Kente cloth
Kente refers to a Ghanaian textile made of hand-woven strips of silk and cotton.[1] Historically the fabric was worn in a toga-like fashion by royalty among the Ewe and Akan. According to Ashanti oral tradition, it originated from Bonwire in the Ashanti region of Ghana. In modern day Ghana, the wearing of kente cloth has become widespread to commemorate special occasions, and kente brands led by master weavers are in high demand. Kente is also worn in parts of Togo and Ivory Coast by the Ewe and Akan people there.
Due to the popularity of kente[2] cloth patterns, production of mass-produced prints with the kente patterns have become popular throughout West Africa, and by extension the whole of Africa. Globally, the print is used in the design of academic stoles in graduation ceremonies.[3]
Etymology
Kente comes from the word kenten, which means "basket" in the
History
West African cultures have been weaving textiles for thousands of years.
Some of his subjects were able to spin cotton, and they wove bands of it, three fingers wide. When twelve long strips were sewn together it became a “Pantjes” or sash. One strip might be white, the other one blue or sometimes the was a red among them...[Asantehene] Opoke [Ware] bought silk taffeta and materials of all colours. The artists unravelled them.
— Nog.[8]
By the late 18th and early 19th centuries, Kente made out of silk was fully developed in Ashanti.[8] In 1817, Thomas Edward Bowdich noted that weaving in Ashanti had progressed to an extent that cloths were made "in all the varieties of colour, as well as pattern, [and] they were of an incredible size and weight."[6] The word "Kente" might have been applied by the Fante traders to Ashanti fabrics.[8]
Production
Kente production can be classified by three versions: authentic kente cloth made by traditional weavers, kente print produced by brands such as Vlisco and Akosombo Textile Ltd, and mass-produced kente pattern typically produced in China for West Africans. Authentic kente cloth is the most expensive, while kente print varies in price depending on the production style.
For authentic kente, the towns of
Weaving is done on a wooden loom in which multiple threads of dyed fabric are pressed together. Weavers are typically
Gender has an influence on cloth production. Weaving kente is traditionally considered a male practice.[13]
Characteristics
There exist hundreds of different kinds of kente patterns.[14] Kente patterns vary in complexity, with each pattern having a name or message by the weaver. Ghanaians choose kente cloths as much for their names as their colors and patterns. Although the cloths are identified primarily by the patterns found in the lengthwise (warp) threads, there is often little correlation between appearance and name. Names are derived from several sources, including proverbs, historical events, important chiefs, queen mothers, and plants. The cloth symbolizes high value.
Ahwepan refers to a simple design of
Symbolic meanings of the colors
- black: maturation, intensified spiritual energy, spirits of ancestors, passing rites, mourning, and funerals
- blue: peacefulness, harmony, and love
- green: vegetation, planting, harvesting, growth, spiritual renewal
- gold: royalty, wealth, high status, glory, spiritual purity
- grey: healing and cleansing rituals; associated with ash
- maroon: the color of mother earth; associated with healing
- pink: assoc. with the female essence of life; a mild, gentle aspect of red
- purple: assoc. with feminine aspects of life; usually worn by women
- red: political and spiritual moods; bloodshed; sacrificial rites and death.
- silver: serenity, purity, joy; associated with the moon
- white: purification, sanctification rites and festive occasions
- yellow: preciousness, royalty, wealth, fertility, beauty
Controversy
In June 2020, Democratic Party leaders in the United States caused controversy by wearing stoles made of kente cloth to show support against systemic racism.
There is also a controversy with Louis Vuitton's usage of a printed and monogrammed version of kente in their autumn-winter 2021 collection by American creative director Virgil Abloh, whose grandmother was Ghanaian. Additionally, questions of ownership of the woven craft, its image, and location of ateliers of production of kente. To this question of cultural appropriation, Abloh's response to the press in 2020 was: "Provenance is reality; ownership is a myth. In the same way, we cannot control our inspirations, we cannot trade-mark natural or cultural heritage as contemporary artistic territory." This coincided with the first appearance of this design of kente cloth printed on a dress worn by American poet Amanda Gorman for the cover of Vogue's May 2021 issue.
References
- ISBN 978-9988-8602-6-4.
- ^ "Letter from Africa: Kente - the Ghanaian cloth that's on the catwalk". BBC News. 24 March 2021. Retrieved 29 March 2021.
- ^ OCLC 741751637.
- ISBN 9780203941393.
- ^ Colleen E. Kriger (2006), pp. 22–23
- ^ JSTOR 43855010.
- ^ Colleen E. Kriger (2006), p. 76
- ^ ISBN 9780822971771.
- ^ S2CID 192101516.
- ISBN 9780253060143.
- ^ Boateng Boatema (2011), p. 23
- ^ "Bonwire Kente Weaving Village". touringghana.com. 26 March 2016. Retrieved 22 May 2021.
- ISBN 978-0-8166-7002-4, retrieved 14 May 2021
- OCLC 976443076.
- ISBN 9780874744750.
- ^ "Wrapper (kente, oyokoman adwireasu)". Smithsonian National Museum of African Art. Retrieved 16 December 2018.
- ^ Kente Cloth Archived 6 January 2009 at the Wayback Machine. "African Journey". projectexploration.org. 25 September 2007.
- ^ Lee, Alicia (8 June 2020). "Congressional Democrats criticized for wearing Kente cloth at event honoring George Floyd". CNN. Retrieved 12 June 2020.
- ^ Griggs, Brandon (14 January 2016). "Once again, #OscarsSoWhite". CNN. Retrieved 12 June 2020.
Bibliography
- Boateng Boatema (2011). The Copyright Thing Doesn't Work Here: Adinkra and Kente Cloth and Intellectual Property in Ghana. U of Minnesota Press. ISBN 978-0-8166-7002-4.
- Colleen E. Kriger (2006). Cloth in West African History. ISBN 978-0-7591-0422-8.