Zayyanid architecture
Zayyanid architecture originated in the Kingdom of Tlemcen between the 13th and 16th centuries in the northwestern region of present-day Algeria. It is a continuation of the western Islamic architectural traditions, often known as the "Hispano-Moresque style," with elements that were further developed to create distinctive designs lasting for centuries.[1][2][3] This architectural style was significantly influenced by the Almohad Caliphate and Andalusian architecture, resulting in a lasting heritage of Moorish architectural achievements.[4]
Historical background
After the Battle of Las Navas de Tolosa, the Islamic Maghreb witnessed the emergence of three major dynasties starting from the 13th century: the Hafsid dynasty in Ifriqiya, the Zayyanid dynasty in central Maghreb, and the Marinid dynasty in western Maghreb.[5] This division was an inevitable result of the tense political situation in the region at that time, which led to conflicts and wars. As the Almohad state weakened, each of these dynasties sought to establish its rule and define its borders at the expense of the others.[6][7]
When the prince
Mosque architecture
The Abd al-Wadids had expertise in
Minaret
The Zayyanids left various
These minarets can be traced back to the
Zayyanid minarets are characterized by their square shape and their placement at the corners of the back wall of the mosque, except for the mosques of Tlemcen and Algiers, where the minaret is positioned at the center of the back wall, aligned with the mihrab.[18] They are also notable for their moderate height, which is proportional to the size of the mosque, whether large or small.[17]
The Zayyanid minarets, both in their general exterior appearance and decorative elements, were influenced by the Almohad minarets.[2] Evidence of this influence is the fact that Zayyanid minarets have two floors instead of three.[17]
As for the internal structure of the minaret, it bears a striking resemblance to the minaret of the Qalat Bani Hammad Mosque.[7][17]
Outside appearance
Mosques during the
As for the entrances, their shape, position, and number vary from one mosque to another. The main entrance of Sidi Bel Hassan Mosque is located in the middle of the eastern wall and is a prominent commemorative entrance. The second entrance opens on the southwest side and is a simple and ordinary entrance resembling the three entrances of Ouled El Imam mosque, one on the eastern wall and the other two on the northern wall overlooking the shared courtyard with the madrasa, historically.[14]
Sidi Ibrahim mosque includes three prominent commemorative entrances occupying the three sides of the mosque except for the southeast side. They are organized in a balanced and coordinated manner.[19]
The roofs of the three mosques appear from the outside in a sloping or truncated pyramid shape. This roofing style is suited to the region's climate, as it helps rainwater to drain and slide off during winter and provides cooling inside the mosque during summer. The roofs appear to be covered with solid, shiny, green-colored tiles, and they run vertically along the qibla wall in Sidi Bel Hassan and Ouled El Imam mosques, and in parallel in Sidi Ibrahim Mosque, where its dome in front of the mihrab is slightly prominent outward with small windows for lighting and ventilation, some of which are open, and others are closed. Additional windows for lighting and ventilation are opened in the walls of the three mosques.[14]
Interior appearance
The Zayyanid mosques did preserve their architectural foundation, except for the
Each mosque features a small door that leads to the minaret. The entrances of Sidi Bel Hassan and Ouled El Imam mosques directly connect to the prayer hall, while two of the entrances in Sidi Ibrahim mosque lead to the rear of the prayer hall and one leads to an open central courtyard.[22]
Palaces
Palace construction was widespread throughout the Zayyanid era across the kingdom; sultans of the Zayyanid dynasty showed great interest in building and construction. Among the important architectural structures established during the Zayyanid era were the palaces, including the Palace of El Mechouar.[21][3]
El Mechouar
It is the royal palace and the main headquarters of the sultans of the Zayyanid dynasty. It was built by Yaghmurasen ibn Zyan and later expanded by Abu Hamu Musa I,[27][28] who added some facilities to it. One of the most important historical texts that mentioned the palace of El Mechouar is the precise description given by the traveler Hassan Al-Wazzan, who said, "The royal palace of El Mechouar is located south of the city and is surrounded by high walls in the form of a fortress. It contains other small palaces with gardens and orchards, all of them well-built and adorned with beautiful architectural decorations. The palace has two gates, one opening towards the open country and the other in the middle of the city where the chief of the guard resides."[29]
The palace walls showed rich decorations, enhanced with
Within the palatial complex, an array of residences, pavilions, and gardens surrounded the landscape, complemented by essential facilities like a mosque and a hammam.[30]
During the Zayyanid era, four prominent palaces emerged: Dar al-Malik (
The architects designed some of these palaces to cater to different seasons. The summer residence, crafted from mudbrick, preserved a refreshing coolness, while the winter residence, crafted from stone, provided warmth during the colder months.[30]
It is noteworthy that the palace of El Mechouar stands as a remarkable landmark of the Kingdom of Tlemcen, showcasing the Zayyanid art and architecture with evident influence from the Andalusian style.[27]
Fortifications
During their reign, the
The political and military circumstances faced by the
In the mid-13th century,
The
-
Bab el Khemis, one of the old gates of Tlemcen.
-
Remnants of the Zianide fortress of Timzizdekt.
-
Modern image of El Mechouar entrance.
Other constructions
Madrasas
The
The Abd al-Wadid rulers showed great interest in building madrasas, aiming to revive the Maliki school of thought and uproot the roots of the Almohad school. Moreover, the establishment of schools aimed to spread education and culture in Tlemcen, as well as guide the subjects. It also marked the advancement of scientific and cultural life. Madrasas in the kingdom featured a library for the students' benefit, along with a private wing to accommodate both students and travelers.[23] Financial support for these institutions came from both the central power and affluent merchants and scholars.[43]
The most notable examples of Zayyanid schools is the
Civic work
During the Zayyanid rule in
Decoration
Geometric patterns
One of the prominent
Floral and vegetal motifs
The
Calligraphic Ornaments
Citations
- ^ Bloom & Blair 2009, pp. 155, 158.
- ^ a b c d e Bloom 2020, p. 187.
- ^ a b c d e Charpentier 2018.
- ^ Filali 2002, p. 110.
- ^ Abun-Nasr 1987.
- ^ Julien 1994, p. 485.
- ^ a b Qantara 2008.
- ^ Niane 1984, p. 93.
- ^ Ruano 2006, p. 309.
- ^ Bel 1993, p. 65.
- ^ a b Talbi 1997, p. 29.
- ^ Abun-Nasr 1987, p. 138.
- ^ a b Piesse 1862, p. 239.
- ^ a b c d Laraj 1991, pp. 101–125.
- ^ Marçais 1954, p. 108.
- ^ azzoug 2006, p. 51.
- ^ a b c d azzoug 2006, p. 52.
- ^ Bourouiba 1969, p. 186.
- ^ a b c Iles & Hamma 2019.
- ^ a b Qantara (al-Mishwār).
- ^ a b Lafer.
- ^ Lafer 2023.
- ^ a b c Filali 2002, p. 116.
- ^ Khaldūn & Bel 1913, p. 129.
- ^ a b Charpentier 2018, pp. 137–144.
- ^ Hadjiat 1974, p. 60.
- ^ a b Filali 2002, p. 115.
- ^ de la Véronne 2002, p. 48.
- ^ a b Léon African 1526, p. 20.
- ^ a b c d Al-Watan n.d.
- ^ Charpentier 2018, p. 146.
- ^ Charpentier 2018, p. 140.
- ^ Arnold 2017, pp. 223–224.
- ^ Milli 2004, p. 486.
- ^ Filali 2002, p. 114.
- ^ al-Jazairi 2018, p. 130.
- ^ Hamma, Djedid & Ouissi 2016, pp. 42–60.
- ^ Ricard 1924, p. 225.
- ^ al-Abdari 1968, p. 11.
- ^ Brunschvig 1940.
- ^ Filali 2002, pp. 41–42.
- ^ a b Marçais 1954, pp. 284–285.
- ^ Filali 2002, p. 141.
- ^ Ismail 2001, p. 48.
- ^ El-Tenessy 1830, p. 141.
- ^ al-Abdari 1968, pp. 21–28.
- ^ Filali 2002, p. 136.
- ^ Léon African 1526, p. 30.
- ^ Nuqadi 2012, pp. 167–178.
- ^ Shaw 1830, p. 242.
- ^ Filali 2002, p. 125.
- ^ a b c d أبو طارن, مبارك (2011). العمائر الدينية في المغرب الأوسط. Muʼassasat Kunūz al-Ḥikmah lil-Nashr wa-al-Tawzīʻ. p. 161.
- ^ a b عبد المالك, موساوي (2012). تطابق فن الزخرفة بين تلمسان والأندلس. pp. 36–37, 75.
- ^ عبد المالك, موساوي (2011). فن الزخرفة في العمارة الإسلامية بتلمسان. دار السبيل للنشر والتوزيع - الجزائر. p. 81.
- ^ Marçais, William (1903). Les monuments arabes de Tlemcen. A. Fontemoing. pp. 432–435.
- ^ a b فائزة, مهتاري. الزخارف في المساجد الزيانية والمرينية بتلمسان. Revista Argelina. p. 25.
- ^ نبيلة, رزقي. الزخرفة الجصية في عمائر المغرب الأوسط والأندلس. p. 102.
- ^ a b بورويبة, رشيد. كتاب الكتابات الأثرية في المساجد الجزائرية. الشركة الوطنية للنشر والتوزيع. p. 77.
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