Catch wrestling

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"Catch as catch can" redirects here. For other uses, see Catch as Catch Can.
Catch wrestling
Rough and tumble
Olympic sportYes (as amateur freestyle wrestling) since 1904

Catch wrestling (originally catch-as-catch-can) is a classical hybrid

submission holds, or "hooks", into their wrestling to increase their effectiveness against their opponents. Catch wrestling derives from various different international styles of wrestling: several English styles (primarily Lancashire,[1] as well as Cumberland and Westmorland wrestling,[2] Devonshire,[2] Cornish wrestling and Irish collar-and-elbow wrestling). The training of some modern submission wrestlers, professional wrestlers and mixed martial artists
is founded in catch wrestling.

"worked") matches had elements of performing arts introduced (as well as striking and acrobatic manoeuvres), turning it into an entertainment spectacle.[3] In a few countries, such as in France and Germany, "Catch" is still the term used for professional wrestling.[4]

Catch-as-catch-can was included in the

1904 Olympic Games, it had new rules and weight categories introduced similar to other amateur wrestling styles, and dangerous moves — including all submission holds — were banned. New rules and regulations were later developed and codified by FILA and amateur catch wrestling became known as freestyle wrestling, which was then considered separate from the dangerous, professional catch style.[5][6]

Other

folkstyle wrestling, Sambo, Luta Livre, shoot-style, shootfighting and mixed martial arts (MMA).[citation needed][7]

History

A hammerlock as demonstrated in Farmer Burns' correspondence course, 1913
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In 1871,

wrestle on all fours on the ground. This new departure was the forerunner of the total abolition of the sport at that athletic, and within a short period the wrestling
, as an item in the programme.

Various promoters of the exercise, notably J. Wannop, of New Cross, attempted to bring the new system prominently before the public, with the view of amalgamating the three English styles viz. the

Amateur Wrestling Society, brought the new style prominently to the front, and special prizes were given for competition in that class at the society's first annual midsummer gathering at the Paddington Recreation Ground, which was attended by Lord Mayor Whitehead and sheriffs
in state.

Wrestling on the "catch-as-catch-can" principle was new to many spectators, but it was generally approved of as a great step in advance of the loose-hold system, which includes struggling on the ground and sundry objectionable tactics, such as catching hold of the legs, twisting arms, dislocating fingers, and other items of attack and defence peculiar to Lancashire wrestling.[2]

When catch wrestling reached the United States in the late 19th and early 20th centuries it became extremely popular with the wrestlers of the

submission. Eventually, the carnivals' wrestlers began preparing for the worst kind of unarmed assault and aiming to end the wrestling match with any tough local quickly and decisively via submission. A hook was a technical submission which could end a match within seconds. As carnival wrestlers travelled, they met with a variety of people, learning and using techniques from various other folk wrestling disciplines, especially Irish collar-and-elbow
, many of which were accessible due to a huge influx of immigrants in the United States during this era.

Catch wrestling contests also became immensely popular in Europe involving the likes of the Indian national wrestling champion

Georg Hackenschmidt
from Estonia.

Catch (or Freestyle retroactively) wrestling at the 1904 Summer Olympics

Wrestling made a return at the

Fédération Internationale des Luttes Associées (FILA)—current United World Wrestling—was founded in order to better organize Olympic wrestling. In 1921, FILA set the "rules of the game" which regulated and codified a new ruleset derived from catch, the new name chosen was "freestyle wrestling", which appears to have been a translation of the French lutte libre, which itself is the French translation of catch-as-catch-can. The name was chosen to distance itself from catch wrestling, which had lost reputation due the rise of professional wrestling.[5][6]
In 1922 the AAU followed suit and adopted the new freestyle rule-set while abandoning catch-as-catch-can for their amateur competitions.

By the 1920s, most catch wrestling competitions started to become predetermined professional wrestling. As interest in professional matches started to wane, wrestlers began choreographing some of their matches to make the matches less physically taxing, shorter in duration, with better flow, more entertaining—giving emphasis on readable and more impressive moves—and with bigger focus on the personal charisma of the wrestlers, with the introduction of "gimmicks" (in-ring personas) and dramatic storylines surrounding the matches.[8] The "Gold Dust Trio", formed by heavyweight champion Ed "Strangler" Lewis, his manager Billy Sandow and his fellow wrestler Joseph "Toots" Mondt, are credited with pivoting professional wrestling into a pseudo-competitive exhibition, by introducing the modern form of choreographed action-packed wrestling which they dubbed "slam-bang Western-style wrestling", and a new business model where the trio would promote large shows around the country and maintain wrestlers under long-term contracts, leading to the success of the partnership. Soon other promoters followed suit and the industry was fundamentally changed.[9]

In modern times, professional wrestling is regarded as being, by definition, prearranged entertainment and is legally classed as such by legislatures such as New York (19 CRR-NY 213.2) It is nonetheless still feasible to hold catch wrestling competitions with all the rules and trappings of professional wrestling (roped elevated quadrilateral ring, submission and three count pinfall as equal goals, etc.). A rules system for such competition was devised by professional wrestling champion and catch wrestling coach Karl Gotch for fellow catch wrestler Jake Shannon's "King of Catch" tournaments[10] and similar rules were employed for a 2018 tournament in memory of another professional wrestling champion and catch wrestling coach Billy Robinson.[11]

Techniques

The English term "catch as catch can" is generally understood to mean "catch (a hold) anywhere you can". As this implies, the rules of catch wrestling were more open than the earlier folk styles it was based on, as well as its French Greco-Roman counterpart, which did not allow holds below the waist. Catch wrestlers can win a match by either submission or pin, and most matches are contested as the best two of three falls, with a maximum length of an hour. Often, but not always, the chokehold was barred. Other fouls like fish-hooking and eye-gouging (which were called "rips" or "ripping") were always forbidden.[12]

Pins were the predominant way to win, to the point some matches didn't even include submissions as an additional way; submission holds (also called "punishment holds")

neck cranks were emphasized as valid techniques, as while they are difficult to use as finishing moves without a good base, they can be used to force movement.[13] Also, just as today "tapping out" signifies a concession as does shouting out "Uncle!", back in the heyday of catch wrestling rolling to one's back could also signify defeat, as it would mean a pin. Catch-as-catch-can toeholds typically only exert force if the opponent sits still;[13] therefore, Frank Gotch won many matches by forcing his opponent to roll over onto their back with the threat of his signature toehold.[14]

Professional match between Frank Gotch and George Hackenschmidt, 1908

A "hook" can be defined as an undefined move that stretches, spreads, twists, or compresses any joint or limb. Therefore, another name for a catch wrestler was a "hooker," with the similar term "shooter" being relegated to specially skilled hookers.[8][15]

Catch wrestling techniques may include, but are not limited to: the

full Nelson
.

The rules of catch wrestling would change from venue to venue. Matches contested with side-bets at the coal mines or logging camps favoured submission wins where there was absolutely no doubt as to who the winner was. Meanwhile, professionally booked matches and amateur contests favoured pins that catered to the broader and more gentle paying fan-base. The impact of catch wrestling on modern-day

Farmer Burns
and his student Frank Gotch are known as the grandfathers of wrestling in Iowa.

Martial arts

Judo

A notable match in 1914 was between two prime representatives of their respective crafts: the German-American catch wrestler Ad Santel was the world light heavyweight champion in catch wrestling, while Tokugoro Ito, a fifth-degree black belt in judo, claimed to be the world judo champion. Santel defeated Ito and proclaimed himself world judo champion.

The response from

judoka
to overcome Santel, Santel was the only Western catch-wrestler on record as having a win over Ito, who also regularly challenged other grappling styles.

Mixed martial arts

Karl Gotch was a catch wrestler and a student of Billy Riley's "Snake Pit" training school in the Aspull area of Wigan, then in Lancashire. Gotch taught catch wrestling to Japanese professional wrestlers in the 1970s including Antonio Inoki, Tatsumi Fujinami, Hiro Matsuda, Osamu Kido, Satoru Sayama (Tiger Mask) and Yoshiaki Fujiwara. Starting from 1976, one of these professional wrestlers, Inoki, hosted a series of mixed martial arts bouts against the champions of other disciplines, including a legitimate mixed-rules match against boxer Muhammad Ali. This resulted in unprecedented popularity of the clash-of-styles bouts in Japan. His matches showcased catch wrestling moves like the sleeper hold, cross arm breaker, seated armbar, Indian deathlock and keylock.

Gotch's students formed the original

RINGS bear links to catch wrestling. Randy Couture, Kazushi Sakuraba, Kamal Shalorus, Masakatsu Funaki, Takanori Gomi, Shinya Aoki and Josh Barnett, among other mixed martial artists, study catch wrestling as their primary submission style.[17]

The term no holds barred was used originally to describe the wrestling method prevalent in catch wrestling tournaments during the late 19th century wherein no wrestling holds were banned from the competition, regardless of how dangerous they might be. The term was later applied to mixed martial arts matches, especially at the advent of the Ultimate Fighting Championship.[18]

Notable practitioners

For practitioners of catch wrestling, see Category:Catch wrestlers.

See also

References

  1. ^ "Submission Wrestling". aspullolympicwrestlingclub.co.uk. Archived from the original on 7 April 2005. Retrieved 19 November 2019.
  2. ^ a b c d e Armstrong, Walter (1890), Wrestling
  3. ^ a b Slack, Jack (4 February 2016). "Kayfabe Time Capsule: The Real Techniques of Professional Wrestling". Fightland. Archived from the original on 8 November 2020. Retrieved 31 October 2019.
  4. ^ "Catch : l'histoire d'un sport spectacle marié avec la télé du 09 mars 2013". France Inter (in French). 9 March 2013. Retrieved 25 February 2023.
  5. ^
    FILA. Archived from the original
    on 11 July 2011. Retrieved 28 October 2008.
  6. ^ a b c Nash, John S. (13 August 2012). "The Olympic History of Catch Wrestling". Bloody Elbow. Retrieved 5 November 2021.
  7. ISBN 978-1-317-50047-6
    .
  8. ^ a b Bob Backlund, Robert H. Miller, Backlund: From All-American Boy to Professional Wrestling's World Champion
  9. ISBN 9781451604504
    . Retrieved 20 February 2019.
  10. ^ "Say Uncle! Catch-as-Catch-Can" Jake Shannon, ECW Press 2011, p201
  11. ^ Snake Pit U.S.A. Catch Wrestling Association (21 July 2018). "Curran Jacobs vs. Erik Hammer: 2018 Catch Wrestling World Championship/Snake Pit U.S.A." YouTube.
  12. Black Belt magazine
  13. ^ a b c Jack Slack (17 October 2016). "The Continued Catch Wrestling Adventures of Minoru Suzuki". Fightland. Vice. Retrieved 29 June 2020.
  14. ISBN 0-89941-751-5
  15. ^ Jim Smallman, I'm Sorry, I Love You: A History of Professional Wrestling
  16. ^ "Ito threw Santell (sic) around the ring like a bag of sawdust… When Ad gasped for air, the Japanese pounced upon him like a leopard and applied the strangle hold. Santell gave a couple of gurgles, turned black in the face and thumped the floor, signifying he had enough." -- Howard Angus, Los Angeles Times, 1 February 1917
  17. ^ Michael David Smith (20 January 2010). "Randy Couture 'Moving Away From a Jiu Jitsu Mentality'". MMA Fighting. Retrieved 2 March 2010.
  18. ^ "catch: the hold not taken". Archived from the original on 21 July 2011. Retrieved 8 February 2016. Catch: the hold not taken documentary DVD 2005

External links

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