Webcomic

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Not to be confused with Digital comic or Mobile comic.

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Webcomics (also known as online comics or Internet comics) are

comic books
. Webcomics can be compared to
web cartoonist
is sometimes used to refer to someone who creates webcomics.

Medium

Many webcomics like Diesel Sweeties use non-traditional art styles.
The themes of webcomics like Eric Millikin's have caused controversy.

There are several differences between webcomics and print comics. With webcomics the restrictions of traditional books, newspapers or magazines can be lifted, allowing artists and writers to take advantage of the web's unique capabilities.

Styles

The creative freedom webcomics provide allows artists to work in nontraditional styles.

Richard Stevens of Diesel Sweeties, is similar to that of sprite comics but instead uses low-resolution images created by the artist themself.[8]
However, it is also common for some artists to use traditional styles, similar to those typically published in newspapers or comic books.

Content

Webcomics that are independently published are not subject to the content restrictions of

underground and alternative comics. Some webcomics stretch the boundaries of taste, taking advantage of the fact that Internet censorship is virtually nonexistent in countries like the United States.[4] The content of webcomics can still cause problems, such as Leisure Town artist Tristan Farnon's legal trouble after creating a profane Dilbert parody,[9] or the Catholic League's protest of artist Eric Millikin's "blasphemous treatment of Jesus."[10]

Format

Webcomic artists use many formats throughout the world.

Comic strips, generally consisting of three or four panels, have been a common format for many artists. Other webcomic artists use the format of traditional printed comic books and graphic novels
, sometimes with the plan of later publishing books.

Turbomedia, a format for webcomics where a reader only views one panel at a time, in which the reader decides their own reading rhythm by going forward one panel at a time.[15] Some web cartoonists, such as political cartoonist Mark Fiore or Charley Parker with Argon Zark!, incorporate animations or interactive elements into their webcomics.[16]

History

Main article: History of webcomics

The first comics to be shared through the Internet were

college newspapers,[citation needed
] but when the Web became widely popular in the mid-1990s, more people started creating comics exclusively for this medium. By 2000, various webcomic creators were financially successful and webcomics became more artistically recognized. Unique genres and styles became popular during this period.

The 2010s also saw the rise of webtoons in South Korea, where the form has become very prominent. This decade had also seen an increasingly larger number of successful webcomics being adapted into animated series in China and Japan.

Webcomics collectives

In March 1995, artist Bebe Williams launched one of the first webcomics collectives, Art Comics Daily.[19] Newspaper comic strip syndicates also launched websites in the mid-1990s.

Other webcomics collectives followed, with many launching in the next decade. In March 2000,

Chris Crosby, Crosby's mother Teri, and other artists founded Keenspot.[20][21] In July 2000, Austin Osueke launched eigoMANGA, publishing original online manga
, referred to as "webmanga".

In 2001, the subscription webcomics site Cool Beans World was launched. Contributors included UK-based comic book creators Pat Mills, Simon Bisley, John Bolton, and Kevin O'Neill, and the author Clive Barker.[22] Serialised content included Scarlet Traces and Marshal Law.

In March 2001, Shannon Denton and Patrick Coyle launched Komikwerks.com serving free strips from comics and animation professionals. The site launched with 9 titles including Steve Conley's Astounding Space Thrills, Jason Kruse's The World of Quest, and Bernie Wrightson's The Nightmare Expeditions.

On March 2, 2002,

serializer followed in October 2002, then came girlamatic
and Graphic Smash in March and September 2003 respectively.

By 2005, webcomics hosting had become a business in its own right, with sites such as Webcomics Nation.[24]

Traditional comic book publishers, such as

Slave Labour Graphics, did not begin making serious digital efforts until 2006 and 2007.[25] DC Comics launched its web comic imprint, Zuda Comics in October 2007.[26] The site featured user submitted comics in a competition for a professional contract to produce web comics. In July 2010, it was announced that DC was closing down Zuda.[27]

Business

Main article: Business of webcomics
xkcd (2005) is among the many financially successful webcomics.

Some creators of webcomics are able to do so

websites.[29] In the second half of the 2000s, webcomics became less financially sustainable due to the rise of social media and consumers' disinterest in certain kinds of merchandise. Crowdfunding through Kickstarter and Patreon have also become sources of income for web cartoonists.[30]

Webcomics have been used by some cartoonists as a path towards

micropayments systems as a source of income for web cartoonists, but micropayment systems have not been popular with artists or readers.[32]

Awards

Main article: List of webcomic awards

Many webcomics artists have received honors for their work. In 2006, Gene Luen Yang's graphic novel American Born Chinese, originally published as a webcomic on Modern Tales, was the first graphic novel to be nominated for a National Book Award.[33] Don Hertzfeldt's animated film based on his webcomics, Everything Will Be OK, won the 2007 Sundance Film Festival Jury Award in Short Filmmaking, a prize rarely bestowed on an animated film.[34]

Many traditionally print-comics focused organizations have added award categories for comics published on the web. The

Shuster Awards began an Outstanding Canadian Web Comic Creator Award. In 2012 the National Cartoonists Society gave their first Reuben Award for "On-line comic strips."[35]

Other awards focus exclusively on webcomics. The

Clickburg Webcomic Awards (also known as the Clickies) has been handed out four times between 2005 and 2010. The awards require the recipient to be active in the Benelux countries, with the exception of one international award.[38]

Webcomics in print

Main article: List of webcomics in print

Though webcomics are typically published primarily on the World Wide Web, often webcomic creators decide to also print

magazines
.

The traditional audience base for webcomics and print comics are vastly different, and webcomic readers do not necessarily go to bookstores. For some web cartoonists, a print release may be considered the "goal" of a webcomic series, while for others, comic books are "just another way to get the content out."

newspapers. According to Jeph Jacques (Questionable Content), "there's no real money" in syndication for webcomic artists. Some artists are not able to syndicate their work in newspapers because their comics are targeted to a specific niche audience and would not be popular with a broader readership.[41]

Non-anglophone webcomics

Opráski sčeskí historje [cs] (lit. "The Pictures of the Czech History", though misspelled) is among the most popular Czech webcomics.[42]

Many webcomics are published primarily in

English, this being a major language in Australia, Canada, India, the United States, and the United Kingdom. Cultures surrounding non-anglophone webcomics have thrived in countries such as China, France, India, Japan, and South Korea.[citation needed
]

Webcomics have been a popular medium in

politics and feminism. These webcomics achieve a large amount of exposure by being spread through social media.[44]

In China,

Sina Weibo and WeChat. Many titles will often be censored or taken down by the government.[citation needed
]

See also

References

  1. ^ Allen, Todd (February 27, 2012). "Rich Burlew Talks About His $1 Million Kickstarter Book Project". Publishers Weekly. Archived from the original on November 2, 2013. Retrieved May 24, 2013.
  2. ^ O'Malley, Bryan Lee (October 2, 2012). "'Scott Pilgrim' Guy Interviews 'Homestuck' Guy: Bryan Lee O'Malley On Andrew Hussie". Comics Alliance. AOL. Archived from the original on March 8, 2013. Retrieved May 24, 2013.
  3. ^ Geddes, John (April 2, 2010). "'Penny Arcade' a testament to the power of gaming culture". USA Today. Archived from the original on July 3, 2010. Retrieved October 12, 2011.
  4. ^ a b Lacy, Steven (November 21, 2007). "Webcomics are profane, explicit, humorous — and influencing trends". Charleston City Paper. Noel Mermer. Archived from the original on January 3, 2016. Retrieved November 28, 2009.
  5. Montreal Gazette. Archived
    from the original on January 18, 2021. Retrieved January 27, 2019.
  6. ^ Arrant, Chris (April 25, 2006). "It's A Softer World After All". Publishers Weekly. Reed Elsevier. Archived from the original on June 6, 2009. Retrieved November 28, 2009.
  7. ISBN 1-56163-465-4
    .
  8. ^ Hodges, Michael H. (January 8, 2007). "Diesel Sweeties tackles nuts, bolts of love". The Detroit News. Detroit: Jonathan Wolman. p. 1E.
  9. ^ Crane, Jordan (April 2001). "A Silly Little Coat Hanger for Fart Jokes: Talkin' Comics with Leisuretown.com's Tristan A Farnon". The Comics Journal (232): 80–89.
  10. ^ "Michigan State President Acts Presidential". Catalyst Journal of the Catholic League for Religious and Civil Rights. Catholic League for Religious and Civil Rights. November 2000. Archived from the original on January 24, 2010. Retrieved November 28, 2009.
  11. ^ "scottmccloud.com - Webcomics". scottmccloud.com.
  12. ISBN 0-06-095350-0
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  13. ^ McCloud, Scott (July 2001). "McCloud in Stable Condition Following Review, Groth Still at Large". The Comics Journal (235): 70–79.
  14. ^ Acuna, Kristen (February 12, 2016). "Millions in Korea are obsessed with these revolutionary comics -- now they're going global". Business Insider. Archived from the original on February 18, 2017. Retrieved February 25, 2017.
  15. ^ Leroy, Joséphine (March 6, 2016). "Balak, auteur et créateur du Turbo Media : "Il y a un marché de la BD numérique"". Actualitte. Archived from the original on February 26, 2017. Retrieved February 25, 2017.
  16. ISBN 1-56163-465-4
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  17. ^ Dochak, Sarah (November 29, 2011). "Pioneering the page: The decline of print comics, the growth of webcomics and the flexibility, innovation and controversy of both". Gauntlet. Archived from the original on December 22, 2015.
  18. ^ Smith, Alexander, K. (November 19, 2011). "14 Awesome Webcomics To Distract You From Getting Things Done". Paste. Archived from the original on September 18, 2012. Retrieved March 13, 2020.{{cite magazine}}: CS1 maint: multiple names: authors list (link)
  19. ^ Peterson, Iver (October 28, 1996). "The Search for the Next 'Doonesbury". The New York Times, Pg. D9
  20. ^ Yim, Roger. (April 2, 2001). "DOT-COMICS: Online cartoons skip traditional syndication and draw loyal fans on the Internet". San Francisco Chronicle. Pg. D1
  21. ^ Newman, Heather. (February 2, 2001). "See You In The Funny Pixels Michigan Cartoonists Draw On Web Sites To Find Readers". Detroit Free Press. Pg. 1H
  22. ^ Martin, Jessica. "Cool Beans or Dead Beans: can the comic barons cross onto the web?". Archived from the original on October 18, 2006. Retrieved March 15, 2007.
  23. ^ Ho, Patricia Jiayi (July 8, 2003). "Online comic artists don't have to play panel games". Alameda Times-Star (Alameda, CA)
  24. ^ Walker, Leslie (June 16, 2005). "Comics Looking to Spread A Little Laughter on the Web". The Washington Post, p. D1.
  25. ^ Soponis, Trevor. "Publishers Look to Digital Comics". Publishers Weekly. Archived from the original on January 27, 2007. Retrieved May 2, 2007.
  26. ^ "PERAZZA ON THE LAUNCH OF ZUDACOMICS.COM". Archived from the original on March 5, 2010.
  27. DC Comics.com. Retrieved July 1, 2010.[permanent dead link
    ‍]
  28. ^ Wolk, Douglas (November 1, 2004). "Web Comics Send Readers Looking for Books". Publishers Weekly. Archived from the original on November 16, 2017. Retrieved November 17, 2017.
  29. ^ Dale, Brady (November 16, 2015). "The Webcomics Business Is Moving on From Webcomics". The New York Observer. Archived from the original on November 30, 2019. Retrieved March 13, 2020.
  30. Observer.com. Archived
    from the original on September 29, 2020. Retrieved March 13, 2020.
  31. ^ Staff report (March 13, 2015). "New comic - 'Phoebe and Her Unicorn' - debuts today". News & Record. Archived from the original on December 7, 2021. Retrieved March 13, 2020.
  32. ^ Zabel, Joe (June 21, 2006). "Making Lightning – An Interview with Scott McCloud". The Webcomics Examiner. Archived from the original on March 24, 2008.
  33. ^ Bosman, Julie. (October 12, 2006). "National Book Award Finalists Chosen". The New York Times, Pg. E2
  34. ^ De Benedetti, Chris. "Bay Area films keep it real at Sundance festival". Oakland Tribune. Retrieved January 16, 2007. [dead link‍]
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  36. New York Times. Archived
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  37. ^ "Attack of the Show" Archived April 4, 2016, at the Wayback Machine. G4TechTV. Aired August 12, 2005.
  38. ^ Mirk, Jeroen. "comicbase.nl's blog". Comixpedia. Archived from the original on June 15, 2006. Retrieved January 31, 2007.
  39. ^ Wolk, Douglas (November 1, 2004). "Web Comics Send Readers Looking for Books". Publishers Weekly. Archived from the original on November 16, 2017. Retrieved November 17, 2017.
  40. McDonald, Heidi (December 19, 2005). "Web Comics: Page Clickers to Page Turners". Publishers Weekly. Archived
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  41. ^ Chen, Jialu (September 2, 2011). "See you in the funny pages". The Boston Globe. Archived from the original on November 17, 2017. Retrieved November 17, 2017.
  42. ^ Zlatkovský, Michal (September 23, 2013). "Opráski sčeskí historje na IHNED.cz: Jak Češi volili Husákovu KSČ". Hospodářské noviny. Archived from the original on February 2, 2016. Retrieved February 2, 2016.
  43. ^ Arora, Kim (September 5, 2010). "Strip tease: Indian webcomics make a mark". The Times of India. Archived from the original on September 12, 2016. Retrieved April 28, 2016.
  44. ^ Verma, Tarishi (April 26, 2015). "Laughing through our worries: The Indian web comics". Hindustan Times. Archived from the original on August 3, 2016. Retrieved April 28, 2016.

Further reading

  • Kleefeld, Sean (2020). Webcomics. Bloomsbury Comics Studies.
    ISBN 9781350028180
    .
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