Motomami World Tour
Tour by Rosalía | |
Location |
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Associated album | Rosalía concert chronology |
The Motomami World Tour was the third concert tour by Spanish singer
The tour was a commercial and critical success - it received positive reviews from critics and fans, who complimented the immersive stage design and setlist. The Motomami World Tour was attended by 440,000 people and grossed $30.4 million from 45 shows, surpassing her previous concert tour, the El Mal Querer Tour, as her highest-grossing tour to date.[3] It became the tenth best performing female concert tour of the year worldwide.
Background
The tour was first announced with 44 dates in April 2022 with tickets going on sale for North American fans on 21 April for American Express cardholders, and for European fans the following day.[7] The tour started in Almería, Spain on 6 July 2022, and conclude in Paris on 18 December 2022. Additional shows were announced in Barcelona, Los Angeles, Madrid and New York City.[8] Due to overhelming demand, the São Paulo concert was moved from the Tokio Marine Hall to Espaço Unimed, a double-sized venue.[9] Additional shows in Mexico City and Buenos Aires were announced, respectively in April and May.[10] No opening acts were announced, although the concerts in Buenos Aires and Santiago had theirs announced the day before each show.
Stage and aesthetic
Rosalía wore costumes from Dion Lee and Pepa Salazar on stage. She enlisted long-time friend Ferran Echegaray and sister Pilar Vila as artistic directors and production designers and Jesse Blevins from Barcelonian company Fluge Audiovisuales as lighting director.[11] The design concept is based on Harold Rosenberg's idea of a white canvas to be filled within the abstract expressionism movement and the defense of the performance. The tour stage is composed of a white cyclorama and two vertical 7,5x9 meter, 4,8mm pitch screens on both sides that accompany a 20-meter-long runway (only in shows performed in indoor arenas) that loops around an audience pit. Lightning equipment primarily consists of two Lancelot HTI 4000 by Robert Juliat located on the top part of the stage, above the runway. The sound system is confected of 112 Meyer Sound loudspeakers, 62 on the public address system, 6 on the downfill, 16 on the frontfill and 28 on the outfill.[12] The stage for the Motomami Tour was reportedly constructed in the United States with a cost over half-a-million euros.
The stage design is intended to deliver a "
Critical reception
Spain
The tour has received positive-to-mixed reviews from critics during its first leg. Nuria Net from Rolling Stone gave the first show at Madrid a positive review, stating that "On this Motomami Tour, it's all about minimalism and showcasing her raw talent, but it's also loud and eclectic. In the cover image of the acclaimed album, Rosalía appears naked except for a motorcycle helmet. During her live show, she bares it all even more".[16] About the stage design, she added: "the immersive experience is translated to the stage by a cameraperson who could very well have been the ninth 'motopapi' dancer, hovering constantly around Rosalía, even standing right in front of her and blocking her from front view. But that's the point." Writing for El País, Fernando Neira wrote a controversial paper about the same show, in which he questioned the "camera-focused" type of spectacle by calling Rosalía a "walking selfie" performing a "televised karaoke" while also talking poorly about the record.[17] Neira's words were widely criticized by fans and specialized outlets including Forbes, ElDiario.es, and singer Alaska, who called Neira "absurd" and stated that the show "is a full 21st century spectacle" while also comparing it to recent live performances by Kiss and C. Tangana.[18][19] Jenesaispop's Sebas Alonso gave the tour a positive review, rating the show with an 8/10. The portal highlighted the "futuristic" yet "minimalistic" aspects of the show stating that "Rosalía is always two steps ahead (...) she's already thinking about what's next. There are no artists in this world interested in looking back at 2019", praising the show not relying on the "glorification of the 80s or 90s" by betting on a "new way to perform and to interact, with no costume changes or kilometrical cranes".[20]
North America
The North American leg of the tour received positive reviews from critics.
Europe
The European leg of the tour received positive reviews from critics. Hannah Mylrea from NME and The Independent gave the show in Lisbon a five-star perfect review.[27] They coincided that "rapidly switching from soaring ballads to industrial club moments, this show is a demonstration of Rosalía's singular artistic vision. Encompassing the genre-shifting nature of Motomami and allowing each of the record's sides to shine in equal measure –be that with a complex dance routine, or a tear-jerking moment of catharsis– it's indicative of Rosalía's sheer talent as a performer, and a reminder that nobody is doing it quite like her at the moment".[28]
The
The solo tour stops were attended by many celebrities and public personalities such as Queen Letizia, Frank Ocean, M.I.A, Drake, Dua Lipa, Pedro Pascal, Robert Pattinson, Kylie Jenner, Kendall Jenner, Bella Hadid, Shawn Mendes, Pedro Almodóvar, Rossy de Palma, Suki Waterhouse, Emily Ratajkowski, Danna Paola, Zara Larsson, Julieta Venegas, Angèle, Simon Jacquemus, Nicki Nicole, Addison Rae, Estopa, Pabllo Vittar, Ludmilla, Carlos Cuevas, Amaia, Tokischa, Carminho and Rauw Alejandro.[33][34]
Concert synopsis
As the audience enters the venue before the start of the show, a progressive
During "Bizcochito", Rosalía walks to the end of the runway and makes a "sassy" fake chewing gum face that became viral on TikTok. A high-pitch voice distorter is used on the singer's vocals at the end. An extended solo version of lead single "La Fama" similar to the one used in her performance on Saturday Night Live, starts playing while Rosalía puts on a pair of sunglasses. Rosalía picks up a guitar and interacts with the audience for the first time during a speech that precedes "Dolerme". During the performance, a blue floodlight shines above the singer and the main screen projects images of moving water. A medley of "De Aquí No Sales" and "Bulerías" comes right after. The former's performance partly recycles that of El Mal Querer Tour while the latter features an avant-flamenco outro that was already spotted on her Motomami Live virtual concert. The 'motopapis' form a human motorcycle during an extended version of the
Rosalía walks down to the public with yet another mobile camera during "
A twenty-meter-long black
"LAX", in which Rosalía sings about her fears of stardom, serves as the show's first and only interlude, with its lyrics written by a Bic pen being projected on the central screen as they're sung. Lightning turns orange and a
Setlist
The following setlist was obtained from the 9 July 2022 concert, held at the Estadio de La Cartuja in Seville, Spain.[35] It does not represent all concerts for the duration of the tour.
- "Saoko"
- "Candy"
- "Bizcochito"
- "La Fama"
- "Dolerme"
- "De aquí no sales" / "Bulerías"
- "Motomami"
- "G3 N15"
- "Linda"
- "La Noche de Anoche"
- "Diablo"
- "Hentai"
- "Pienso en tu mirá"
- "Perdóname" (La Factoría and Eddy Lovercover)
- "De Plata"
- "Abcdefg" (interlude)
- "La Combi Versace"
- "")
- "Aislamiento"
- "Blinding Lights (remix)"
- "Chiri"
- "Como un G"
- "Malamente"
- "LAX" (interlude)
- "Delirio de grandeza"
- "Con altura"
- Encore
- "Chicken Teriyaki"
- "Sakura"
- "Cuuuuuuuuuute"
- During the concert in Almería, "LAX" wasn't played.
- During the concerts in Granada, Fuengirola, the first one in Madrid and the second one in Mexico City, "De plata" was not performed.
- During the first show in Barcelona, Rosalía sang an a capella version of "Milionària" in the course of "Abcdefg".
- During the concert in Palma, Rosalía did not perform "Perdóname", "De plata", "Delirio de grandeza", "Chicken Teriyaki" and "Sakura" due to an illness.
- During the concert in São Paulo, Rosalía performed an acapella cover of "Você Vai Ver" by Tom Jobim.
- During the concerts in Buenos Aires, Rosalía performed an acapella cover of "Alfonsina y el mar" by Mercedes Sosa after reading a sign from a fan in the audience on the first night.
- During the concert in Santiago, Rosalía performed an acapella version of "Catalina" after a request of someone in the audience.[36] The song was performed again at the following shows in Bogotá, La Romana and Berlin.
- During the concert in La Romana, Tokischa joined Rosalía on stage to sing "Linda".
- During the first concert in Inglewood, M.I.A. surprised Rosalía onstage while performing "Yo x Ti, Tu x Mi".
- During the concert in Miami, "Dolerme", "Diablo", "Pienso en tu Mirá", "Perdóname", "De Plata", "Abcdefg", "Aislamiento", "Blinding Lights", "Chiri", "Como Un G" and "Sakura" were not performed.
Shows
Date | City | Country | Venue | Opening acts | Attendance | Revenue |
---|---|---|---|---|---|---|
Europe[37] | ||||||
6 July 2022 | Almería | Spain | Recinto Ferial | — | 6,969 / 8,483 | $476,698 |
9 July 2022 | Seville | Estadio de La Cartuja | 15,254 / 18,758 | $991,360 | ||
12 July 2022 | Granada | Plaza de Toros | 7,442 / 7,442 | $506,814 | ||
14 July 2022 | Fuengirola | Marenostrum Music Castle | 12,364 / 15,982 | $793,165 | ||
16 July 2022 | Valencia | Auditorio Marina Sur | 15,357 / 17,919 | $1,107,086 | ||
19 July 2022 | Madrid | WiZink Center | 30,202 / 30,202 | $2,044,525 | ||
20 July 2022 | ||||||
23 July 2022 | Barcelona | Palau Sant Jordi | 35,490 / 35,490 | $2,263,939 | ||
24 July 2022 | ||||||
27 July 2022 | Bilbao | Bizkaia Arena | 13,599 / 16,114 | $903,305 | ||
29 July 2022 | A Coruña | Coliseum da Coruña | 7,988 / 7,988 | $516,687 | ||
1 August 2022 | Palma | Son Fusteret | 8,999 / 8,999 | $636,564 | ||
Latin America[38] | ||||||
14 August 2022 | Mexico City | Mexico | Auditorio Nacional | — | 19,161 / 19,161 | $1,235,436 |
15 August 2022 | ||||||
17 August 2022 | Zapopan | Auditorio Telmex | 7,902 / 7,943 | $628,737 | ||
19 August 2022 | Monterrey | Auditorio Citibanamex | 6,668 / 6,679 | $573,034 | ||
22 August 2022[a] | São Paulo | Brazil | Espaço Unimed | 8,594 / 8,594 | $607,526 | |
25 August 2022 | Buenos Aires | Argentina | Movistar Arena | Bresh | 25,740 / 31,001 | $1,522,966 |
26 August 2022 | ||||||
28 August 2022 | Santiago | Chile | Movistar Arena | ICZ | 15,506 / 15,506 | $795,162 |
31 August 2022 | Bogotá | Colombia | Movistar Arena | — | 10,732 / 11,384 | $594,775 |
3 September 2022 | La Romana | Dominican Republic | Altos De Chavón | 5,796 / 5,796 | $460,747 | |
9 September 2022 | San Juan | Puerto Rico | José Miguel Agrelot Coliseum | 12,283 / 13,593 | $897,410 | |
North America[40] | ||||||
15 September 2022 | Boston | United States | MGM Music Hall at Fenway | — | 4,652 / 4,916 | $400,989 |
18 September 2022 | New York City | Radio City Music Hall | 11,544 / 11,544 | $1,224,263 | ||
19 September 2022 | ||||||
23 September 2022 | Toronto | Canada | Budweiser Stage | 7,667 / 8,871 | $542,478 | |
26 September 2022 | Washington, D.C. | United States | The Anthem | 6,000 / 6,000 | $553,258 | |
28 September 2022 | Chicago | Byline Bank Aragon Ballroom | 4,901 / 4,901 | $402,201 | ||
2 October 2022 | San Diego | CalCoast Credit Union Open Air Theatre | 4,720 / 4,720 | $500,930 | ||
4 October 2022 | San Francisco | Bill Graham Civic Auditorium | 8,507 / 8,507 | $765,305 | ||
7 October 2022 | Inglewood | YouTube Theater | 11,699 / 11,699 | $1,450,359 | ||
8 October 2022 | ||||||
12 October 2022 | Houston | 713 Music Hall | 5,058 / 5,058 | $437,422 | ||
14 October 2022 | Irving | The Pavilion at Toyota Music Factory | 5,952 / 8,023 | $478,837 | ||
17 October 2022 | Atlanta | Coca-Cola Roxy | 3,607 / 3,607 | $339,968 | ||
22 October 2022[b] | Miami | MANA Wynwood | — | — | ||
Europe[42] | ||||||
25 November 2022 | Braga | Portugal | Altice Forum | — | 11,444 / 11,444 | $567,766 |
27 November 2022 | Lisbon | Altice Arena
|
19,002 / 19,002 | $888,048 | ||
1 December 2022 | Milan | Italy | Mediolanum Forum
|
10,146 / 10,146 | $535,363 | |
4 December 2022 | Berlin | Germany | Velodrom | 7,872 / 7,872 | $428,310 | |
7 December 2022 | Düsseldorf | Mitsubishi Electric Halle | 7,187 / 7,187 | $398,453 | ||
10 December 2022 | Amsterdam | Netherlands | AFAS Live | 6,019 / 6,019 | $345,725 | |
12 December 2022 | Brussels | Belgium | Forest National | 8,388 / 8,388 | $484,072 | |
15 December 2022 | London | England | The O2 Arena | 14,752 / 14,752 | $1,083,667 | |
18 December 2022 | Paris | France | Accor Arena | 15,540 / 15,540 | $1,048,470 | |
Total | 440,703 / 465,230 (94.73%) | $30,431,765 |
Notes
- ^ The concert on 22 August 2022 in São Paulo was originally set to take place at the Tokio Marine Hall, but it was moved due to high demand.[39]
- ^ The concert on 22 October 2022 in Miami was part of the III Points Music, Art, and Technology Festival.[41]
Personnel
Credits adapted from Live Nation.[43][44][45]
- Show
- Rosalía – Vocals, dancer, electric guitar, piano, creative director
- Jaxon Willard – Dancer
- Chandler – Dancer
- Oscar Ramos – Dancer
- Antonio Spinelli – Dancer
- Stanley Glover – Dancer
- Daniel Muñoz – Dancer
- Mykee Moves – Dancer
- Eddy Soares – Dancer
- Sam Vázquez – Dancer
- Jal Joshua – Dancer
- Jesse Johnson – Dancer
- Jovanni Christian Soto – Dancer
- Yai Ariza – Dancer
- Mario D. Harris – Dancer
- Llorenç Barceló – Keyboards
- Crew
- Agustin Boffi – Tour Manager
- Alejandro Agra – Production Manager
- Jordi Picazos – Stage Manager
- Unai Lascano Muro – Ableton Live Tech
- Aaron Wade – LD
- Mecnun Giasar – Choreographer
- Jacob Jonas – Choreographer
- Ferran Echegaray – Creative director
- Pilar Vila Tobella – Creative director
- Jesse Blevins – Lighting design
- Lucas Casanovas - Live Camera Designer
- José María Mourin Pérez – Sound design
- Omar Mohamed Luis – D3 programmer
- Dion Lee – Costume designer
- Pepa Salazar – Costume designer
References
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- ^ Roiz, Jessica (18 April 2022). "Rosalia to Embark on 2022 'Motomami' World Tour". Billboard. Elridge Industries. Archived from the original on 25 July 2022. Retrieved 18 April 2022.
- ^ Frankenberg, Eric (6 December 2022). "Cómo Rosalía pasó de cantar en clubes a estadios durante la pandemia". Billboard (in European Spanish). Archived from the original on 11 January 2023. Retrieved 12 January 2023.
- ^ Gambín, Marta (18 March 2022). "Rosalía: la 'motomami' que reneix del 'mal querer' i fa el que li rota" [Rosalía: the 'motomami' who is reborn from 'bad love' and does what she wants]. El Nacional (in Catalan). Archived from the original on 1 August 2022. Retrieved 18 April 2022.
- ^ Sierra, Míriam (25 March 2022). "Rosalía's 'Motomami' surprises everyone with its trendsetting nature". The Ticker. Archived from the original on 1 August 2022. Retrieved 18 April 2022.
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- ^ "Polémica en Twitter con los conciertos de Rosalía: diseñados para TikTok, pocos músicos y mucho karaoke". www.flooxernow.com (in Spanish). 21 July 2022. Archived from the original on 28 July 2022. Retrieved 27 July 2022.
- ^ Flores, Griselda (6 October 2022). "5 cosas que aprendimos de la charla con Rosalía en el Museo del Grammy". Billboard (in European Spanish). Archived from the original on 11 October 2022. Retrieved 11 October 2022.
- ^ Net, Nuria (20 July 2022). "Rosalía Delivers a Wild, Innovative Pop Spectacle on Her Own Terms in Madrid". Rolling Stone. Archived from the original on 27 July 2022. Retrieved 27 July 2022.
- ^ Gallardo, David (21 July 2022). "Rosalía divide España (otra vez): ¿un concierto sin músicos es un concierto?". infoLibre (in Spanish). Archived from the original on 28 July 2022. Retrieved 28 July 2022.
- ^ Rodríguez, Andrés (25 July 2022). "La gira de Rosalía: ¿concierto o karaoke?". Forbes España (in Spanish). Archived from the original on 28 July 2022. Retrieved 28 July 2022.
- ^ Digital, Libertad. "Alaska, al crítico musical de 'El País': "Es sangrante, Rosalía es una estrella"". Libertad Digital - Cultura (in European Spanish). Archived from the original on 28 July 2022. Retrieved 28 July 2022.
- ^ "'MOTOMAMI Tour': bienvenidos a los nuevos años 20". jenesaispop.com (in Spanish). 20 July 2022. Archived from the original on 28 July 2022. Retrieved 28 July 2022.
- ^ Johnston, Maura. "Pop powerhouse Rosalía in full command at MGM Music Hall". The Boston Globe. Archived from the original on 11 October 2022. Retrieved 11 October 2022.
- ^ Kress, Bryan (19 September 2022). "Rosalía Revs Up the Motomami World Tour at Radio City in New York: Review and Setlist". Consequence. Archived from the original on 11 October 2022. Retrieved 11 October 2022.
- ^ "Review: Rosalía is an Enigma in her 'Motomami' Tour". EDGE Media Network. Archived from the original on 11 October 2022. Retrieved 11 October 2022.
- from the original on 28 September 2022. Retrieved 11 October 2022.
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- ^ "REVIEW: Rosalía all that and more at 'MOTOMAMI' Bill Graham Civic show". RIFF Magazine. 5 October 2022. Archived from the original on 11 October 2022. Retrieved 11 October 2022.
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- from the original on 24 January 2023. Retrieved 24 January 2023.
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- ^ "Rosalía review – pop's fearless queen conjures a kaleidoscopic paradise". the Guardian. 16 December 2022. Archived from the original on 24 January 2023. Retrieved 24 January 2023.
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- ^ "Rosalía causa furor en Madrid con su gira Motomami World Tour". HOLA (in Spanish). 21 July 2022. Archived from the original on 14 October 2022. Retrieved 14 October 2022.
- ^ Navarro, Alba (7 July 2022). "ESTE ES EL SETLIST DEFINITIVO DE MOTOMAMI TOUR DE ROSALÍA" [THIS IS THE DEFINITIVE SETLIST OF ROSALÍA'S MOTOMAMI TOUR]. Los 40 (in Spanish). Promotora de Informaciones, S.A. Archived from the original on 1 August 2022. Retrieved 7 July 2022.
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