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I concur with what others have said above. We have
WP:SYNTHESIS to take reliable sources only categorizing the film in one genre and sources categorizing it in another and drawing the novel conclusion that the film is a hybrid genre (or sub-genre or whatever). The first sentence is not the equivalent of a list of all relevant genres in a database entry. We are writing it in prose. That will tend to mean that what goes in the first sentence will be one genre or two connected genres (and I doubt three would be possible because most reliable sources simply don't get that detailed in describing a film). It is simpler and more direct because if having all possible genres in the first sentence is permissible, what is the upper limit? It's possible for there to be five or six or seven parts, which is way too much stuffed upfront. That said, it does not mean we cannot demonstrate other genre-related elements after this. Sometimes horror films have comedic moments throughout without actually being horror comedy films, but we could indicate later in the lead section that it has comedic elements (if reliable sources say so). Erik (talk | contrib) (ping me
) 15:37, 11 January 2023 (UTC)
Hi all. This is actually in regards to a dispute on the
here. I would like to clarify that the crux of the matter is not really whether two genres should be allowed in the lead, but rather if "comedy mystery" is considered a singular subgenre rather than an arbitrary compound of two genres. If we agree that yes, "comedy mystery" is one genre and not two, then all is well and it is in accordance with WP:FILMGENRE. If not, "comedy mystery" should not be added to the lead. InfiniteNexus (talk
) 07:05, 12 January 2023 (UTC)
FWIW, currently AllMovie lists the genres of the film as "Comedy, Crime", so if anything, it seems as though it could be appropriate to include comedy and inappropriate to include mystery, but I'm certainly not suggesting we go by one site's designation. DonIago (talk) 07:44, 12 January 2023 (UTC)
Allmovies lists the two main genres as "crime" and comedy" and then lists one of the sub-genres as "crime comedy", so I would certainly be ok with describing it as a "crime comedy". It is listed as a sub-genre (so no synth from us) and the main genres qualify it as the primary sub-genre, as opposed to the other two sub-genres that are listed. It seems like a straightforward solution unless describing it as a "comedy" is an anomaly unique to Allmovie. Betty Logan (talk) 09:57, 12 January 2023 (UTC)
The primary genre or sub-genre can be a hybrid of sorts (e.g. romantic comedy), but I agree with comments above that we shouldn't be mashing these together unless sources are doing that. For starters, we typically check the genre classification at AFI, BFI, and AllMovie. While there tends to be some variation between them, you can usually find a cross-section of genres to help form a consensus, similar to how this was done for the Shrek franchise (see Primary genre across the franchise). Unfortunately Knives Out is an exception: there is no entry at AFI, BFI calls it a "murder mystery" listing thriller as the genre, and AllMovie lists comedy and crime. No common denominator. So moving on, we can see quite a few RS describing it as a murder mystery, including:
David Sims of The Atlantic – "Knives Out Is No Ordinary Murder Mystery ... While Knives Out is a more straightforward proposition, a murder mystery that ties up every loose end..."
Brian Truitt of USA Today – "Knives Out takes a smart stab at reinventing the murder mystery ... Rian Johnson brings the murder mystery back in vogue"
Clarisse Loughrey of The Independent – Rian Johnson has "fetched the murder mystery out of the attic and shaken off the dust ... It’s refreshing to see a murder mystery actually set in the present day, considering the history of the genre."
From the Britannica Online – "Knives Out (2019), a classic murder mystery leavened with sly social commentary"
And there are dozens more where that came from. To be fair, quite a few also cover the comedic elements, with some going as far as calling it a "comedic mystery", but that is less common. I think I'd favor "murder mystery" or "mystery" as the genre specified in the lead, with "comedic mystery" (not the mish-mash "comedy mystery") coming in as a distant third.Regarding the talk page discussion, the GA and FA examples given are usually misleading, because they are taking the present state of the article into account. However, you really need to look at the version of the article when it was promoted. That is the version that was peer-reviewed. What you'll find is that the compiled list gets whittled down to the point of becoming irrelevant, not to mention that the film project has evolved significantly since 2009 (the cutoff of when most of those were promoted by). --GoneIn60 (talk) 09:51, 12 January 2023 (UTC)
Adding to that, RS would have more due weight than that of catalogue lists like AFI, BFI or AllMovie, if the RS deviate from what is set in the lists — DaxServer (t · m · c) 10:35, 12 January 2023 (UTC)
Mmmm...my understanding was that AFI, BFI and AllMovie are usually considered the best options for genre determination and are considered RS for those purposes. Honestly, I've been hoping there'd be a discussion about updating the MoS in this regard for some time now, though I didn't want to be the one to poke that bear. DonIago (talk) 14:34, 12 January 2023 (UTC)
I have no experience with AFI, BFI and AllMovie but I'd say [film] journalists, [reputed] critics and experts [in the field] gets higher reliability, just like how we determine reliability elsewhere in WP. I didn't find them at
MOS:FILM. Are you referring to another MOS page? — DaxServer (t · m · c
) 14:45, 12 January 2023 (UTC)
This is similar to what happened (is happening) with M3GANhere. Before the film was released it was regarded as a sci-fi horror/thriller film. Now that the film has been released most critics label it a comedy horror. Those elements are discussed under production and reception, but other editors insist the lead should be 'comedy-horror' since that's what RS were calling it. I changed it per the small discussion (now I see comedy horror has been removed. I'm not going back and forth with it anymore). These genre battles are getting more prominent on new films being released. MikeAllen 15:06, 12 January 2023 (UTC)
The lack of their mention at the MOS is exactly what I was somewhat hoping a discussion might address. If you're unfamiliar with the three sites, I'm confused as to why you're asserting that they're inherently less reliable than the other options you mentioned. DonIago (talk) 15:34, 12 January 2023 (UTC)
The truth is, many film articles do not follow
WP:FILMGENRE or other film guidelines. Only articles that receive the most traffic, usually franchise films with large and dedicated fanbases, tend to be watched by enough experienced editors who are familiar with all of the guidelines established by the film project. It is thus easy for FILMGENRE (and FILMRUNTIME, FILMLANG, etc.) violations to be overlooked on articles that are not watched by many experienced editors. For what it's worth, I think M3GAN should be classified as a "horror comedy", that's the genre I've seen being used most widely, and I don't think anyone fully anticipated how much of a laugh riot this turned out to be. InfiniteNexus (talk
) 16:30, 12 January 2023 (UTC)
I meant, prefer mainstream journalists+ over AFI+ if and when there is a deviation between them. IMO they are more reliable. But then again as you rightly pointed out, I'm unfamiliar with AFI+ so I could also be wrong ;) — DaxServer (t · m · c) 18:52, 12 January 2023 (UTC)
I don't think database genre categorizations should outweigh reviews or post-release coverage from publications and that it should be the other way around. Databases can be a catch-all and rarely singular, and I'm not quite sure that whoever keeps up such databases and categories actually digests each film every time. It seems more likely that the categories are distilled from other sources, so it could be several times removed. Whereas reviews and post-release coverage digest the film more directly and categorize it with more authority. Erik (talk | contrib) (ping me) 04:15, 13 January 2023 (UTC)
(edit conflict) @Doobledoop: GoneIn60 has demonstrated that many RS's classify Knives Out as a "mystery film". Do you have any evidence that contradicts this, i.e. do you have sources that classify the film as a "comedy film" or a "mystery comedy"? InfiniteNexus (talk) 04:17, 13 January 2023 (UTC)
These are three RS's that use variations on the phrase:
Samantha Ibrahim of the New York Post - "The sequel to the 2019 mystery comedy, “Glass Onion,” is set for a Netflix release next month...."
Gary M. Kramer of Salon - "twisty, entertaining film full of red herrings, evil doings, and humor. The comedy-mystery follows Marta (Ana de Armas), who was Harlan’s caregiver."
Clark Collis of Entertainment Weekly - 'The actress had no great expectations for the comedy-mystery-thriller...."
I find it noteworthy that Lionsgate submitted the film in "musical or comedy" to professional awards assocations, though of course that points to only one part of the subgenre.
In terms of the subgnere phrase "comedy mystery," there are also examples regarding the subsequent film, Glass Onion: A Knives Out Mystery:
Pop Culture Happy Hour, NPR- "There are many secrets at the heart of the comedy mystery Glass Onion...."
Tim Gray of Variety - "The editor, DP, production designer and composer worked hard to make the comedy-mystery look effortless."
Yes, as I stated earlier, there are some sources out there calling these types of films "comedic mysteries" (or some form of that label). It is a valid option. However, in my search on Knives Out, a clear majority of sources referred to it as simply a "mystery" or "murder mystery". That's only anecdotal of course; someone else's search may show otherwise. However, I do think it's interesting that BFI and Rotten Tomatoes call it a "murder mystery" in their synopsis, as well as the online encyclopedia Brittanica. Although the numbers are useful to look at, the fact that at least one
tertiary source also supports "murder mystery" is interesting and worth taking into consideration. Perhaps it's one of those discussions that needs to escalate to a survey of !votes. --GoneIn60 (talk
) 20:55, 13 January 2023 (UTC)
Just ran this search on Google News. There are approximately 6,750 hits. If you change "murder mystery" to the other forms mentioned above (i.e. "comedy mystery", "comedic mystery", "mystery comedy"), the total number of hits for all three combined is only about 1,000. Seems like "murder mystery" is the most common. --GoneIn60 (talk) 21:08, 13 January 2023 (UTC)
I think one broader problem we face is that genres in the lead are rarely sourced, at least until they become contentious, so if I see an editor changing a film's genre and it disagrees with what I've seen elsewhere, I have no way of knowing whether their update has any validity or whether they're applying their personal judgment. Typically I'll revert and request a source, but this seems likely to remain a perennial concern unless we begin requiring sources for genres. I honestly have no idea how contentious a proposal that would be, and at nearly-midnight for me it's not something I want to think about. DonIago (talk) 04:41, 13 January 2023 (UTC)
It's the same that I've observed on many film articles in my watchlist. Most of them are unsourced. I personally add sources, at least on the articles that I work on. Requiring others to add sources is already a policy from
WP:BURDEN. If they refuse to add sources despite being asked to, then it's a policy violation, and disruption if they continue to do so and can eventually lead to sanctions and/or blocks — DaxServer (t · m · c
) 09:48, 13 January 2023 (UTC)
My point is that if an editor changes an existing unsourced genre to a new, also unsourced, genre, then unless they provided an edit summary (ha) we don't inherently have any concrete way of knowing whether the new genre is more or less valid than the prior genre. I'll do some checking if I'm dubious, but I don't have time or the inclination to scrape the internet to see whether some source somewhere matched the editor's preferred genre classification.
Heck, this very discussion is a good example, where I pointed out that AllMovie's genre classification for Knives Out doesn't match what the article has said to this point. If I'd seen an editor change the genre to what's currently listed, I might have challenged it and requested a source.
That I'm well within my rights to request a source doesn't make me feel better about the possibility that I'm questioning a potentially perfectly valid choice and that there's no real hierarchy we can fall back on, especially if it was an IP editor that made the genre change and who may not be particularly likely to respond to a Talk page message. DonIago (talk) 14:26, 13 January 2023 (UTC)
There seems be rough consensus to use "mystery" instead of "comedy" or "mystery comedy/comedic mystery", but my core question of whether "comedy mystery" is classified as a singular subgenre or an arbitrary compound of two genres remains unaddressed. Part of the problem I think is that
WP:FILMGENRE isn't clear on what it means by "sub-genre". To use M3GAN as an example, are "horror comedy" and "science fiction horror" considered a singular subgenre, or are we mashing two genres together? I'd say probably the former, but what about "martial arts comedy"? "Absurdist comedy-drama"? "Spy action"? "Action drama"? In my opinion, all of those are combinations of two genres and are thus in violation of FILMGENRE, but other editors may disagree. We might need a list of subgenres "officially" recognized by the film project... InfiniteNexus (talk
) 06:51, 14 January 2023 (UTC)
To me, that language means that a reliable source has labeled the film with so-and-so genre or sub-genre. It's probably possible to verify all two-part genres (or hybrid genres) across the board. In other words, the entirety of the given genre categorization has shown up in a reliable source. So "comedy mystery" is verifiable with a source like NPR using it for Glass Onion. But is it as common in reliable sources as just "comedy" or "mystery"? Unlikely unless the combination is very, very agreed upon, hence the due-weight application. Erik (talk | contrib) (ping me) 22:46, 14 January 2023 (UTC)
I think the purpose of FILMGENRE is to avoid the situation where we are combining multiple genres: one source labels it "action", another labels it "drama", so an editor decides to go with "action drama". Instead, we prefer that sources form the combination for us, and that said combo has widespread support. When that happens, you can reasonably argue that the combo mashup exists as a singular genre or sub-genre, thus satisfying FILMGENRE. As Erik points out, "comedy mystery" is classified by sources for both Knives Out and Glass Onion, albeit to a lesser extent than just "mystery" or "murder mystery". --GoneIn60 (talk) 10:59, 16 January 2023 (UTC)
On the topic of genres, I've noticed on Space Jam and Who Framed Roger Rabbit that it opens with live-action/animated (sports comedy or comedy mystery). I don't think the live-action/animated thing is necessary, not in the first sentence anyway, it's something that would be mentioned as part of the production or premise. We don't mention when a live-action film is live-action, and live-action/animated just looks terrible. Darkwarriorblake / Vote for something that matters 16:16, 22 January 2023 (UTC)
I agree that those opening sentences are among the worst offenders on the genre front, but it probably does need to be mentioned in the lead because in some sense the live action-animation blend is the most prominent aspect of the film. Avatar (2009 film) is probably a good model to follow, where it expands on the 3D techniques and motion capture in the second paragraph. Betty Logan (talk) 16:36, 22 January 2023 (UTC)
Requested move at
Talk:Malaikottai Valiban#Requested move 21 January 2023
Talk:Malaikottai Valiban#Requested move 21 January 2023 that may be of interest to members of this WikiProject. UtherSRG(talk)
13:33, 21 January 2023 (UTC)
Requested move at
Talk:Are You There God? It's Me, Margaret (film)#Requested move 21 January 2023
Talk:Are You There God? It's Me, Margaret (film)#Requested move 21 January 2023 that may be of interest to members of this WikiProject. MikeAllen
16:48, 22 January 2023 (UTC)
Unreviewed Featured articles year-end summary
Restoring older Featured articles to standard:year-end 2022 summary
222 FAs were kept at FAR or deemed "satisfactory" by three URFA reviewers, with hundreds more being marked as "satisfactory", but awaiting three reviews.
FAs needing review were reduced from 77% of total FAs at the end of 2020 to 64% at the end of 2022.
Of the FAs kept, deemed satisfactory by three reviewers, or delisted, about 60% had prior review between 2004 and 2007; another 20% dated to the period from 2008–2009; and another 20% to 2010–2015. Roughly two-thirds of the old FAs reviewed have retained FA status or been marked "satisfactory", while two-thirds of the very old FAs have been defeatured.
Entering its third year, URFA is working to help maintain FA standards; FAs are being restored not only via FAR, but also via improvements initiated after articles are reviewed and talk pages are
Today's featured article
, helping increase mainpage diversity.
Examples of 2022 "FAR saves" of very old featured articles
But there remain almost 4,000 old and very old FAs to be reviewed. Some topic areas and WikiProjects have been more proactive than others in restoring or maintaining their old FAs. As seen in the chart below, the following have very high ratios of FAs kept to those delisted (ordered from highest ratio):
Biology
Physics and astronomy
Warfare
Video gaming
and others have a good ratio of kept to delisted FAs:
Literature and theatre
Engineering and technology
Religion, mysticism and mythology
Media
Geology and geophysics
... so kudos to those editors who pitched in to help maintain older FAs !
FAs reviewed at URFA/2020 through 2022 by content area
FAs reviewed at
URFA/2020 from November 21, 2020 to December 31, 2022 (VO, O
A URFA/2020 archives show 357, which does not include those delisted which were featured after 2015; FAR archives show 358, so tally is off by at least one, not worth looking for.
B FAR archives show 63 kept at FAR since URFA started at end of Nov 2020. URFA/2020 shows 61 Kept at FAR, meaning two kept were outside of scope of URFA/2020. Total URFA/2020 Keeps (Kept at FAR plus those with three Satisfactory marks) is 150 + 72 = 222.
But looking only at the oldest FAs (from the 2004–2007 period), there are 12 content areas with more than 20 FAs still needing review: Biology, Music, Royalty and nobility, Media, Sport and recreation, History, Warfare, Meteorology, Physics and astronomy, Literature and theatre, Video gaming, and Geography and places. In the coming weeks, URFA/2020 editors will be posting lists to individual WikiProjects with the goal of getting these oldest-of-the-old FAs reviewed during 2023.
Ideas for how you can help are listed below and at the Signpost article.
Review a
2004 to 2007 FA. With three "Satisfactory" marks, article can be moved to the FAR not needed section
.
Review "your" articles: Did you nominate a featured article between 2004 and 2015 that you have continuously maintained? Check these articles, update as needed, and mark them as 'Satisfactory' at URFA/2020. A continuously maintained FA is a good predictor that standards are still met, and with two more "Satisfactory" marks, "your" articles can be listed as "FAR not needed". If they no longer meet the FA standards, please begin the FAR process by posting your concerns on the article's talk page.
Review articles that already have one "Satisfactory" mark: more FAs can be indicated as "FAR not needed" if other reviewers will have a look at those already indicated as maintained by the original nominator. If you find issues, you can enter them at the talk page.
Fix an existing featured article: Choose an article at URFA/2020 or FAR and bring it back to FA standards. Enlist the help of the original nominator, frequent FA reviewers, WikiProjects listed on the talk page, or editors that have written similar topics. When the article returns to FA standards, please mark it as 'Satisfactory' at URFA/2020 or note your progress in the article's FAR.
Review and nominate an article to FAR that has
been 'noticed' of a FAR needed
but issues raised on talk have not been addressed. Sometimes nominating at FAR draws additional editors to help improve the article that would otherwise not look at it.
More regular URFA and FAR reviewers will help assure that FAs continue to represent examples of Wikipedia's best work. If you have any questions or feedback, please visit Wikipedia talk:Unreviewed featured articles/2020/4Q2022.
FAs last reviewed from 2004 to 2007 of interest to this WikiProject
If you review an article on this list, please add commentary at the article talk page, with a section heading == [[URFA/2020]] review== and also add either Notes or Noticed to
WP:URFA/2020. Comments added here may be swept up in archives and lost, and more editors will see comments on article talk. SandyGeorgia (Talk
Some IP replaced the (unsourced) runtime for Beauty's Worth (from 112 min. to 75) based on what appears to be an OR calculation and a claim that TCM says so, which it doesn't.[1] All I can find is the number and length of reels, which I've put in place of the actual time. Is that okay? Clarityfiend (talk) 13:50, 1 February 2023 (UTC)
I think so, yes. I have added a link to
film reel, where readers can find more information about what the number of film reels (or physical length of film stock, for that matter) says about the actual runtime. TompaDompa (talk
Since projection speed was only standardized for synchronized sound it seems futile to express silent film length as a specific time. Reels are a far more preferential metric for silent films, if the information is available. Perhaps we should add a line to the infoxbox guidelines? Betty Logan (talk) 16:38, 1 February 2023 (UTC)
Multiple DC-related discussions
You are invited to participate in the following DC Studios-related discussions:
Production/distributing companies issues on Rambo 4
Trying avoid an edit war on
WP:QUO version until consensus is reached. Template:Infobox film states that AFI is a reliable database to use. AFI states that the distributors are Lionsgate, the Weinstein Company and Millennium Films [2]. I have added these edits since they came from a reliable secondary source [3]. However, @IAmNMFlores: reverted these saying that the poster, and his own claims, don't identify Millennium Films as one of the distributors [4]. For those curious, the full billing block is "Lionsgate and the Weinstein Company Present In Association with Millennium Films A Nu Image Production For Equity Pictures Medienfonds GmbH & Co. KG IV", per the poster billing [5]. This Variety review also states the billing block as such, but missing the Weinstein Company. How would we go about listing these to their respective infobox columns? Armegon (talk
) 04:23, 30 January 2023 (UTC)
If there are reliable sources that identify distributors and production companies, then we use those. A film poster is a last resort for anything, as it's a marketing device and won't include everyone that is involved. BIGNOLE (Contact me) 14:57, 30 January 2023 (UTC)
This was something I brought up months ago, that although AFI is considered reliable, they sometimes present inaccurate info, especially outside their first 100 years.
Flushed Away has DreamWorks Animation and Aardman as distributors.
Sinister 2 puts the original Sinister cast who don't appear in this one, put Brian Kavanaugh-Jones as a regular producer, puts IM Global as a distributor, and has Ken Blackwell as an editor.
I'm not arguing the reliability of AFI; if anything I'm arguing for the non-reliableness of film posters. They are not things that should be used as the path of first resort, nor should they be used to supercede a reliable source that may differ from what they say. Posters are for marketing, they are done by a separate team, and they also frequently contain mistakes or lack certain information. BIGNOLE (Contact me) 17:27, 30 January 2023 (UTC)
For cases like these, common sense should apply too where sources mix up distributors and producers. Besides Lionsgate, none of the other companies listed there are actual distributors. Some of them are well known and obvious like Weinstein company nothing was a production company and has never been a distributor. Right now there are very few actual distributors in North America: Disney (also using 20th and Searchlight); Universal (+Focus); Paramount, Sony, Lionsgate, A24. Almost everything else you see listed in addition to one of these is going to be a production or financing company.— Starforce13 19:17, 30 January 2023 (UTC)
Also, note saying "presents" doesn't translate to distributor. In most cases, both producers and distributors are listed among presenters. In other cases, the producer is the presenter. Like MCU movies will usually say "Marvel Studios presents...." when it's obviously distributed by Disney. — Starforce13 19:20, 30 January 2023 (UTC)
Yeah the "presents" and "in association with" ones can be a little confusing. However sometimes the presenter includes the distributor. One way you can tell if a presenter is simply a distributor is to look at an international poster (ex. For Killing Them Softly, domestic posters says "The Weinstein Company and Inferno presents" but in international ones says simply "Inferno presents"). In the case of Rambo, it says on domestic posters "Lionsgate and The Weinstein Company presents in association with Millennium Films" while internationally says "Millennium Films presents", deducting the former two as simply domestic distributors. IAmNMFlores (talk) 20:11, 30 January 2023 (UTC)
Wait wait. The whole issue here is that AFI’s listing of Millennium Films as one of the distributors is inaccurate, according to you. Yet you admit that Millennium Films distributed the film in international markets, based on your own logic of citing the international poster’s billing block. So AFI’s listing is technically correct and sourcing it as such was justified. Armegon (talk) 20:57, 30 January 2023 (UTC)
I never said Millenium distributed. They were just moved to presenter because the other distributors were presenters. The logos on the bottom of the UK poster show Sony Pictures' logo (which is accurate that theg distubetef there), while in Germnay the WB logo is shown (also accurate). Both for some reason didn't choose to be on the billing block. As I said the "presents" and "in association with" gets confusing. IAmNMFlores (talk) 21:56, 30 January 2023 (UTC)
No offense but you're making the matter all the more confusing by telling us what your interpretation of "presents" and "in association with" means; where in contrast, AFI's listing already makes it clear to us who the distributers are. Bignole said, and Template:Infobox film also confirms this, to use reliable sources to identify the companies and Template:Infobox film confirms that AFI is reliable. So, the article should reflect AFI's listing. Armegon (talk) 00:12, 31 January 2023 (UTC)
Let me break it down:
If a studio name in the domestic billing block doesn't appear in international studios' billing block, the studio is indeed only a domestic distributor.
In international billing blocks, the presenter may, not always, be replaced with their distributor OR shuffled with another presenter.
Billing block are very difficult to tell who distributor is if lacked background knowledge.
As I've proven with other examples, and can find more if needed, AFI is generally reliable, but also has plenty of missing or misinformation which makes it therefore NOT ALWAYS accurate despite being seen as reliable. I'm considering contesting how reliable the site truly is in a separate talk section.
But again, we're just going off by your definition of the billing block, "presents" and "in association—". Perhaps AFI may not always have accurate info, but I believe this is the one case where it does have accurate info. Armegon (talk) 01:52, 1 February 2023 (UTC)
Hold up I found another source that lists Lionsgate and The Weinstein Company as distributors here:
"Weinstein Co is co-distributing Rambo with Lionsgate"
"They licensed domestic rights to Lionsgate and LGF partnered with TWC"
It seems the Deadline source is very clear in this matter. I would use that over the AFI database. Also in my experience researching production data, AFI is not as accurate unless it comes from AFI Catalog of Feature Films (1893-1993). It's best to use as a guide for additional research or second to last resort (behind posters). It appears that Millennium Films is the production company (under Nu Image, which is already listed under studio). MikeAllen 17:23, 1 February 2023 (UTC)
I guess this issue seems settled. Armegon (talk) 22:33, 1 February 2023 (UTC)
Who could help us make a change in the film infobox? Please. Shahid • Talk2me 20:18, 1 February 2023 (UTC)
I have started an RFC here. Krimuk2.0 (talk) 06:58, 2 February 2023 (UTC)
Notability on the basis of awards
I've put forward some thoughts at
reliable sourceability
than we currently are, which is really already the rule and just hasn't been formally codified as such in NFILM yet. I haven't put forward an exact wording for what I propose be added to NFILM, but I admittedly got a bit long-winded about explaining some of the considerations that would need to be taken into account.
So accordingly, I'm posting here to request some input and discussion. Bearcat (talk) 00:05, 3 February 2023 (UTC)
Requested move at
Talk:Ik Jind Ik Jaan#Requested move 20 January 2023