold the position.[22][23]

Collections and programs

20th century

After a run of field collecting activities by the scientific staff in the 1880s and 1890s, field work ceased until after the

Capricorn Islands off the coast of Queensland.[24]
: 137 

During the 19th century, galleries had mainly included large display cases overly filled with specimens and artefacts. During the 1920s, museum displays grew to include dioramas showing habitat groups, but otherwise the Museum was largely unchanged during the period beginning with the curatorship of Robert Etheridge Jr (1895–1919), until the appointment of John Evans in 1954, when under his direction, additional buildings were built, several galleries were overhauled, and a new Exhibitions department was created. The size of the education staff was also radically increased. By the end of the 1950s, all of the galleries had been completely overhauled.

The museum's growth in the field of

Cairns
.

The Australian Museum Train, an early outreach project, was officially launched on 8 March 1978. The train was described as "a wonderful new concept of the travelling circus! The only difference is that the travelling Museum Train will bring school children and the people of NSW into contact with the wonders of nature, evolution and Wildlife."[citation needed] The two-carriage train was renovated and refurbished at Eveleigh Carriage Works, and fitted out with exhibits by the Australian Museum at a cost of about $100,000. One carriage displayed the evolution of the earth, animals and man. The second carriage was a lecture and visual display area.[26] The train ceased operations in December 1988 but the museum's outreach work in regional communities continues.

In 1991, the museum established a commercial consulting and project management group, the Australian Museum Business Services (AMBS), now known as Australian Museum Consulting. In 1995, the museum established new research centres in conservation, biodiversity, evolutionary research, geodiversity and "People and Places". These research centres have now been incorporated into the museum's natural science collection programs. In 1998, the djamu gallery opened at Customs House, Circular Quay, the first major new venue for the museum beyond College Street site. A series of exhibitions on Indigenous culture were displayed until the gallery closed at the end of 2000.

21st century

In 2001, two rural associate museums were established,

The Age of Fishes Museum in Canowindra and the Australian Fossil and Mineral Museum in Bathurst
which includes the mineral and dinosaur Somerville Collection donated by Warren Somerville.

In 2002, ICAC launched Operation Savoy to investigate thefts of the zoological collections by a museum employee.[27]

In 2011, the museum launched its first

Mobile App – "DangerOZ"[28]
– about Australia's most dangerous animals.

Jurassic Lounge

Established in early 2011 by the Australian Museum and non-profit company The Festivalists, Jurassic Lounge displays contemporary art.[29] Combining events, live music, art, cultural displays, and new media with standard exhibition space in the museum precinct, Jurassic Lounge is a seasonal display-event held on Tuesdays for two seasons annually.[30] Jurassic lounge first opened on 1 February 2011.[31] It is held after-hours at the Australian Museum.[32] It allows the public to discover Sydney's newest artists, musicians and performers. 2018's event included a burlesque show, a silent disco, live painting, a photobooth, interaction with museum animals (snake and stick insects).[33]

Australian Museum Research Institute

In September 2013, the Australian Museum Research Institute (AMRI) was launched. AMRI's purposes are:

  • to provide a focal point for the many researchers working in the museum
  • to facilitate collaborations with government research agencies, universities, gardens, zoos and other museums
  • to showcase the important scientific research that is being done at the museum, focusing on climate change impacts on biodiversity; the detection and biology of pest species; understanding what constitutes and influences effective biodiversity conservation.[34]

FrogID

In 2017, the museum began a citizen science project called FrogID to help conserve and document the distribution of frog populations throughout Australia.

better source needed
]

Exhibitions and permanent galleries

The museum has hosted exhibitions since 1854 to the present day, including permanent, temporary and touring exhibitions, such as "Dinosaurs from China", "Festival of the Dreaming", "Beauty from Nature: Art of the Scott Sisters" and "Wildlife Photographer of the Year".[36] In 2012–13, the museum hosted "Alexander the Great: 2000 years of treasures" which exhibited a collection of artefacts from the Hermitage Museum in Saint Petersburg, Russia.[37]

In 2008, two new permanent galleries were opened, "Dinosaurs"[38] and "Surviving Australia".[39]

In 2012, an exhibition called Sydney Elders was opened. It comprised of photographs by renowned Aboriginal photographer

In 2014, the permanent exhibition "Garrigarrang: Sea Country" was opened, displaying objects relating to

When the Crystal Hall was opened as the museum's new entrance in August 2015, the former foyer, the Barnet Wing, became the permanent gallery housing "Wild Planet" – a display of over 400 animals that explores and explains evolution and the tree of life.[43]

In 2015, "Trailblazers: Australia's 50 greatest explorers" opened, honouring the work of Bourke and Wills, Nancy Bird Walton, Dick Smith, Jessica Watson and Tim Jarvis, among others.[citation needed]

In 2017, the permanent exhibition "200 Treasures of the Australian Museum" was reopened, being Australia's first museum gallery, which was previously called the "Long Gallery".[44]

The museum was due to hold "Tutankhamun: The Treasures of the Golden Pharaoh" in 2021, however this was cancelled due to the Covid-19 pandemic.[45][46] However in late 2023, the museum was the fourth in the world to open "Ramses & the Gold of the Pharaohs".[47] It was announced that Ramses' coffin would also be loaned to the Australian Museum, with Sydney being the second city in the world outside of Egypt to display the artefact.[48]

Heritage listing

As at 14 November 2014, the Australian Museum buildings house the first public museum inaugurated in Australia, one of Australia's oldest scientific and cultural institutions. Conceived and developed initially along the contemporary European model of an encyclopedic warehouse of cultural and natural history, the museum buildings evolved as the institution evolved, partly in response to its visiting public, to pursue and expand knowledge of the natural history of Australia and the nearby pacific region. The museum continues to occupy the site provided, and the building constructed, as its first permanent home, commenced in 1846 and opened to the public in 1857. The extended and enlarged complex of buildings which now provide its principal exhibition, administrative and research accommodation reflect the growth of the institution and its prestige, as well as the evolving attitudes of Australian Government and society to science and research.[5]

The Museum's various buildings further comprise a unique aggregation of work by successive colonial and Government Architects of New South Wales, exhibiting:

  • changes in the philosophy and functional requirements of museum design
  • changing stylistic influences and design approaches in architecture from the early 19th century to the present, and
  • corresponding developments in building technology, materials and craftsmanship.[5]

Individually the various elements of the Museum complex remain significantly intact, with potential for enhancement of their cultural significance through conservation techniques, though conflicts exist between conservation of fabric and contemporary use, particularly exhibition techniques. Of special note are the exteriors and principal interiors of the three earliest wings of the complex, which despite varying degrees of alteration, remain in substantial original condition. The interlinked exhibition galleries comprise an important group of 19th and early 20th century public interests.[5]

Through its development, the Museum complex has assumed a prominent stature in the townscape of Sydney. With its frontage to William and College Street, the Museum commands the eastern reaches of Hyde Park and forms and extension of the principal historic civic and religious precincts adjoining the northern boundaries of the park in Macquarie and College streets. Through recent expansion the museum site includes the former grounds and two surviving buildings of the William Street National School, which, established in 1851, is one of the earlier public schools continued in educational use for almost 100 years.[5]

Australian Museum was listed on the New South Wales State Heritage Register on 2 April 1999.[5]

Controversy

In December 2023, the Museum became the subject of criticism for its controversial decision to reword an exhibition panel that originally read (however, the exhibition was not curated by the museum themselves):[49] 'In his teens, Ramses was second in command, fighting alongside Seti in Libya and Palestine'. That panel was updated to refer to 'what is today known as Libya and Palestine'.[50] This was done after the Australian Jewish Association had accused the Museum of 'inaccurate use of the word "Palestine" in an exhibit on Ancient Egypt'.[50]

According to the president of the Australian Palestine Advocacy Network, Nasser Mashni, this incident was another case of 'Palestine, Palestinians, our history, our cultural heritage and stories being invisibilised, minimised, rewritten, if not completely erased, by an Australian institution at the command of a

Zionist lobby group'.[50] The Australian Friends of Palestine Association added, 'To let this rewriting of history go unchallenged amounts to cultural genocide, the ideological expunging of cultural identity from history'.[51]

Gallery

  • Butterflies in a display case
    Butterflies in a display case
  • Human and Horse Skeletons displayed in a lifelike pose (2007)
    Human and Horse Skeletons displayed in a lifelike pose (2007)
  • A display of African metalwork art, 2007
    A display of African metalwork art, 2007
  • A display case of some stuffed Australian bird specimens, 2007
    A display case of some stuffed Australian bird specimens, 2007
  • Display on the skeletal structure of snakes and other reptiles (2007)
    Display on the skeletal structure of snakes and other reptiles (2007)
  • Modern Aboriginal art on show at the Museum in 2007
    Modern Aboriginal art on show at the Museum in 2007
  • Museum at night
    Museum at night

See also

References

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  34. ^ Crossley, Merlin. "Right at the museum: collections give clues on climate change". The Conversation. Archived from the original on 19 April 2016. Retrieved 4 April 2016.
  35. ^ "About FrogID". www.frogid.net.au. Retrieved 1 January 2024.
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  40. ^ McBride, Laura (2 June 2021). "Sydney Elders exhibition". The Australian Museum. Retrieved 16 November 2022.
  41. ^ McBride, Laura (7 December 2021). "Lyall Munro". The Australian Museum. Retrieved 17 November 2022.
  42. ^ The Australian Museum. 21 November 2014 https://australian.museum/about/organisation/media-centre/garrigarrang-sea-country/. Retrieved 2 January 2024. {{cite web}}: Missing or empty |title= (help)
  43. ^ "Australian Museum's Wild Planet exhibition brings dead beasts to life". The Sydney Morning Herald. Archived from the original on 15 December 2015. Retrieved 4 April 2016.
  44. ^ Love, Madelaine (23 November 2017). "The Australian Museum Reveals The Nation's Greatest Treasures In Restored Westpac Long Gallery". The Australian Museum. Retrieved 2 January 2024.
  45. ^ Morris, Linda (18 March 2021). "Sydney's blockbuster King Tut show cancelled for good". The Sydney Morning Herald. Retrieved 29 November 2023.
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Bibliography

  • Attraction Homepage (2007). "Australian Museum".
  • Chris Bennett of Evolving Picture (2014). Australian Museum Sydney: photographic survey of existing site features December 2014.
  • Clive Lucas Stapleton & Partners Pty Ltd (2005). The Australian Museum, Sydney, Conservation Management Plan.
  • Cultural Resources Management (2008). The Australian Museum Sydney : archaeological investigation collections & research building.
  • Design 5 Architects (2016). Long Gallery, Australian Museum – Exemption from Development Consent – upgrade and repair works.
  • Hammond, Gina (2009). 'The Curious Case of the Living Dead', in "History Council of NSW Bulletin" Autumn 2009.
  • McDonald McPhee Pty Ltd. (1994). Heritage Assessment, Barnet Wing, Australian Museum.
  • Power, Julie (2016). 'Museum's ambitious plan – exclusive: $285m proposal for a grand exhibition space'.
  • Strahan, Ronald (1979). Rare and Curious Specimens: An Illustrated History of the Australian Museum 1827–1979. The Australian Museum. .
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Attribution

This Wikipedia article contains material from Australian Museum, entry number 805 in the New South Wales State Heritage Register published by the State of New South Wales (Department of Planning and Environment) 2018 under CC-BY 4.0 licence, accessed on 13 October 2018.

External links