Overexposed (album)
Overexposed | ||||
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Studio album by | ||||
Released | June 20, 2012 | |||
Recorded | Mid 2011–Early 2012 | |||
Studio | Conway Recording Studios (Los Angeles, California) | |||
Genre | ||||
Length | 42:10 | |||
Label | A&M Octone | |||
Producer |
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Maroon 5 chronology | ||||
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Singles from Overexposed | ||||
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Overexposed is the fourth studio album by American
The accompanying artwork, created by
The album received a mixed reception from music critics. Some praised the album, calling it their strongest effort, but others criticized the direction the band decided to take, calling it a failed attempt to go mainstream. Additionally, critics and fans alike perceived the album as overly focused on Levine. It debuted at number 2 on the UK Albums Chart, selling 38,000 copies, and on the US Billboard 200 chart, selling 222,000 copies. According to the International Federation of the Phonographic Industry (IFPI), Overexposed was the 11th global best-selling album of 2012 with sales of 2.2 million copies.[1] To promote the album, the band embarked on the Overexposed Tour (2012–2014).
Background
In September 2010, the band released their third studio album, Hands All Over.[2] While preparing the album, the band received a phone call from Robert John "Mutt" Lange, who had heard the band was beginning to write a new record, and expressed an interest in producing it.[2] The album received generally favorable reviews from music critics and debuted at number two on the US Billboard 200 chart.[3][4] However, the album experienced moderate success in overall sales; regarding that, the band guitarist James Valentine expressed some frustration and said that a new album may be coming sooner than was originally planned.[5] Valentine further commented:
"It would be nice to start working on another record next year". "I think with the last two records, it's been a little bit unbalanced, in that we had so much success and there was so much of the world to cover that our studio/road balance was a little off... In a perfect world we'd tour for six months and maybe record for six months, but that's not the way it works. But the whole point is to make more music, and if anything you can spend too much time out there."[5]
Valentine also said the band has "tons of material" available, including holdovers including songs from Hands All Over and also other tracks the band has written since then. "I think everybody's been pretty busy compiling ideas for the next one," he stated. "With technology and the recording capacity we have on our laptops, we can be a little more prolific while we're [touring]. We've never been able to do that before. I think we could go in and make a record today and have a pretty solid album."
Recording and production
The band started writing songs for Overexposed during their latest tour in support of Hands All Over. After concluding with the tour, the band recorded the material of the album at the Conway Recording Studios located in Los Angeles, California.[8][9] Speaking about the development on the material, Valentine revealed that "Moves Like Jagger" was the first time the band worked with an outside writer, so they decided to implement it more on Overexposed. "At this point in our career I think it was a good thing to completely mix up our process and it yielded good results, as well as a more collaborative spirit within the band. We wanted to make something that sounded contemporary with the elements of a lot of early eras of pop music" explained Valentine.[10] On the development of the album, Levine also commented, "Overexposed is definitely our most diverse and poppiest album yet. We had a great time recording it. I can't wait for our fans to hear the record, as well as hitting the road to play it live for everyone later this year."[9] In another interview for Rolling Stone, the singer revealed that is their most dance-driven album ever, commenting: "It's very much an old-fashioned disco tune. I have a love/hate relationship with it – but mostly I love it."[11]
The album was executively produced by Max Martin, with additional tracks produced by Benny Blanco and Ryan Tedder.[9][12] Tedder commented that the sound of the songs was very fresh and would affect kids. However, he further stated, "maintaining that interest — that's the hardest thing in the world."[8] Blanco explained that he and Levine first met during recording the song "Stereo Hearts" by Gym Class Heroes on which Levine is featured.[8] The producer explained that when Levine heard the song he solely wanted in for himself on which Blanco responded that they will make another track for the band.[8] After producing "Moves Like Jagger", he also worked on Overexposed and produced some songs including the lead single of the album, "Payphone".[8] Although new collaborators were recruited to help in developing the album, Levine wrote all the songs with additional help from Valentine and produced a large portion of it, including the ballad "Sad". According to Valentine, the development of the song began one morning, when he woke up and "before he was even awake" he was at his living room's piano playing the melody.[13] For an interview with MTV News, Levine told that "Sad" is his most personal track on the album, but didn't reveal the inspiration behind it.[14]
Composition
Influence and sound
Overexposed is a pop[15][16] and pop rock album[17] with dance-pop,[18] disco,[19] electropop,[20] R&B[21] and reggae influences.[11] According to the band's official website, the album is "a chock-full collection of undeniable, anthemic melodies."[9] Multiple critics stated that "Moves Like Jagger" served as the biggest influence for composing and writing most songs on Overexposed.[17][20][22] Additionally, they noted that the works by Barbadian recording artist Rihanna influenced the album's sound.[17][20]
Songs and lyrics
The album's opening track, "
The eighth song on the album, "Fortune Teller" has a pop tempo piano beat, that meshes with the song to provide a mix of emotions. The song gives a sort of "I want you, but I can't decide for you" feel.
Three additional tracks are present on the deluxe edition of Overexposed, including "Wipe Your Eyes", "Wasted Years" and either "
Artwork
On April 10, 2012, the band debuted the artwork of the album on their official website.
Singles
"Payphone" featuring Wiz Khalifa, was released as the
"One More Night" was released as the second single from the album on June 19, 2012.[60] The song received generally positive reviews from critics who praised "the catchy reggae-drenched musical production" and "Adam Levine's confident pop vocals".[61] "One More Night" reached the top-ten on over 26 national charts worldwide. It topped the US Billboard Hot 100 for nine consecutive weeks becoming Maroon 5's longest topping single on the chart and was tied with "Call Me Maybe" by Carly Rae Jepsen for longest lead of the year.[62] The music video of "One More Night" premiered on June 25, 2012, on MTV and was directed by Peter Berg.[63][64] The video follows Levine's character being a boxer whose relationship is in ruins because of his profession, his love interest is played by American actress Minka Kelly.[65]
"Daylight" was released as the third single from the album on November 8, 2012.[66] The song received generally mixed reviews from critics with Cameron Adams of Herald Sun noting that "it sounds like Max Martin trying to write a Coldplay song by recycling his Backstreet Boys handiwork."[67] "Daylight" reached the top-ten on over eight national charts worldwide including number seven on the US Billboard Hot 100[68] and number five on the Canadian Hot 100.[69] Two music videos of the song are released, the first video titled "The Daylight Project", features fans express things they love and hate throughout the video and was directed by Jonas Åkerlund.[70] A second video titled "Playing for Change", is directed by Mark Johnson. This video includes several street musicians from around the world to sing along and playing instruments with scenes of the band performing live on concert shows.[71]
The fourth and final single from the album "Love Somebody" was released in the US contemporary hit radio on May 14, 2013.[72] The song was received with mixed reviews from critics who praised the composition but were critical towards to Levine's vocals of the song.[17] "Love Somebody" reached number 10 both on the Canadian Hot 100[69] and on the US Billboard Hot 100.[73] A music video for the song was directed by Rich Lee and premiered on NBC on May 20, following The Voice.[74] It features Levine, the other members of the band and his love interest (played by Emily Ratajkowski) covered in paint.[75]
Promotional singles
"Lucky Strike" was released on January 20, 2014, in
Promotion and touring
To promote the album, Maroon 5 performed many songs on the
The band started the
Critical reception
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 4.6/10[83] |
Metacritic | 54/100[3] |
Review scores | |
Source | Rating |
AllMusic | [18] |
American Songwriter | [15] |
Entertainment Weekly | C+[17] |
The Guardian | [22] |
The Independent | [34] |
musicOMH | [20] |
NME | 5/10[28] |
PopMatters | 5/10[84] |
Rolling Stone | [19] |
Spin | 4/10[85] |
Overexposed received generally mixed reviews from
In a positive review for Rolling Stone, Rob Sheffield called Overexposed the band's best album yet and said that its first-rate, dulcet sound is complemented by sharp, womanizing lyrics.[19] Nate Chinen of The New York Times felt that, although Levine sounds awkward when deviating from the slick style, the album further invests in their "glib" strengths, including Levine's supple voice.[87] Stephen Thomas Erlewine, writing for AllMusic, said that the "briskly contemporary" album may not be as good as Hands All Over, but it will ensure the band's commercial momentum.[18] American Songwriter magazine's Eric Allen believed that newer fans of the band from "today's beat oriented downloading musical culture" will be excited by Overexposed, although it may alienate their older fans and "music snobs".[15]
Commercial performance
Overexposed debuted at number 2 on the
At the end of 2012, the album has sold over 2 million copies worldwide.
In Canada, the album debuted at number 3 on the
Track listings
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "One More Night" |
| 3:39 | |
2. | "Payphone" (featuring Wiz Khalifa) |
|
| 3:51 |
3. | "Daylight" |
|
| 3:45 |
4. | "Lucky Strike" |
|
| 3:05 |
5. | "The Man Who Never Lied" |
|
| 3:25 |
6. | "Love Somebody" |
|
| 3:49 |
7. | "Ladykiller" |
|
| 2:44 |
8. | "Fortune Teller" |
|
| 3:23 |
9. | "Sad" |
|
| 3:14 |
10. | "Tickets" |
|
| 3:29 |
11. | "Doin' Dirt" |
| Shellback | 3:31 |
12. | "Beautiful Goodbye" |
| 4:15 | |
Total length: | 42:10 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
13. | "Moves like Jagger" (featuring Christina Aguilera) |
|
| 3:21 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
13. | "Wipe Your Eyes" |
|
| 3:34 |
14. | "Wasted Years" |
|
| 3:33 |
15. | " Al Jackson, Jr. | Maroon 5 | 3:24 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
15. | "Kiss" | Prince |
| 7:00 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
16. | "Moves like Jagger" (featuring Christina Aguilera) |
|
| 3:21 |
17. | "Payphone" (Supreme Cuts Remix; featuring Wiz Khalifa) |
|
| 4:42 |
18. | "Payphone" (Cutmore Remix; featuring Wiz Khalifa) |
|
| 3:12 |
19. | "Payphone" (The Sound of Arrows Remix; featuring Wiz Khalifa) |
|
| 5:03 |
Notes
- ^a signifies an additional producer
- ^b signifies a co-producer
- "Wipe Your Eyes" contains a sample of the recording "Sabali", written by Damon Albarn, Mariam Doumbia and Marc Moreau, and performed by Amadou & Mariam.[43]
- "Wasted Years" contains samples of "The Rill Thing", written and performed by "Little" Richard Penniman.[43]
Personnel
Maroon 5
- Adam Levine – lead and backing vocals, rhythm guitar, songwriting, production
- Mickey Madden – bass guitar, songwriting
- James Valentine – lead and rhythm guitar, backing vocals, sitar, keyboards, songwriting, production
- Matt Flynn – drums, percussion
- PJ Morton – keyboards, synthesizers, backing vocals
Additional musicians
- Dan Omelio – guitars, keyboards, synthesizers, songwriting, production
- Benny Blanco – guitars, keyboards, synthesizers, songwriting, production
- Shellback – production, songwriting, guitars, keyboards, synthesizers, programming, drums, backing vocals
- Max Martin – backing vocals, guitars, keyboards, songwriting, production
- Ammar Malik – backing vocals, guitars, songwriting
- Wiz Khalifa – rap (featured guest on "Payphone")
- Brie Larson – backing vocals (tracks 3 and 10)
- Savannah Buffett – backing vocals
- Dan Keyes – backing vocals
- Z Berg – backing vocals
- Vanessa Long – backing vocals
- Sam Farrar – production, programming, backing vocals
- Mason "MdL" Levy – keyboards, drums, production
- Ryan Tedder – keyboards, songwriting, production
- Noel Zancanella – keyboards, songwriting, production
- Brian "Sweetwesty" West– guitar, programming, songwriting, production
- Noah "Mailbox" Passovoy – production, keyboards
- David Silberstein – wine glasses
- Scott Yarmovsky – wine glasses
Charts
Weekly charts
|
Year-end charts
Decade-end charts
|
Certifications
‹See Tfd›‹See Tfd›Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA)[142] | Platinum | 70,000^ |
Brazil (Pro-Música Brasil)[143] | Gold | 20,000* |
Denmark (IFPI Danmark)[144] | Platinum | 20,000‡ |
France ( SNEP)[145]
|
Platinum | 100,000* |
Italy (FIMI)[146] | Platinum | 50,000‡ |
Japan (RIAJ)[147] | Gold | 100,000^ |
Mexico (AMPROFON)[148] | 2× Platinum+Gold | 150,000^ |
New Zealand (RMNZ)[149] | Gold | 7,500^ |
Philippines (PARI)[150] | Gold | 7,500^ |
Singapore (RIAS)[151] | 2× Platinum | 20,000* |
South Korea ( Gaon )
|
16,766[152] | |
Sweden (GLF)[153] | Gold | 20,000‡ |
United Kingdom (BPI)[155] | Platinum | 531,735[154] |
United States (RIAA)[156] | Platinum | 1,690,000[92] |
Summaries | ||
Worldwide (IFPI) | — | 2,200,000[1] |
* Sales figures based on certification alone. |
Release history
Country | Date | Edition(s) | Label |
---|---|---|---|
Japan[98][99] | June 20, 2012 |
|
Universal |
Portugal[157][158] | June 21, 2012 |
| |
Australia[159] | June 22, 2012 | Standard (CD) | |
Germany[160][161] |
| ||
France[162] | June 25, 2012 | Standard (CD) | |
South Korea[163] |
| ||
New Zealand[164][165] |
| ||
United Kingdom[166][167] | Polydor | ||
Canada[168][169] | June 26, 2012 | Universal | |
Italy[170][171] | |||
United States[172][173] | A&M/Octone | ||
Spain[174][175] | Universal | ||
Sweden[176] | June 27, 2012 | Standard | |
China[177] | September 1, 2012 | Standard |
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Yes, Adam and Sam recorded a demo of it, but no, we never recorded it a full band other than playing it live. We played it live a lot though.
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External links
- Overexposed at Discogs (list of releases)