Bihar has produced a number of writers of Hindi, including
Sharat Chandra Chattopadhyay, who is among the greatest writers in Bengali, resided for some time in Bihar. Upamanyu Chatterjee also hails from Patna in Bihar. Devaki Nandan Khatri, who rose to fame at the beginning of the 20th century on account of his novels such as Chandrakanta and Chandrakanta Santati, was born in Muzaffarpur, Bihar. Bhikhari Thakur is known as the Shakespeare of Bhojpuri. Heera Dom, a Bhojpuri poet has contributed to Dalit literature. Vidyapati is the most renowned poet of Maithili (c. 14–15th century). Satyapal Chandra[4]
has written many English best-seller novels and he is one of India's emerging young writer.
Despite of the large number of speakers of
Eighth Schedule of the Constitution of India. Hindi is the language used for educational and official matters in Bihar.[5] These languages were legally absorbed under the subordinate label of Hindi in the 1961 Census. Such state and national politics are creating conditions for language endangerment.[6]
The first success in spreading Hindi occurred in Bihar in 1881, when Hindi displaced Urdu as the sole official language of the province. In this struggle between competing Hindi and Urdu, the potential claims of the three large mother tongues in the region – Bhojpuri, Maithili and Magahi were ignored. After independence Hindi was again given the sole official status through the Bihar Official Language Act, 1950.[7] Urdu became the second official language in the undivided State of Bihar on 16 August, 1989. Bihar also produced several eminent Urdu writers including Kalim Aajiz, Bismil Azimabadi, Shad Azimabadi, Sulaiman Nadvi, Manazir Ahsan Gilani, Abdul Qavi Desnavi, Paigham Afaqui, Jabir Husain, Sohail Azimabadi, Hussain Ul Haque, Dr. Shamim Hashimi,[8] Wahab Ashrafi[9] etc.
Bihar has also produced some prominent poets and authors who write in various regional languages:
Sharat Chandra Chattopadhyay
, who is among the most prominent authors who writes in Bengali, resided for some time in Bihar.
The Indian author who writes in English, Upamanyu Chatterjee, also hails from Patna in Bihar.
In 1984, Satish Anand had evolved a new 'Bidesia Style' for modern Indian theatre.[12] The new style used elements of traditional folk theatre from indigenous Bihari culture.[13] Some other traditional Bihari forms of theatre include those centred around Raja Salhesh, and the festival of Sama Chakeva originating from the Mithila region of Bihar.[14]
ritual dance mostly performed at time of Dusshera, in dedication to Durga Bhairavi, the goddess of victory.[15] In Bihar, Domkach is a ceremonial dance form performed in the Mithila and Bhojpur regions.[16]Bideshiya is a form of dance-drama that is believed to have been created by Bhikhari Thakur, a barber with a passion for drama.[17] It deals with social issues and conflict between traditional and modern, rich and poor. Fagua is a dance and also a type of folk song performed during Holi. Painki evokes the infantry's agility, courage, and excitement.[18] Danced on flat ground, it highlights the dancers' weapon-handling ability. Jat Jatin Dance of the Mithila region of Bihar is supposed to be performed on moonlit nights during the monsoons.[19]
There are several traditional styles of painting practised in Bihar. One is
tulsi are widely painted. Following the scenes from the royal court and social events like weddings. Generally, no space is left empty.[20] Common scenes illustrate deities like Krishna, Ram, Shiva, Durga, Lakshmi, and Saraswati from ancient epics. Famous Mithila painters include Smt Bharti Dayal, Mahasundari Devi, the late Ganga Devi
Gupta period, in his man-lion incarnation. The image is 34 inches high and made of black stone.[25]
Architecture
Further information:
Indo-Saracenic
Architecture of Bihar
Sher Shah Suri Tomb
The first significant architectural pieces in Bihar date back to the
Mauryan period marked a transition to the use of brick, stone and wood remained the material of choice. Contemporary writers, like Chanakya in the Arthashastra, advised the use of brick and stone for their durability. However, in his writings, Megasthenes described a wooden palisade encircling the capital city of Pataliputra. Evidence of ancient structures have been found in recent excavations in Kumrahar, in modern-day Patna
. Remains of an 80-pillared hall have also been unearthed.
The Buddhist
Maurya empire (c. 321–185 BCE). Wooden architecture remained popular, while rock-cut architecture became solidified. Guard rails—consisting of posts, crossbars, and a coping—became a safety feature surrounding a stupa. Upon its discovery by Westerners, the stupa became known as pagoda in the West.[26]
Temples—built on elliptical, circular, quadrilateral, or
apsidal plans—were constructed using brick and timber. The Indian gateway arches, the torana, reached East Asia with the spread of Buddhism.[27] Some scholars hold that torii derives from the torana gates at the Buddhist historic site of Sanchi (3rd century BCE – 11th century CE).[28]
Important features of the architecture during this period included walled and moated cities with large gates and multi-storied buildings, which consistently used arched windows and doors. . The Indian emperor Ashoka, who ruled from 273 BCE to 232 BCE, established a chain of hospitals throughout the Mauryan empire by 230 BCE.[29] One of the edicts of Ashoka reads: "Everywhere, King Piyadasi (Ashoka) erected two kinds of hospitals, hospitals for people and hospitals for animals. Where there were no healing herbs for people and animals, he ordered that they be bought and planted."[30]
Rock-cut stepwells in India date from 200 to 400 CE.[32] Subsequently, the wells at Dhank (550–625 CE) and the stepped ponds at Bhinmal (850–950 CE) were constructed.[32]
Bihar was largely in ruins when visited by Xuanzang, and suffered further damage at the hands of Mughal raiders in the 12th century.[33] Though parts of the Bihar have been excavated, much of its ancient architecture still lies buried beneath the modern city.
Maner Sharif. The domed building features walls adorned with intricate designs and a ceiling full of inscriptions from the Quran
.
Indo-Saracenic
Architectures.
Strips or cane reeds painted in vivid colours are commonly found in homes of the people of Bihar. A special container called a "pauti," woven out of
Sikki Grass Craft in the north, is a sentimental gift that accompanies a bride when she leaves her home after her wedding. Bihar is well known for the games played there, for example - Kabaddi
.
tussar silk. Appliqué works in Bihar are known as Khatwa
is consumed mainly in the summer months, while dry foods such as preparations made of sesame seeds and poppy seeds are consumed more frequently in the winter months.
, called the Karthik Chhath. The Karthik Chhath is more popular because winters are the usual festive season in northern India, and fasting without water for around 42 hours or more, as required for worshipers during Chhath Puja, is easier to do in the Indian winters.
In Chhath prayers are offered to Sun God, known as Surya.[43] Wherever people from Bihar have migrated, they have taken with them the tradition of Chhath. During chhath worshiper do ritual bathing that follows a period of abstinence and segregation from their main household for four days.[43] On the eve of Chhath, houses and their surroundings are scrupulously cleaned. Further, the ritual bathing and worship of the Sun God is performed twice: once in the evening and once at dawn, usually on the banks of a flowing river, or a common large water body. The main god worshiped is Aditya the sun god with his wife Ushas the evening dusk goddess and Kiran the dawn goddess and Aditi the mother of Gods, the occasion generally resembles a carnival.[43] For several days, ritual renditions of regional folk songs are sung. These folk songs have been carried on through oral transmission from mothers and mothers-in-law to daughters and daughters-in-law for generations. It is one of the oldest festivals continuously celebrated since the time of vedic period.
) is presented to Goddess Durga. The idols of goddess Durga are immersed in water (also, known as visarjan) on Dashmi or the Day after Dashmi. The visarjan of "Bari Devi ji" and "Choti Devi ji" in Patna and visarjan of "Bari Durga Maharani ji," "Choti Durga ji", "Bari Kali ji", and "Choti Kali ji" in Munger and Jamalpur holds a grand procession.
Saraswati Puja
Main article:
Saraswati Puja
Saraswati Puja is performed by students.
Saraswati puja is also performed in households and localities. In bihar, students offer their books and study materials as well as musical instruments in front of the goddess Saraswati who is believed to be the goddess of knowledge and wisdom.[47]
Other festivals
Other local festivals celebrated with fervor in Bihar include:
Gaya during Pitru Paksha every year. Pilgrims from all parts of India visit Gaya, offering pinda to honor their ancestors. According to estimates from the Bihar Tourism Department, about 500,000 to 750,000 pilgrims arrive in Gaya each year during the Pitri Paksha Mela.[48]
. However, new laws governing the sale of animals and prohibiting the trafficking in exotic birds and beasts have adversely impacted the fair's success.
Bihar Times and Patna Daily, have become very popular among educated Biharis, especially those living outside the region. National English dailies like The Times of India and The Economic Times
and Bihar Now are read in urban regions.
Electronic
Several national and international television channels are popular in Bihar. DD Bihar, Sahara Bihar, and Zee Bihar-Jharkhand are the channels dedicated specifically to Bihar. In 2008, two dedicated Bhojpuri channels, called Mahuaa TV,[49][50] and Purva TV[51] were launched.
Over the next two decades, films were produced sporadically. In general, Bhojpuri films were not commonly made in the 1960s and 1970s. By the 1980s, though, enough Bhojpuri films had been made to comprise a small industry. Films such as Mai ("Mom," 1989, directed by Rajkumar Sharma) and Hamar Bhauji ("My Brother's Wife," 1983, directed by Kalpataru) continued to have at least sporadic success at the box office. However, this trend faded out by the end of the decade, and by 1990, the Bihari film industry seemed to be defunct.[57]
Yet the industry took off again in 2001 with the extremely popular Saiyyan Hamar ("My Sweetheart," directed by Mohan Prasad).
^History of Indian languagesArchived 26 February 2012 at the Wayback Machine, "Bihari is actually the name of a group of three related languages—Bhojpuri, Maithili, and Magahi—spoken mainly in northeastern India in Bihar.