Khajuraho Group of Monuments

Coordinates: 24°51′16″N 79°55′17″E / 24.854422°N 79.921427°E / 24.854422; 79.921427
Source: Wikipedia, the free encyclopedia.

Khajuraho Group of Monuments
UNESCO World Heritage Site
LocationKhajuraho, Chhatarpur district, Madhya Pradesh, India
CriteriaCultural: i, iii
Reference240
Inscription1986 (10th Session)
Coordinates24°51′16″N 79°55′17″E / 24.854422°N 79.921427°E / 24.854422; 79.921427
Khajuraho Group of Monuments is located in India
Khajuraho Group of Monuments
Location in Madhya Pradesh state of India
Khajuraho Group of Monuments is located in Madhya Pradesh
Khajuraho Group of Monuments

The Khajuraho Group of Monuments are a group of

erotic sculptures.[1]

Most Khajuraho temples were built between 885 CE and 1000 CE by the

Chandela dynasty.[2][3] Historical records note that the Khajuraho temple site had 85 temples by the 12th century, spread over 20 square kilometres (7.7 sq mi). Of these, only about 25 temples have survived, spread over six square kilometres (2.3 sq mi).[3] Of the surviving temples, the Kandariya Mahadeva Temple is decorated with a profusion of sculptures with intricate details, symbolism, and expressiveness of ancient Indian art.[4] The temple complex was forgotten and overgrown by the jungle until 1838 when Captain T.S. Burt, a British engineer, visited the complex and reported his findings in the Journal of the Asiatic Society of Bengal.[5]

When these monuments were built, the boys in the place lived in

World Heritage List in 1986.[8][3]

Etymology

The name Khajuraho, or Kharjuravāhaka, is derived from ancient Sanskrit (kharjura, खर्जूर means date palm,[9] and vāhaka, वाहक means "one who carries" or bearer[10]). Local legends state that the temples had two golden date-palm trees as their gate (missing when they were rediscovered). Desai states that Kharjuravāhaka also means scorpion bearer, which is another symbolic name for deity Shiva (who wears snakes and scorpion garlands in his fierce form).[11]

Cunningham's nomenclature and systematic documentation work in 1850s and 1860s have been widely adopted and continue to be in use.[12] He grouped the temples into the Western group around Lakshmana, Eastern group around Javeri, and Southern group around Duladeva.[13]

Location

The Khajuraho monuments are located in the

Khajuraho,[14]
with a population of about 24,481 people (2011 Census).

Khajuraho is served by

Civil Aerodrome Khajuraho (IATA Code: HJR), with services to Delhi, Agra, Varanasi and Mumbai.[15] The site is also linked by the Indian Railways
service, with the railway station located approximately six kilometres from the entrance to the monuments.

The monuments are about ten kilometres off the east-west

National Highway 86
.

The 10th-century Bhand Deva Temple in Rajasthan was built in the style of the Khajuraho monuments and is often referred to as 'Little Khajuraho'.

History

The Khajuraho group of monuments was built during the rule of the

Hindu kings Yashovarman and Dhanga. Yashovarman's legacy is best exhibited by the Lakshmana Temple. Vishvanatha temple best highlights King Dhanga's reign.[17]: 22  The largest and currently most famous surviving temple is Kandariya Mahadeva built in the reign of King Vidyadhara.[18] The temple inscriptions suggest many of the currently surviving temples were complete between 970 and 1030 CE, with further temples completed during the following decades.[7]

The Khajuraho temples were built about 35 miles from the medieval city of

Kalinjar region. In ancient and medieval literature, their kingdom has been referred to as Jijhoti, Jejahoti, Chih-chi-to and Jejakabhukti.[20]

The first documented mention of Khajuraho was made in 641 by

Abu Rihan-al-Biruni, the Persian historian who accompanied Mahmud of Ghazni in his raid of Kalinjar; he mentions Khajuraho as the capital of Jajahuti.[22] The raid was unsuccessful, and a peace accord was reached when the Hindu king agreed to pay a ransom to Mahmud of Ghazni to end the attack and leave.[20]

Khajuraho temples were in active use through the end of the 12th century. This changed in the 13th century; after the army of

Qutb-ud-din Aibak, attacked and seized the Chandela kingdom. About a century later, Ibn Battuta, the Moroccan traveller in his memoirs about his stay in India from 1335 to 1342 CE, mentioned visiting Khajuraho temples, calling them "Kajarra"[23][24]
as follows:

Until the 12th century, Khajuraho was under Hindu kings and featured 85 temples. Central India was seized by Delhi Sultanate in the 13th century. Under Muslim rule, many temples were destroyed and the rest left in neglect. Ruins of some old temples (Ghantai temple above) are still visible.

...near (Khajuraho) temples, which contain idols that have been mutilated by the Moslems, live a number of yogis whose matted locks have grown as long as their bodies. And on account of extreme asceticism they are all yellow in colour. Many Moslems attend these men in order to take lessons (yoga) from them.

— Ibn Battuta, about 1335 CE, Riḥlat Ibn Baṭūṭah, Translated by Arthur Cotterell[25]

The central Indian region, where Khajuraho temples are, was controlled by various Muslim dynasties from the 13th century through the 18th century. In this period, some temples were desecrated, followed by a long period when they were left in neglect.

Sikandar Lodi's campaign of temple destruction included Khajuraho.[26] The remoteness and isolation of Khajuraho protected the Hindu and Jain temples from continued destruction by Muslims.[27][28]
Over the centuries, vegetation and forests overgrew the temples.

In the 1830s, local Hindus guided a British surveyor, T.S. Burt, to the temples and they were thus rediscovered by the global audience.

F.C. Maisey prepared earliest drawings of the Khajuraho temples.[12]

Description

Sections and orientation of Khajuraho temples.

The temple site is within Vindhya mountain range in central India. An ancient local legend held that Hindu deity Shiva and other gods enjoyed visiting the dramatic hill formation in Kalinjar area.[13] The center of this region is Khajuraho, set midst local hills and rivers. The temple complex reflects the ancient Hindu tradition of building temples where gods love to pray.[13][30]

The temples are clustered near water, another typical feature of Hindu temples. The current water bodies include Sib Sagar, Khajur Sagar (also called Ninora Tal) and Khudar Nadi (river).[31] Local legends state that the temple complex had 64 water bodies, of which 56 have been physically identified by archeologists so far.[13][32]

All temples, except[13] one (Chaturbhuja) face the sunrise – another symbolic feature that is predominant in Hindu temples. The relative layout of temples integrate masculine and feminine deities and symbols highlight the interdependence.[33] The artworks symbolically highlight the four goals of life considered necessary and proper in Hinduism – dharma, kama, artha and moksha.

Of the surviving temples, six are dedicated to Shiva, eight to Vishnu and his affinities, one to Ganesha, one to Sun god, three to Jain Tirthankars.[13] For some ruins, there is insufficient evidence to assign the temple to specific deities with confidence.

An overall examination of site suggests that the Hindu symbolic mandala design principle of square and circles is present each temple plan and design.[34] Further, the territory is laid out in three triangles that converge to form a pentagon. Scholars suggest that this reflects the Hindu symbolism for three realms or trilokinatha, and five cosmic substances or panchbhuteshvara.[13] The temple site highlights Shiva, the one who destroys and recycles life, thereby controlling the cosmic dance of time, evolution and dissolution.[33]

The temples have a rich display of intricately carved statues. While they are famous for their erotic sculpture, sexual themes cover less than 10% of the temple sculpture.

Āgamas are richly expressed in Khajuraho temples – Avyakta, Vyaktavyakta and Vyakta.[38]

The

Grahpati Kokalla inscription.[39]

Of all temples, the Matangeshvara temple remains an active site of worship.[33] It is another square grid temple, with a large 2.5 metres (8.2 ft) high and 1.1 metres (3.6 ft) diameter lingam, placed on a 7.6 metres (25 ft) diameter platform.[13]

The most visited temple, Kandariya Mahadev, has an area of about 6,500 square feet and a shikhara (spire) that rises 116 feet.[16][13]

Jain temples

Main article: Jain temples of Khajuraho

The Jain temples are located on east-southeast region of Khajuraho monuments.[40]

The Eastern Group consists of four major Digambara Jaina temples: the ruined Ghantai Temple, the Pārśvanātha Temple, the Ādinātha Temple, and the Śāntinātha Temple, along with several smaller Jaina shrines. Many of these shrines were built on the foundations of earlier structures or using materials from previous temples.[41]

There are numerous strong indications within the architecture of the Pārśvanātha and Ādinātha Temples that they were originally constructed as Hindu temples and later converted into Jaina temples by the Jaina community.[41]

Chausath yogini temple features 64 yogini, while Ghantai temple features bells sculptured on its pillars.

Architecture of the temples

The layout plan of Kandariya Mahadeva Temple. It uses the 64 pada grid design. Smaller Khajuraho temples use the 9, 16, 36 or 49 grid mandala plan.[42]

Khajuraho temples, almost all Hindu temple designs, follow a grid geometrical design called vastu-purusha-mandala.[43] This design plan has three important components – Mandala means circle, Purusha is universal essence at the core of Hindu tradition, while Vastu means the dwelling structure.[44]

The design lays out a Hindu temple in a symmetrical, concentrically layered, self-repeating structure around the core of the temple called garbhagriya, where the abstract principle Purusha and the primary deity of the temple dwell. The shikhara, or spire, of the temple rises above the garbhagriya. This symmetry and structure in design is derived from central beliefs, myths, cardinality and mathematical principles.[45]

The circle of mandala circumscribe the square. The square is considered divine for its perfection and as a symbolic product of knowledge and human thought, while circle is considered earthly, human and observed in everyday life (moon, sun, horizon, water drop, rainbow). Each supports the other.[30] The square is divided into perfect 64 sub-squares called padas.[43]

Most Khajuraho temples deploy the 8x8 (64) padas grid Manduka Vastupurushamandala, with pitha mandala the square grid incorporated in the design of the spires.[42] The primary deity or lingas are located in the grid's Brahma padas.

Khajuraho temples use the 8×8 (64) Vastupurusamandala Manduka grid layout plan (left) found in Hindu temples. Above the temple’s brahma padas is a Shikhara (Vimana or Spire) that rises symmetrically above the central core, typically in a circles and turning-squares concentric layering design (right) that flows from one to the other as it rises towards the sky.[30][46]

The architecture is symbolic and reflects the central Hindu beliefs through its form, structure, and arrangement of its parts.[47] The mandapas, as well as the arts, are arranged in the Khajuraho temples in a symmetric repeating patterns, even though each image or sculpture is distinctive in its own way. The relative placement of the images are not random but together they express ideas, just like connected words form sentences and paragraphs to compose ideas.[48] This fractal pattern that is common in Hindu temples.[49] Various statues and panels have inscriptions. Many of the inscriptions on the temple walls are poems with double meanings, something that the complex structure of Sanskrit allows in creative compositions.[11]

All Khajuraho temples, except one, face sunrise, and the entrance for the devotee is this east side.

An illustration of Khajuraho temple Spires (Shikhara, Vimana) built using concentric circle and rotating-squares principle. Four spires (left) are shown above, while the inside view of one Shikara ceiling (right) shows the symmetric layout.

Above the vastu-purusha-mandala of each temple is a superstructure with a dome called Shikhara (or Vimana, Spire).[44] Variations in spire design come from variation in degrees turned for the squares. The temple Shikhara, in some literature, is linked to mount Kailash or Meru, the mythical abode of the gods.[30]

In each temple, the central space typically is surrounded by an ambulatory for the pilgrim to walk around and ritually circumambulate the Purusa and the main deity.[30] The pillars, walls, and ceilings around the space, as well as outside have highly ornate carvings or images of the four just and necessary pursuits of life – kama, artha, dharma, and moksa. This clockwise walk around is called pradakshina.[44]

Larger Khajuraho temples also have pillared halls called mandapa. One near the entrance, on the east side, serves as the waiting room for pilgrims and devotees. The mandapas are also arranged by principles of symmetry, grids, and mathematical precision. This use of same underlying architectural principle is common in Hindu temples found all over India.[50] Each Khajuraho temple is distinctly carved yet also repeating the central common principles in almost all Hindu temples, one which Susan Lewandowski refers to as "an organism of repeating cells".[51]

Construction

The temples are grouped into three geographical divisions: western, eastern and southern.

The Khajuraho temples are made of sandstone, with a granite foundation that is almost concealed from view.[52] The builders didn't use mortar: the stones were put together with mortise and tenon joints and they were held in place by gravity. This form of construction requires very precise joints. The columns and architraves were built with megaliths that weighed up to 20 tons.[53] Some repair work in the 19th Century was done with brick and mortar; however, these have aged faster than original materials and darkened with time, thereby seeming out of place.

The Khajuraho and Kalinjar region is home to superior quality of sandstone, which can be carved precisely. The surviving sculpture reflect fine details such as strands of hair, manicured nails, and intricate jewelry.

While recording the television show Lost Worlds (History Channel) at Khajuraho, Alex Evans recreated a stone sculpture under four feet that took about 60 days to carve in an attempt to develop a rough idea of how much work must have been involved.[54] Roger Hopkins and Mark Lehner also conducted experiments to quarry limestone which took 12 quarrymen 22 days to quarry about 400 tons of stone.[55] They concluded that these temples would have required hundreds of highly trained sculptors.

Western side.

Chronology

The Khajuraho group of temples belong to Vaishnavism school of Hinduism, Saivism school of Hinduism and Jainism – nearly a third each. Archaeological studies suggest all three types of temples were under construction at about the same time in the late 10th century, and in use simultaneously. Will Durant states that this aspect of Khajuraho temples illustrates the tolerance and respect for different religious viewpoints in the Hindu and Jain traditions.[56] In each group of Khajuraho temples, there were major temples surrounded by smaller temples – a grid style that is observed to varying degrees in Hindu temples in Angkor Wat, Parambaran and South India.

The largest surviving Shiva temple is Khandarya Mahadeva, while the largest surviving Vaishnava group includes Chaturbhuja and Ramachandra.

Kandariya Mahadeva Temple plan is 109 ft in length by 60 ft, and rises 116 ft above ground and 88 ft above its own floor. The central padas are surrounded by three rows of sculptured figures, with over 870 statues, most being half life size (2.5 to 3 feet). The spire is a self-repeating fractal structure.

Temples, religious affiliations and consecration years
Sequence Modern temple name Religion Deity Completed by
(CE)[13][57] 		Image
1
Chausath Yogini
 Hinduism Devi, 64 Yoginis 885
2
Lalguan Mahadev
 Hinduism Shiva 900
3 Brahma Temple Hinduism Shiva 925
4 Lakshmana Hinduism Vaikuntha Vishnu 939
5 Varaha Hinduism Varaha 950
6 Parshvanatha Jainism
Parshvanatha
 954
7 Ghantai Jainism Adinatha 960
8 Mahishasuramardini Hinduism Parvati 995
9 Vishvanatha Hinduism Shiva 999
10
Matangeshwar
 Hinduism Shiva 1000
11 Vishnu-Garuda Hinduism Vishnu 1000
12 Beejamandal Temple ruins Hinduism Shiva 1000
13 Ganesha Hinduism Shiva 1000
14 Jagadambi Hinduism Devi Jagadambi 1023
15
Chitragupta
 Hinduism Chitragupta 1023
16 Adinath Temple Jainism Adinatha 1027
17 Shantinatha temple Jainism Shantinatha 1027
18
Kandariya Mahadeva
(the largest temple) 		Hinduism Shiva 1029
19 Vamana Hinduism Vamana 1062
20
Javeri
 Hinduism Shiva 1090
21 Chaturbhuja Hinduism Vishnu 1110
22 Duladeo (Duladeva) Hinduism Shiva 1125

Arts and sculpture

Khajuraho temples are famous for their erotic arts. These constitute about 10% of total art displayed at the monuments.
Erotic sculptures
Erotic depiction of two men

The Khajuraho temples feature a variety of artwork, of which 10% is sexual or

tantric sexual practices.[58] Other scholars state that the erotic arts are part of the Hindu tradition of treating kama as an essential and proper part of human life, and its symbolic or explicit display is common in Hindu temples.[4][59]
James McConnachie, in his history of the Kamasutra, describes the sexual-themed Khajuraho sculptures as "the apogee of erotic art":

Twisting, broad-hipped and high breasted

apsaras run riot across the surface of the stone, putting on make-up, washing their hair, playing games, dancing, and endlessly knotting and unknotting their girdles. ... Beside the heavenly nymphs are serried ranks of griffins, guardian deities and, most notoriously, extravagantly interlocked maithunas
, or lovemaking couples.

Over 90% of the artwork at the temple is about daily life and symbolic values in ancient Indian culture.

The temples have several thousand statues and artworks, with Kandarya Mahadeva Temple alone decorated with over 870. Some 10% of these iconographic carvings contain sexual themes and various sexual poses. A common misconception is that, since the old structures with carvings in Khajuraho are temples, the carvings depict sex between deities;[60] however, the kama arts represent diverse sexual expressions of different human beings.[61] The vast majority of arts depict various aspects the everyday life, mythical stories as well as symbolic display of various secular and spiritual values important in Hindu tradition.[3][4] For example, depictions show women putting on makeup, musicians making music, potters, farmers, and other folks in their daily life during the medieval era.[62] These scenes are in the outer padas as is typical in Hindu temples.

There is iconographic symbolism embedded in the arts displayed in Khajuraho temples.[4] Core Hindu values are expressed in multitude of ways. Even the Kama scenes, when seen in combination of sculptures that precede and follow, depict the spiritual themes such as moksha. In the words of Stella Kramrisch,

This state which is "like a man and woman in close embrace" is a symbol of moksa, final release or reunion of two principles, the essence (

Prakriti).

— Stella Kramrisch, 1976[30]

The Khajuraho temples represent one expression of many forms of arts that flourished in

Vyalas, which are hybrid imaginary animals with lions' bodies, and are found in other Indian temples.[65] Some of these hybrid mythical artwork include Vrik Vyala (hybrid of wolf and lion) and Gaja Vyala (hybrid of elephant and lion). These Vyalas may represent syncretic, creative combination of powers innate in the two.[66]

Tourism and cultural events

Temples layout map – Khajuraho Group of Monuments.

The temples in Khajuraho are broadly divided into three parts: the Eastern group, the Southern Group and the Western group of temples of which the Western group alone has the facility of an audio-guided tour wherein the tourists are guided through the seven-eight temples. There is also an audio guided tour developed by the Archaeological Survey of India which includes a narration of the temple history and architecture.[67]

The Khajuraho Dance Festival is held every year in February.[68] It features various classical Indian dances set against the backdrop of the Chitragupta or Vishwanath Temples.

The Khajuraho temple complex offers a son et lumière (sound and light) show every evening. The first show is in English language and the second, in Hindi. It is held in the open lawns in the temple complex, and has received mixed reviews.[citation needed]

See also

References

  1. ISBN 978-1405329040
    , pp 352-353
  2. ^ Gopal, Madan (1990). K.S. Gautam (ed.). India through the ages. Publication Division, Ministry of Information and Broadcasting, Government of India. p. 179.
  3. ^ a b c d "Khajuraho Group of Monuments". UNESCO World Heritage Centre. United Nations Educational Scientific and Cultural Organization. Retrieved 25 June 2023.
  4. ^
    ISBN 978-0-19-565643-5
  5. ^ Slaczka, Anna. “Temples, Inscriptions and Misconceptions: Charles-Louis Fábri and the Khajuraho ‘Apsaras.’” The Rijksmuseum Bulletin 60, no. 3 (2012): 212–33. See p. 217.
  6. ^ Frontline, Volume 24, Issues 6-12. S. Rangarajan for Kasturi & Sons. 2007. p. 93.
  7. ^ a b c James Fergusson, Northern or Indo-Aryan Style - Khajuraho History of Indian and Eastern Architecture, Updated by James Burgess and R. Phene Spiers (1910), Volume II, John Murray, London
  8. ^ "World Heritage Day: Five must-visit sites in India". 18 April 2015. Archived from the original on 19 April 2015.
  9. ^ kharjUra Sanskrit English Dictionary, Koeln University, Germany
  10. ^ vAhaka Sanskrit English Dictionary, Koeln University, Germany
  11. ^ a b c Devangana Desai (1996), Chapter 7 - Puns and Enigmatic Language in Sculpture Archived 4 March 2016 at the Wayback Machine in The Religious Imagery of Khajuraho, Project for Indian Cultural Studies, Columbia University Archives
  12. ^ a b Krishna Deva (1990), Temples of Khajuraho, 2 Volumes, Archaeological Survey of India, New Delhi
  13. ^
    ISBN 978-8180694585
    , Chapter 18
  14. ^ "Census of India 2001: Data from the 2001 Census, including cities, villages and towns (Provisional)". Census Commission of India. Archived from the original on 16 June 2004. Retrieved 1 November 2008.
  15. ^ Khajuraho airport Archived 8 July 2015 at the Wayback Machine AAI, Govt of India
  16. ^
    ISBN 978-8171544462
    , Reprint Year: 2005, pp 19-24
  17. ISBN 9789380607344
    .
  18. ^ Devangana Desai 2005, p. 10.
  19. ^ also called Erakana
  20. ^
    ISBN 978-8120819979
  21. ISBN 978-88-7439-778-5
    .
  22. ^ J. Banerjea (1960), Khajuraho, Journal of the Asiatic Society, Vol. 2-3, pp 43-47
  23. ^ phonetically translated from Arabic sometimes as "Kajwara"
  24. ^ Director General of Archaeology in India (1959), Archaeological Survey of India, Ancient India, Issues 15-19, pp 45-46 (Archived: University of Michigan)
  25. ISBN 978-0470825044
    , pp 184-185
  26. OCLC 175212
    , pp 423-427
  27. ISBN 978-1884964046
    , Routledge, pp 468-470
  28. ISBN 978-1594770296
    , pp 221-227
  29. ISBN 978-1426201448
    , see Chapter on Khajuraho
  30. ^
    ISBN 978-81-208-0222-3
  31. ^ Ibn Battuta in his 1335 CE memoirs on Delhi Sultanate mentioned the temples to be near a mile-long lake, modern water bodies are much smaller and separate lagoons; Director General of Archaeology in India (1959), Archaeological Survey of India, Ancient India, Issues 15-19, pp 45-46 (Archived: University of Michigan)
  32. ^ The number 64 is considered sacred in Hindu temple design and very common design basis; it is symbolic as it is both a square of 8 and a cube of 4.
  33. ^
    ISBN 978-0670840274
  34. ISBN 978-8171544462
    , Reprint Year: 2005, pp 19-25; and V.A. Smith (1879), "Observations on some Chandel Antiquities", Asiatic Society of Bengal, Vol. 48, Part 1, pp 291-297
  35. ISBN 978-8190018418
  36. JSTOR 3249517
    .
  37. ^ Edmund Leach, The Harvey Lecture Series. The Gatekeepers of Heaven: Anthropological Aspects of Grandiose Architecture, Journal of Anthropological Research, Vol. 39, No. 3 (Autumn, 1983), pp 243-264
  38. ^ Bettina Bäumer, A review, Artibus Asiae, Vol. 59, No. 1/2 (1999), pp. 138-140
  39. ^ Cunningham, Alexander (1880). Report of Tours in Bundelkhand and Malwa in 1874-75 and 1876-77. 8 Hastings Street, Calcutta: Office of the Superintendent of Government Printing. p. 22. Retrieved 8 May 2017.{{cite book}}: CS1 maint: location (link)
  40. ^ James Fergusson, Jaina Architecture - Khajuraho History of Indian and Eastern Architecture, Updated by James Burgess and R. Phene Spiers (1910), Volume II, John Murray, London
  41. ^
    ISBN 978-1-134-23552-0
    .
  42. ^
    JSTOR 602657
    .
  43. ^
    JSTOR 3249613
    .
  44. ^
    ISBN 978-0710202345
    , Routledge, pp 68-69
  45. ISBN 81-208-0223-3
  46. JSTOR 25068237
    .
  47. S2CID 132490349
    .
  48. ISBN 978-0-19-565643-5
  49. doi:10.1016/j.buildenv.2007.01.028
  50. ^ Trivedi, K. (1989). Hindu temples: models of a fractal universe. The Visual Computer, 5(4), 243-258
  51. ISBN 978-0710202345
    , Routledge, Chapter 4
  52. ^ V.A. Smith, "Observations on some Chandel Antiquities", Journal of the Asiatic Society of Bengal, Volume 48, pp 290-291
  53. ^ "Lost Worlds of the Kama Sutra" History channel
  54. ^ "Lost Worlds of the Kama Sutra," History Channel
  55. ISBN 0-500-05084-8
    . pp. 202–225
  56. ISBN 978-0671548001
    , Simon & Schuster
  57. ^ From inscription or estimated from other evidence
  58. ISBN 978-8120817784
    , Chapter 25, pp 434-446
  59. ^ See:
  60. ^ "Khajuraho". Liveindia.com. Retrieved 14 July 2014.
  61. ISBN 978-0892818549
  62. ISBN 978-0226532301
    , pp 117-123 and pp 56–58
  63. ^ L. H. Gray, Journal of American Society, Vol. 27
  64. ^ H. W. Woodward (1989), "The Lakṣmaṇa Temple, Khajuraho, and Its Meanings", Ars Orientalis, Vol. 19, pp. 27–48
  65. doi:10.1558/rosa.v7i1-3.27
    .
  66. ^ Hiram W. Woodward, Jr., "The Lakṣmaṇa Temple, Khajuraho, and Its Meanings", Ars Orientalis, Vol. 19, (1989), pp. 27–48
  67. ^ Tourists to Khajuraho will now have an audio compass The Times of India (25 August 2011)
  68. ^ "Khajuraho Festival of Dances". Archived from the original on 8 September 2021. Retrieved 17 August 2014.

Further reading

Wikimedia Commons has media related to Khajuraho group of monuments.

Khajuraho travel guide from Wikivoyage

Retrieved from "https://en.wikipedia.org/w/index.php?title=Khajuraho_Group_of_Monuments&oldid=1283919906"