Working on a Dream Tour
Tour by Bruce Springsteen and the E Street Band | |
Location |
|
---|---|
Associated album | Working on a Dream |
Start date | April 1, 2009 |
End date | November 22, 2009 |
Legs | 3 |
No. of shows | 83 |
Box office | $167 million[1] ($237.17 in 2023 dollars)[2] |
Bruce Springsteen and the E Street Band concert chronology |
The Working on a Dream Tour was a concert tour by Bruce Springsteen and the E Street Band, which began in April 2009 and ended in November 2009. It followed the late January 2009 release of the album Working on a Dream. This was the first full E Street Band tour without founding member Danny Federici, who died during the previous tour in 2008, and the final tour for founding member Clarence Clemons, who died in 2011.
The tour was shorter than a typical Springsteen outing, but for the first time in his career, it placed an emphasis on performing at
The tour was a commercial success, grossing over $167 million, being seen by over 1.9 million ticket holders, and finishing as the third-highest-grossing tour in the world for 2009 even though the tour faced some logistical issues. Ticket sales were botched by Ticketmaster, a situation further exacerbated by revelations of their holding seats back for their secondary market TicketsNow. Before long, legislatures and attorneys general of several states, as well as members of the U.S. Congress and federal regulatory agencies, were weighing in on the matter, with various lawsuits, settlements, and proposed laws as the result.
Itinerary
The tour was envisioned by the Springsteen camp as not being "a total marathon",
On February 23, 2009, it was confirmed that Springsteen would be headlining the Saturday night at
One continuing subplot with the tour's scheduling was E Street drummer
As had been the practice since the Reunion Tour in 1999, Springsteen and the band began rehearsals at Asbury Park Convention Hall.[15] Beginning on March 11, some of the Springsteen faithful listened outside closed doors for what songs and arrangements the tour might bring.[15] The presence of Max Weinberg's 18-year-old son Jay, a freshman at Stevens Institute of Technology[16] and also a drummer, at rehearsals indicated that he might be the one to replace his father for European leg shows where Tonight Show duties came into play.[17] On one occasion on the Magic Tour, Jay Weinberg had sat in on drums for "Born to Run".[17] This was confirmed by Springsteen on March 20, who said that Jay Weinberg would be drumming at a small number of shows during the tour.[18] Springsteen added, "Once again, I want to express my appreciation to Conan O'Brien, and everyone on his team, for making it possible for Max to continue to do double duty for both us and for him. We promise to return him in one piece."[19] Van Zandt said, "I’ve been avoiding this question for weeks! Thank God they finally announced it. We already did three days of rehearsals. Jay's a fantastic drummer. It's in the Weinberg DNA."[20]
By the time the American first leg was well underway, there was speculation of more American dates to come in the late summer and fall, but E Street guitarist Nils Lofgren said that Springsteen and wife Patti Scialfa would make a decision later on.[21]
On May 21, 2009, while playing at the
The November 22, 2009, performance in Buffalo, New York, was slated as the tour's last.[26] After that, the E Street Band was expected to take a one to two-year hiatus, while Springsteen worked on another project.[26]
The October 26, 2009, show in Kansas City, Missouri, was canceled an hour before its scheduled start time due to the death of Lenny Sullivan, Springsteen's cousin and assistant road manager for ten years.[27][28] It was not rescheduled.[27]
Ticket sales
Even before any official tour announcement, tickets went on sale in Norway and Sweden. The heavy demand caused a crash in the Scandinavian ticketing system.[29] A similar situation due to heavy demand occurred in Finland with the Lippupiste ticketing system.[30]
On January 27, 2009, the day of the Working on a Dream release in the United States, the official announcement of the tour came.[31][32]
On February 1, 2009, Springsteen & the E Street Band performed at halftime of
Frustration became a public outcry when many of Ticketmaster online customers, upon being informed shows were sold out, were directed to
Springsteen issued a statement on his website where he chastised Ticketmaster and made it clear that he had no affiliation with them (the venues had the affiliation).
On February 23, 2009, Ticketmaster agreed to an out-of-court settlement with the New Jersey Attorney General.[50] Ticketmaster agreed to refund payments made to TicketsNow and reduce its visibility, and made some 2,000 tickets to the New Jersey shows available to complaints via random lottery, with promises of additional reparations if Springsteen scheduled a third leg to return to the United States in the summer.[50] The company was not fined, but did reimburse the Attorney General's office $350,000 for investigatory expenses.[50] Over 1,800 people qualified for the March 31 lottery,[51] and those that got them eventually picked up their tickets at an amusingly named "Attorney General Will Call Line" before the shows.[52] In March 2009, Springsteen manager Jon Landau emphasized that Springsteen never directly releases tickets into the secondary market, in the wake of revelations about other artists doing so.[53] In May 2009 – and on the same day that Springsteen would perform at the local Xcel Energy Center – Governor of Minnesota Tim Pawlenty signed into law "the Bruce Springsteen bill", which forbade online ticket sellers from sending frustrated customers to resale sites that offer inflated-price secondary market tickets.[54]
Different but similar Ticketmaster drama occurred on March 20 when tickets went on sale for Springsteen's two Asbury Park Convention Hall rehearsal shows a few days hence. Dozens of fans said that the Ticketmaster automated lines gave messages that no shows were on sale, while those using the human operator lines were able to make purchases.[55] Ticketmaster denied that anything had gone wrong.[55]
The secondary markets ticket saga re-emerged in mid-May during the first leg of the tour when TicketsNow announced they had oversold by some 300 persons the date at Washington, D.C.'s Verizon Center.[56] TicketsNow offered double refunds and inferiorly located tickets to other Springsteen shows, but Springsteen manager Landau was quite unhappy: "We would like our audience to know that this is a problem caused entirely by Ticketmaster and its wholly owned subsidiary TicketsNow. Neither Bruce nor his management have any control whatsoever over these two troubled entities but we deeply resent the abuse of our fans."[56]
When Springsteen's autumn Giants Stadium shows were announced in late May 2009, secondary market sellers began advertising steeply marked-up tickets before they went on sale.[57] This caused Attorney General Milgram to file suit against three such sellers for fraudulent behavior, especially given that some of the advertised seat locations did not even exist.[58] On June 1, Congressman Pascrell announced proposed federal legislation, titled the "BOSS ACT" (Better Oversight of Secondary Sales and Accountability in Concert Ticketing), which would require primary ticket sellers to disclose how many tickets were being held back from sale, prohibit ticket brokers from buying tickets during the first 48 hours on sale, and prohibit primary ticket sellers, promoters, and artists from entering the secondary market.[59]
In February 2010, Ticketmaster reached a settlement with the Federal Trade Commission, which denounced the company's "deceptive bait-and-switch tactics" regarding phantom tickets, and made reference to an example in which the same 38 tickets to a tour show in Washington were sold and resold 1,600 times.[60] Ticketmaster conceded no wrongdoing but agreed to stop the practice; they also agreed to $1 million in refunds for overcharges for secondary market sales via TicketsNow.[60][61]
The show
Planning and rehearsals
One idea under early consideration was to include a mini-set at each stop, containing a full performance of one of Springsteen's classic albums.[3] Van Zandt predicted that they would play most of Working on a Dream during the initial stages of the tour, but what the rest of the show would be was uncertain.[9] If the full album idea did go forward, he thought his double album The River (1980) combined with outtakes from those sessions would make a full show on its own.[9] Nothing came of the full album notion right away; it would have to wait until the tour's U.S. third leg to materialize.
Per past practice, Springsteen performed a couple of public rehearsal shows at
North American first leg
Once the first leg of the tour proper began at
Commenting on the paucity of new material,
One theme that was apparent in the show was the ongoing
One holdover from the latter stages of the Magic Tour was the "Build Me a House" stage rap, now located in "Working on a Dream".[66][70] Springsteen would say: "We're not just here to rock the house tonight. We're going to build a house.... We're going to use the good news and we're going to use the bad news. We've got all the news we need – on this stage and in those seats."[84]
An even more visible holdover was the 'signs' segment.
Show lengths were generally between 2 hours 30 minutes to 2 hours 45 minutes.
Jay Weinberg appeared at a number of shows on the first, North American leg, drumming on anywhere from four songs to half the show.
Western European second leg
Once the show moved into its European second leg, more Working on a Dream songs began to sporadically appear, with "My Lucky Day" becoming a regular for a while and "Queen of the Supermarket" getting its first airing anywhere. For Scandinavian shows, as band members walked on stage, Lofgren opened with solo accordion performances of local summer-themed specialties, "Idas Sommarvisa" in Sweden[93] and "Du skal ikkje sova bort sumarnatta" in Norway.[94] Jay Weinberg did the first seven shows, as his father was now beginning The Tonight Show with Conan O'Brien.[92]
Springsteen and the band returned to the United States to make their first-ever appearance at the
On June 25, Max Weinberg departed The Tonight Show temporarily for four weeks to join the band for the resumption of its Western European leg, via a comedy bit that had his drum riser turn into a float that took him outside and studio and purportedly to the airport.[98] During this stretch, Jay Weinberg did not appear during any of the shows until reappearing during the Spanish shows at the end of the leg. While Springsteen's wife Scialfa was nowhere to be seen in Europe, their son Evan appeared and played guitar during encores of a number of shows,[99] while Clarence Clemons' nephew Jake also made playing appearances and Springsteen's mother and aunt also took the stage.[100][101]
He also was the headliner of the Festival des Vieilles Charrues in Brittany, France in July, his only tour stop in France. His son Evan participated in the concert, playing guitar.
Lofgren continued to open shows, playing national songs on accordion. Set lists further loosened, with many tour premieres showing up in request slots or elsewhere and shows sometimes running to 30 songs in length.[99][102][103] After a while, the encore break was disposed with and the show ran continuously to the end without the band ever leaving the stage.[99] Springsteen ran past local curfews at both Dublin shows and at Glastonbury.[104] The Dublin violations resulted in a potential €50,000 fine, but Springsteen mocked the prospect by on-staging a bit: "We have to go, we have a curfew!" with Van Zandt replying, "We don't care about the curfew, this is the curfew breaking Boss and E Street Band!"[104] "American Skin (41 Shots)" made unexpected appearances in Dublin and at several stops in Italy,[105] while "My City of Ruins" was played at Stadio Olimpico in Rome in honor of the victims of the 2009 L'Aquila earthquake.[106] The Western European leg ended with five shows in Spain,[107] at more out-of-the-way locations than in the past.[108] The last of these shows, at the Auditorio Monte do Gozo in Santiago de Compostela, was marred by disorganized security and overbooking by the promoter, leaving some of the approximately 40,000 ticket holders unable to get in.[109][110] (Dozens of complaints against the promoter were filed to police, city, and consumer authorities the following day.[111][112]) In any event, the band played "Rockin' All Over the World" and concluded its encore with "Born in the U.S.A."[113] after 1 a.m. local time (the Spanish shows did not begin until 10 p.m.).[112][114] Max Weinberg immediately flew back to Los Angeles and resumed his role on The Tonight Show later that same day.[115]
U.S. third leg
The American third leg began in mid-August with shows at outdoor amphitheaters as well as indoor arenas. Shows were often scheduled for weekends, to allow Max Weinberg to play without missing any Tonight Show time; Jay Weinberg played those shows held during the week. Then on September 25, Max Weinberg took a two-month absence from the television show, to join Springsteen for the final portion of the leg. Ticket sales were slower than normal on this leg, partly due to Ticketmaster's new "paperless ticketing" system that may have come into effect due to the earlier problems with Springsteen sales.[116] In arenas that did not sell well, management relocated the people who bought tickets behind the stage to other sections and put up the screen used for stadium and amphitheater shows behind the stage. In a hint to fans to buy up, Van Zandt said, "You never know. This could be the last tour. We do every show like it's our last show anyway."[117] In any case, by September 2009 the tour had sold over two million tickets overall.[117] Even some shows in Philadelphia, long a Springsteen bastion, were not sold out.[118]
During the U.S. third leg, it was reported that Born to Run would be featured in its entirety during several shows, possibly in a scheme to boost ticket sales.[116][119] The full-album idea took fruition with the late September-early October set of five shows at Giants Stadium, which would be the final concerts ever in that venue in Springsteen's home state.[120] Born to Run was played at two shows, Darkness on the Edge of Town at one show, and Born in the U.S.A. at two shows.[121] Springsteen later said of the full album idea, "We had done so many shows and were going to come back around one more time, so we were like, 'OK, what can we do that we haven't done? Let's try to play some of the albums.' There were some people who were starting to do it, it sounded like a good idea, and my audience fundamentally experienced all my music in album form. People took Born to Run home and played it start to finish 100 times; they didn't slip on a cut in the middle. And we made albums – we took a long time, and we built them to last. ... Those records are packed with songs that have lasted 30–35 years. It simply was a way to revitalize the show and do something appealing and fun for the fans, but it ended up being a much bigger emotional experience than I thought it would be."[87]
The Giants Stadium shows were opened with a new Springsteen song written for the occasion, "Wrecking Ball", written from the point of view of the stadium itself:[122] "I was raised out of steel here in the swamps of Jersey, some misty years ago ..."[123] The stand featured several other new touches as well, including Springsteen crowd surfing during "Hungry Heart", evocative behind-the-stage upper-level lighting during "The Rising", and fireworks at the "E! Street! Band!" conclusion of "American Land".[122][124] The final show, which drew nearly 60,000 people,[124] concluded with the second playing on the stand of "Jersey Girl", dedicated to "all the crew and staff that's worked all these years at Giants Stadium."[122]
The full album versions continued, as well as a localized rendition of "Wrecking Ball", at Springsteen's four shows to close out the
Springsteen's show on November 13, 2009, at
During the final stretch of the tour, the final encores of many shows presented a long, rousing, ebullient rendition of Jackie Wilson's classic "(Your Love Keeps Lifting Me) Higher and Higher".[127][132][133] Showcasing featured vocals from Cindy Mizelle or Curtis King Jr. and trumpet solos from Curt Ramm, the song stretched to eight minutes with key changes, reprises, and walks through the pit area by Springsteen and the singers, and became recognized as one of the highpoints of the entire tour.[134][135] Springsteen dispelled any notion of this being the final E Street Band show or the last for a long time;[87][136] in an interview near the end of the tour he said, "We're playing to an audience now that will outlive us. But at the same time the band is very, very powerful right now. And part of the reason it's powerful is that it's carrying a lot of very strong cumulative history. You come and you see 35 years of a speeding train going down the track, and you're gonna get to be on the front end of it. We look forward to many, many more years of touring and playing and enjoying it."[87]
The tour concluded with the November 22, 2009, show at
Critical and commercial reception
Newspaper reviews of the show often commented on the high level of energy and stamina the nearly 60-year-old Springsteen brought to the concerts.[66][70][74] The Atlanta Journal-Constitution and the Chicago Tribune favorably compared Springsteen to the rest of the band in this regard, saying "Some of the guys in the band look their age"[74] and "they lack the physicality, the sustained urgency of their prime."[79]
The Philadelphia Inquirer and the San Jose Mercury News both commented on the fundamental problem that Springsteen seemed to be facing on the tour. The former said "Bruce Springsteen may well have miscalculated earlier this year when he released Working on a Dream, one of the most hopeful and downright happy sounding albums of his career just as a cratering economy was rendering the songs of struggle and strife that are his stock in trade more resonant than they have sounded in years."[78] The latter said, "As Don Rumsfeld might say, you don't go on tour with the album you wish you had, you go on tour with the album you've got. So Springsteen faces the tough task of hyping a new romantic pop record while simultaneously offering hope and support to a wounded nation – not an easy task."[139] Rolling Stone voiced a similar theory.[52] Chicago Tribune critic Greg Kot wrote that "If there was a disappointment, it was that Springsteen didn’t make a stronger case for his latest album, Working on a Dream. I’m not a fan of the album, but I always look forward to how the singer reinvents his studio work on the stage. In this case, however, he barely touched the new material ..."[79] Views on one, the early-in-show, eight-minute "Outlaw Pete" – one of the few new material centerpieces – varied considerably.[67][69][79]
The
Of the European shows, critical reaction was generally quite favorable.
Of the final Giants Stadium stand, the New York Daily News said that "Wrecking Ball" was "a rousing declaration of defiance in the face of destruction", and overall said that "Once again, this proved [Springsteen] to be one of the few performers charismatic enough, and anthemic enough, to use the stadium scale to his advantage."[141] Entertainment Weekly called "Wrecking Ball" "an inspiring start to another of the marathon three-hour shows Springsteen still manages to put on night after night."[123] The New York Times said of the full performance of Born in the U.S.A. that "Springsteen sang with deeper nuance ... the songs have not faded."[122] Greg Kot of the Chicago Tribune said that while during the first leg of the tour the band had "appeared to be running on fumes", the Born to Run album performance was "easily the best Springsteen show with the E Streeters I'd seen since the '80s."[142]
Looking back on the tour as a whole, and in combination with the preceding Magic Tour, Billboard magazine cover story stated that "Even for an artist who has largely built his career on epic shows, Springsteen and the E Streeters have managed to find yet another gear at this stage in their legendary career."[87] Springsteen himself said, "With the end of these shows, we're coming to the end of a decade-long project that really was a tremendous renewal of the power, the strength and the service that our band hopefully provides."[87] Springsteen also touted the quality of the shows: "I believe if you come and see us now you're seeing the best E Street Band that's ever played."[87] Specific shows from the tour were named as among the best concerts of 2009 by Spin magazine,[143] The Philadelphia Inquirer,[144] the Pittsburgh Post-Gazette,[145] and the Chicago Tribune.[142]
Springsteen himself remained quite interested in his and the band's commercial fortunes. He said before the tour's start that remaining popular had been one of his motivations for the Super Bowl appearance: "I've said no for about 10 years or however long they've been asking, but, I tell you, we played on the last tour and there were some empty seats here and there and, well, there shouldn't be any empty seats at an E Street Band show. I hold pride that we remain one of the great wonders of the world ... so sometimes you got to remind people a little bit."[34]
Through September 2009, the Working on a Dream Tour was in the top five in grosses of 2009 tours worldwide, alongside the
Broadcasts and recordings
Several of the tour's festival appearances aired on television or radio during 2009.
One song's worth of the June 13
Portions of the June 27
In conjunction with the
In the United States, the
Several shows were filmed, but at the tour's conclusion no decisions had been made about whether to release them on DVD or other media.[87] In June 2010, London Calling: Live in Hyde Park was released: a 163-minute, near-complete Blu-ray/DVD accounting of the named show.[155]
Several shows were released as part of the Bruce Springsteen Archives:
- HSBC Arena, Buffalo, NY, 11/22/09, released December 23, 2016
- Wachovia Spectrum, Philadelphia, PA 10/20/09, released July 13, 2017
- MSG Nov 08, 2009, released June 1, 2018
- Nassau Coliseum, 05/04/09, released February 7, 2020
- ‘’MSG November 7, 2009”, released December 24, 2020.
- ’’Cleveland November 10, 2009”, released March 4, 2022.
Shows
Date | City | Country | Venue | Attendance | Revenue |
---|---|---|---|---|---|
North America[156][157] | |||||
April 1, 2009 | San Jose | United States | SAP Center | 16,713 / 17,196 | $1,535,889 |
April 3, 2009 | Glendale | Gila River Arena
|
15,433 / 15,433 | $1,377,875 | |
April 5, 2009 | Austin | Frank Erwin Center | 15,654 / 15,654 | $1,302,672 | |
April 7, 2009 | Tulsa | BOK Center | 12,382 / 12,382 | $1,039,926 | |
April 8, 2009 | Houston | Toyota Center
|
12,488 / 12,488 | $1,106,977 | |
April 10, 2009 | Denver | Pepsi Center
|
17,202 / 17,414 | $1,555,204 | |
April 15, 2009 | Los Angeles | Los Angeles Memorial Sports Arena | 31,080 / 33,094 | $2,807,010 | |
April 16, 2009 | |||||
April 21, 2009 | Boston | TD Garden | 33,035 / 33,477 | $3,006,655 | |
April 22, 2009 | |||||
April 24, 2009 | Hartford | XL Center | 15,168 / 15,168 | $1,405,050 | |
April 26, 2009 | Atlanta | Philips Arena
|
14,361 / 15,190 | $1,324,980 | |
April 28, 2009 | Philadelphia | Wachovia Spectrum
|
35,165 / 35,165 | $3,389,857 | |
April 29, 2009 | |||||
May 2, 2009 | Greensboro | Greensboro Coliseum
|
17,234 / 19,462 | $1,573,072 | |
May 4, 2009 | Uniondale | Nassau Coliseum | 16,623 / 16,623 | $1,548,658 | |
May 5, 2009 | Charlottesville | John Paul Jones Arena | 12,099 / 12,099 | $1,058,115 | |
May 7, 2009 | Toronto | Canada | Air Canada Centre
|
18,103 / 18,103 | $1,438,244 |
May 8, 2009 | University Park
|
United States | Bryce Jordan Center | 14,238 / 14,238 | $1,305,880 |
May 11, 2009 | St. Paul | Xcel Energy Center | 18,369 / 18,369 | $1,698,637 | |
May 12, 2009 | Chicago | United Center | 19,828 / 19,828 | $1,870,670 | |
May 14, 2009 | Albany | Times Union Center
|
15,096 / 15,096 | $1,377,450 | |
May 15, 2009 | Hershey | Hersheypark Stadium | 29,745 / 29,745 | $2,859,106 | |
May 18, 2009 | Washington, D.C. | Verizon Center | 17,859 / 18,261 | $1,680,376 | |
May 19, 2009 | Pittsburgh | Mellon Arena
|
16,572 / 16,881 | $1,367,577 | |
May 21, 2009 | East Rutherford | Izod Center
|
38,502 / 38,502 | $3,559,260 | |
May 23, 2009 | |||||
Europe[157][158] | |||||
May 30, 2009 | Landgraaf | Netherlands | Pinkpop Festival | 65,000 | — |
June 2, 2009 | Tampere | Finland | Ratinan Stadion
|
31,402 / 31,402 | $3,326,646 |
June 4, 2009 | Stockholm | Sweden | Stockholms Stadium | 99,024 / 99,024 | $9,877,161 |
June 5, 2009 | |||||
June 7, 2009 | |||||
June 9, 2009 | Bergen | Norway | Koengen | 47,000 / 51,000 | $4,613,805 |
June 10, 2009 | |||||
North America | |||||
June 13, 2009 | Manchester | United States | Bonnaroo Festival | 75,000 | — |
Europe[158][159] | |||||
June 27, 2009 | Glastonbury | England | Glastonbury Festival | 130,000 | — |
June 28, 2009 | London | Hard Rock Calling
|
50,000 | ||
June 30, 2009 | Bern | Switzerland | Stade de Suisse
|
36,538 / 36,538 | $3,816,416 |
July 2, 2009 | Munich | Germany | Olympiastadion | 39,896 / 44,186 | $3,723,108 |
July 3, 2009 | Frankfurt | Commerzbank Arena
|
40,471 / 40,471 | $3,765,940 | |
July 5, 2009 | Vienna | Austria | Ernst Happel Stadion
|
37,798 / 42,380 | $3,324,987 |
July 8, 2009 | Herning | Denmark | MCH Outdoor Arena
|
49,947 / 49,947 | $4,770,172 |
July 11, 2009 | Dublin | Ireland | RDS Arena | 80,428 / 80,428 | $8,760,349 |
July 12, 2009 | |||||
July 14, 2009 | Glasgow | Scotland | Hampden Park | 50,544 / 50,544 | $4,378,752 |
July 16, 2009 | Carhaix
|
France | Festival des Vieilles Charrues | — | — |
July 19, 2009 | Rome | Italy | Stadio Olimpico | 37,834 / 42,479 | $2,944,904 |
July 21, 2009 | Torino
|
Stadio Olimpico di Torino
|
32,774 / 32,774 | $2,639,310 | |
July 23, 2009 | Udine | Stadio Friuli | 28,356 / 28,356 | $2,104,035 | |
July 26, 2009 | Bilbao | Spain | San Mames Stadium | 36,318 / 36,935 | $3,409,189 |
July 28, 2009 | Sevilla
|
La Cartuja Olimpic Stadium
|
24,030 / 36,724 | $2,204,863 | |
July 30, 2009 | Benidorm | Estadio Municipal de Foietes
|
19,629 / 34,150 | $1,722,842 | |
August 1, 2009 | Valladolid | Estadio Jose Zorrilla
|
30,893 / 34,000 | $3,040,354 | |
August 2, 2009 | Compostela | Auditorio Monte do Gozo | 36,502 / 36,502 | $3,381,498 | |
North America[160] | |||||
August 19, 2009 | Hartford | United States | Xfinity Theatre | 15,745 / 24,729 | $950,865 |
August 22, 2009 | Mansfield | Xfinity Center | 31,842 / 39,800 | $2,546,748 | |
August 23, 2009 | |||||
August 25, 2009 | Saratoga Springs | Saratoga Performing Arts Center | 17,682 / 25,559 | $1,047,945 | |
September 12, 2009 | Tampa | MidFlorida Credit Union Amphitheatre | 13,763 / 19,144 | $1,011,698 | |
September 13, 2009 | Sunrise | BB&T Center
|
11,586 / 13,836 | $1,049,482 | |
September 16, 2009 | Greenville | Bon Secours Wellness Arena | 10,281 / 10,938 | $831,990 | |
September 20, 2009 | Chicago | United Center | 18,249 / 18,249 | $1,739,826 | |
September 21, 2009 | Des Moines | Wells Fargo Arena | 8,451 / 15,448 | $678,928 | |
September 30, 2009 | East Rutherford | Giants Stadium | 260,668 / 270,388 | $22,570,336 | |
October 2, 2009 | |||||
October 3, 2009 | |||||
October 8, 2009 | |||||
October 9, 2009 | |||||
October 13, 2009 | Philadelphia | Wachovia Spectrum | 60,416 / 65,120 | $5,972,428 | |
October 14, 2009 | |||||
October 19, 2009 | |||||
October 20, 2009 | |||||
October 25, 2009 | St. Louis | Scottrade Center
|
11,178 / 15,048 | $847,038 | |
November 2, 2009 | Washington, D.C. | Verizon Center | 17,545 / 17,545 | $1,653,329 | |
November 3, 2009 | Charlotte | Time Warner Cable Arena
|
12,385 / 16,197 | $855,357 | |
November 7, 2009 | New York City | Madison Square Garden | 37,064 / 37,064 | $3,459,026 | |
November 8, 2009 | |||||
November 10, 2009 | Cleveland | Quicken Loans Arena
|
16,232 / 17,261 | $1,426,330 | |
November 13, 2009 | Auburn Hills | The Palace of Auburn Hills | 15,170 / 19,431 | $1,169,764 | |
November 15, 2009 | Milwaukee | Bradley Center | — | — | |
November 18, 2009 | Nashville | Bridgestone Arena | 11,044 / 14,297 | $929,165 | |
November 20, 2009 | Baltimore | Royal Farms Arena
|
14,679 / 14,679 | $1,295,766 | |
November 22, 2009 | Buffalo | HSBC Arena
|
18,665 / 18,665 | $1,489,441 | |
Total | 1,812,978 / 1,939,106 | $162,518,933 |
Cancelled shows
Date | City | Country | Venue | Reason |
---|---|---|---|---|
October 26, 2009 | Kansas City | United States | Sprint Center
|
Death in family[27] |
Personnel
- The E Street Band
- Roy Bittan – piano, synthesizer, accordion
- Nils Lofgren – rhythm guitar, lead guitar, pedal steel guitar, acoustic guitar, accordion, background vocals
- duet vocals, acoustic guitar, occasional tambourine
- Garry Tallent – bass guitar, rare background vocals, rare tuba
- lead vocal
- Max Weinberg – drums, rare tambourine
- electronic glockenspiel, rare piano, occasional background vocals
- percussion, background vocals
- Jay Weinberg – drums
- Curtis King Jr. – background vocals and tambourine
- Cindy Mizelle – background vocals and tambourine
- Curt Ramm – trumpet
Scialfa missed some shows on the first leg due to injuries received from falling off her horse,
References
- ^ a b c "Best of 2009: Top 25 Tours". Billboard. Archived from the original on 2013-02-02. Retrieved 2009-12-13.
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{{cite magazine}}
: Unknown parameter|agency=
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- ^ from the original on March 14, 2024. Retrieved December 7, 2014.
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- "Billboard Boxscore — Concert Grosses". Billboard. Vol. 121, no. 29. July 25, 2009. p. 40. ISSN 0006-2510. Retrieved December 7, 2014.
- "Billboard Boxscore — Concert Grosses". Billboard. Vol. 121, no. 30. August 1, 2009. p. 8. from the original on March 14, 2024. Retrieved December 7, 2014.
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- "Billboard Boxscore — Concert Grosses". Billboard. Vol. 121, no. 29. July 25, 2009. p. 40.
- ^ North American box score:
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