Australian folk music

Source: Wikipedia, the free encyclopedia.
See also:
Indigenous Australian music

Cover to Banjo Paterson's seminal 1905 collection of bush ballads, entitled The Old Bush Songs

Australian folk music is the

traditional music from the large variety of immigrant cultures and those of the original Australian inhabitants
.

Scandinavian
folk traditions predominated in the first wave of European immigrant music. The Australian tradition is, in this sense, related to the traditions of other countries with similar ethnic, historical and political origins, such as New Zealand, Canada and the United States.

Bush music

The Old Gum Tree-O, a three-piece bush band based in Adelaide, South Australia
See also: Bush band and Bush dance

For much of its history, Australia's bush music belonged to an oral and folkloric tradition, and was only later published in print in volumes such as

Click Go The Shears, The Eumeralla Shore, The Drover's Dream, The Queensland Drover, The Dying Stockman and Moreton Bay.[2]

Later themes which endure to the present include the experiences of war, of droughts and flooding rains, of

Australian bush
has been another theme.

Waltzing Matilda, often regarded as Australia's unofficial national anthem, is a quintessential Australian folk song, influenced by Celtic folk ballads.

Country and folk artists such as

Margaret Roadknight, The Bushwackers and John Schumann of the band Redgum and country artists like Tex Morton, Slim Dusty and John Williamson have continued to record and popularise the old bush ballads of Australia through the 20th and into the 21st century – and contemporary country artists including Sara Storer and Lee Kernaghan
draw heavily on this heritage.

A number of British singers have spent periods in Australia and have included Australian material in their repertoires, e.g. A. L. Lloyd, Martyn Wyndham-Read, Eric Bogle and

Notable Australian exponents of the folk revival movement included both European immigrants such as

Indigenous Australian music influenced the development of Australian country music and particularly after the folk revival, Australian folk music.[citation needed
]

Folk rock

In the 1960s and the 1970s, Australian Folk Rock brought both familiar and less familiar traditional songs, as well as new compositions, to live venues and the airwaves. Notable artists include

I Was Only Nineteen
", which peaked at #1 on the National singles charts.

The Australian indigenous tradition brought to this mix novel elements, including new instruments, some of which are now internationally familiar, such as the

Alternative Music
.

History

Music of the convict era

European settlement of Australia began with the

convicts from Great Britain. These convicts brought songs with them which were rapidly adapted to Australian conditions. Songs such as Moreton Bay based on the Irish song Boolavogue
described the sufferings of the convicts.

The most notable songwriter of this era was Frank Macnamara, better known as Frank the Poet, author of such well known songs as Bold Jack Donahue, which developed into The Wild Colonial Boy.

The convict tradition also came to include songs popular in the English

music halls, such as Botany Bay, and broadsheet ballads such as The Black Velvet Band
.

19th century

In the century following European settlement of Australia, a musical tradition developed in the bush, particularly among itinerant workers such as shearers. As in the convict era, most bush music was made by setting new words to well-known traditional or popular songs. The Bulletin, known as the 'Bushman's bible' played a prominent role in publishing and popularising new songs.

1900–1950

As in other countries, the spread of recorded music and the arrival of radio spelt the end of Australian bush music in its traditional form. American country music largely displaced traditional Australian music in the bush. However, traditional dance music proved more durable and retains a considerable number of adherents.

1951–2000

New Theatre (Sydney)[3] and most recently produced in 2002.[citation needed] Written by Dick Diamond, the musical featured twelve or so Australian songs, which included Doreen Jacobs' setting of Helen Palmer's "Ballad of 1891", as well as the title song, Chris Kempster's setting of Lawson's "Reedy River". The backing band for this popular stage production was "The Bushwhackers", who had formed a year earlier in 1952. As the musical was performed in Brisbane and other Australian cities, local "bush bands" modeled on the Sydney group, such as Brisbane's "The Moreton Bay Bushwhackers" featuring Stan Arthur and Bill Scott
, sprang up in each place; many of these remained together following the closing of the musical, and spawned other, similar groups.

This traditional period was superseded by a revival of folk music that featured more contemporary forms. The Australian band The Seekers emerged in 1963 and blended traditional music, and Lionel Long, with contemporary folk music and pop, an illustration of the rapid evolution and diversification of folk music that took place in the mid-1960s. In Brisbane, from 1962 until it closed in 1977, the Folk Centre (renting facilities on Ann Street, adjacent to the People's Palace hotel) served as a crucible for both established and emerging artists. Stan and Kathy Arthur ran it, and the Wayfarers (Stan Arthur, Garry Tooth, Bob Stewart & Alistair Frazer) were the mainstay of the venue;[4] while emerging local groups included the Wildwood Trio and the Babayaga Trio.[5][6][7] In Perth, W.A. in the early 70's, Stan Hastings ran a popular folk club called The Stables (a music venue in Malcolm Street) where Stan and his son Greg were instrumental in starting a Bush Band – Mucky Duck Bush Band. The 'Duck' turned professional in 1974, taking Australian bush music to many regional areas of W.A. Greg Hastings left the band in '79 to go solo and the band has kept going, with numerous different members throughout the years.

Folk music lost popularity in mainstream culture with the creation of rock music and its popularity among the younger generations of the time.

2001-Present

Greg Hastings at the Moondyne Festival 2013

There has been somewhat of a revival of Australian folk music in recent years with many folk bands and musicians becoming quite successful. For example, Geoffrey Gurrumul Yunupingu whose debut album Gurrumul was nominated for four ARIA awards and reached 2× Platinum. Other Bands such as Angus & Julia Stone or Boy & Bear have also heavily drawn on folk influences.

Known internationally, were the Bushwackers (spelt without the "h" as in the earlier Bushwhackers Band of the 1950s), who formed in Melbourne and were active from the early 1970s to 1984. Their style was infused with Celtic music (i.e. reels and jigs) to a greater extent than previous bush bands, and they used an electric bass guitar in place of the more traditional bush bass. The period leading up to and following Australia's Bicentenary, 1988, saw a marked resurgence in bush music and bush dances that lasted for many years.

Many bands also bearing the rock influence and adding original music rode this Australiana wave. Examples are the Ants Bush Band, Eureka!, Rantan Bush Band and Bullamakanka. Few bands formed in the 1980s survive to this day. One exception, while seeing many player changes over the years, is Currency Lads (Sydney), which still performs regularly (2009). Brisbane's Rantan Bush Band, formed in 1977, continues to perform commercially on at least a weekly basis (2010) and still has three of its original line-up.

In recent years the emergence of bands such as The Currency (Melbourne), The Handsome Young Strangers (Sydney) and Sydney City Trash (Sydney) has moved bush music into rock and roll venues and major festival stages, with a blended style that includes rock drums and guitars whilst combining with Celtic influences. The Handsome Young Strangers lean more towards the traditional style of bands such as The Bushwackers, whilst The Currency and Sydney City Trash incorporate both punk and Celtic styles. Rantan Bush Band has maintained a folk/country blend as its trademark and performs both traditional Australian songs as well as Australian country music and a supporting repertoire of regular pop and rock music for dancing.

Bush bands play music for

folk revival
in the 1950s. Contemporary dances, composed in the traditional style, are also featured at bush dances.

See also

Notes

  1. ^ Wallis and Matilda
  2. ^ Bush songs and music – Australia's Culture Portal Archived 6 April 2011 at the Wayback Machine. Cultureandrecreation.gov.au. Retrieved on 2011-04-14.
  3. ^ Reedy river [music]: the songs from the Australian musical drama / by Dick Diamond
  4. ^ The Folk Rag. Stan Arthur – an oldie but goodie. [1] accessed March 7, 2015
  5. ^ Malcolm J Turnbull. The early years of the folk revival in Brisbane (cont). "Early Brisbane 2 | Warrenfahey". Archived from the original on 2 April 2015. Retrieved 2015-03-10.
  6. ^ Lucifer Canon. What a Crazy World We're Living In, Two Bellies. An Impromptu Pairing......Wildwood Trio (rep. Bob) and Babayaga (rep. Ray) Uploaded Nov 19, 2010 https://www.youtube.com/watch?v=3VDzGLDMG1Y
  7. ^ Brisbane Folk History Project – preserving the folk history of southeast Queensland. https://www.youtube.com/watch?v=Rc_rHc-uL68

References

External links
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