Thriller film: Difference between revisions

Thriller film, also known as suspense film or suspense thriller, is a broad film genre that involves excitement and suspense in the audience.^[1] The suspense element, found in most films' plots, is particularly exploited by the filmmaker in this genre. Tension is created by delaying what the audience sees as inevitable, and is built through situations that are menacing or where escape seems impossible.^[2]

The cover-up of important information from the viewer, and fight and chase scenes are common methods. Life is typically threatened in thriller film, such as when the protagonist does not realize that they are entering a dangerous situation. Thriller films' characters conflict with each other or with an outside force, which can sometimes be abstract. The protagonist is usually set against a problem, such as an escape, a mission, or a mystery.^[3]

Thriller films are typically hybridized with other genres; hybrids commonly including: action thrillers, adventure thrillers, fantasy and science fiction thrillers. Thriller films also share a close relationship with horror films, both eliciting tension. In plots about crime, thriller films focus less on the criminal or the detective and more on generating suspense. Common themes include "terrorism, political conspiracy, pursuit, or romantic triangles leading to murder".^[3]

In 2001, the American Film Institute made its selection of the top 100 greatest American "heart-pounding" and "adrenaline-inducing" films of all time. The 400 nominated films had to be American-made films whose thrills have "enlivened and enriched America's film heritage". AFI also asked jurors to consider "the total adrenaline-inducing impact of a film's artistry and craft".^[4][5]

History

1920s–1930s

One of the earliest thriller films was Harold Lloyd's comedy Safety Last! (1923), with a character performing a daredevil stunt on the side of a skyscraper. Alfred Hitchcock's first thriller was his third silent film, The Lodger: A Story of the London Fog (1926), a suspenseful Jack the Ripper story. His next thriller was Blackmail (1929), his and Britain's first sound film.^[7][8] His notable 1930s thrillers include The Man Who Knew Too Much (1934), The 39 Steps (1935) and The Lady Vanishes (1938), the latter two ranked among the greatest British films of the 20th century.^[9]

One of the earliest spy films was

1940s–1960s

Hitchcock continued his suspense-thrillers, directing Foreign Correspondent (1940), the Oscar-winning Rebecca (1940), Suspicion (1941), Saboteur (1942) and Shadow of a Doubt (1943), which was Hitchcock's own personal favorite. Notable non-Hitchcock films of the 1940s include The Spiral Staircase (1946) and Sorry, Wrong Number (1948).

In the 1950s, Hitchcock added

Director Michael Powell's Peeping Tom (1960) featured Carl Boehm as a psychopathic cameraman. After Hitchcock's classic films of the 1950s, he produced Psycho (1960) about a lonely, mother-fixated motel owner and taxidermist. J. Lee Thompson's Cape Fear (1962), with Robert Mitchum, had a menacing ex-con seeking revenge. A famous thriller at the time of its release was Wait Until Dark (1967) by director Terence Young, with Audrey Hepburn as a victimized blind woman in her Manhattan apartment.

1970s–1980s

The 1970s saw an increase of violence in the thriller genre, beginning with Canadian director Ted Kotcheff's Wake in Fright (1971), which almost completely overlapped with the horror genre, and Frenzy (1972), Hitchcock's first British film in almost two decades, which was given an R rating for its vicious and explicit strangulation scene.

One of the first films about a fan's being disturbingly obsessed with their idol was Clint Eastwood's directorial debut, Play Misty for Me (1971), about a California disc jockey pursued by a disturbed female listener (Jessica Walter). John Boorman's Deliverance (1972) followed the perilous fate of four Southern businessmen during a weekend's trip. In Francis Ford Coppola's The Conversation (1974), a bugging-device expert (Gene Hackman) systematically uncovered a covert murder while he himself was being spied upon.

In the early 1990s, thrillers had recurring elements of obsession and trapped protagonists who must find a way to escape the clutches of the villain—these devices influenced a number of thrillers in the following years. Rob Reiner's Misery (1990), based on a book by Stephen King, featured Kathy Bates as an unbalanced fan who terrorizes an incapacitated author (James Caan) who is in her care. Other films include Curtis Hanson's The Hand That Rocks the Cradle (1992) and Unlawful Entry (1992), starring Ray Liotta.^[12]

Detectives/FBI agents hunting down a serial killer was another popular motif in the 1990s. A famous example is

Another notable example is Martin Scorsese's neo-noir psychological thriller Shutter Island (2010), in which a U.S. Marshal must investigate a psychiatric facility after one of the patients inexplicably disappears.

In recent years, thrillers have often overlapped with the horror genre, having more gore/sadistic violence, brutality, terror and frightening scenes. The recent films in which this has occurred include Eden Lake (2008), The Last House on the Left (2009), P2 (2007), Captivity (2007), and Vacancy (2007). Action scenes have also gotten more elaborate in the thriller genre. Films such as Unknown (2011), Hostage (2005), and Cellular (2004) have crossed over into the action genre.

Sub-genres

The thriller film genre includes the following sub-genres:^[13]

• Action thriller: A subgenre of both action film and thriller in which the protagonist confronts dangerous adversaries, obstacles, or situations which he/she must conquer, normally in an action setting. Action thrillers usually feature a race against the clock, weapons and explosions, frequent violence, and a clear antagonist.
  Bourne series.^[19]
• The Lady Vanishes
  .
• Conspiracy thriller: A genre in which the hero/heroine confronts a large, powerful group of enemies whose true extent only s/he recognizes. The Chancellor Manuscript and The Aquitaine Progression by Robert Ludlum fall into this category, as do films such as Awake, Snake Eyes, The Da Vinci Code, Edge of Darkness,^[20] Absolute Power, Marathon Man, In the Line of Fire, Capricorn One, and JFK.^[21]
• No Country for Old Men, Heat, New Jack City, Silence of the Lambs, Untraceable, Mindhunters,^[23] Kiss the Girls, Along Came a Spider, Collateral, and Copycat.^[24] Examples of crime thrillers involving heists or robberies are The Asphalt Jungle,^[25] The Score,^[26] Rififi, Entrapment,^[27] Heat, and The Killing
  .
• sexual relationship plays an important role in the plot. It has become popular since the 1980s and the rise of VCR market penetration. The genre includes such films as Sea of Love, Basic Instinct,^[28] Chloe, Color of Night, Dressed to Kill, Eyes Wide Shut, In the Cut, Lust, Caution, and Single White Female
  .
• Legal thriller: A suspense film in which the major characters are lawyers and their employees. The system of justice itself is always a major part of these works, at times almost functioning as one of the characters. Examples include The Pelican Brief, Presumed Innocent, The Jury, The Client, The Lincoln Lawyer, Hostile Witness, and Silent Witness.
• Political thriller: A type of film in which the hero/heroine must ensure the stability of the government. The success of Seven Days in May (1962) by Fletcher Knebel, The Day of the Jackal (1971) by Frederick Forsyth, and The Manchurian Candidate (1959) by Richard Condon established this subgenre. Other examples include Topaz, Notorious, The Man Who Knew Too Much, The Interpreter,^[29] Proof of Life,^[30] State of Play, and The Ghost Writer.
• Panic Room,^[35] Misery, Cape Fear, and Funny Games.^[36]
• Social thriller: A type of thriller that uses suspense to augment attention to abuses of power and instances of oppression in society. This new subgenre gained notoriety in 2017 with the release of Get Out.^[37]
• The Debt, The Good Shepherd, and Three Days of the Condor.^[40]
• Supernatural thriller: Films that include an otherworldly element (such as fantasy or the supernatural) mixed with tension, suspense, or plot twists. Sometimes the protagonist or villain has some psychic ability and superpowers. Examples include Fallen,^[41] Frequency, In Dreams,^[42] Flatliners, Jacob's Ladder, The Skeleton Key,^[43] What Lies Beneath, Unbreakable, The Sixth Sense,^[44] The Gift,^[45] The Dead Zone, and Horns.^[46]
• eXistenZ, and Virtuosity
  .