Doctor Strange in the Multiverse of Madness
Doctor Strange in the Multiverse of Madness | |
---|---|
Directed by | Sam Raimi |
Written by | Michael Waldron |
Based on | Marvel Comics |
Produced by | Kevin Feige |
Starring | |
Cinematography | John Mathieson |
Edited by |
|
Music by | Danny Elfman |
Production company | |
Distributed by | Walt Disney Studios Motion Pictures |
Release dates |
|
Running time | 126 minutes[1] |
Country | United States |
Language | English |
Budget | $294.5 million[2] |
Box office | $955.8 million[3][4] |
Doctor Strange in the Multiverse of Madness is a 2022 American
Doctor Strange director and co-writer
Doctor Strange in the Multiverse of Madness premiered at the Dolby Theatre in Hollywood, Los Angeles, on May 2, 2022, and was released in the United States on May 6, as part of Phase Four of the MCU. The film received generally positive reviews from critics and grossed $955.8 million worldwide, making it the fourth-highest-grossing film of 2022.
Plot
Recognizing witchcraft runes on the demon, Strange consults
While searching for help, Strange and Chavez are apprehended by Earth-838's Sorcerer Supreme,
Strange, Chavez, and Palmer enter the space between universes to find the Book of Vishanti, which is the antithesis of the Darkhold, but Wanda appears and destroys it. She then takes over Chavez's mind and uses her powers to send Strange and Palmer to an incursion-destroyed universe. Strange defeats the destroyed universe's
Sometime later, Kamar-Taj is under repair and the surviving sorcerers, joined by Chavez, continue training. Strange develops a
Cast
- Darkhold.[17]
- Sokovian heritage after some of the previous MCU projects had seen her use a more Americanized accent.[7] Olsen wanted to ensure Wanda's role in the film honored the events of the series,[22] requesting some adjustments to the film to ensure that it evolved the character rather than repeating moments from WandaVision.[23] She felt the film's portrayal showed a new confidence for the character that was "really empowering", and said it was "okay to play characters that people get frustrated with sometimes".[24] Olsen also portrays the character's Earth-838 counterpart.[25][26]
- Benedict Wong as Wong:
The Sorcerer Supreme of Earth-616 and Strange's mentor and friend.[30][31] The actor was happy to hear that his character would be the Sorcerer Supreme and stand "toe-to-toe with Doctor Strange",[32] serving as the voice of reason for Strange who ultimately faces consequences for ignoring Wong's advice.[33] The actor had more action scenes in this film and prepared by training with former rugby league player Shannon Hegarty.[32] - Utopian Parallel.[26][35] Gomez wanted to remain faithful to the source material despite playing a younger version of the character than is seen in the comics,[35] and said her journey in the film begins with the character having been alone for a long time and "running away from her uniqueness". Chavez has to embrace her abilities and learn to trust others by the end of the film.[35][34] Marvel Studios had been looking for the right film to introduce the character in for a long time before settling on Multiverse of Madness.[34]
- Nicodemus West:
A surgeon and former colleague of Strange.[36] Stuhlbarg was planned to portray his Earth-838 counterpart as well but was only able to film one scene (as the original version) due to scheduling conflicts. The Earth-838 version would have worked for the Illuminati, with the protagonists finding his head in an elevator after he was killed by Wanda off-screen, similar to the death of Samuel L. Jackson's Ray Arnold in Jurassic Park (1993).[28] - Baxter Foundation and the former lover of that reality's Strange.[25] McAdams described this version of the character as a "Multiversal expert" who allowed her to have more action scenes compared to the first film.[39][40] She has "a lot more baggage" than the original version of the character due to the Earth-838 version of Strange being corrupted,[39] but her storyline with the Earth-616 Strange helps resolve his love story with his own version of Palmer.[41]
The Illuminati of Earth-838 also includes
Julian Hilliard and
Production
Development
By December 2018, Derrickson had quietly finalized a deal to direct the sequel, with Cumberbatch,
Pre-production
In January 2020, Marvel Studios and Derrickson announced that he would no longer direct the film due to creative differences. In separate statements, they both said they were thankful for their collaboration so far and Derrickson would remain an executive producer on the film.[71] This was not expected to delay filming, which was set for May 2020.[71][72] Cargill explained that he and Derrickson conceived a story that went in a different direction from what Marvel wanted,[73] and the pair had not yet written a draft of the screenplay so the final film would not be derivative of their work.[74] Derrickson said leaving the film was a difficult decision, but he did not want to compromise on a film that was different from what he wanted to make. His choice to leave was made easier by the fact that he was able to immediately begin work on The Black Phone (2022), another film he wanted to make.[73] Cumberbatch was not consulted regarding the director change and said he was sad to hear about it, but he respected the decision and how it was handled.[75] Some reports suggested that Derrickson left the film because he wanted to make a "no-holds-barred weird, gnarly, scary movie" similar to A24's films The Witch (2015) or Hereditary (2018), and Marvel Studios did not want to go in that direction, but Feige denied this and said the studio loved that idea. He explained that it was their intention for the film to serve as a guide into a "much creepier side" of the MCU, even after Derrickson's departure,[76] and they wanted to explore the "mind-bending frightening side" of the multiverse.[77]
Waldron watched the director's
Waldron described Wanda as "the biggest best bullet" that they had,
After a planned appearance by Cumberbatch in WandaVision was removed late in the development of the series, rewrites to the Multiverse of Madness script were required which Feige described as a "wonderful combination of very dedicated coordination, and chaos".[94] These changes include how Strange and Wanda meet in the film.[7] The story of Multiverse of Madness is still set up by WandaVision, but the film was developed to also work for viewers who did not watch the series.[95] For consistency with the Darkhold's appearance, the film's props department designed the prop that was used for WandaVision and then reused it for the film.[96] While writing his first draft, Waldron felt the film needed to "get drunk [and] find the madness in the multiverse" by introducing alternate universe versions of known Marvel characters. This led to the introduction of the Illuminati, a secret society from the comics. Waldron had been watching the film Aliens (1986) as inspiration for the script's thriller tone, and enjoyed how the "badass" space marines "just get slaughtered" by the titular aliens to set the latter up as scarier villains for the rest of that film. He wanted to do something similar with Wanda by introducing the Illuminati as a group of characters that fans would be excited to see and then have Wanda kill them all. The idea of Strange taking control of a dead body for the end of the film came from Waldron and Palmer discussing how he would be able to confront Wanda from a different universe, with the corpse of another version of Strange having been already established at the start of the film. Raimi, Feige, and Cumberbatch were all excited for the idea, despite Raimi initially wanting to avoid a zombie sequence to not repeat what he had done previously with zombie films.[82]
The film's release was shifted again at the end of April 2020, this time to March 25, 2022, after Sony Pictures rescheduled Spider-Man: No Way Home to the November 2021 date.[97] Until then, Waldron had been writing the script expecting Multiverse of Madness to be released before No Way Home. He was in contact with No Way Home writers Chris McKenna and Erik Sommers throughout the writing process, and after the release date change they adjusted their respective scripts so instead of Multiverse of Madness "blowing the lid on the multiverse" it would pick up after No Way Home with Strange already having multiverse experience. This change had a "knock-down effect" on the rest of the script.[93] There had been early plans to include Strange's new costume from Multiverse of Madness and America Chavez in No Way Home,[98][70] while a brief cameo of Spider-Man was planned for Multiverse of Madness. Costume designer Graham Churchyard said the pandemic had shaken up these plans.[98] Raimi noted that where No Way Home saw characters from other universes enter the MCU, Multiverse of Madness features characters from the MCU entering the multiverse and exploring different universes.[26] Ejiofor confirmed his involvement in June,[99] and Xochitl Gomez joined the cast in October.[100] Cumberbatch revealed that month that filming would start in London by the beginning of November,[101][102] with the production not impacted by a national lockdown in England that was set for November 5 to December 2 due to increased COVID-19 cases.[103]
Filming
Principal photography began in November 2020 in London,[104][105] under the working title Stellar Vortex.[106] Filming was delayed from an initial May 2020 start date due to the COVID-19 pandemic.[72] Olsen began filming her scenes by November 25,[105] shooting back-to-back with WandaVision,[107] and found it odd to transition from the series back to starring in an MCU film.[108][109] At the beginning of December, filming was taking place at Longcross Studios in Longcross, Surrey,[110] where several New York City blocks and sets for the Sanctum Sanctorum were built by production designer Charlie Woods.[111] McAdams soon signed on to return as Palmer,[37] shortly before Feige officially confirmed her involvement on December 10 along with that of Ejiofor, Wong, and Gomez. He also revealed that Gomez would portray America Chavez.[112][113] Cumberbatch had begun filming his scenes by then, after completing his work on No Way Home.[105][114][115] He said the film was more collaborative than his previous MCU appearances, for which he felt like he was "just along for the ride".[116]
Many of the actors, including Olsen,[117] Cumberbatch,[75] and Wong, were excited to be working with Raimi.[118] The director said many "dimensionalized visuals" were used during shooting to tell the film's story,[77] as he was able to use his preferred camera techniques such as using the camera and perspective to create a feeling of anxiety for audiences.[117][75][119] John Mathieson served as cinematographer,[12] and shot the film with Panavision DXL2 IMAX-certified cameras.[120] Raimi encouraged improvisation,[75][118] explaining that the cast could adapt their interactions due to their knowledge of their own characters, and that the script often changed shortly before filming for those scenes began.[121] The ending of the film was still "up in the air" when filming began, and Cumberbatch said it took some time for the team to decide on one which tied together all of the characters' stories.[122] Waldron explained that they felt the ending was too happy following all the "bad shit" that happens in the film, and wanted to show that Strange would suffer consequences for his actions (including possessing the corpse of a different version of himself) which tied into Mordo's warning from the first film: "The bill comes due." This led to them adding the ending scene where Strange develops a third eye in his forehead, and Waldron felt this was the sort of twist that horror films often end on.[82] Elaborating on that tone, Olsen said they were going for a "horror show vibe",[123] comparing it to Raimi's Evil Dead films with aspects of the horror genre such as "constant fear". She felt it was "more than a glossy Indiana Jones movie" and would be darker than those films,[124][119] with Raimi trying to make "the scariest Marvel movie"[108][109] and create "as much tension for the audience" as possible.[77]
Olsen shot for three weeks before pandemic restrictions increased near the end of December due to a
Post-production
The Illuminati's appearance was confirmed officially in March;
External videos | |
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Marvel Studios' Doctor Strange in the Multiverse of Madness End Credits Main On End Title Sequence presents the film's main-on-end title sequence, Perception 's channel |
Music
Doctor Strange composer
Marketing
A
A teaser aired during
Release
Theatrical
Doctor Strange in the Multiverse of Madness held its world premiere at the
In April 2022, The Hollywood Reporter confirmed that the film would not be released in Saudi Arabia due to the inclusion of America Chavez, a gay character, given the region's censorship of LGBTQ references.[209] Nawaf Alsabhan, Saudi Arabia's general supervisor of cinema classification, said the film had not been banned from the country but revealed that Disney was "not willing" to grant their request of cutting "barely 12 seconds" of a scene in which Chavez refers to her "two moms".[210] The film had been set to release in several Persian Gulf countries on May 5, before advanced tickets were removed from cinema websites in Saudi Arabia, Kuwait, and Qatar. Tickets were still available in the United Arab Emirates, which The Hollywood Reporter stated was an indication that the film could still be released there.[209] IMAX Corporation also confirmed that the film would not be released in Egypt.[211] Cumberbatch was disappointed by the countries' decisions to not release the film, saying: "We've come to know from those repressive regimes that their lack of tolerance is exclusionary to people who deserve to be not only included, but celebrated for who they are and made to feel part of a society and a culture and not punished for their sexuality. It feels truly out of step with everything that we've experienced as a species, let alone where we're at globally more as a culture, but frankly, it's just even more reason why this isn't tokenism to include an LGBTQ+ community member".[212] Deadline Hollywood reported in late April that the film was unlikely to be released in China after a newspaper box for The Epoch Times, a newspaper that opposes the Chinese Communist Party (CCP), was noticed in the film's trailer. It had been submitted for review to Chinese officials by that time.[213] In mid-May, Disney CEO Bob Chapek said the situation was complicated but noted that the film was already commercially successful without a release in China.[214]
Home media
The film began streaming on Disney+ on June 22, 2022,[215] with the option to view the theatrical version of the film or an IMAX Enhanced version.[216] It was released by Walt Disney Studios Home Entertainment on Ultra HD Blu-ray, Blu-ray, and DVD on July 26. The home media includes audio commentary, deleted scenes, a gag reel, and various behind-the-scenes featurettes.[217]
According to Samba TV, Doctor Strange in the Multiverse of Madness was watched by 2.1 million U.S. households within its first five days of being available on Disney+; this was comparable to the viewership of Shang-Chi and the Legend of the Ten Rings (2021) and Eternals (2021).[218] According to the streaming aggregator JustWatch, Doctor Strange in the Multiverse of Madness was the sixth most streamed film in the United States in 2022.[219]
Reception
Box office
Doctor Strange in the Multiverse of Madness grossed $411.3 million in the United States and Canada and $544.4 million in other territories, for a worldwide total of $955.8 million.[3][4] It was the fourth-highest-grossing film of 2022.[220] Forbes estimated the film made a profit of $183 million.[2]
The film grossed $42 million in ticket presales through Fandango, and sold the most tickets on the platform since Spider-Man: No Way Home (2021), while also surpassing ticket presales for The Batman (2022) within 24 hours.[221][195] Its worldwide opening weekend of $452.4 million was the ninth-largest opening ever, and marked the highest May debut of all-time for IMAX ($33 million).[222]
In the United States and Canada, the film grossed $187.4 million in its opening weekend, surpassing the $151 million opening weekend gross of Spider-Man 3 (2007) to become the highest of Sam Raimi's career. It grossed $90.7 million on its opening day, which included $36 million from Thursday previews. The preview was the second-best preview during the pandemic behind Spider-Man: No Way Home and the overall eighth-largest preview performance, while the opening-day gross was the seventh-highest in industry history. The film's $90.7 million opening day tally is also the largest single-day gross in May of all time.[223] In its second weekend, the film grossed $61 million, becoming one of the MCU's biggest second-weekend box office drops. The 67% decline was attributed by Deadline Hollywood to the "bad word of mouth" on the film and its CinemaScore grade, while EntTelligence saw more than 17% downsize of available seats for the film, resulting in fewer showtimes which also led to the decline.[224] In its third weekend, the film grossed $31.6 million.[225] The film grossed $17 million in its fourth weekend for a running total of $376.1 million, passing The Batman's $369.3 million to become the highest-grossing film of 2022 (later surpassed by Top Gun: Maverick).[226][227] It ended up being the fourth highest-grossing film of 2022 in this region.[228]
Outside the United States and Canada, Multiverse of Madness grossed $265 million from 49 markets within its opening weekend, landing at number one in numerous markets. The film grossed $27.2 million from 20 markets on its opening day, surpassing the first-day overall results of Doctor Strange (2016) by 153% and The Batman by 210%, but falling behind No Way Home by 4%. The film had the highest opening day gross for a film released during the COVID-19 pandemic in the Philippines and Thailand, with $1.2 million in both markets, and the second-best ditto in France ($3 million), Italy ($2.2 million), and Germany ($1.8 million). In Malaysia, the film grossed $1.6 million on its opening day to become the second highest in the country's history. The film grossed $10.3 million from its previews in Latin America, including from Mexico ($3.5 million) and Brazil ($2.7 million).[229] As of June 12, 2022[update], the film's largest markets are the United Kingdom ($51.4 million), South Korea ($49.2 million), Mexico ($40.6 million), Brazil ($33.1 million), and France ($27.7 million).[230]
Critical response
This section is too long. Consider splitting it into new pages, adding subheadings, or condensing it. (June 2023) |
The review aggregator website Rotten Tomatoes reported an approval rating of 73%, with an average score of 6.5/10, based on 460 reviews. The website's critical consensus reads, "Doctor Strange in the Multiverse of Madness labors under the weight of the sprawling MCU, but Sam Raimi's distinctive direction casts an entertaining spell."[231] On Metacritic, the film has a weighted average score of 60 out of 100, based on 65 critics, indicating "mixed or average reviews".[232] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale, while PostTrak reported 82% of audience members gave it a positive score, with 69% saying they would definitely recommend it.[223]
Don Kaye of
The Hollywood Reporter's John Defore opined that Raimi's fans may "be deflated" with the Kamar-Taj battle scene, but felt his direction in following scenes had better displayed his "distinctive style". Though he was unsatisfied with the film in "some respects", he praised the final act as he felt it "play[ed] more to Raimi's strengths – [it's] looser, more kinetic and occasionally goofy despite [the] big stakes".[239] Justin Chang of the Los Angeles Times gave the film a positive review, and also praised Raimi's direction. He called the film an "alternately goofy and grisly story that pauses every so often to unleash a tidal wave of grief". Chang praised the performances, particularly Cumberbatch's and Olsen's, while enjoying the visuals and the film's approach to the multiverse, which he felt allowed it to "pose a few playful questions about fate, predestination and human decency" rather than use it for comedic effects.[240] Empire's Dan Jolin rated the film 4 out of 5 stars, praising Raimi's direction and citing the action sequences as being creative, declaring it as "Marvel's most deranged and energetic movie yet, as much of a winning comeback for director Sam Raimi as it is a mega-budget exercise in universal stakes-raising."[241] David Sims of The Atlantic called the film "surprisingly good" and also praised Raimi's direction, remarking that he was glad to "see space for a real genre auteur amid all the multiversal machinations" in the MCU, but criticized the pacing and cast.[242]
Peter Bradshaw of The Guardian rated the film 3 out of 5 stars and gave the film a more critical but positive review, concluding the "infinite realities tend to reduce the dramatic impact of any one single reality" but felt the film handled it well through its "lightness and fun".[243] IndieWire's David Ehrlich felt that Doctor Strange's character had been "diluted" after the events of No Way Home, critiquing the beginning in what he felt "begins as a staid tale of people hurling CGI at larger pieces of CGI while yammering on about whatever new thing is threatening all existence". His opinion on Raimi's direction was mixed, commenting that it was "not enough to make Multiverse of Madness a great movie, ... [but] it was enough to make it a real Sam Raimi movie".[244] Brian Tallerico of RogerEbert.com rated the film 2 out of 4 stars, feeling the film was "sewn together from pieces of other films, comic books, and TV shows and given life with the electricity of a Marvel budget" and labeled it a "Frankenstein movie". He criticized the characterization and felt the story kept focusing on "shallow" character traits rather than develop the multiverse, enumerating "Wanda's grief, Strange's unspoken love for Christine, or America's uncertainty about her own powers" as examples. Though he criticized the use of CGI, he acknowledged the film contained Raimi's "visual flair".[245] Additionally, Alonso Duralde of TheWrap gave a negative review, comparing the film's use of the multiverse to that of Everything Everywhere All at Once (2022) and wrote "Daniels' boldly inventive indie movie explodes with wit and nerve and character – most of which are prominently missing from this latest MCU adventure", leading him to criticize the writing, which he deemed as being "so crowded with plot and incident and magical doodads" that it reduced character development, but enjoyed Elfman's score and the visuals.[246]
Accolades
Award | Date of ceremony | Category | Recipient(s) | Result | Ref. |
---|---|---|---|---|---|
Critics' Choice Super Awards | March 16, 2023 | Best Superhero Movie | Doctor Strange in the Multiverse of Madness | Nominated | [247] |
Best Actor in a Superhero Movie | Benedict Cumberbatch | Nominated | |||
Best Actress in a Superhero Movie | Elizabeth Olsen | Nominated | |||
Best Villain in a Movie | Elizabeth Olsen | Nominated | |||
Dragon Awards | September 4, 2022 | Best Science Fiction or Fantasy Movie | Doctor Strange in the Multiverse of Madness | Nominated | [248] |
Florida Film Critics Circle Awards
|
December 22, 2022 | Best Visual Effects | Doctor Strange in the Multiverse of Madness | Nominated | [249] [250] |
Golden Trailer Awards | October 6, 2022 | Best Fantasy Adventure | "Nightmare" (Wild Card) | Nominated | [251] [252] |
Best Summer 2022 Blockbuster Trailer | "Nightmare" (Wild Card) | Nominated | |||
Best Summer 2022 Blockbuster TV Spot | "Ready" (Wild Card) | Won | |||
June 29, 2023 | Best Digital – Fantasy Adventure | "Open Says Me" (Tiny Hero) | Nominated | [253] [254] | |
Grammy Awards | February 5, 2023 | Best Arrangement, Instrumental or A Cappella | Danny Elfman (for the song "Main Titles") | Nominated | [255] |
Hollywood Music in Media Awards | November 16, 2022 | Best Original Score in a Sci-Fi/Fantasy Film | Danny Elfman | Won | [256] |
Best Music Supervision – Film | Dave Jordan | Nominated | |||
Hollywood Professional Association Awards
|
November 17, 2022 | Outstanding Visual Effects – Feature Film | Julian Foddy, Jan Maroske, Koen Hofmeester, Sally Wilson, and John Seru (Industrial Light & Magic) | Won[e] | [257] |
Joel Behrens, Alexandre Millet, Kazuki Takahashi, Juan Pablo Allgeier, and Bryan Smeall (Digital Domain) | Nominated | ||||
International Film Music Critics Association Awards
|
February 23, 2023 | Best Original Score for a Fantasy/Science Fiction/Horror Film | Danny Elfman | Nominated | [258] [259] |
Lumiere Awards
|
February 10, 2023 | Best 2D to 3D Conversion | Doctor Strange in the Multiverse of Madness | Won | [260] |
MTV Movie & TV Awards | May 7, 2023 | Best Villain | Elizabeth Olsen | Won | [261] |
Nickelodeon Kids' Choice Awards | March 4, 2023 | Favorite Movie Actress | Elizabeth Olsen | Nominated | [262] |
People's Choice Awards | December 6, 2022 | Movie of 2022 | Doctor Strange in the Multiverse of Madness | Won | [263] |
Action Movie of 2022 | Doctor Strange in the Multiverse of Madness | Nominated | |||
Female Movie Star of 2022 | Elizabeth Olsen | Won | |||
Action Movie Star of 2022 | Elizabeth Olsen | Won | |||
Saturn Awards | October 25, 2022 | Best Superhero Film | Doctor Strange in the Multiverse of Madness | Nominated | [264] [265] |
Best Supporting Actor in a Film | Benedict Wong | Nominated | |||
Best Film Music | Danny Elfman | Won | |||
Best Film Visual / Special Effects | Jorundur Rafn Arnarson, Erik Winquist, and Joe Letteri | Nominated |
Documentary special
In February 2021, the documentary series
Notes
- ^ The film gives the name Earth-616 to the main reality depicted in the Marvel Cinematic Universe.[5]
- Gargantos[6]
- ^ As depicted in the television miniseries WandaVision (2021)[7]
- Clea[8]
- ^ Tied with Scott Kersavage, Erin V. Ramos, David E. Fluhr, and Paul McGrath for Encanto (2021)
References
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External links
- Official website Marvel.com
- Doctor Strange in the Multiverse of Madness at IMDb