Rashid Jahan

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Rashid Jahan
Progressive Writers Movement
Notable worksAngarey
SpouseMahmuduz Zafar
RelativesSheikh Abdullah (father)
Begum Khurshid Mirza (sister)
Hamida Saiduzzafar (sister-in-law)
Salman Haidar (nephew)
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Rashid Jahan (25 August 1905 – 29 July 1952) was an Indian writer and medical doctor known for her Urdu literature and trenchant social commentaries. She wrote short stories and plays and contributed to Angarey (1932), a collection of unconventional short stories written in collaboration with Sajjad Zaheer, Ahmed Ali, and Mahmuduz Zafar.[1][2]

Jahan was an active member of the Progressive Writers' Movement and the Indian People's Theatre Association.[3][4][5] She has been called one of the first ever feminists and was a leading Indian communist.[3][5][6] These two schools of thought animated Jahan's life and literary output.

Biography

Early life

Rashid Jahan was born on 25 August 1905 in

Women's College, Aligarh at the Aligarh Muslim University.[8] Sheikh Abdullah also ran the Urdu literary journal Khatun, which promoted women's emancipation and education, and to which Jahan's mother was a frequent contributor.[9] As Jahan's future sister-in-law, Hamida Saiduzzafar, related in a 1973 interview, Rashid once said of her upbringing: ‘‘We have slept on the mattress of women's education and covered ourselves with the quilt of women's education from our earliest consciousness."[7]

Education

Jahan undertook her early education in

United Provinces Provincial Medical Service, and was posted to small towns across north India, from Bahraich to Bulandshahar and Meerut.[1][2]

Activism

In 1931, Jahan was posted to the

United Provinces, adopting the moniker "Comrade Rashid Jahan."[5]

In October 1934, Jahan married Angaaray collaborator and noted

United Provinces medical service and joined Zafar in Amritsar soon after.[10] In 1935 and 1936, Jahan was intimately involved in the founding of the Progressive Writers' Association, organizing the First Progressive Writers' Conference in Lucknow during the April of 1936. In 1937, Jahan moved once again, this time to Dehradun, where she continued to be an active member of the Communist Party of India while working as a gynecologist and serving as the editor of the Communist newspaper-cum-literary journal Chingari.[5] In early 1937, Jahan published a collection of plays and short stories entitled Aurat. In the summer of the same year, Jahan travelled to Vienna to seek medical aid for a thyroid problem.[1]

Jahan's political, literary, and medical careers often intersected as she pursued wide-ranging

United Provinces railway system.[10] Jahan was released in May 1949 after participating in a hunger strike with her fellow prisoners, but cancer caused Jahan's health to deteriorate by early 1950 and made Jahan unable to continue her lifelong activist projects.[1]

Death

On 2 July 1952, Jahan and her husband left India for the

Kremlin Hospital but died on 29 July 1952, soon after arriving. Jahan is buried in a Moscow cemetery, where her tombstone reads, "Communist Doctor and Writer."[4][5]

Literary output

It is thought that Jahan wrote approximately 25-30 original short stories and 15-20 original plays in her lifetime.[1] Two of these short stories appear in Angaaray and six appear in Aurat, while the rest have been lost to time for reasons of obscurity or limited initial circulation. The plays Jahan wrote were intended for radio, and were generally aired on All India Radio during her lifetime.[11]

Jahan also produced a number of translations of English, Russian, and Chinese short stories—among them works by Anton Chekov, Maxim Gorky, and James Joyce—and dramatized short stories written by other Urdu authors, such as Premchand.[1][6]

Jahan's writings have appeared in Woh aur Dusre Afsane wa Drame (Maktaba Jamia, 1977) and A Rebel and Her Cause (Rakshanda Jalil, 2014).[9]

Angaaray

Published in December 1932 by Nizami Press, Angaaray (translated alternatively as "Embers" or "Burning Coals") was a volume of 10 short stories written by Sajjad Zaheer, Ahmed Ali, Rashid Jahan, and Mahmuduz Zafar.[12] Zaheer contributed 5 short stories to the collection, Ali two, Jahan two, and Zafar one.[13] The two pieces that Jahan contributed to Angaaray were Dilli ki Sair ("A Trip to Delhi") and Parde ke Peeche ("Behind the Veil").

Dilli ki Sair is a three page monologue told from the perspective of a Muslim woman, Malika Begum of Faridabad, who is telling her friends about her trip to Delhi with her husband. However, as her husband left her at the train station to meet one of his friends, the story largely consists of the narrator relating the happenings on the railway platform as she sits on her luggage, starving, and waiting for her husband to take her home. When her husband does return, he offers her a puri, leftovers from his meal in a restaurant, and becomes angry when she refuses.[13] The narrator concludes her story by declaring that she would not want to take a trip even to paradise with her husband. As such, the story is considered to be a brief but penetrating meditation on life behind the veil and the blindness of male privilege towards the experience of women behind the purdah.[14]

Parde ke Peeche is a conversation between two women from affluent,

sister-in-law and interlocutor, eventually secures the services of a female doctor. This doctor warns Begum's husband that the continuous pregnancies are weakening the health of Muhammadi and suggests that the couple use birth control. This suggestion is clearly ignored, however, as by the end of the story, Begum has finally given birth to a boy, who is shown to mistreat his many elder sisters in the closing scene.[13]

Controversy

Angaaray railed against social inequity, hypocritical Mawlawis, and the exploitation of women in a deeply patriarchal society.[2] These criticisms caused an uproar in the Indian Islamic community, and Angaaray was publicly condemned by the Central Standing Committee of the All-India Shia Conference in Lucknow as a "filthy pamphlet" that had "wounded the feelings of the entire Muslim community."[13] Fatwas were issued against the book and the Urdu press called for its proscription. Demonstrations were held outside book stores and the publisher had to issue a written apology and surrender unsold copies to the government. In March 1933, the British colonial government banned the book for violating religious freedoms under Section 295A of the Indian Penal Code.[13] The outcry was so severe that only five copies from the original press run still exist.[16]

Aurat

Aurat was a 1937 collection of six short stories and the titular play written by Rashid Jahan. A second edition was published posthumously in 1963 at the behest of Jahan's father, Sheikh Abdullah.[10]

Bibliography

The literary works of Jahan include.[10][1]

  • Angarey (Nizami Press, Lucknow, 1932)
    • Dilli ki Sair
    • Parde ke peeche
  • Aurat aur digar afsane (Hashmi Book Depot, Lahore, 1937): collection of a play and six short stories
    • Aurat
    • Mera ek safar
    • Sadak
    • Pun
    • Istakshara
    • Garibon ka Bhagvan
    • Salma
  • Gosha-e-'afiyat (Corner of Prosperity), radio play produced in 1948
  • Sh'ula-e jvala (India Publisher, Lucknow, 1974) published posthumously under the editorship Dr. Hamida Saiduzzafar, and Naeem Khan
    • Iftari
    • Woh
    • Sauda
    • Asif Jahan ki Bahu
    • Chidda ki Ma
    • Andhe ki lathi

Legacy

In 1975, a memorial was held at the Ghalib Academy in New Delhi for the 70th anniversary of Jahan's birth. The event was attended by a number of prominent Urdu and Hindi writers as well as numerous government officials.[13]

In 2004, Aligarh Muslim University stymied a proposed observance of Rashid Jahan's centenary, fearing that "it would provoke political agitation."[6][14]

Jahan's younger sister,

British India in the 1930s and 1940s, and later was an accomplished TV actress in Pakistan. Mirza's memoir was published in English in 2005 and includes a chapter on Rashid Jahan (pp. 86–104, A Woman of Substance: The Memoirs of Begum Khurshid Mirza, New Delhi: Zubaan, 2005).[17][18]

References

  1. ^
    JSTOR 40873941
    .
  2. ^ a b c Kumar, Kuldeep (11 July 2014). "Rashid Jahan: Rebel With a Cause". The Hindu (newspaper). Retrieved 25 December 2019.
  3. ^
    JSTOR 44479275
    .
  4. ^
    doi:10.1002/aps.1462
    .
  5. ^
    OCLC 909026227.{{cite book}}: CS1 maint: location missing publisher (link
    )
  6. ^ a b c d Khanna, Neetu (2018). "Three Experiments in Subaltern Intimacy". Postcolonial Text. 13 (4).
  7. ^
    JSTOR 40873940
    .
  8. ^ Mahurkar, Vaishnavi (29 March 2017). "Rashid Jahan: The Bad Girl Of Urdu Literature | #IndianWomenInHistory". Feminism In India. Retrieved 4 December 2020.
  9. ^
    JSTOR 44158454
    .
  10. ^
    JSTOR 23337071
    .
  11. ^
    JSTOR 40873939
    .
  12. ^ Ali, Mehr (May 2018). "The Women of the PWA: The Politics and Writings of Rashid Jahan and Qurratulain Hyder". W&M Scholar Works.
  13. ^ a b c d e f Coppola, Carlo (1981). "The angare group: the enfants terribles of Urdu literature". Annual of Urdu Studies. 1: 57–69.
  14. ^
    S2CID 145360640
    .
  15. ^ Namita Bhandare (3 May 2014). "Book Review : A rebel and Her Cause". livemint.com website. Retrieved 24 December 2019.
  16. ^ "Rashid Jahan (1905-1952)". sister-hood magazine. A Fuuse production by Deeyah Khan. 29 August 2018. Retrieved 4 December 2020.
  17. ^ Amrita Dutta (23 May 2014). "Rashid Jahan: A Spark that lit the fire". The Indian Express (newspaper). Retrieved 24 December 2019.
  18. ^ LAHORE: A tribute to late artiste (Begum Khurshid Mirza) Dawn (newspaper), Published 26 March 2004, Retrieved 24 December 2019
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