Lady Margaret Beaufort
Lady Margaret Beaufort | |
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The King's Mother Countess of Richmond and Derby | |
Henry VII Lady Chapel, Westminster Abbey | |
Noble family | Beaufort |
Spouse(s) |
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Issue | John Beaufort, Duke of Somerset |
Mother | Margaret Beauchamp of Bletso |
Lady Margaret Beaufort (pronounced
A descendant of King
Margaret is credited with the establishment of two prominent Cambridge colleges, founding Christ's College in 1505 and beginning the development of St John's College, which was completed posthumously by her executors in 1511.[2][3] Lady Margaret Hall, Oxford, a 19th-century foundation named after her, was the first Oxford college to admit women.[4]
Origins
Lady Margaret Beaufort was the daughter and sole heiress of
The year of her birth is less certain. William Dugdale, the 17th-century antiquary, suggested that she had been born in 1441, based on evidence of inquisitions post mortem taken after the death of her father. Dugdale has been followed by a number of Lady Margaret's biographers; however, it is more likely that she was born in 1443, as in May 1443 her father had negotiated with the king concerning the wardship of his unborn child should he die on campaign.[5]
Early years
At the moment of her birth, Margaret's father was preparing to go to France and lead an important military expedition for King
As Somerset was a
Upon her first birthday, the king broke the arrangement with Margaret's father and granted the wardship of her extensive lands to William de la Pole, 1st Duke of Suffolk, although Margaret herself remained in the custody of her mother. Margaret's mother was pregnant at the time of Somerset's death, but the child did not survive and Margaret remained the sole heir. Although she was her father's only legitimate child, Margaret had two maternal half-brothers and three maternal half-sisters from her mother's first marriage whom she supported after her son's accession to the throne.[8]
Margaret was married to Suffolk's son,
Margaret never recognised the marriage to de la Pole. In her will, made in 1472, Margaret refers to Edmund Tudor as her first husband. Under canon law, Margaret was not bound by her first marriage contract as she was entered into the marriage before reaching the age of 12.[11]
Even before the annulment of her first marriage, Henry VI chose Margaret as a bride for his half-brother, Edmund Tudor, 1st Earl of Richmond. This was likely to strengthen Edmund's claim to the throne should Henry be forced to designate Edmund his heir; the king was then without child or legitimate siblings.[14] Edmund was the eldest son of the king's mother, Catherine of Valois, by Owen Tudor.[11]
At nine years of age, Margaret was required to assent formally to the marriage. Later, she claimed she was divinely guided to do so.[14]
At the age of 12, Margaret married Edmund Tudor, who was 12 years her senior, on 1 November 1455. The
The Countess always respected the name and memory of Edmund as the father of her only child. In 1472, 16 years after his death, Margaret specified in her will that she wanted to be buried alongside Edmund, even though she had enjoyed a long, stable and close marriage with her third husband, who had died in 1471.[citation needed]
Motherhood


While in the care of her brother-in-law
Shortly after her re-entry into society after the birth, Jasper helped arrange another marriage for her to ensure her son's security.
Involvement in the Wars of the Roses
Reign of Edward IV
Years of Yorkist forces fighting Lancastrian for power culminated in the
In 1469 the discontented Duke of Clarence and Earl of Warwick incited a rebellion against Edward IV, capturing him after a defeat of his forces. Beaufort used this opportunity to attempt to negotiate with Clarence, hoping to regain custody of her son and his holdings.[20] Soon, however, Edward was back in power.
Warwick's continued insurrection resulted in the brief reinstallation of the Lancastrian Henry VI in 1470–71, which was effectively ended with the Yorkist victory at the Battle of Barnet. Faced with York rule once again, Margaret allegedly begged Jasper Tudor, forced to flee abroad once more, to take 13-year-old Henry with him.[21] It would be 14 years before Beaufort saw her son again.
In 1471, Margaret's husband, Lord Stafford, died of wounds suffered at the Battle of Barnet, fighting for the Yorkists. At 28 years old, Margaret became a widow again.[22]
In June 1472, Margaret married Thomas Stanley, the Lord High Constable and King of Mann. Jones and Underwood have suggested that Margaret never considered herself a member of the Stanley family.[23] Their marriage was primarily one of convenience; marrying Stanley enabled Margaret to return to the court of Edward IV and Elizabeth Woodville. Indeed, Gristwood speculates Beaufort organized the marriage with the sole aim of rehabilitating her image and securing herself a prime position from which to advocate for her son.[24] Evidently her efforts were successful; Margaret was chosen by Queen Elizabeth to be godmother to one of her daughters.
Holinshed, a Tudor chronicler, claims King Edward IV later proposed a marriage between Beaufort's son and his own daughter, Elizabeth of York, intending to force Henry Tudor out of his safe haven on the continent. Poet Bernard Andre seems to corroborate this, writing of Tudor's miraculous escape from the clutches of Edward's envoys, allegedly warned of the deception by none other than his mother.[25]
Reigns of Edward V and Richard III

Following Edward IV's death in April 1483 and the seizure of the throne in June by
Despite what these negotiations may suggest, Lady Margaret is known to have conspired with Elizabeth Woodville, mother of the two York princes whom Richard confined to the Tower of London, after rumours spread of the boys' murder. It was at this point, according to Polydore Vergil, that Beaufort "began to hope well of her son's fortune".
Beaufort is believed to have initiated discussions with Woodville, via mutual physician, Lewis Caerleon, who conveyed secret correspondences between the two women. Together they conspired to supplant King Richard and by joint force replace him with Margaret's son, Henry Tudor. Their solidified alliance further secured the subsequent dynasty by the agreed betrothal of Henry to Elizabeth of York. They hoped this proposal would attract both Yorkist and Lancastrian support.[27]
As to the fate of the princes, it is widely held that
Despite this suggestion, no contemporary sources corroborate the implication, whilst most contemporary accounts outline "her outstanding qualities, her courage, presence of mind, family loyalty, and a deeply felt awareness of the spiritual responsibilities of high office," as clarified by Jones and Underwood.[29] Before Jones and Underwood, there was no consensus within the scholarly community regarding Margaret's role or character: historiographical opinions ranged from celebrating her to demonizing her.[30]
It was not until the 17th century that religious retrospective speculations began to criticize Lady Margaret, but even then only as a "politic and contriving woman,"[31] and never anything beyond shrewd or calculating. All things considered, the words of her own contemporaries, such as Tudor historian Polydore Vergil, continue to extol Lady Margaret's noble virtues as "the most pious woman,"[32] further removing her from accusations of wickedness.
In 1483 Margaret was certainly involved in – if not the mastermind behind – Buckingham's rebellion.[34] Indeed, in his biography of Richard III, historian Paul Murray Kendall describes Beaufort as the "Athena of the rebellion".[35] Perhaps with duplicitous motives (as he may have been desirous of the crown for himself), Buckingham conspired with Beaufort and Woodville to dethrone Richard. Margaret's son was to sail from Brittany to join forces with him, but he arrived too late.
In October, Beaufort's scheme proved unsuccessful; the Duke was executed and Tudor was forced back across the English Channel. Beaufort appears to have played a large role in financing the insurrection. In response to her betrayal, Richard passed an act of Parliament stripping Margaret of all her titles and estates, declaring her guilty of the following:
Forasmoch as Margaret Countesse of Richmond, Mother to the Kyngs greate Rebell and Traytour, Herry Erle of Richemond, hath of late conspired, consedered, and comitted high Treason ayenst oure Soveraigne Lorde the King Richard the Third, in dyvers and sundry wyses, and in especiall in sendyng messages, writyngs and tokens to the said Henry... Also the said Countesse made chevisancez of greate somes of Money... and also the said Countesse conspired, consedered, and imagyned the destruction of oure said Soveraign Lorde...[36]
Richard did, however, stop short of a full attainder by transferring Margaret's property to her husband, Lord Stanley. He also effectively imprisoned Margaret in her husband's home with the hope of preventing any further correspondence with her son. However, her husband failed to stop Margaret's continued communication with her son. When the time came for Henry to press his claim, he relied heavily on his mother to raise support for him in England.[37]
Margaret's husband Stanley, despite having fought for Richard III during the Buckingham rebellion, did not respond when summoned to fight at the
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Dukes (except Aquitaine) and Princes of Wales are noted, as are the monarchs' reigns.
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Margaret Beaufort in power

Act of Parliament | |
![]() 7 Hen. 7. c. 15 (Ruffhead c. 8) | |
Other legislation | |
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Repealed by | Statute Law Revision Act 1948 |
Status: Repealed |
After her son's victory at the

As arranged by their mothers, Henry married Elizabeth of York. The Countess was reluctant to accept a lower status than the dowager queen Elizabeth or even her daughter-in-law, the queen consort. She wore robes of the same quality as the queen consort and walked only half a pace behind her. Elizabeth's biographer, Amy Licence, states that this "would have been the correct courtly protocol", adding that "only one person knew how Elizabeth really felt about Margaret and she did not commit it to paper."[41]
Margaret had written her signature as M. Richmond for years, since the 1460s. In 1499, she changed her signature to Margaret R., perhaps to signify her royal authority (R standing either for regina – queen in Latin as customarily employed by female monarchs – or for Richmond). Furthermore, she included the Tudor crown and the caption et mater Henrici septimi regis Angliæ et Hiberniæ ("and mother of Henry VII, king of England and Ireland").[42][43]
Many historians believe the departure from court of dowager queen Elizabeth Woodville in 1487 was partly at the behest of Henry's influential mother, though this is uncertain.[44]
Beaufort exerted considerable political influence within the Tudor court. The power she exercised was evidently obvious; a report from Spanish envoy Pedro de Ayala dating to 1498 claimed Henry was "much influenced by his mother and his followers in affairs or personal interest and in others." In the earlier years of her son's reign, records indicate Margaret usually accompanied the royal couple when they traveled.[45]
While Margaret's position in the royal court was, to some extent, an expression of gratitude by her son, she was likely far less the passive recipient of Henry's favor one might expect. As Gristwood suggests in the following, Beaufort instead actively contrived to further her standing:
"A place had to be created for the sort of 'king's mother' Margaret was determined to be. Perhaps if Margaret had become a queen, a role that she clearly felt Fortune had denied her, she would not have felt the need to press for her rights quite so stridently."[46]
However, Lady Margaret's immediate petitions were not for queenly powers of rule over others, but were two succinct demands for independence and liberty of self, which were products of expert legal advice, as opposed to a desperate desire to rule.[47]
The first Act reversed the legislation that had robbed Margaret of her properties under the reign of Richard III, deeming it "entirely void, annulled and of no force or effect".[47] The second Act of November 1485 stated that she would enjoy all her properties and titles, and could pursue any legal action as any "single unmarried person might or may do at any time", despite still being married.[48]
Moreover, as with many decisions made to secure the new dynasty, these Acts of Parliament passed appear to be a collaborative effort, mutually beneficial to both mother and son, as by granting Margaret the status of a femme sole, Henry and his Parliament made it possible to empower the King's Mother without giving further leverage to the Stanleys, since Margaret could use any wealth granted to her for her own purposes, thereby circumventing the prevailing idea of coverture.[49]
In his chronicle, Polydore Vergil assessed the partnership between the Tudor king and his mother, noting that Henry gave her a share of most of his public and private resources, contrary to any assertion that Margaret desired greater power.[50] Or, as King Henry Tudor states in a letter to his mother: "...not only in this but in all other things that I may know should be to your honour and pleasure, and will of your self, I shall be as glad to please you as your heart can desire."[51]
Lady Margaret's wardship of brothers, Edward Stafford, 3rd Duke of Buckingham, and Henry Stafford, 1st Earl of Wiltshire, is one of many examples of how her unique position allowed her in varying aspects to operate beyond the scope of any queen, a position which, instead of hindering or irritating her at all, proved advantageous to the state of the Crown and delineated her as a helpful and happy agent of its course, as she refused monetary recompense for her stewardship in this arena and successfully secured the allegiance of the Duke of Buckingham to King Henry Tudor, a loyalty that would fade away from the Crown once she and her son were gone.[52][53]
Later in her marriage, the Countess preferred living alone. In 1499, with her husband's permission, she took a vow of chastity in the presence of Richard FitzJames, Bishop of London. Taking a vow of chastity while being married was unusual but not unprecedented. The Countess moved away from her husband and lived alone at Collyweston, Northamptonshire (near Stamford). She was regularly visited by her husband, who had rooms reserved for him. Margaret renewed her vows in 1504.[54] From her principal residence at Collyweston, she was given a special commission to administer justice over the Midlands and the North.[55]
Beaufort was also actively involved in the domestic life of the royal family. She created a proper protocol regarding the birth and upbringing of royal heirs. Though their relationship is often portrayed as antagonistic, Beaufort and her daughter-in-law Elizabeth worked together when planning the marriages of the royal children. They wrote jointly of the necessary instruction for Catherine of Aragon, who was to marry Elizabeth's son Prince Arthur.[56] Both women also conspired to prevent Elizabeth and Henry's daughter Margaret from being married to the Scottish king at too young an age; in this matter, Gristwood writes, Beaufort was undoubtedly resolved that her granddaughter "should not share her fate".[57]
After Elizabeth's death in 1503, Margaret became the principal female presence at court. When Arthur died, Margaret played a part in ensuring her grandson
The Countess was known for her education and her piety. Biographers Jones and Underwood claim the entirety of Beaufort's life can be understood in the context of her "deeply-felt love and loyalty to her son".[59] Henry is said to have been likewise devoted. A surviving letter written by Henry to his mother reveals his sense of gratitude and appreciation:
"All which thyngs according to your desire and plesure I have with all my herte and goode wille giffen and graunted unto you... I shall be as glad to plese you as youre herte can desire hit, and I knowe welle that I am as much bounden so to doe as any creture lyvyng, for the grete and singular moderly love and affection that hit hath plesed you at all tymes to ber towards me".[60]
Henry VII died on 21 April 1509, having designated his mother chief
Before her death, Beaufort also left her mark on the early reign of Henry VIII; when her 18-year-old grandson chose members of his privy council, it was Margaret's suggestions he took.[63]
Death

Margaret had been ill for several days, as legend has it, after eating a cygnet (a young swan) for dinner. The Countess died in the Deanery of Westminster Abbey on 29 June 1509. This was the day after her grandson Henry VIII's 18th birthday, 5 days after his coronation and just over two months after the death of her son.[64]
She had made her will and a schedule of bequests in February 1509, making arrangements for her funeral and donations to religious foundations.[65] She made bequests of her jewellery and gold cups to Catherine of Aragon, Margaret Tudor, and Mary Tudor,[66] and a chalice to the parish church at Collyweston.[67]
Margaret is buried in the Henry VII Chapel of the Abbey. Her tomb is now situated between the later graves of William III and Mary II and the tomb of her great-great-granddaughter Mary, Queen of Scots.[64]

Her tomb was created by Pietro Torrigiano, who probably arrived in England in 1509 and received the commission in the following year.[68][69] The gilded bronze sculpture on the tomb depicts Margaret with her head resting on pillows and her hands raised in prayer, wearing garments characteristic of widowhood; the face was probably sculpted from a death mask. The black marble tomb is embellished with heraldic bronze insignia, including a yale, her heraldic badge, at her feet.[70]
Erasmus wrote the Latin inscription on her tomb. In English it reads: "Margaret, Countess of Richmond, mother of Henry VII, grandmother of Henry VIII, who donated funds for three monks of this abbey, a grammar school in Wimborne, a preacher in the whole of England, two lecturers in Scripture, one at Oxford, the other at Cambridge, where she also founded two colleges, one dedicated to Christ, and the other to St John, the Evangelist."[70]
In 1539 iron railings, elaborately painted with coats of arms and other ornaments, were erected around the tomb. The ironwork was sold off by the Abbey in 1823 but recovered and restored a century later.[70]
Legacy

She was bounteous and lyberal to every Person of her Knowledge or acquaintance. Avarice and Covetyse she most hated, and sorowed it full moche in all persons, but specially in ony that belong'd unto her. She was of syngular Easyness to be spoken unto, and full curtayse answere she would make to all that came unto her. Of marvayllous gentyleness she was unto all folks, but specially unto her owne, whom she trustede, and loved ryghte tenderly. Unkynde she woulde not be unto no creature, ne forgetful of ony kyndeness or servyce done to her before, which is no lytel part of veray nobleness. She was not vengeable ne cruell, but redy anone to forgete and to forgyve injuryes done unto her, at the least desyre or mocyon made unto her for the same. Mercyfull also and pyteous she was unto such as was greyved and wrongfully troubled, and to them that were in Poverty and sekeness, or any other mysery.
— John Fisher, 1509, extract from funeral sermon[71]
Lady Margaret Beaufort was a lifelong artistic patron and supporter of academia.
While married to Lord Stanley Margaret endowed the building of chapels in Wales. Like Edward IV and his court, she was also involved with the advances in printing of William Caxton and his successor Wynkyn de Worde, not only as a patroness but for her own acquisition. The first book she commissioned from Caxton in 1483 was the 13th-century French romance Blanchardin et Eglantine, which mirrored fairly closely the match she was forging in secret between her son Henry and Elizabeth of York, with the aid of Elizabeth Woodville, then in sanctuary from Richard III in Westminster Abbey. Six years later, after Richard's defeat by Henry at Bosworth, she commissioned an English translation of the romance from Caxton: it heralded the beginning of a period of Tudor patronage. Apart from encouraging book production and building her own library, Margaret also achieved considerable success as a translator, becoming the first English translator of the Imitation of Christ known by name, as well as translating the 15th-century Netherlandish treatise The Mirror of Gold for the Sinful Soul from a French intermediary.[54]
In 1497 she announced her intention to build a free school for the general public of
In 1502 she established the
In 1540, funds she had bequeathed endowed a lectureship in divinity at the
A practical woman, when faced with problems of flooding in parts of the Fens that threatened some of her properties, she was able to initiate an ambitious drainage scheme, involving foreign engineers, that saw the construction of a large sluice at Boston.[79] She funded the restoration of Church of All Saints, Martock in Somerset, and the construction of the church tower.[80]
Margaret Beaufort Middle School (formerly Margaret Beaufort County Secondary Modern School) in Riseley, Bedfordshire, near her birthplace at Bletsoe Castle, is named after her.[81] In 1993, the Margaret Beaufort Institute of Theology on Grange Road, Cambridge, was founded and named in her honour. It is now a coeducational interdenominational
Portraits

There is no surviving portrait of Margaret Beaufort dating from her lifetime. All known portraits, however, are in essentially the same format, depicting her in her later years, wearing a long, peaked, white headdress and in a pose of religious contemplation. Most of these were made in the reign of Henry VIII and Elizabeth I as symbols of loyalty to the Tudor regime. They may be based on a lost original, or be derived from the sculpture on her tomb in Westminster Abbey, in which she wears the same headdress.[85]
One portrait by
In 2023, restoration work on the Wewyck portrait revealed that it had been overpainted several times throughout its history, with Margaret's original facial expression made more sombre and pious.[88]
Ancestry
Ancestors of Margaret Beaufort Alice FitzAlan | |||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1. Lady Margaret Beaufort | |||||||||||||||
12. Sir Roger Beauchamp | |||||||||||||||
6. John Beauchamp | |||||||||||||||
13. Mary | |||||||||||||||
3. Margaret Beauchamp | |||||||||||||||
14. John Stourton | |||||||||||||||
7. Edith Stourton | |||||||||||||||
Depictions in the media
In historical fiction

- Betty King, The Lady Margaret (1965), a story about the marriage of Margaret Beaufort and Edmund Tudor, parents of King Henry VII
- Betty King, The King's Mother (1969), sequel to the above, the story of the widowed Margaret Beaufort, mother of the future King Henry VII
- Iris Gower, Destiny's Child (1999). This novel was originally published in 1974 as Bride of the Thirteenth Summer, under the name Iris Davies.
- Philippa Gregory, in the series The Plantagenet and Tudor Novels (in publication order):[91]
- The Constant Princess (2005), about the young Catherine of Aragon and her early life in England
- The White Queen (2009), about Elizabeth Woodville
- The Red Queen (2010), about Margaret Beaufort herself
- The Lady of the Rivers (2011), about Jacquetta of Luxembourg
- The Kingmaker's Daughter (2012), about Anne Neville
- The White Princess (2013), about Elizabeth of York
- Rebecca Gablé, Das Spiel der Könige (translated: The Game of Kings) (2007), the third installment (1455–1485) of the Waringham series by the German author; Margaret ("Megan") Beaufort is one of the characters
- Livi Michael, Succession (2014), about Margaret of Anjou and Margaret Beaufort
- Paul C. Doherty, in the Margaret Beaufort series (in publication order):[92]
- Dark Queen Rising (2018)
- Dark Queen Waiting (2019)
- Dark Queen Watching (2021)
- Dark Queen Wary (2023)
On screen
- Lady Margaret was portrayed by Marigold Sharman in eight of the 13 episodes of the Shadow of the Tower (1972), with James Maxwellas her son Henry VII.
- Channel 4 and RDF Media produced a drama about Paul Hilton as Henry VII, Mark Umbersas Warbeck, and Nadia Cameron Blakey as Elizabeth of York.
- In 2013, VRT.
- In the 2017 series The White Queen and The White Princess.
- Margaret is the main protagonist of the three-part 2021 series Royal Bastards: Rise of the Tudors, in which the story of the Wars of the Roses is dramatised and told from three viewpoints: the House of York, the House of Lancaster and Margaret herself. Margaret is portrayed by two actors (younger and older); Nina Marlin and Phoebe Sparrow.
In music
- In 2020, Renée Lamb portrayed Margaret Beaufort on the cast recording of A Mother's War, a musical based on the Wars of the Roses.
See also
- Christopher Urswick – priest and confessor of Margaret Beaufort. Messenger between her and Henry Tudor in exile.
Notes and references
- ^ Jones & Underwood 2004
- ^ The History of Christ's College; accessed 22 June 2015.
- ^ St. John's College History; accessed 1 March 2019
- ^ "College Timeline", Lady Margaret Hall, Oxford, accessed 4 June 2021.
- ^ Jones & Underwood, 34.
- ISBN 978-1-7892-9258-9.
- ^ Jones & Underwood, Michael & Malcolm (1985). "Lady Margaret Beaufort". History Today. 35: 23.
- ^ Jones & Underwood, 33–36.
- ^ Gristwood, Sarah (2013). Blood Sisters: The Women Behind the Wars of the Roses. New York: Basic Books. p. 27.
- ^ Gristwood, Sarah (2012). Blood Sisters. p. 36.
- ^ a b c Jones & Underwood, 37.
- ISBN 0-9506-8821-5. Retrieved 25 July 2009.)
{{cite book}}
: CS1 maint: multiple names: authors list (link - ISBN 1-8421-7098-8. Retrieved 25 July 2009.
- ^ a b Gristwood, Sarah (2013). Blood Sisters: The Women Behind the Wars of the Roses. New York: Basic Books. p. 32.
- ^ Bevan, Richard. "The Kingmaker Margaret Beaufort: Mother of the Tudor Dynasty". A&E Networks. Retrieved 6 December 2021.
- ^ Gristwood, Sarah (2013). Blood Sisters: The Women Behind the Wars of the Roses. New York: Basic Books. p. 49.
- ^ Gristwood, Sarah (2013). Blood Sisters: The Women Behind the Wars of the Roses. New York: Basic Books. p. 48.
- ISBN 978-1-7892-9258-9.
- ^ Gristwood, Sarah (2013). Blood Sisters: The Women Behind the Wars of the Roses. New York: Basic Books. p. 70.
- ^ Jones & Underwood, Michael & Malcolm (1992). The King's Mother: Lady Margaret Beaufort, Countess of Richmond and Derby. Cambridge: Cambridge University Press. p. 49.
- ^ Gristwood, Sarah (2013). Blood Sisters: The Women Behind the Wars of the Roses. New York: Basic Books. p. 114.
- ^ Jones & Underwood, 58.
- ^ Jones & Underwood 1993, p. 144
- ^ Gristwood, Sarah (2013). Blood Sisters: The Women Behind the Wars of the Roses. New York: Basic Books. pp. 126–135.
- ^ Gristwood, Sarah (2013). Blood Sisters: The Women Behind the Wars of the Roses. New York: Basic Books. p. 163.
- ^ Westminster Abbey: Coronation of Richard III, westminster-abbey.org; accessed 17 August 2013.
- ^ Gristwood, Sarah (2013). Blood Sisters: The Women Behind the Wars of the Roses. New York: Basic Books. pp. 195–196.
- ^ Gristwood, Sarah (2013). Blood Sisters: The Women Behind the Wars of the Roses. New York: Basic Books. p. 200.
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Works cited
- ISBN 0-5215-3310-4
- Jones, Michael K.; Underwood, Malcolm G. (1993), The King's Mother: Lady Margaret Beaufort, Countess of Richmond and Derby, ISBN 0-5214-4794-1
- Jones, Michael K. & Underwood, Malcolm G. (2004). "Beaufort, Margaret [known as Lady Margaret Beaufort], countess of Richmond and Derby (1443–1509), royal matriarch". doi:10.1093/ref:odnb/1863. Archived from the original on 9 February 2019. (Subscription or UK public library membershiprequired.)
- Krug, Rebecca (2002). Reading Families: Women's Literate Practice in Late Medieval England. Cornell University Press. OL 3552889M.
Further reading
- Philippa Gregory; David Baldwin; Michael Jones (2011). The Women of the Cousins' War. London: Simon & Schuster.
- Amin, Nathen (2017). The House of Beaufort: The Bastard Line that Captured the Crown. Stroud: Amberley Publishing. ISBN 978-1-4456-4765-4.
- de Lisle, Leanda (2013). Tudor: The Family Story (1437–1603). Chatto & Windus. OL 32196417M.
- OL 15978801W.
- Seward, Desmond (1995). The Wars of the Roses: And the Lives of Five Men and Women in the Fifteenth Century. Constable. ISBN 0-0947-4100-X.
External links
- E. M. G. Routh, Lady Margaret: A Memoir of Lady Margaret Beaufort, Countess of Richmond & Derby, Mother of Henry VII, 1924: e-text
- Catholic Encyclopedia article
- Margaret Beaufort's patronage of theatre and/or music
- Chisholm, Hugh, ed. (1911). . Encyclopædia Britannica (11th ed.). Cambridge University Press.
- "Lady Margaret Beaufort and the Art of the Book". Cambridge University Library. Retrieved 24 June 2016.