Meryl Streep
Meryl Streep | |
---|---|
Born | Mary Louise Streep June 22, 1949 Summit, New Jersey, U.S. |
Alma mater | |
Occupation | Actress |
Years active | 1975–present |
Works | Full list |
Spouse | |
Partner(s) | John Cazale (1976–1978) |
Children | |
Parents |
|
Awards | Full list |
Mary Louise "Meryl" Streep (born June 22, 1949) is an American actress. Known for her versatility and accent adaptability, she has been described as "the best actress of her generation".
Streep made her stage debut in 1975 in
Streep reclaimed her stardom in the ensuing decades with leading roles in Adaptation, The Hours (both 2002), The Devil Wears Prada (2006), Doubt, Mamma Mia! (both 2008), Julie & Julia, It's Complicated (both 2009), Into the Woods (2014), The Post (2017) and Little Women (2019), and won her third Oscar for her portrayal of Margaret Thatcher in The Iron Lady (2011). Her television roles include the miniseries Angels in America (2003), for which she received her second Primetime Emmy, HBO's Big Little Lies (2019), and Hulu's Only Murders in the Building (2023).
Streep has been the recipient of many honorary awards, including the
Early life and education
Mary Louise Streep was born on June 22, 1949, in Summit, New Jersey[9] to artist Mary Wilkinson Streep and pharmaceutical executive Harry William Streep Jr.[10] She has two younger brothers, Harry William Streep III and Dana David Streep, both actors.[11] Her father was of German and Swiss descent; his lineage traced back to Loffenau, from where Streep's great-great-grandfather, Gottfried Streeb, immigrated to the United States and where one of her ancestors served as mayor (the surname was later changed to "Streep").[12] Another line of her father's family was from Giswil. Her mother had English, German, and Irish ancestry.[12] Some of Streep's maternal ancestors lived in Pennsylvania and Rhode Island, and were descended from 17th-century English immigrants.[13][14][15] Her maternal great-great-grandparents, Manus McFadden and Grace Strain, were natives of the Horn Head district of Dunfanaghy in Ireland.[14][16][17]
Streep's mother, whom she has compared in both appearance and manner to
Although Streep appeared in numerous school plays during her high school years, she was uninterested in serious theater until acting in the play
Career
1970s: Early work and breakthrough
One of Streep's first professional jobs in 1975 was at the
Although Streep had not aspired to become a film actor,
Streep's first feature film role came opposite Jane Fonda in the 1977 film Julia, in which she had a small role during a flashback sequence. Most of her scenes were edited out, but the brief time on screen horrified the actress:
I had a bad wig and they took the words from the scene I shot with Jane and put them in my mouth in a different scene. I thought, I've made a terrible mistake, no more movies. I hate this business.[32]
However, Streep stated in 2015 that Fonda had a lasting influence on her as an actress, and credited her with opening "probably more doors than I probably even know about".[19] Robert De Niro, who had spotted Streep in her stage production of The Cherry Orchard, suggested that she play the role of his girlfriend in the war film The Deer Hunter (1978).[40] Cazale, who had been diagnosed with lung cancer,[41] was also cast in the film, and Streep took on the role of a "vague, stock girlfriend" to remain with Cazale for the duration of filming.[42][43][44] Longworth notes that Streep:
Made a case for female empowerment by playing a woman to whom empowerment was a foreign concept–a normal lady from an average American small town, for whom subservience was the only thing she knew.[45]
Pauline Kael, who later became a strong critic of Streep, remarked that she was a "real beauty" who brought much freshness to the film with her performance.[46] The film's success exposed Streep to a wider audience and earned her a nomination for the Academy Award for Best Supporting Actress.[47]
In the 1978 miniseries
She played the supporting role of Leilah in Wendy Wasserstein's Uncommon Women and Others in a May 1978 "Theater in America" television production for PBS's Great Performances.[52] She replaced Glenn Close, who played the role in the Off-Broadway production at the Phoenix Theatre.[53]
Hoping to divert herself from the grief of Cazale's death, Streep accepted a role in
In the drama Kramer vs. Kramer, Streep was cast opposite Dustin Hoffman as an unhappily married woman who abandons her husband and child. Streep thought that the script portrayed the female character as "too evil" and insisted that it was not representative of real women who faced marriage breakdown and child custody battles. The makers agreed with her, and the script was revised.[56] In preparing for the part, Streep spoke to her own mother about her life as a wife with a career,[57] and frequented the Upper East Side neighborhood in which the film was set, watching the interactions between parents and children.[56] The director Robert Benton allowed Streep to write her own dialogue in two key scenes, despite some objection from Hoffman, who "hated her guts" at first.[58][a] Hoffman and producer Stanley R. Jaffe later spoke of Streep's tirelessness, with Hoffman commenting: "She's extraordinarily hard-working, to the extent that she's obsessive. I think that she thinks about nothing else, but what she's doing."[59] The film was controversial among feminists, but it was a role which film critic Stephen Farber believed displayed Streep's "own emotional intensity", writing that she was one of the "rare performers who can imbue the most routine moments with a hint of mystery".[60]
For Kramer vs. Kramer, Streep won both the
1980s: Rise to prominence
In 1979, Streep began workshopping Alice in Concert, a musical version of Alice's Adventures in Wonderland, with writer and composer Elizabeth Swados and director Joseph Papp; the show was put on at New York's Public Theater from December 1980. Frank Rich of The New York Times referred to Streep as the production's "one wonder", but questioned why she devoted so much energy to it.[51] By 1980, Streep had progressed to leading roles in films. She was featured on the cover of Newsweek magazine with the headline "A Star for the 80s"; Jack Kroll commented, "There's a sense of mystery in her acting; she doesn't simply imitate (although she's a great mimic in private). She transmits a sense of danger, a primal unease lying just below the surface of normal behavior".[68]
Streep denounced her fervent media coverage at the time as "excessive hype".[68] The story within a story drama The French Lieutenant's Woman (1981) was Streep's first leading role. The film paired Streep with Jeremy Irons as contemporary actors, telling their modern story, as well as the Victorian era drama they were performing. Streep developed an English accent for the part, but considered herself a misfit for the role: "I couldn't help wishing that I was more beautiful".[69][68][b] A New York magazine article commented that, while many female stars of the past had cultivated a singular identity in their films, Streep was a "chameleon", willing to play any type of role.[71] Streep was awarded a BAFTA Award for Best Actress in a Leading Role for her work.[72] The following year, she re-united with Robert Benton for the psychological thriller, Still of the Night (1982), co-starring Roy Scheider and Jessica Tandy. Vincent Canby, writing for The New York Times, noted that the film was an homage to the works of Alfred Hitchcock, but that one of its main weaknesses was a lack of chemistry between Streep and Scheider, concluding that Streep "is stunning, but she's not on screen anywhere near long enough".[73]
Greater success came later in the year when Streep starred in the drama Sophie's Choice (also 1982), portraying a Polish survivor of Auschwitz caught in a love triangle between a young naïve writer (Peter MacNicol) and a Jewish intellectual (Kevin Kline). Streep's emotional dramatic performance and her apparent mastery of a Polish accent drew praise.[74] William Styron wrote the novel with Ursula Andress in mind for the role of Sophie, but Streep was determined to get the role.[75] Streep filmed the "choice" scene in one take and refused to do it again, finding it extremely painful and emotionally exhausting.[76] That scene, in which Streep is ordered by an SS guard at Auschwitz to choose which of her two children would be gassed and which would proceed to the labor camp, is her most famous scene, according to Emma Brockes of The Guardian who wrote in 2006: "It's classic Streep, the kind of scene that makes your scalp tighten, but defter in a way is her handling of smaller, harder-to-grasp emotions".[18]
Among several acting awards, Streep won the
In 1983, Streep played her first non-fictional character, the
Streep next played opposite Robert De Niro in the romance Falling in Love (1984), which was poorly received, and portrayed a fighter for the French Resistance during World War II in the British drama Plenty (1985), adapted from the play by David Hare. For the latter, Roger Ebert wrote that she conveyed "great subtlety; it is hard to play an unbalanced, neurotic, self-destructive woman, and do it with such gentleness and charm ... Streep creates a whole character around a woman who could have simply been a catalogue of symptoms."[84] In 2008, Molly Haskell praised Streep's performance in Plenty, believing it to be "one of Streep's most difficult and ambiguous" films and "most feminist" role.[85]
Longworth considers Streep's next release, Out of Africa (1985), to have established her as a Hollywood superstar. In the film, Streep starred as the Danish writer Karen Blixen, opposite Robert Redford's Denys Finch Hatton. Director Sydney Pollack was initially dubious about Streep in the role, as he did not think she was sexy enough, and had considered Jane Seymour for the part. Pollack recalls that Streep impressed him in a different way: "She was so direct, so honest, so without bullshit. There was no shielding between her and me."[86] Streep and Pollack often clashed during the 101-day shoot in Kenya, particularly over Blixen's voice. Streep had spent much time listening to tapes of Blixen, and began speaking in an old-fashioned and aristocratic fashion, which Pollack thought excessive.[87] A significant commercial success, the film won a Golden Globe for Best Picture.[88] It also earned Streep another Academy Award nomination for Best Actress, and the film ultimately won Best Picture. Film critic Stanley Kauffmann praised her performance, writing "Meryl Streep is back in top form. This means her performance in Out of Africa is at the highest level of acting in film today."[89]
Longworth notes that the dramatic success of Out of Africa led to a backlash of critical opinion against Streep in the years that followed, especially as she was now demanding $4 million a picture. Unlike other stars at the time, such as
In 1989, Streep lobbied to play the lead role in Oliver Stone's adaption of the play Evita, but two months before filming was due to commence, she dropped out, citing "exhaustion" initially, although it was later revealed that there was a dispute over her salary.[96] By the end of the decade, Streep actively looked to star in a comedy. She found the role in She-Devil (1989), a satire that parodied societal obsession with beauty and cosmetic surgery, in which she played a glamorous writer.[97] Though the film was not a success, Richard Corliss of Time wrote that Streep was the "one reason" to see it, and observed that it marked a departure from the dramatic roles she was known to play.[98] Reacting to her string of poorly received films, Streep said: "Audiences are shrinking; as the marketing strategy defines more and more narrowly who they want to reach males from 16 to 25 – it's become a chicken-and-egg syndrome. Which came first? First, they release all these summer movies, then do a demographic survey of who's going to see them."[96]
1990s: Commercial fluctuations
Biographer Karen Hollinger described the early 1990s as a downturn in the popularity of Streep's films, attributing this partly to a critical perception that her comedies had been an attempt to convey a lighter image following several serious, but commercially unsuccessful, dramas, and, more significantly, to the lack of options available to an actress in her forties.
After roles in the comedy-drama Postcards from the Edge (1990), and the comedy-fantasy Defending Your Life (1991), Streep starred with Goldie Hawn in the farcical black comedy, Death Becomes Her (1992), with Bruce Willis as their co-star. Streep persuaded writer David Koepp to re-write several of the scenes, particularly the one in which her character has an affair with a younger man, which she believed was "unrealistically male" in its conception. The seven-month shoot was the longest of Streep's career, during which she got into character by "thinking about being slightly pissed off all of the time".[101] Due to Streep's allergies to numerous cosmetics, special prosthetics had to be designed to age her by ten years to look 54, although Streep believed that they made her look nearer 70.[102] Longworth considers Death Becomes Her to have been "the most physical performance Streep had yet committed to screen, all broad weeping, smirking, and eye-rolling".[103] Although it was a commercial success, earning $15.1 million in just five days, Streep's contribution to comedy was generally not taken well by critics.[104] Time's Richard Corliss wrote approvingly of Streep's "wicked-witch routine" but dismissed the film as "She-Devil with a make-over" and one which "hates women".[105][104] Streep later admitted to having disliked filming the scenes involving heavy special effects, and vowed never to work again on a film with heavy special effects.[106]
Streep appeared with Jeremy Irons, Glenn Close and Winona Ryder in The House of the Spirits (1993), set in Chile during Augusto Pinochet's dictatorship. The film was not well received by critics.[107] Anthony Lane of The New Yorker wrote: "This is really quite an achievement. It brings together Jeremy Irons, Meryl Streep, Winona Ryder, Antonio Banderas, and Vanessa Redgrave and insures that, without exception, they all give their worst performances ever".[107] The following year, Streep starred in The River Wild, as the mother of children on a whitewater rafting trip who encounter two violent criminals (Kevin Bacon and John C. Reilly) in the wilderness. Though critical reaction was generally mixed, Peter Travers of Rolling Stone found her to be "strong, sassy and looser than she has ever been onscreen".[108]
Streep's most successful film of the decade was the romantic drama
Streep played the estranged sister of Bessie (Diane Keaton), a woman battling leukemia, in Marvin's Room (1996), an adaptation of the play by Scott McPherson. Streep recommended Keaton for the role.[115] Roger Ebert stated that, "Streep and Keaton, in their different styles, find ways to make Lee and Bessie into much more than the expression of their problems."[116] The film was well received, and Streep earned another Golden Globe nomination for her performance.[62]
Streep's performance in
Streep portrayed
2000s: Career resurgence and stage work
Streep entered the 2000s with a voice cameo in
The same year, Streep began work on
In 2003, Streep re-united with
In August and September 2006, Streep starred onstage at The Public Theater's production of Mother Courage and Her Children at the Delacorte Theatre in Central Park.[139] The Public Theater production was a new translation by playwright Tony Kushner, with songs in the Weill/Brecht style written by composer Jeanine Tesori; veteran director George C. Wolfe was at the helm. Streep starred alongside Kevin Kline and Austin Pendleton in this three-and-a-half-hour play.[140][39] Around the same time, Streep, along with Lily Tomlin, portrayed the last two members of what was once a popular family country music act in Robert Altman's final film A Prairie Home Companion (2006). A comedic ensemble piece featuring Lindsay Lohan, Tommy Lee Jones, Kevin Kline and Woody Harrelson, the film revolves around the behind-the-scenes activities at the long-running public radio show of the same name. The film grossed more than US$26 million, the majority of which came from domestic markets.[141]
Commercially, Streep fared better with a role in The Devil Wears Prada (also 2006), a loose screen adaptation of Lauren Weisberger's 2003 novel of the same name. Streep portrayed the powerful and demanding Miranda Priestly, fashion magazine editor (and boss of a recent college graduate played by Anne Hathaway). Though the overall film received mixed reviews, her portrayal, of what Ebert calls the "poised and imperious Miranda",[142] drew rave reviews from critics, and earned her many award nominations, including her record-setting 14th Oscar bid, as well as another Golden Globe.[143][144] On its commercial release, the film became Streep's biggest commercial success to this point, grossing more than US$326.5 million worldwide.[145]
She portrayed a wealthy university patron in
In this period, Streep had a short role alongside Vanessa Redgrave, Glenn Close, and her eldest daughter Mamie Gummer in Lajos Koltai's drama film Evening (2007), based on the 1998 novel of the same name by Susan Minot. Switching between the present and the past, it tells the story of a bedridden woman, who remembers her tumultuous life in the mid-1950s.[153] The film was released to a lukewarm reaction from critics, who called it "beautifully filmed, but decidedly dull [and] a colossal waste of a talented cast".[154] She had a role in Robert Redford's Lions for Lambs (also 2007), a film about the connection between a platoon of United States soldiers in Afghanistan, a U.S. senator, a reporter, and a California college professor. Like Evening, critics felt that the talent of the cast was wasted, and that it suffered from slow pacing, although one critic announced that Streep positively stood out, being "natural, unforced, quietly powerful", in comparison to Redford's forced performance.[155]
Streep found major commercial success when she starred in Phyllida Lloyd's Mamma Mia! (2008), a film adaptation of the musical of the same name, based on the songs of Swedish pop group ABBA. Co-starring Amanda Seyfried, Pierce Brosnan, Stellan Skarsgård, Colin Firth, Julie Walters, and Christine Baranski, Streep played a single mother and a former girl-group singer, whose daughter (Seyfried), a bride-to-be who never met her father, invites three likely paternal candidates to her wedding on the idyllic Greek island of Skopelos known in the film as Kalokairi.[156] An instant box office success, Mamma Mia! became Streep's highest-grossing film to date, with box office receipts of US$602.6 million,[157] also ranking it first among the highest-grossing musical films.[158] Nominated for another Golden Globe, Streep's performance was generally well received by critics, with Wesley Morris of The Boston Globe commenting: "The greatest actor in American movies has finally become a movie star."[159]
In 2009, Streep played chef Julia Child in Nora Ephron's Julie & Julia, co-starring with Stanley Tucci, and again with Amy Adams. (Tucci and Streep had worked together earlier in Devil Wears Prada.) The first major motion picture based on a blog, Julie and Julia contrasts the life of Child in the early years of her culinary career with the life of young New Yorker Julie Powell (Adams), who aspires to cook all 524 recipes in Child's cookbook Mastering the Art of French Cooking.[164] Longworth believes her caricature of Julia Child was "quite possibly the biggest performance of her career, while also drawing on her own experience to bring lived-in truth to the story of a late bloomer".[113] In Nancy Meyers' romantic comedy It's Complicated (also 2009), Streep starred with Alec Baldwin and Steve Martin. She received nominations for the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy for both Julie & Julia and It's Complicated; she won the award for Julie & Julia, and later received her 16th Oscar nomination for it.[165] She also lent her voice to Mrs. Felicity Fox in Wes Anderson's stop-motion film Fantastic Mr. Fox.[166]
2010s: Further critical and commercial success
Streep re-teamed with Mamma Mia director
Streep re-united with Prada director David Frankel on the set of the romantic comedy-drama film Hope Springs (2012), co-starring Tommy Lee Jones and Steve Carell. Streep and Jones play a middle-aged couple, who attend a week of intensive marriage counseling to try to bring back the intimacy missing in their relationship. Reviews for the film were mostly positive, with critics praising the "mesmerizing performances ... which offer filmgoers some grown-up laughs – and a thoughtful look at mature relationships".[173] In 2013, Streep starred alongside Julia Roberts and Ewan McGregor in the black comedy drama August: Osage County (2013) about a dysfunctional family that re-unites into the familial house when their patriarch suddenly disappears. Based on Tracy Letts's Pulitzer Prize-winning eponymous play, Streep received positive reviews for her portrayal of the family's strong-willed and contentious matriarch, who is suffering from oral cancer and an addiction to narcotics. She was subsequently nominated for another Golden Globe, SAG, and Academy Award.[174]
In 2014's
Directed by Rob Marshall, Into the Woods (also 2014) is a Disney film adaptation of the Broadway musical with music and lyrics by Stephen Sondheim in which Streep plays a witch.[180] A fantasy genre crossover inspired by the Grimm Brothers' fairy tales, it centers on a childless couple who set out to end a curse placed on them by Streep's vengeful witch.[181][182] Though the film was dismissed by some critics such as Mark Kermode as "irritating naffness",[183] Streep's performance earned her Academy Award, Golden Globe, SAG, and Critic's Choice Award nominations for Best Supporting Actress.[184] In July 2014, it was announced that Streep would portray Maria Callas in Master Class, but the project was pulled after director Mike Nichols's death in November of the same year.[185]
In 2015, Streep starred in Jonathan Demme's Ricki and the Flash, playing a grocery store checkout worker by day who is a rock musician at night, and who has one last chance to reconnect with her estranged family.[186] Streep learned to play the guitar for the semi-autobiographical drama-comedy film,[187] which again featured Streep with her eldest daughter Mamie Gummer.[187] Reviews of the film were generally mixed.[188] Streep's other film of this time was director Sarah Gavron's period drama Suffragette (also 2015), co-starring Carey Mulligan and Helena Bonham Carter. In the film, she played the small, but pivotal, role of Emmeline Pankhurst, a British political activist and leader of the British suffragette movement who helped women win the right to vote.[189] The film received mostly positive reviews, particularly for the performances of the cast, though its distributor earned criticism that Streep's prominent position within the marketing was misleading.[190]
Following the duties of the president at the 66th Berlin International Film Festival in 2016,[191] Streep starred in the Stephen Frears-directed comedy Florence Foster Jenkins (2016), an eponymous biopic about a blithely unaware tone-deaf opera singer who insists upon public performance.[192] Other cast members were Hugh Grant and Simon Helberg.[193] Robbie Collin considered it to be one of her most "human performance" and felt that it was "full of warmth that gives way to heart-pinching pathos".[194] She won the Critics' Choice Movie Award for Best Actress in a Comedy,[195] and received Academy Award, Golden Globe, SAG, and BAFTA nominations.[196]
Streep next starred as the first American female newspaper publisher, Katharine Graham, to Tom Hanks' Ben Bradlee, in Steven Spielberg's political drama The Post (2017), which centers on The Washington Post's publication of the 1971 Pentagon Papers.[197] The film received positive reviews with praise directed to the performances of the two leads.[198] Manohla Dargis wrote that "Streep creates an acutely moving portrait of a woman who in liberating herself helps instigate a revolution".[199] It earned over $177 million against a budget of $50 million.[200] Streep received her 31st Golden Globe nomination and 21st Academy Award nomination for Best Actress.[201][202]
In 2018, Streep briefly reprised her role in the musical sequel Mamma Mia! Here We Go Again.[203] She also played a supporting part in Rob Marshall's Mary Poppins Returns, a musical sequel to the 1964 film Mary Poppins starring Emily Blunt in the titular role.[204] Streep next featured in her first main role in a television series by starring in the second season of the HBO drama series Big Little Lies in 2019. She took on the part of Mary Louise Wright, the mother-in-law of Nicole Kidman's character.[205] Liane Moriarty, author of the novel of the same name, on which the first season is based, wrote a 200-page novella that served as the basis for the second season. Moriarty decided to name the new character Mary Louise, after Streep's legal name. Streep subsequently agreed to the part without reading a script for the first time in her career.[206] Writing for the BBC, Caryn James labeled her performance "delicious and wily" and found her to be the "embodiment of a passive-aggressive granny".[207] She received an Emmy nomination for the show. The same year, Streep then starred in the Steven Soderbergh-directed biographical comedy The Laundromat, about the Panama Papers, opposite Gary Oldman and Antonio Banderas. It was the first movie distributed by Netflix in which Streep starred.[208] She also played Aunt March in Greta Gerwig's Little Women, co-starring with Saoirse Ronan, Emma Watson, Florence Pugh, Timothée Chalamet, and Laura Dern.[209] David Rooney of The Hollywood Reporter praised Streep's performance writing, "Streep is clearly having a ball as the imperious snob who snorts with disapproval...[and] does her best to hide her affection for her nieces behind her narrowed gaze and all-purpose disdain".[210] The film received critical acclaim and grossed over $218 million against its $40 million budget.[211][212]
2020s: Streaming projects
In 2020, she voiced a role in the
The following year, Streep starred opposite Leonardo DiCaprio and Jennifer Lawrence in Don't Look Up (2021), directed by Adam McKay for Netflix.[217] Streep played a comical role as the fictional President of the United States who waves off the fears of climate change. In his mixed review, Peter DeBruge of Variety compared her performance of that of Donald Trump, adding she was "clearly having more fun than we are".[218] Streep served as an executive producer on Sell/Buy/Date (2022), directed by Sarah Jones.[219] She acted in the Apple TV+ anthology series Extrapolations (2023).[220] Later that year, she played Loretta Durkin, a struggling actress, in the third season of the Hulu comedy series Only Murders in the Building, starring Steve Martin, Martin Short and Selena Gomez.[221][222] Leila Latif of The Guardian wrote, "Streep, unsurprisingly, plays Loretta beautifully, truly tapping into the agony of a woman who's faced a lifetime of rejection but somehow kept her dream alive".[223] She received a Golden Globe nomination and won a Critics’ Choice Television Award. In 2024, it was announced Streep would reprise the role of Loretta in the show's fourth season.[224]
Other ventures
After Streep starred in Mamma Mia!, her rendition of the
Streep is the spokesperson for the National Women's History Museum, to which she has made significant donations (including her fee for The Iron Lady, which was $1 million), and hosted numerous events.[229] On October 4, 2012, Streep donated $1 million to The Public Theater in honor of both its late founder, Joseph Papp, and her friend, the author Nora Ephron.[230] She also supports Gucci's "Chime for Change" campaign that aims to spread female empowerment.[231]
In 2014, Streep established two scholarships for students at the University of Massachusetts Lowell – the Meryl Streep Endowed Scholarship for English majors, and the Joan Hertzberg Endowed Scholarship (named for Streep's former classmate at Vassar College) for math majors.[232]
In April 2015, it was announced that Streep had funded a screenwriters lab for female screenwriters over forty years old, called the Writers Lab, to be run by
When asked in a 2015 interview with Time Out if she was a feminist, Streep replied, "I am a humanist, I am for nice easy balance."[238] In March 2016, Streep, among others, signed a letter asking for gender equality throughout the world, in observance of International Women's Day; this was also organized by One Campaign.[239] In 2018, she collaborated with 300 women in Hollywood to set up the Time's Up initiative to protect women from harassment and discrimination.[240]
On April 25, 2017, Streep publicly backed the campaign to free
Reception and legacy
In 2004, Streep was awarded the AFI Life Achievement Award by the board of directors of the American Film Institute.[242] In 2011, she received a Kennedy Center Honors, introduced by Tracey Ullman, and speeches by 2009 Kennedy Center Honoree Robert De Niro and 2003 Kennedy Center Honoree Mike Nichols. Those also to honor Streep included, Kevin Kline, Emily Blunt, Stanley Tucci, and Anne Hathaway. The tribute ended with the whole cast who sang "She's My Pal", a play on "He's My Pal" from Ironweed.[243]
In November 2014,
Vanity Fair commented that "it's hard to imagine that there was a time before Meryl Streep was the greatest-living actress".[19] Emma Brockes of The Guardian notes that despite Streep's being "one of the most famous actresses in the world", it is "strangely hard to pin an image on Streep", in a career where she has "laboured to establish herself as an actor whose roots lie in ordinary life".[18] Despite her success, Streep has always been modest about her own acting and achievements in cinema. She has stated that she has no particular method when it comes to acting, learning from the days of her early studies that she cannot articulate her practice. She said in 1987, "I have a smattering of things I've learned from different teachers, but nothing I can put into a valise and open it up and say 'Now, which one would you like?' Nothing I can count on, and that makes it more dangerous. But then, the danger makes it more exciting." She has stated that her ideal director is one who gives her complete artistic control, allowing her to have a degree of improvisation and to learn from her mistakes.[248]
Women are better at acting than men. Why? Because we have to be. If successfully convincing somebody bigger than you of something he doesn't know is a survival skill, this is how women have survived through the millennia. Pretending is not just play. Pretending is imagined possibility. Pretending or acting is a very valuable life skill, and we all do it. All the time.
— Streep on acting[23]
Karina Longworth notes how "external" Streep's performances are, "chameleonic" in her impersonation of characters, "subsuming herself into them, rather than personifying them". In her early roles such as Manhattan and Kramer vs. Kramer, she was compared to both Diane Keaton and Jill Clayburgh, in that her characters were unsympathetic, which Streep has attributed to the tendency to be drawn to playing women who are difficult to like and lack empathy.[248] Streep has stated that many consider her to be a technical actor, but she professed that it comes down to her love of reading the initial script, adding, "I come ready and I don't want to screw around and waste the first 10 takes on adjusting lighting and everybody else getting comfortable".[113]
Mike Nichols, who directed Streep in Silkwood, Heartburn, Postcards from the Edge, and Angels in America, praised Streep's ability to transform herself into her characters, remarking that, "In every role, she becomes a totally new human being. As she becomes the person she is portraying, the other performers begin to react to her as if she were that person."[249] He said that directing her is "so much like falling in love that it has the characteristics of a time which you remember as magical, but which is shrouded in mystery".[250] He also noted that Streep's acting ability had a profound impact on her co-stars, and that "one could improve by 1000% purely by watching her".[249] Longworth believes that in nearly every film, Streep has "sly infused" a feminist point of view in her portrayals.[251] However, film critic Molly Haskell has stated, "None of her heroines are feminist, strictly speaking. Yet, they uncannily embody various crosscurrents of experience in the last twenty years, as women have re-defined themselves against the background of the women's movement".[113]
Streep is well known for her ability to imitate a wide range of accents
For her role in the film Sophie's Choice (1982), Streep spoke both English and German with a Polish accent, as well as Polish itself.[254] In The Iron Lady, she reproduced the vocal style of Margaret Thatcher from the time before Thatcher became Britain's Prime Minister, and after she had taken elocution lessons to change her pitch, pronunciation, and delivery.[255][254] Streep has commented that using accents as part of her acting is a technique she views as an obvious requirement in her portrayal of a character.[256] When questioned in Belfast as to how she reproduces different accents, Streep replied in a reportedly "perfect" Belfast accent: "I listen."[257][258][256]
Activism and advocacy
Politically, Streep has described herself as part of the American Left.[259] She gave a speech at the 2016 Democratic National Convention in support of presidential nominee Hillary Clinton.[260]
In January 2017, Streep was honored with the Cecil B. DeMille Award for Lifetime Achievement at the 74th Golden Globe Awards, during which she delivered a predominantly political speech that implicitly criticized President-elect Donald Trump. She argued that Trump had a very strong platform and used it inappropriately to mock a disabled reporter, Serge F. Kovaleski, whom, in her words, Trump "outranked in privilege, power, and the capacity to fight back".[261] Trump responded by calling Streep "one of the most over-rated actresses in Hollywood," and "a Hillary flunky who lost big."[262]
While promoting Suffragette in 2015, Streep accused the review-aggregation website Rotten Tomatoes of disproportionately representing the opinions of male film critics, resulting in a skewed ratio that adversely affected the commercial performances of female-driven films.[263]
In June 2023, Streep was reported as one of many A-List members of the SAG-AFTRA who signed a letter threatening to strike.[264]
Personal life
Author Karina Longworth notes that despite her stardom, for decades Streep has managed to maintain a relatively normal personal life.[23] Streep lived with actor John Cazale in the 1970s, caring for him after his lung cancer diagnosis until he died in March 1978.[265] Streep said of his death:
I didn't get over it. I don't want to get over it. No matter what you do, the pain is always there in some recess of your mind, and it affects everything that happens afterwards. I think you can assimilate the pain and go on without making an obsession of it.[60]
Streep married sculptor
Streep is the godmother of Billie Lourd, daughter of fellow actress and close friend Carrie Fisher.[272] Fisher wrote the screenplay for Streep's 1990 film Postcards from the Edge, based on Fisher's book.[273]
When asked if religion plays a part in her life in 2009, Streep replied: "I follow no doctrine. I don't belong to a church or a temple or a synagogue or an ashram."[274] In an interview in December 2008, she alluded to her lack of religious belief when she said:
So, I've always been really, deeply interested because I think I can understand the solace that's available in the whole construct of religion. But I really don't believe in the power of prayer, or things would have been avoided that have happened, that are awful. So, it's a horrible position as an intelligent, emotional, yearning human being to sit outside of the available comfort there. But I just can't go there.[275]
When asked where she draws consolation in the face of aging and death, Streep responded:
Consolation? I'm not sure I have it. I have a belief, I guess, in the power of the aggregate human attempt – the best of ourselves. In love and hope and optimism – you know, the magic things that seem inexplicable. Why we are the way we are. I do have a sense of trying to make things better. Where does that come from?[275]
Acting credits and awards
One of the most prolific actresses of
Streep has been recognised by the Academy of Motion Picture Arts and Sciences (AMPAS) for the following performances:
- 51st Academy Awards: Best Actress in a Supporting Role, nomination, for The Deer Hunter (1978)
- 52nd Academy Awards: Best Actress in a Supporting Role, win, for Kramer vs. Kramer (1979)
- 54th Academy Awards: Best Actress in a Leading Role, nomination, for The French Lieutenant's Woman (1981)
- 55th Academy Awards: Best Actress in a Leading Role, win, for Sophie's Choice (1982)
- 56th Academy Awards: Best Actress in a Leading Role, nomination, for Silkwood (1983)
- 58th Academy Awards: Best Actress in a Leading Role, nomination, for Out of Africa (1985)
- 60th Academy Awards: Best Actress in a Leading Role, nomination, for Ironweed (1987)
- 61st Academy Awards: Best Actress in a Leading Role, nomination, for A Cry in the Dark (1988)[d]
- 63rd Academy Awards: Best Actress in a Leading Role, nomination, for Postcards from the Edge (1990)
- 68th Academy Awards: Best Actress in a Leading Role, nomination, for The Bridges of Madison County (1995)
- 71st Academy Awards: Best Actress in a Leading Role, nomination, for One True Thing (1998)
- 72nd Academy Awards: Best Actress in a Leading Role, nomination, for Music of the Heart (1999)
- 75th Academy Awards: Best Actress in a Supporting Role, nomination, for Adaptation. (2002)
- 79th Academy Awards: Best Actress in a Leading Role, nomination, for The Devil Wears Prada (2006)
- 81st Academy Awards: Best Actress in a Leading Role, nomination, for Doubt (2008)
- 82nd Academy Awards: Best Actress in a Leading Role, nomination, for Julie & Julia (2009)
- 84th Academy Awards: Best Actress in a Leading Role, win, for The Iron Lady (2011) [278]
- 86th Academy Awards: Best Actress in a Leading Role, nomination, for August: Osage County (2013)
- 87th Academy Awards: Best Actress in a Supporting Role, nomination, for Into the Woods (2014)
- 89th Academy Awards: Best Actress in a Leading Role, nomination, for Florence Foster Jenkins (2016)
- 90th Academy Awards: Best Actress in a Leading Role, nomination, for The Post (2017)
These nominations make Streep the
She has also received six
Discography
- The Velveteen Rabbit (1984)[279]
- A Prairie Home Companion (2006)[279]
- Mamma Mia! The Movie Soundtrack (2008)[279]
- Into the Woods (2014)[279]
- Florence Foster Jenkins (2016)[279]
- Mamma Mia! Here We Go Again: The Movie Soundtrack (2018)[279]
- Mary Poppins Returns (2018)[279]
- The Prom (2020)[280]
See also
- List of Academy Award records
- List of actors with Academy Award nominations
- List of actors with two or more Academy Awards in acting categories
- List of actors with two or more Academy Award nominations in acting categories
- List of oldest and youngest Academy Award winners and nominees
- List of actors with Hollywood Walk of Fame motion picture stars
- List of stars on the Hollywood Walk of Fame
- List of wax figures displayed at Madame Tussauds museums
- List of Yale University people
Notes
- ^ Streep's initial impression of Hoffman had been a negative one, thinking him to have been an "obnoxious pig" when she had first met him on stage several years earlier, and Hoffman had admitted that he initially "hated her guts", but respected her as an actress.[56]
- ^ Despite Streep's own negative self-body-image, President Obama, while presenting the Kennedy Center Honors, remarked, "Anyone who saw The French Lieutenant's Woman had a crush on her ..."[70]
- ^ The film was released outside Australia and New Zealand as A Cry in the Dark.
- ^ a b The film was released worldwide as A Cry in the Dark, except in Australia and New Zealand, where it was released under the title Evil Angels.[276]
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Meryl Streep, one of the most over-rated actresses in Hollywood, doesn't know me but attacked last night at the Golden Globes. She is a Hillary flunky who lost big.
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and her husband, sculptor Don Gummer, found a house in Brentwood (they eventually moved back to Connecticut). ...
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Further reading
- Ebert, Roger (December 6, 2011). Roger Ebert's Movie Yearbook 2012. Andrews McMeel Publishing. ISBN 978-1-4494-2150-2.
- Santas, Constantine (2002). Responding to Film. Rowman & Littlefield. ISBN 978-0-8304-1580-9.
External links
- Official website
- Meryl Streep at AllMovie
- Meryl Streep at AllMusic
- Meryl Streep at IMDb
- Meryl Streep at Playbill Vault
- Meryl Streep at the Internet Broadway Database
- Meryl Streep at the Internet Off-Broadway Database
- Meryl Streep at the TCM Movie Database
- Meryl Streep on Charlie Rose