Agent Carter (season 1)

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Agent Carter
Season 1
4
home media cover art
Starring
Country of originUnited States
No. of episodes8
Release
Original network
List of episodes

The first season of the American television series

showrunners
.

Hayley Atwell reprises her role from the film series and One-Shot as Carter, with James D'Arcy, Chad Michael Murray, Enver Gjokaj, and Shea Whigham also starring. In May 2014, ABC bypassed a pilot, ordering a show based on the One-Shot straight to series for an eight-episode season. Filming took place in Los Angeles from September 2014 to January 2015, and Industrial Light & Magic provided visual effects. The season introduces the origins of several characters and storylines from MCU films, while other characters from the films and Marvel One-Shots also appear.

The season, which aired on ABC from January 6 to February 24, 2015, over 8 episodes, aired during the season two mid-season break of Agents of S.H.I.E.L.D. Despite steadily dropping viewership, critical response to Agent Carter was positive, with much praise going to Atwell's performance, the series' tone and setting, and its relative separation from the rest of the MCU. The series was renewed for a second season on May 7, 2015.[2]

Episodes

No.
overall
No. in
season
TitleDirected byWritten byOriginal air date 
Christopher Markus & Stephen McFeely
January 6, 2015 (2015-01-06)6.91[4]
In 1946,
Leviathan
, and escapes with a truck full of the nitramene weapons. Before leaving, Brannis drops a nitramene bomb, and as Carter and Jarvis escape, it destroys the entire building.
22"Bridge and Tunnel"Joseph V. RussoEric PearsonJanuary 6, 2015 (2015-01-06)6.91[4]
Carter goes undercover again to search for the truck with the weapons, and finds the address of the truck's official driver. The SSR agents interrogate
Ray Krzeminski
, sifting through the Roxxon refinery remains, finds the license plate for Stark's car that Jarvis and Carter used to get away.
33"Time and Tide"Scott WinantAndi BushellJanuary 13, 2015 (2015-01-13)5.10[5]
Dooley and Krzeminski investigate Demidov's hotel room, and discover a typewriter. Thompson and Sousa take Jarvis in for interrogation, and the former threatens him with revealing an old treason charge to the immigration office. Carter, feigning ignorance, botches the interrogation to get Jarvis out, and receives a stern reprimand from Dooley. Carter and Jarvis then follow the sewer system below Stark's vault, through which Brannis took the stolen technology, to the docks, where they find the weapons on board The Heartbreak (a ship bearing Brannis' symbol). Jarvis anonymously gives the SSR their location, while Carter fights off a guard who had been working with Brannis. Carter and Jarvis are forced to leave him behind as the SSR arrives. While being transported back to SSR headquarters by Krzeminski, the guard is about to identify Carter as the woman interfering with the Stark investigation, when an unidentified assassin kills them both.
44"The Blitzkrieg Button"Stephen CraggBrant EnglesteinJanuary 27, 2015 (2015-01-27)4.63[6]
After learning that Brannis and Demidov were supposed to have died during the Battle of
Dottie Underwood
.
55"The Iron Ceiling"Peter LetoJose MolinaFebruary 3, 2015 (2015-02-03)4.20[7]
Carter decrypts an encoded message, received from Leviathan through Demidov's typewriter, for the SSR, learning that Stark will be selling weapons to Leviathan at a
Ivchenko
. Meanwhile, Underwood, who is actually a sleeper agent trained at that complex, discovers the photos of Stark's weapons in SSR custody when searching Carter's apartment, while Sousa realizes that Carter is the woman who has been interfering with the SSR's investigation.
66"A Sin to Err"Stephen WilliamsLindsey AllenFebruary 10, 2015 (2015-02-10)4.25[8]
Carter and Jarvis investigate the women that Stark has been involved with over the last six months, believing that a female Leviathan operative may have been used against Stark and to kill Krzeminski, but their search is unsuccessful. Sousa reveals to Dooley that Carter is an apparent traitor, and all agents are tasked with tracking her down. They eventually corner her and Jarvis, but Carter fights them off. During the commotion, Dr. Ivchenko, who is actually working for Leviathan, hypnotizes Agent
Yauch
, who reveals that only Dooley can access Stark's weapons. Yauch shows Ivchenko how to get out of the SSR, before Ivchenko forces him to commit suicide. Carter retrieves Rogers' blood from her apartment. As she tries to escape the building, she is knocked out by Underwood, but not before realizing that Underwood is the Leviathan operative. Underwood is about to kill Carter when Thompson and Sousa arrive. She feigns ignorance, and the agents arrest Carter.
77"Snafu"Vincent MisianoChris DingessFebruary 17, 2015 (2015-02-17)4.15[9]
As Carter is resisting interrogation at the SSR, Jarvis appears with a fake signed confession from Stark, promising surrender if Carter is released. Carter sees Ivchenko communicating in Morse code with Underwood, and reveals the truth about her own investigation to her colleagues to gain their trust. Ivchenko hypnotizes Dooley and has him steal one of Stark's weapons from the SSR's labs: a gas cylinder that Underwood and Ivchenko activate in a crowded cinema before leaving and locking the door behind them. The agents find Dooley wearing a Stark experimental vest given to him by Ivchenko, which Jarvis explains will explode with no way to deactivate it. Dooley jumps out a window moments before the device detonates, killing him but saving the others. The gas in the cinema makes many in the audience become maniacal and attack each other violently, and when an usher arrives soon after, the entire audience is dead.
88"Valediction"Christopher MisianoMichele Fazekas & Tara ButtersFebruary 24, 2015 (2015-02-24)4.02[10]
The SSR discovers the gas cylinder in the cinema and realize that Ivchenko possibly plans to turn all of New York on itself. Stark returns and explains that he had developed the gas, named Midnight Oil, to give American soldiers extra stamina during war, but it caused
Arnim Zola
.

Cast and characters

Production

Development

By September 2013,

showrunners on the season.[31][32]

Writing

Markus & McFeely, writers on the Captain America films, had written a script for the first episode by January 2014.[31] They stated in March that the series would be set in 1946, occurring in the middle of the timeline established in the One-Shot.[33] In July, Butters and Fazekas revealed that writing for the rest of the season would begin in August 2014.[34]

In July 2014, Fazekas stated that it was "fabulous from a writing perspective" to have an eight episode order, as "you can plan it and know where you're heading... They're all their own stories and they all have their own drive, but it's sort of building toward a big thing at the end of the eight episodes."[34] Elaborating on this, Atwell said, "it's incredibly tight, the script, which is great. It's fast moving and fast paced but luckily because it's not stretched out of 22 episodes, nothing is diluted. Every line is vital to not only moving the story and the action [along] but also developing the characters."[35] The season's overarching storyline revolves around the chemical weapon Midnight Oil, which is based on the Madbomb of the Captain America comics. The Madbomb was originally considered for use in Captain America: Civil War, before negotiations with actors to adapt the "Civil War" storyline were completed.[36] Also in July, it was revealed that Carter's husband would be explored in the series.[37] However, he was ultimately not explored much in the first season, with McFeely saying, "This was the season where she says goodbye to Steve [Rogers]... In a second season, she could be freer to have those conversations about a life after him."[38]

Speaking about the season's use of 1940s terminology, Fazekas stated that terms like "broad" and "dame" were preferably avoided, while research was done to ensure terms that were used in the series were actually in use during that time, with Fazekas giving the example, "you know what didn't exist in 1946? Smart ass. I looked up the etymology on that, didn't exist in 1946. Turns out it was a term that came around in the 60s. But for instance, I wrote a line that said, "Oh I think someone's yanking your chain." And I had to look it up, did that exist in 1946? And actually it did; it's a mining term that exists from a long time ago. That's our research that we do." Research was also done on radio shows of the time to ensure realism when creating the fictional Captain America Adventure Program, with details discovered and replicated on the series including the use of lobsters and ham to create sound effects for the radio show.[39] The Griffith Hotel, the all-women boarding house where Carter lives, is based on the real-life Barbizon Hotel for Women.[39][40] Butters felt that while working in the time period, it became an issue to not sound "too period". Additionally, it was difficult to write British people from the time in order to avoid stereotypes such as the "typical British butler". However, D'Arcy, who is British, felt the writing staff wrote the British characters better than anyone else he had worked with, despite there not being any British writers on the staff.[41]

Casting

Hayley Atwell reprises her film role as Peggy Carter, the titular character of the television series.

The main cast for the season includes

Roger Dooley.[14]

In March 2014, Markus and McFeely stated that

Dottie Underwood
, respectively, throughout the series.

In November 2014, it was announced that

Arnim Zola from previous MCU films, One-Shots, and television series during the season.[22][23][45][46]

Filming

Filming began in Los Angeles around late September – early October 2014,[32][34][47] with the working title Nylon,[48] and was completed on January 20, 2015.[49][50] Filming locations included Los Angeles City Hall, Griffith Park, Royce Canyon, the marina in San Pedro, and the Port of Los Angeles.[48]

Cinematographer

LED fixtures to recreate classic Hollywood lighting. He called his lighting of Atwell "an homage to the great cinematographers who lit Lauren Bacall and Grace Kelly."[52]

Visual effects

Sheena Duggal, who served as visual effects supervisor on the Agent Carter One-Shot,

matte paintings, depicting 1940s New York.[39][55] DNeg TV also created visual effects, with ILM coordinating with them and Base to maintain a "seamless workflow". The season had 1038 visual effects shots, with multiple episodes being worked on in post-production simultaneously to complete the work. In addition to all the set extensions required to depict the period (the series filmed at "every back lot in LA, including Universal, Paramount and Warner Bros., relying on a tremendous amount of green screen and matte paintings to create the show's authentic-looking locations"), Duggal also noted difficulty in simulating the imploding bombs and creating a fully CG truck that drives off a cliff.[56]

Music

In September 2014,

Star Spangled Man" for the season, which is originally by Alan Menken for Captain America: The First Avenger,[59] and introduced a folk choral piece performed by a Russian men's choir during "The Iron Ceiling".[60] A soundtrack album for the season was released on iTunes on December 11, 2015.[61]

All music composed by Christopher Lennertz.[61]

No.TitleLength
1."Peggy Remembers Cap"1:51
2."Back Alley Surprise"0:58
3."Bad Babies"2:52
4."Typewriter Spy Messages"1:26
5."Green Man Fight"2:02
6."Blindes and Money"1:29
7."Roxxon Plant Implosion"5:14
8."Morning After Shooting"1:42
9."Dairy Van Implosion"1:31
10."Dottie's Training"1:17
11."Forgot the Password"1:23
12."Thompson's Navy Cross"1:37
13."Instill Fear"3:09
14."Dottie Sneaks In"3:47
15."Peggy Saves Thompson"6:13
16."Dottie and Doctor Plot"2:52
17."Inside the Minds of Soldiers"2:38
18."Interrogating Peggy"2:08
19."Enter Dooley's Head"1:09
20."Leviathan is Coming"0:57
21."I'm Invisible to You"1:55
22."Doctor and Dottie Escape with Item"1:40
23."Vest of Destruction"4:18
24."Check the Rooftops"1:44
25."Bring Him Home"1:23
26."Badass Girl Fight"2:12
27."We Have to Let Him Go"2:10
28."Peggy Gets Her Respect"2:26
29."Honored to Assist You"1:28
Total length:65:31

Marvel Cinematic Universe tie-ins

Markus, talking about the series place in the greater architecture of the MCU in January 2015 said "you really only need to drop the tiniest bit of hint and its connected. You don't have to go, "

Arnim Zola approaches Faustus about mind control.[38][66] The law firm Goodman, Kurtzberg, and Holliway is mentioned, with a modern-day version of the law firm, Goodman, Lieber, Kurtzberg, and Holliway, appearing in the Marvel Studios Disney+ series She-Hulk: Attorney at Law (2022).[67]

Marketing

In the lead up to the airing of the series, Atwell made several appearances as Carter in Agents of S.H.I.E.L.D.'s

Marvel 75 Years: From Pulp to Pop!, which aired in November 2014.[70] The first teaser for the series debuted during Agents of S.H.I.E.L.D. on October 28, 2014, with the tagline "Sometimes the best man for the job ... is a woman." Though the trailer itself was received positively, the tagline was criticized as "awful" and "ridiculous",[71] and Alan Sepinwall of HitFix said "I get that one of the themes of the show will be Peggy dealing with the sexism of the time, but these ads exist in 2014, not 1945. Please find a new tagline."[72]

Release

Broadcast

Agent Carter debuted in the United States and Canada as a two-hour series premiere on January 6, 2015, on

FOX UK purchased the broadcast rights for the United Kingdom,[77] with the series premiering on July 12, 2015.[78]

Home media

The season was released on Blu-ray and DVD on September 18, 2015, as an Amazon exclusive.[79] On November 29, 2017, Hulu acquired the exclusive streaming rights to the series,[80] and the season was made available on Disney+ at launch, on November 12, 2019.[81]

Reception

Ratings

Viewership and ratings per episode of Agent Carter
No. Title Air date
Rating/share

(18–49)
Viewers
(millions)
DVR
(18–49)
DVR viewers
(millions)
Total
(18–49)
Total viewers
(millions)
1 "Now is Not the End" January 6, 2015 1.9/6 6.91[4] 1.1 3.25 3.0 10.16[82]
2 "Bridge and Tunnel" January 6, 2015 1.9/6 6.91[4] 1.1 3.25 3.0 10.16[82]
3 "Time and Tide" January 13, 2015 1.5/4 5.10[5] 0.8 2.56 2.3 7.66[83]
4 "The Blitzkrieg Button" January 27, 2015 1.3/4 4.63[6] 1.0 2.54 2.3 7.16[84]
5 "The Iron Ceiling" February 3, 2015 1.3/4 4.20[7]
6 "A Sin to Err" February 10, 2015 1.4/4 4.25[8] 0.9 2.3[85]
7 "Snafu" February 17, 2015 1.4/4 4.15[9] 0.8 2.09 2.2 6.24[86]
8 "Valediction" February 24, 2015 1.3/4 4.02[10] 0.9 2.2[87]

The season averaged 7.14 million total viewers, including from DVR, ranking 74th among network series in the 2014–15 television season. It also had an average total 18-49 rating of 2.3, which was 46th.[88]

Critical response

The review aggregator website Rotten Tomatoes reported a 96% approval rating with an average rating of 7.90/10 based on 50 reviews. The website's consensus reads, "Focusing on Peggy Carter as a person first and an action hero second makes Marvel's Agent Carter a winning, stylish drama with bursts of excitement and an undercurrent of cheeky fun".[89] Metacritic, which uses a weighted average, assigned a score of 73 out of 100 based on 27 reviews, indicating "generally favorable reviews".[90]

Brian Lowry, reviewing the two-part premiere for

Young Indiana Jones Chronicles", noting that it tonally aims for His Girl Friday, Dick Tracy, and Alias ("A tough tonal mixture on a weekly broadcast budget, but also an ambition worth pursuing"), but praised Atwell's performance, calling her "a delight" and "firing on all cylinders". Franich was negative about what he saw to be common MCU tropes, notably "Somebody named Stark invented something dangerous; everyone wants an All-Important Glowing Thing; there's an implicit promise that nothing will be solved for weeks/years to come." Though he was wary about the series being forced to contribute to the rest of the MCU, he did note that "Agent Carter feels pleasantly segmented off from the greater Marvel Machinery".[92]

Eric Goldman of

Guardians of the Galaxy 2 – it just needed to be an entertaining, involving show. And boy, was it." He also praised the Peggy and Jarvis dynamic, the MCU tie-ins and connections the series included, such as the Black Widow program, and the strong portrayals of the season's supporting characters.[93] Amy Ratcliffe at Nerdist called the season "a memorable splash" a noted that the lack of filler in the short season lead to "action-packed but not overstuffed" episodes. She praised the "period aspect that's defined so well by music, sets, and costumes" as placing the series "head and shoulders above others", and called the cast "eminently talented".[94] On the other hand, Lowry ultimately found the series "just didn't have legs", saying that after the premiere it "meandered through several episodes that merely seemed to inch the story along, rallying only slightly in the not wholly satisfying conclusion." He felt that outside of Atwell's Carter and D'Arcy's Jarvis that characters were not developed enough, and said that the MCU tie-in with Toby Jones' Arnim Zola made the series seem like "a footnote".[95]

Accolades

Maureen Ryan of Variety named the show one of the Top 20 Best New Shows of 2015,[96] while Digital Spy ranked it 10th on their Best TV Shows of 2015 list.[97] The A.V. Club named Atwell's performance as one of the "Best Individual Performances" of 2015.[98]

Year Award Category Nominee(s) Result Ref.
2015
Hollywood Post Alliance Awards
Outstanding Visual Effects – Television (Under 13 Episodes) Sheena Duggal, Richard Bluff, Jay Mehta, Chad Taylor, and Cody Gramstad for "Now is Not the End" Nominated [99]
[100]
Saturn Awards
Best Superhero Adaptation Television Series
Agent Carter Nominated [101]
Best Actress in a Television Series Hayley Atwell Nominated
Best Guest Performance in a Television Series
Dominic Cooper Nominated
2016 Visual Effects Society Awards Outstanding Supporting Visual Effects in a Photoreal Episode "Now is Not the End" Nominated [102]
Make-Up Artists and Hair Stylists Guild Awards
Television and New Media Series – Best Period and/or Character Hair Styling Agent Carter Nominated [103]

Notes

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General references

External links