Kuntao

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A demonstration in Indonesia
A member of the San Francisco based Parangal Dance Company performing a Langka Kuntao routine as part of their Bangsamoro suite of dances at the 14th Annual Fil-Am Friendship Celebration at Serramonte Center in Daly City, California.
Kuntao
Written Chinese 拳道
Bopomofo: ㄑㄩㄢㄉㄠ
Pinyin Quándào
Pe̍h-ōe-jī Kûn-thâu
Indonesian Kuntao
Malay Kuntau
Filipino Kuntaw

Kuntao or kuntau (

Hokkien term for the martial arts of the Chinese community of Southeast Asia, specifically the Malay Archipelago. It is most commonly practiced in and associated with Indonesia, Malaysia, the Philippines and Singapore
.

Etymology

There are no standard

Classical Malay and Indonesian
, making it the oldest known term for Chinese martial arts in those languages, before the modern adoption of the term kungfu. In English, and even in its modern Chinese usage, kuntao usually refers specifically to styles brought to Southeast Asia and often does not include other Chinese fighting systems.

History

The presence of

Peranakan families can still trace their clan history in the region as far back as the voyages of Admiral Zheng He,[2] but most Southeast Asian Chinese were brought to the Malay Archipelago as working-class immigrants during the colonial era.[3][4] In Indonesia in particular, every Chinese community had some form of kuntao, but were traditionally shrouded in secrecy.[1] As recently as the 1970s, kuntao was often practiced secretly to avoid its techniques from being revealed to outsiders, both Chinese and non-Chinese.[1] It was not openly displayed, and public demonstrations would hide the true forms.[1]
This changed during the latter of the 20th century, and kuntao is now taught commonly without secrecy. Kuntao was introduced to the US by Martial Artist and Military Veteran Joe Rossi, who learned it from his Filipino Master in World War II. He was taught the martial art as a member of the special forces in The US Navy to apply in Combat operations. Rossi began teaching Kuntao at his private studio in Waterbury, Connecticut after the war. It popularized further, by Willem Reeders and Willem de Thouars in the 1960s.

Styles

Both northern and southern Chinese martial arts are represented in kuntao, but the majority of systems originate from the same southern states as the Southeast Asian Chinese communities who practice them.

Shaolinquan), Ngochokun (wuzuquan or Five Ancestors fist), and Thaikek (tai chi). Other styles may be a conglomeration of several different schools[5] resulting from the supposition that they had to adapt to the Southeast Asian weapons and environment.[6] The sanchian
form is a common fundamental to all major styles of kuntao.

Kuntao in

kung fu
") are known for their rigidity and static postures. Guangdong styles are fast and energetic, employing flailing arm motions, subtle hand movements, and semiclenched formations for parrying and blocking.

In

Luohanquan (Arhat fist) and Thaikek dominate. The Chuga Siulam (Chu family Shaolin or phoenix-eye fist) school of Penang is the lineage-holder of the discipline and traces directly back to the art's founders. Wengchun (Wing Chun) has become increasingly popular since the early 20th century. Five Ancestors Fist is practiced mainly in the south and is known locally as Gochoh. It is the most pervasive style of kuntao in Singapore and the Philippines, though Thaikek is also commonly practiced. Singapore is known for both Hainanese styles as well as Cantonese Hunggakun
, particularly the Tiger And Crane form.

Kuntao in Sarawak (spelled locally as kuntau) was disseminated by Sino-Iban and adopted by the wider Iban people. Masters are addressed as guro and the training area is an outdoor space called kelang. Kuntau remains guarded by secrecy today, seldom shown to the public and rarely taught outside the community. Though traditionally passed within the family, kuntau has dwindled in popularity among the young. There are currently only 24 kelang statewide and 14 styles remain. This includes Lang Nginau, Tepis Memaloh, and Sinding Ujan Panas. The styles known as Spring 12 and Spring 24 closely resemble Wing Chun. As with Lian Padukan, they trace back to a Chinese man from Yunnan. In 2017 the National Iban Kuntau Association (Nika) was formed to preserve Iban kuntau, and has approved selected patterns to be displayed to the public.

Kuntao in the

Carlito A. Lanada, Sr. who inherited the art of Kuntaw Lima Lima. He is the son of Yong Iban Lanada, whose father, Yuyong Huenyo came from the Tausug tribe in the southern Muslim island of Mindanao.[7]

Integrated systems

Millennia of mutual exchange has at times blurred the line between kuntao and silat. Some schools may use the terms almost interchangeably as in Bali. Others incorporate both words in their name, as with Silat Kuntau Tekpi. In the most extreme cases, a particular lineage is passed down within the indigenous Southeast Asian community until it loses any outward Chinese reference. This has sometimes been intentional, particularly after the Chinese Communist Revolution. Between 1949 and the mid-80s, some schools were rebranded as silat to distance themselves from Maoist China. Additionally, the establishment of Indonesia's silat governing body IPSI in 1948 was a motivating factor for martial arts schools to be recognized by the association if they're considered silat. The rise of racism in more recent decades has further resulted in alterations to oral traditions and histories, de-emphasising their inception as the product of Chinese culture. The following are examples of such revision. All are characteristically Chinese in their techniques, tactics, and medicinal practices.

Cingkrik

From the Betawi word jingkrik meaning agile, legend traces Cingkrik to a monkey style of kuntao created by a woman who based the techniques on a group of monkeys she witnessed fighting. In the early 1900s this kuntao eventually reached a man in Rawa Belong named Kong Maing who further developed it after a monkey stole his walking stick and evaded all his attempts at retrieval. The modern revision credits Kong Maing entirely, ignoring its kuntao background.

Beksi

Peranakan named Lie Cheng Hok, who took both Chinese and native Indonesians as disciples. His successor was a Betawi and it has been passed down in Tangerang
ever since. According to the revision, Lie Cheng Hok himself was a student of a mysterious cave-dwelling hermit named Ki Jidan, who is now widely considered the progenitor.

Kwitang

Unlike most recent revisions, the dispute over

Tionghoa martial artist named Kwee Tang Kiam and a (traditionally unnamed) Betawi
herbalist in the 17th century. The loser would become the winner's student, but who won is a topic of contention. Some say Kwee Tang Kiam was the logical victor as the style still carries his name. Others say he lost and married the local man's daughter. As the art was passed down within the family, they continued to use the Kwitang name.

Bangau Putih

A white crane system founded in

Bogor, West Java
by Subur Rahardja in 1952. As a young child Subur Rahardja learned martial arts from several teachers, as well as his father and other family members. He was the acknowledged inheritor of five masters from different lineages. Most notably among these was his paternal uncle Liem Kim Bouw, other teachers included Mpe Sutur, the founder of the Cimande Pencak Silat school, Asuk Yak Long, and Gusti Djelantik. https://www.silat.de/flashback_of_pgb_en.html

Lian Yunan

A family of about 22 styles centered mainly in Johor, Malaysia. They are remarkably similar to Wing Chun with which they share a common origin in Yunnan, China during the 1700s. The most prominent style is Lian Padukan, itself a derivative of Buah Pukul from the Mersing district of Johor. It is said to have been introduced by a Hui man who made a name for himself fighting in the docklands of 1920s Singapore and Johor. Confusion over the Hui identity has led to revisionists replacing the founder's Chinese heritage with an Arab one.

Kuntaw

Spelled as kuntaw in the Philippines, the Chinese origin of kuntao is rarely denied, but it has often become associated with the

Tausugs
but it is also associated with the Filipino Muslim community of Indonesian or Borneo descent. The term is sometimes mistakenly translated as "sacred strike" from kunsagrado hataw.

Weapons

The vast array of weaponry found in China is naturally reflected in kuntao, the most famous examples being the sword, sabre, staff, spear and

butterfly swords. Listed below are some of the weapons used in traditional styles of kuntao. Pronunciation and spelling vary according to dialect and transliteration system used. The Mandarin
word-forms are given in parentheses.

See also

References

  1. ^
    ISBN 978-0-8048-1716-5
    .
  2. ^ Wang, Ma Rosey; "Chinese Muslims in Malaysia, History and Development"; 2000, http://210.0.141.99/eng/malaysia/ChineseMuslim_in_Malaysia.asp Archived 2006-07-17 at the Wayback Machine seen on 16. June 2013
  3. S2CID 53659419
    .
  4. JSTOR 2094409
  5. ^ Wiley, Mark V. & Co, Alexander L.; "Kuntao in Southeast Asia"; 1997, http://www.bengkiam.com/bengkiam/archive/Kuntao%20in%20Southeast%20Asia%20-%20Mark%20Wiley%20and%20Alex%20Co.pdf seen on 16. June 2013
  6. ^ Pulanco, Carlos; "Geschichte der philippinischen Kampfkünste - Teil 1"; 2003, http://www.bagongkatipunan.de/historie_fma1.htm seen on 16. June 2013
  7. ISBN 978-1881116622

External links
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